My backyard is the world: Space, Body, Affection and Dramaturgy in All About That Bass

Detalhes bibliográficos
Autor(a) principal: Fernandes Júnior, Aroldo Santos
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
Título da fonte: Urdimento (Online)
Texto Completo: https://www.revistas.udesc.br/index.php/urdimento/article/view/17816
Resumo: This text is a theoretical essay that starts from concerns about the video performance All about that bass produced by the artist Royce Cherdan Lee, also known as Chubbeyoncé Lee. The video performance was inspired by the original music video of the same title, by the American singer Meghan Trainor. It aims to reflect on issues related to space, body and affection as dramaturgical dimensions in audiovisual productions posted on the YouTube digital platform, based on concepts such as: Exotopy; Heterotopia; Space Dramaturgy; Corpomidia and Spreadable Media; to expose understanding of knowledge, subjectivities and the scenic and social interventions related to that video performance to create an evocative nature of text that is metonymic, subjective, nervous and citatory. For such purposes, Performative Writing is used as a mode to perform writing. In All about that bass the backyard, the bodies that inhabit it and the affection that generate actions are the points of interest of this essay.
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spelling My backyard is the world: Space, Body, Affection and Dramaturgy in All About That BassMi patio es el mundo: Espacio, Cuerpo, Afecto y Dramaturgia en All About That BassMeu quintal de casa é o mundo: Espaço, Corpo, Afeto e Dramaturgia em All About That BassCorpoAfetoEspaçoDramaturgiaMídiaBodyAffectionSpaceDramaturgyMediaCuerpoAfectoEspacioDramaturgiaMedios de comunicaciónThis text is a theoretical essay that starts from concerns about the video performance All about that bass produced by the artist Royce Cherdan Lee, also known as Chubbeyoncé Lee. The video performance was inspired by the original music video of the same title, by the American singer Meghan Trainor. It aims to reflect on issues related to space, body and affection as dramaturgical dimensions in audiovisual productions posted on the YouTube digital platform, based on concepts such as: Exotopy; Heterotopia; Space Dramaturgy; Corpomidia and Spreadable Media; to expose understanding of knowledge, subjectivities and the scenic and social interventions related to that video performance to create an evocative nature of text that is metonymic, subjective, nervous and citatory. For such purposes, Performative Writing is used as a mode to perform writing. In All about that bass the backyard, the bodies that inhabit it and the affection that generate actions are the points of interest of this essay.Este texto es un ensayo teórico que parte de las inquietudes sobre la videoperformance All about that bass producido por el artista Royce Cherdan Lee, también conocido como Chubbeyoncé Lee. La videoperformance se inspiró en el video original del mismo título, de la cantante estadounidense Meghan Trainor. Sus objetivos son reflejar cuestiones relacionadas con el espacio, el cuerpo y el afecto como dimensiones dramatúrgicas en producciones audiovisuales publicadas en la plataforma digital de YouTube, basadas en conceptos como: Exotopia; Heterotopia; Dramaturgia Espacial; Corpomídia  y Propagable Media; exponer la comprensión del conocimiento, las subjetividades y las intervenciones escénicas y sociales relacionadas con la videoperformance, para crear un texto de naturaleza evocativa, metonímica, subjetiva, nerviosa y citativa. Para tales propósitos, la Escritura Performativa se usa como una forma de escribir. En All about that bass el patio, los cuerpos que lo habitan y el afecto que generan las acciones son los puntos de interés de este ensayo.Este texto é um ensaio teórico que parte de inquietações sobre a videoperformance All about that bass produzida pelo artista Royce Cherdan Lee, também conhecido como Chubbeyoncé Lee. A videoperformance foi inspirada pelo videoclipe original de mesmo título, da cantora norte americana Meghan Trainor. Tem por objetivos refletir questões relacionadas ao espaço, ao corpo e ao afeto enquanto dimensões dramatúrgicas em produções audiovisuais postadas na plataforma digital do YouTube, a partir de conceitos como: Exotopia; Heterotopia; Dramaturgia do Espaço; Corpomídia e Mídia Propagável; expor  a compreensão dos conhecimentos, das subjetividades e das intervenções cênicas e sociais relativas a essa videoperformance para criar um texto de natureza evocativa, metonímica, subjetiva, nervosa e citatória. Para tais objetivos faz-se uso da Escrita Performativa enquanto modo de realizar a escrita. Em All about that bass o quintal, os corpos que o habitam e o afeto que geram as ações são os pontos de interesse desse ensaio.Universidade do Estado de Santa Catarina (UDESC)2020-09-24info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelo paresapplication/pdfhttps://www.revistas.udesc.br/index.php/urdimento/article/view/1781610.5965/14145731023820200028Urdimento; Vol. 2 Núm. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana; 1-18Urdimento - Revista de Estudos em Artes Cênicas; v. 2 n. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana; 1-18Urdimento - Revista de Estudos em Artes Cênicas; Vol. 2 No. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana; 1-182358-695810.5965/1414573102382020reponame:Urdimento (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/urdimento/article/view/17816/11959Copyright (c) 2020 Urdimento - Revista de Estudos em Artes Cênicashttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessFernandes Júnior, Aroldo Santos2020-09-27T02:15:50Zoai:ojs.revistas.udesc.br:article/17816Revistahttps://www.revistas.udesc.br/index.php/urdimentoPUBhttps://www.revistas.udesc.br/index.php/urdimento/oaiverareginacollaco@gmail.com2358-69581414-5731opendoar:2020-09-27T02:15:50Urdimento (Online) - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv My backyard is the world: Space, Body, Affection and Dramaturgy in All About That Bass
Mi patio es el mundo: Espacio, Cuerpo, Afecto y Dramaturgia en All About That Bass
Meu quintal de casa é o mundo: Espaço, Corpo, Afeto e Dramaturgia em All About That Bass
title My backyard is the world: Space, Body, Affection and Dramaturgy in All About That Bass
spellingShingle My backyard is the world: Space, Body, Affection and Dramaturgy in All About That Bass
Fernandes Júnior, Aroldo Santos
Corpo
Afeto
Espaço
Dramaturgia
Mídia
Body
Affection
Space
Dramaturgy
Media
Cuerpo
Afecto
Espacio
Dramaturgia
Medios de comunicación
title_short My backyard is the world: Space, Body, Affection and Dramaturgy in All About That Bass
title_full My backyard is the world: Space, Body, Affection and Dramaturgy in All About That Bass
title_fullStr My backyard is the world: Space, Body, Affection and Dramaturgy in All About That Bass
title_full_unstemmed My backyard is the world: Space, Body, Affection and Dramaturgy in All About That Bass
title_sort My backyard is the world: Space, Body, Affection and Dramaturgy in All About That Bass
author Fernandes Júnior, Aroldo Santos
author_facet Fernandes Júnior, Aroldo Santos
author_role author
dc.contributor.author.fl_str_mv Fernandes Júnior, Aroldo Santos
dc.subject.por.fl_str_mv Corpo
Afeto
Espaço
Dramaturgia
Mídia
Body
Affection
Space
Dramaturgy
Media
Cuerpo
Afecto
Espacio
Dramaturgia
Medios de comunicación
topic Corpo
Afeto
Espaço
Dramaturgia
Mídia
Body
Affection
Space
Dramaturgy
Media
Cuerpo
Afecto
Espacio
Dramaturgia
Medios de comunicación
description This text is a theoretical essay that starts from concerns about the video performance All about that bass produced by the artist Royce Cherdan Lee, also known as Chubbeyoncé Lee. The video performance was inspired by the original music video of the same title, by the American singer Meghan Trainor. It aims to reflect on issues related to space, body and affection as dramaturgical dimensions in audiovisual productions posted on the YouTube digital platform, based on concepts such as: Exotopy; Heterotopia; Space Dramaturgy; Corpomidia and Spreadable Media; to expose understanding of knowledge, subjectivities and the scenic and social interventions related to that video performance to create an evocative nature of text that is metonymic, subjective, nervous and citatory. For such purposes, Performative Writing is used as a mode to perform writing. In All about that bass the backyard, the bodies that inhabit it and the affection that generate actions are the points of interest of this essay.
publishDate 2020
dc.date.none.fl_str_mv 2020-09-24
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado pelo pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/urdimento/article/view/17816
10.5965/14145731023820200028
url https://www.revistas.udesc.br/index.php/urdimento/article/view/17816
identifier_str_mv 10.5965/14145731023820200028
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/urdimento/article/view/17816/11959
dc.rights.driver.fl_str_mv Copyright (c) 2020 Urdimento - Revista de Estudos em Artes Cênicas
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Urdimento - Revista de Estudos em Artes Cênicas
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina (UDESC)
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina (UDESC)
dc.source.none.fl_str_mv Urdimento; Vol. 2 Núm. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana; 1-18
Urdimento - Revista de Estudos em Artes Cênicas; v. 2 n. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana; 1-18
Urdimento - Revista de Estudos em Artes Cênicas; Vol. 2 No. 38 (2020): Espaços: Configurações na cena brasileira e latino-americana; 1-18
2358-6958
10.5965/1414573102382020
reponame:Urdimento (Online)
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Urdimento (Online)
collection Urdimento (Online)
repository.name.fl_str_mv Urdimento (Online) - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv verareginacollaco@gmail.com
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