Dialogues between tradition and contemporaneity in the Jongo Mamulengo creation process

Detalhes bibliográficos
Autor(a) principal: Alcure, Adriana Schneider
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Urdimento (Online)
Texto Completo: https://www.revistas.udesc.br/index.php/urdimento/article/view/1414573102322018035B
Resumo: Jongo Mamulengowas created in 2016. It is a partnership between Bonobando Collective, Jongo da Serrinha and Cordão do Boitatá. On stage are jongo, samba and mamulengo, assets of Brazilian cultural. The narrative traverses several stories of jongoin the Serrinha favela and its relation with the foundation of Império Serrano in 1947. To understand the creative processes in Jongo Mamulengoit is necessary to observe the interplay between the ritual and cosmological dimensions of the actions and representations of mamulengoas a whole. It chose to emphasize the forms, devices, strategies and techniques present in mamulengo. One of the keys to this conception is the notion of brincadeira(game).
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spelling Dialogues between tradition and contemporaneity in the Jongo Mamulengo creation processJongo Mamulengowas created in 2016. It is a partnership between Bonobando Collective, Jongo da Serrinha and Cordão do Boitatá. On stage are jongo, samba and mamulengo, assets of Brazilian cultural. The narrative traverses several stories of jongoin the Serrinha favela and its relation with the foundation of Império Serrano in 1947. To understand the creative processes in Jongo Mamulengoit is necessary to observe the interplay between the ritual and cosmological dimensions of the actions and representations of mamulengoas a whole. It chose to emphasize the forms, devices, strategies and techniques present in mamulengo. One of the keys to this conception is the notion of brincadeira(game).Universidade do Estado de Santa Catarina (UDESC)2018-09-11info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/urdimento/article/view/1414573102322018035B10.5965/1414573102322018035BUrdimento; Vol. 2 Núm. 32 (2018): Teatro de Animação; 035-047Urdimento - Revista de Estudos em Artes Cênicas; v. 2 n. 32 (2018): Teatro de Animação; 035-047Urdimento - Revista de Estudos em Artes Cênicas; Vol. 2 No. 32 (2018): Teatro de Animação; 035-0472358-6958reponame:Urdimento (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCenghttps://www.revistas.udesc.br/index.php/urdimento/article/view/1414573102322018035B/8705Copyright (c) 2018 Urdimento - Revista de Estudos em Artes Cênicasinfo:eu-repo/semantics/openAccessAlcure, Adriana Schneider2020-09-27T02:24:09Zoai:ojs.revistas.udesc.br:article/13452Revistahttps://www.revistas.udesc.br/index.php/urdimentoPUBhttps://www.revistas.udesc.br/index.php/urdimento/oaiverareginacollaco@gmail.com2358-69581414-5731opendoar:2020-09-27T02:24:09Urdimento (Online) - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv Dialogues between tradition and contemporaneity in the Jongo Mamulengo creation process
title Dialogues between tradition and contemporaneity in the Jongo Mamulengo creation process
spellingShingle Dialogues between tradition and contemporaneity in the Jongo Mamulengo creation process
Alcure, Adriana Schneider
title_short Dialogues between tradition and contemporaneity in the Jongo Mamulengo creation process
title_full Dialogues between tradition and contemporaneity in the Jongo Mamulengo creation process
title_fullStr Dialogues between tradition and contemporaneity in the Jongo Mamulengo creation process
title_full_unstemmed Dialogues between tradition and contemporaneity in the Jongo Mamulengo creation process
title_sort Dialogues between tradition and contemporaneity in the Jongo Mamulengo creation process
author Alcure, Adriana Schneider
author_facet Alcure, Adriana Schneider
author_role author
dc.contributor.author.fl_str_mv Alcure, Adriana Schneider
description Jongo Mamulengowas created in 2016. It is a partnership between Bonobando Collective, Jongo da Serrinha and Cordão do Boitatá. On stage are jongo, samba and mamulengo, assets of Brazilian cultural. The narrative traverses several stories of jongoin the Serrinha favela and its relation with the foundation of Império Serrano in 1947. To understand the creative processes in Jongo Mamulengoit is necessary to observe the interplay between the ritual and cosmological dimensions of the actions and representations of mamulengoas a whole. It chose to emphasize the forms, devices, strategies and techniques present in mamulengo. One of the keys to this conception is the notion of brincadeira(game).
publishDate 2018
dc.date.none.fl_str_mv 2018-09-11
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/urdimento/article/view/1414573102322018035B
10.5965/1414573102322018035B
url https://www.revistas.udesc.br/index.php/urdimento/article/view/1414573102322018035B
identifier_str_mv 10.5965/1414573102322018035B
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/urdimento/article/view/1414573102322018035B/8705
dc.rights.driver.fl_str_mv Copyright (c) 2018 Urdimento - Revista de Estudos em Artes Cênicas
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Urdimento - Revista de Estudos em Artes Cênicas
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina (UDESC)
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina (UDESC)
dc.source.none.fl_str_mv Urdimento; Vol. 2 Núm. 32 (2018): Teatro de Animação; 035-047
Urdimento - Revista de Estudos em Artes Cênicas; v. 2 n. 32 (2018): Teatro de Animação; 035-047
Urdimento - Revista de Estudos em Artes Cênicas; Vol. 2 No. 32 (2018): Teatro de Animação; 035-047
2358-6958
reponame:Urdimento (Online)
instname:Universidade do Estado de Santa Catarina (UDESC)
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