Capoeira and scenography: possible dialogues through space
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Urdimento (Online) |
Texto Completo: | https://www.revistas.udesc.br/index.php/urdimento/article/view/17905 |
Resumo: | Based on questions raised by the analysis of a typical Brazilian cultural manifestation, capoeira, some conceptual operators are listed in order to understand how the scenic space is currently characterized. It was taken as a hypothesis that the contemporary performance design seeks to investigate several ways that define the relationship between action and reception, which directly influence the creation of scenic spatiality. This paradigm shift, which is evidenced with the help of capoeira analysis, affects the very idea of scenography: this becomes a spatial practice that is currently practiced in order to catalyze flows and encode the bodies and movements of those who involve in the scenic event. |
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Capoeira and scenography: possible dialogues through spaceCapoeira e cenografia: diálogos possíveis pelo espaçoCenografiaConfiguração espacialCapoeiraPerformanceDesignScenographySpatial configurationCapoeiraPerformanceDesignBased on questions raised by the analysis of a typical Brazilian cultural manifestation, capoeira, some conceptual operators are listed in order to understand how the scenic space is currently characterized. It was taken as a hypothesis that the contemporary performance design seeks to investigate several ways that define the relationship between action and reception, which directly influence the creation of scenic spatiality. This paradigm shift, which is evidenced with the help of capoeira analysis, affects the very idea of scenography: this becomes a spatial practice that is currently practiced in order to catalyze flows and encode the bodies and movements of those who involve in the scenic event.A partir de questões suscitadas pela análise de uma manifestação cultural tipicamente brasileira, a capoeira, alguns operadores conceituais são elencados no intuito de compreender como o espaço cênico caracteriza-se atualmente. Tomou-se como hipótese que o design do espaço da performance contemporânea busca investigar diversos modos que definem as relações entre ação e recepção, os quais influem diretamente na criação da espacialidade cênica. Essa mudança de paradigma, que é evidenciada com o auxílio da análise da capoeira, afeta a própria ideia de cenografia: esta se torna uma prática espacial que é praticada, atualmente, de modo a catalisar fluxos e codificar os corpos e os movimentos daqueles que se envolvem no evento cênico.Universidade do Estado de Santa Catarina (UDESC)2020-09-24info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/urdimento/article/view/1790510.5965/14145731023820200005Urdimento; Vol. 2 Núm. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana; 1-26Urdimento - Revista de Estudos em Artes Cênicas; v. 2 n. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana; 1-26Urdimento - Revista de Estudos em Artes Cênicas; Vol. 2 No. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana; 1-262358-695810.5965/1414573102382020reponame:Urdimento (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/urdimento/article/view/17905/11938Copyright (c) 2020 Urdimento - Revista de Estudos em Artes Cênicashttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessRodrigues, Cristiano Cezarino2020-09-27T02:15:50Zoai:ojs.revistas.udesc.br:article/17905Revistahttps://www.revistas.udesc.br/index.php/urdimentoPUBhttps://www.revistas.udesc.br/index.php/urdimento/oaiverareginacollaco@gmail.com2358-69581414-5731opendoar:2020-09-27T02:15:50Urdimento (Online) - Universidade do Estado de Santa Catarina (UDESC)false |
dc.title.none.fl_str_mv |
Capoeira and scenography: possible dialogues through space Capoeira e cenografia: diálogos possíveis pelo espaço |
title |
Capoeira and scenography: possible dialogues through space |
spellingShingle |
Capoeira and scenography: possible dialogues through space Rodrigues, Cristiano Cezarino Cenografia Configuração espacial Capoeira Performance Design Scenography Spatial configuration Capoeira Performance Design |
title_short |
Capoeira and scenography: possible dialogues through space |
title_full |
Capoeira and scenography: possible dialogues through space |
title_fullStr |
Capoeira and scenography: possible dialogues through space |
title_full_unstemmed |
Capoeira and scenography: possible dialogues through space |
title_sort |
Capoeira and scenography: possible dialogues through space |
author |
Rodrigues, Cristiano Cezarino |
author_facet |
Rodrigues, Cristiano Cezarino |
author_role |
author |
dc.contributor.author.fl_str_mv |
Rodrigues, Cristiano Cezarino |
dc.subject.por.fl_str_mv |
Cenografia Configuração espacial Capoeira Performance Design Scenography Spatial configuration Capoeira Performance Design |
topic |
Cenografia Configuração espacial Capoeira Performance Design Scenography Spatial configuration Capoeira Performance Design |
description |
Based on questions raised by the analysis of a typical Brazilian cultural manifestation, capoeira, some conceptual operators are listed in order to understand how the scenic space is currently characterized. It was taken as a hypothesis that the contemporary performance design seeks to investigate several ways that define the relationship between action and reception, which directly influence the creation of scenic spatiality. This paradigm shift, which is evidenced with the help of capoeira analysis, affects the very idea of scenography: this becomes a spatial practice that is currently practiced in order to catalyze flows and encode the bodies and movements of those who involve in the scenic event. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-09-24 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.udesc.br/index.php/urdimento/article/view/17905 10.5965/14145731023820200005 |
url |
https://www.revistas.udesc.br/index.php/urdimento/article/view/17905 |
identifier_str_mv |
10.5965/14145731023820200005 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.udesc.br/index.php/urdimento/article/view/17905/11938 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Urdimento - Revista de Estudos em Artes Cênicas https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Urdimento - Revista de Estudos em Artes Cênicas https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina (UDESC) |
publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina (UDESC) |
dc.source.none.fl_str_mv |
Urdimento; Vol. 2 Núm. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana; 1-26 Urdimento - Revista de Estudos em Artes Cênicas; v. 2 n. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana; 1-26 Urdimento - Revista de Estudos em Artes Cênicas; Vol. 2 No. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana; 1-26 2358-6958 10.5965/1414573102382020 reponame:Urdimento (Online) instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
instname_str |
Universidade do Estado de Santa Catarina (UDESC) |
instacron_str |
UDESC |
institution |
UDESC |
reponame_str |
Urdimento (Online) |
collection |
Urdimento (Online) |
repository.name.fl_str_mv |
Urdimento (Online) - Universidade do Estado de Santa Catarina (UDESC) |
repository.mail.fl_str_mv |
verareginacollaco@gmail.com |
_version_ |
1798042506378608640 |