DRAMATURGIA EM DIÁLOGO: MECANISMOS INTERTEXTUAIS ENTRE CATO A TRAGEDY IN FIVE ACTS, DE JOSEPH ADDISON, E CATÃO, DE ALMEIDA GARRETT

Detalhes bibliográficos
Autor(a) principal: CARVALHO, CAROLINA FILIPAKI DE
Data de Publicação: 2017
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações do UNICENTRO
Texto Completo: http://tede.unicentro.br:8080/jspui/handle/jspui/894
Resumo: This research aims to analyze the intertextual relations between the homonymous literary oeuvre Cato, published by Joseph Addison, in 1713, in England, and Almeida Garrett, in 1822, in Portugal. The Portuguese writer admitted that he was inspired by the English work to conceive his own. Therefore, it was investigated in this dissertation the factors that approximate the two dramas in an intertextual perspective, which is based on the studies of Kristeva (1969), Bouché (1974), Genette (1982), Sant'Anna (1985) and Hutcheon (1991), among other scholars. The theoretical framework raises questions related to Comparative Literature, through the approach addressed by Nitrini (2000) and Carvalhal (2010). The comparison between the texts revealed that the two authors were socially engaged and that the plays were written with the intention to promote the allegory of the political moments experienced by the authors in their own countries. It was concluded that the play written by Garrett, for its intertextual dialogue with the intention of emulating Addison’s play, is a stylization of the English drama. In addition to the usual intertextual mechanisms, like the citation and allusion, five mechanisms described by Bouché (1974), as characteristic of the parody, were found in the stylized text and received a new nomenclature: stylizing paraphrasic addition; stylizing translocution; stylizing suppression; stylizing suppressive translocution and stylizing suppressive fragmentation.
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spelling Silva, Edson Santoshttp://lattes.cnpq.br/2855415041274093048.301.109-61http://lattes.cnpq.br/3638443094234490CARVALHO, CAROLINA FILIPAKI DE2018-11-26T12:45:55Z2017-09-20CARVALHO, CAROLINA FILIPAKI DE. DRAMATURGIA EM DIÁLOGO: MECANISMOS INTERTEXTUAIS ENTRE CATO A TRAGEDY IN FIVE ACTS, DE JOSEPH ADDISON, E CATÃO, DE ALMEIDA GARRETT. 2017. 136 f. Dissertação (Programa de Pós-Graduação em Letras - Mestrado) - Universidade Estadual do Centro-Oeste, Guarapuava - PR.http://tede.unicentro.br:8080/jspui/handle/jspui/894This research aims to analyze the intertextual relations between the homonymous literary oeuvre Cato, published by Joseph Addison, in 1713, in England, and Almeida Garrett, in 1822, in Portugal. The Portuguese writer admitted that he was inspired by the English work to conceive his own. Therefore, it was investigated in this dissertation the factors that approximate the two dramas in an intertextual perspective, which is based on the studies of Kristeva (1969), Bouché (1974), Genette (1982), Sant'Anna (1985) and Hutcheon (1991), among other scholars. The theoretical framework raises questions related to Comparative Literature, through the approach addressed by Nitrini (2000) and Carvalhal (2010). The comparison between the texts revealed that the two authors were socially engaged and that the plays were written with the intention to promote the allegory of the political moments experienced by the authors in their own countries. It was concluded that the play written by Garrett, for its intertextual dialogue with the intention of emulating Addison’s play, is a stylization of the English drama. In addition to the usual intertextual mechanisms, like the citation and allusion, five mechanisms described by Bouché (1974), as characteristic of the parody, were found in the stylized text and received a new nomenclature: stylizing paraphrasic addition; stylizing translocution; stylizing suppression; stylizing suppressive translocution and stylizing suppressive fragmentation.Esta pesquisa propõe a análise das relações intertextuais entre as obras homônimas Catão, publicada por Joseph Addison, em 1713, na Inglaterra, e Almeida Garrett, em 1822, em Portugal. O escritor português admitiu ter se inspirado na obra inglesa para conceber a sua. Diante disso, foram investigados nesta dissertação os fatores que aproximam os dois dramas numa perspectiva intertextual, a qual encontra sua base teórica em Kristeva (1969), Bouché (1974), Genette (1982), Sant’Anna (1985) e Hutcheon (1991), dentre outros estudiosos. O arcabouço teórico traz à baila questões relacionadas à Literatura Comparada, pelo viés abordado por Nitrini (2000) e Carvalhal (2010). A comparação entre os textos revelou que os dois autores eram engajados e que as peças foram escritas com o intuito de promover a alegoria dos momentos políticos vivenciados pelos autores em seus países. Concluiu-se que a peça garrettiana, por travar um diálogo intertextual com a intenção de emular o texto addisoniano, é uma estilização do drama inglês. Além dos mecanismos intertextuais usuais, a exemplo da citação e alusão, cinco mecanismos descritos por Bouché (1974), como característicos da paródia, foram encontrados no texto estilizado e receberam uma nova nomenclatura: acréscimo parafrásico estilizador; translocução estilizadora; supressão estilizadora; translocução supressiva estilizadora e fragmentação supressiva estilizadora.Submitted by Fabiano Jucá (fjuca@unicentro.br) on 2018-11-26T12:45:55Z No. of bitstreams: 1 Dissertação - Carolina Filipaki de Carvalho.pdf: 1384176 bytes, checksum: f1b6fb2a93c03f36c08294656ff4ae16 (MD5)Made available in DSpace on 2018-11-26T12:45:55Z (GMT). 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dc.title.por.fl_str_mv DRAMATURGIA EM DIÁLOGO: MECANISMOS INTERTEXTUAIS ENTRE CATO A TRAGEDY IN FIVE ACTS, DE JOSEPH ADDISON, E CATÃO, DE ALMEIDA GARRETT
title DRAMATURGIA EM DIÁLOGO: MECANISMOS INTERTEXTUAIS ENTRE CATO A TRAGEDY IN FIVE ACTS, DE JOSEPH ADDISON, E CATÃO, DE ALMEIDA GARRETT
spellingShingle DRAMATURGIA EM DIÁLOGO: MECANISMOS INTERTEXTUAIS ENTRE CATO A TRAGEDY IN FIVE ACTS, DE JOSEPH ADDISON, E CATÃO, DE ALMEIDA GARRETT
CARVALHO, CAROLINA FILIPAKI DE
Dramaturgia
Translocução
Mecanismos Intertextuais
Intertextualidade
Dramaturgy
Translocution
Intertextual Mechanisms
Intertextuality
LINGUISTICA, LETRAS E ARTES
title_short DRAMATURGIA EM DIÁLOGO: MECANISMOS INTERTEXTUAIS ENTRE CATO A TRAGEDY IN FIVE ACTS, DE JOSEPH ADDISON, E CATÃO, DE ALMEIDA GARRETT
title_full DRAMATURGIA EM DIÁLOGO: MECANISMOS INTERTEXTUAIS ENTRE CATO A TRAGEDY IN FIVE ACTS, DE JOSEPH ADDISON, E CATÃO, DE ALMEIDA GARRETT
title_fullStr DRAMATURGIA EM DIÁLOGO: MECANISMOS INTERTEXTUAIS ENTRE CATO A TRAGEDY IN FIVE ACTS, DE JOSEPH ADDISON, E CATÃO, DE ALMEIDA GARRETT
title_full_unstemmed DRAMATURGIA EM DIÁLOGO: MECANISMOS INTERTEXTUAIS ENTRE CATO A TRAGEDY IN FIVE ACTS, DE JOSEPH ADDISON, E CATÃO, DE ALMEIDA GARRETT
title_sort DRAMATURGIA EM DIÁLOGO: MECANISMOS INTERTEXTUAIS ENTRE CATO A TRAGEDY IN FIVE ACTS, DE JOSEPH ADDISON, E CATÃO, DE ALMEIDA GARRETT
author CARVALHO, CAROLINA FILIPAKI DE
author_facet CARVALHO, CAROLINA FILIPAKI DE
author_role author
dc.contributor.advisor1.fl_str_mv Silva, Edson Santos
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/2855415041274093
dc.contributor.authorID.fl_str_mv 048.301.109-61
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/3638443094234490
dc.contributor.author.fl_str_mv CARVALHO, CAROLINA FILIPAKI DE
contributor_str_mv Silva, Edson Santos
dc.subject.por.fl_str_mv Dramaturgia
Translocução
Mecanismos Intertextuais
Intertextualidade
topic Dramaturgia
Translocução
Mecanismos Intertextuais
Intertextualidade
Dramaturgy
Translocution
Intertextual Mechanisms
Intertextuality
LINGUISTICA, LETRAS E ARTES
dc.subject.eng.fl_str_mv Dramaturgy
Translocution
Intertextual Mechanisms
Intertextuality
dc.subject.cnpq.fl_str_mv LINGUISTICA, LETRAS E ARTES
description This research aims to analyze the intertextual relations between the homonymous literary oeuvre Cato, published by Joseph Addison, in 1713, in England, and Almeida Garrett, in 1822, in Portugal. The Portuguese writer admitted that he was inspired by the English work to conceive his own. Therefore, it was investigated in this dissertation the factors that approximate the two dramas in an intertextual perspective, which is based on the studies of Kristeva (1969), Bouché (1974), Genette (1982), Sant'Anna (1985) and Hutcheon (1991), among other scholars. The theoretical framework raises questions related to Comparative Literature, through the approach addressed by Nitrini (2000) and Carvalhal (2010). The comparison between the texts revealed that the two authors were socially engaged and that the plays were written with the intention to promote the allegory of the political moments experienced by the authors in their own countries. It was concluded that the play written by Garrett, for its intertextual dialogue with the intention of emulating Addison’s play, is a stylization of the English drama. In addition to the usual intertextual mechanisms, like the citation and allusion, five mechanisms described by Bouché (1974), as characteristic of the parody, were found in the stylized text and received a new nomenclature: stylizing paraphrasic addition; stylizing translocution; stylizing suppression; stylizing suppressive translocution and stylizing suppressive fragmentation.
publishDate 2017
dc.date.issued.fl_str_mv 2017-09-20
dc.date.accessioned.fl_str_mv 2018-11-26T12:45:55Z
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dc.identifier.citation.fl_str_mv CARVALHO, CAROLINA FILIPAKI DE. DRAMATURGIA EM DIÁLOGO: MECANISMOS INTERTEXTUAIS ENTRE CATO A TRAGEDY IN FIVE ACTS, DE JOSEPH ADDISON, E CATÃO, DE ALMEIDA GARRETT. 2017. 136 f. Dissertação (Programa de Pós-Graduação em Letras - Mestrado) - Universidade Estadual do Centro-Oeste, Guarapuava - PR.
dc.identifier.uri.fl_str_mv http://tede.unicentro.br:8080/jspui/handle/jspui/894
identifier_str_mv CARVALHO, CAROLINA FILIPAKI DE. DRAMATURGIA EM DIÁLOGO: MECANISMOS INTERTEXTUAIS ENTRE CATO A TRAGEDY IN FIVE ACTS, DE JOSEPH ADDISON, E CATÃO, DE ALMEIDA GARRETT. 2017. 136 f. Dissertação (Programa de Pós-Graduação em Letras - Mestrado) - Universidade Estadual do Centro-Oeste, Guarapuava - PR.
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