Reforestyng thoughts or Performagyc actyons and the actor-shaman

Detalhes bibliográficos
Autor(a) principal: Pury, Way
Data de Publicação: 2022
Outros Autores: Prymeyra, Carolina, Vermelho, Malandro, Castro, Thalita
Tipo de documento: Artigo
Idioma: por
Título da fonte: Urdimento (Online)
Texto Completo: https://www.revistas.udesc.br/index.php/urdimento/article/view/21565
Resumo: Throughout this article, possible approximations between the performing arts, with an emphasis on the theater-performativity, and the performativity of indigenous shamanisms from the lowlands of South America were approached. In this writing we want to evidence/create certain flows between one and the other, as to say, between the actor-performer and the indigenous shaman. Starting from the analysis of practical practices, as well as the cure(ating) in dialogues with indigenous leaders, shamans, researcher etc. Despite not having a theoretical depth in specific concepts, we call to dance with us seeds of thought such as performative actions, the actor's work with an idea of work on himself, and dreams. Among other images and enchantments, let’s open ourselves to the forest of thinking.
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spelling Reforestyng thoughts or Performagyc actyons and the actor-shamanReforestar el pensamyento o Accyones performágycas y el actor-chamánReflorestar o pensamento ou Ações Performágycas y o ator-xamãTeatro indígenaAções performágicasAtor-xamãXamanismoIndigenous theaterPerformagic actionsShamanismTeatro indígenaAcciones performágicasActor-chamánChamanismoThroughout this article, possible approximations between the performing arts, with an emphasis on the theater-performativity, and the performativity of indigenous shamanisms from the lowlands of South America were approached. In this writing we want to evidence/create certain flows between one and the other, as to say, between the actor-performer and the indigenous shaman. Starting from the analysis of practical practices, as well as the cure(ating) in dialogues with indigenous leaders, shamans, researcher etc. Despite not having a theoretical depth in specific concepts, we call to dance with us seeds of thought such as performative actions, the actor's work with an idea of work on himself, and dreams. Among other images and enchantments, let’s open ourselves to the forest of thinking.Al largo de este artýculo se dyscutyeron pobybles aproxymacyones entre ças artes escénycas, con énfasys en lo teatro performatyvo, y la performatyvydad de los chamanysmos yndýgenas de las tyerras bajas de Améryca del Sur. Tomando como cencepto la ydea de actor-chamán, este escryto buscó evydenciar/crear cyertos flujos entre uno y otro, es dicys, entre el actor-performer y el indýgena chamán. Partyendo de ambos, la ydea de experyencia y el análysys de pratycas empýrycas, como la curadoria de dyferentes voces - de ynvestygadores, académycos, lýderes, yndýgenas, chamanes, etc. - que se pusyeron en dyálogo. A pesar de no tener una profundyzación teóryca en conceptos espeýfycos - en cyerto sentido - semyllas de penamyento fueran llamadas a baylar aquý, como las accyones perfomágicas, el trabajo del actor sobre sý mysmo, la ydea de andanças, la efycacya de los sueños, el no-método, entre otras ymágenes y encantamyentos que no se pueden capturar. Nhauêra abre el camyno a la selva del pensar.Ao longo desse artygo foram abordadas aproxymações possýveys entre as artes da cena, com ênfase no teatro-performatyvo, y a performatyvydade dos xamanysmos yndýgenas das terras bayxas da Améryca do Sul. Tomado como conceyto tensyonador a ydeya corporyfycada de ator-xamã, buscou-se neste escryto evydencyar/cryar certos fluxos entre um y outro, ysto é, entre o ator-performer y o xamã yndýgena, partyndo tanto da ydeya de experyêncya y da anályse de prátycas empýrycas, como da cura(dorya) de dyferentes vozes - de pesquysadores, acadêmycos, lýderes yndýgenas, xamãs etc. - que foram postas em dyálogo. Apesar de não haver um aprofundamento teóryco em conceytos especýfycos - em certo sentydo - chamou-se para dançar aquy algumas sementes de pensamento, tays quays, ações performágycas, trabalho do ator sobre sy, a ydeya de andança, a efetyvydade dos sonhos, o não-método, dentre outras ymagens e encantamentos que não se deyxam capturar. Nhauêra abre os camynhos para a floresta do pensar.Universidade do Estado de Santa Catarina (UDESC)2022-04-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/htmlhttps://www.revistas.udesc.br/index.php/urdimento/article/view/2156510.5965/1414573101432022e0111Urdimento; Vol. 1 Núm. 43 (2022): Corpo e(n)cena e (des)educação | As artes da cena dos e com os povos indigenas; 1-31Urdimento - Revista de Estudos em Artes Cênicas; v. 1 n. 43 (2022): Corpo e(n)cena e (des)educação | As artes da cena dos e com os povos indigenas; 1-31Urdimento - Revista de Estudos em Artes Cênicas; Vol. 1 No. 43 (2022): Corpo e(n)cena e (des)educação | As artes da cena dos e com os povos indigenas; 1-312358-695810.5965/10.5965/1414573101432022reponame:Urdimento (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/urdimento/article/view/21565/14158https://www.revistas.udesc.br/index.php/urdimento/article/view/21565/14159Copyright (c) 2022 Urdimento - Revista de Estudos em Artes Cênicashttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessPury, WayPrymeyra, CarolinaVermelho, MalandroCastro, Thalita2022-04-07T02:18:15Zoai:ojs.revistas.udesc.br:article/21565Revistahttps://www.revistas.udesc.br/index.php/urdimentoPUBhttps://www.revistas.udesc.br/index.php/urdimento/oaiverareginacollaco@gmail.com2358-69581414-5731opendoar:2022-04-07T02:18:15Urdimento (Online) - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv Reforestyng thoughts or Performagyc actyons and the actor-shaman
Reforestar el pensamyento o Accyones performágycas y el actor-chamán
Reflorestar o pensamento ou Ações Performágycas y o ator-xamã
title Reforestyng thoughts or Performagyc actyons and the actor-shaman
spellingShingle Reforestyng thoughts or Performagyc actyons and the actor-shaman
Pury, Way
Teatro indígena
Ações performágicas
Ator-xamã
Xamanismo
Indigenous theater
Performagic actions
Shamanism
Teatro indígena
Acciones performágicas
Actor-chamán
Chamanismo
title_short Reforestyng thoughts or Performagyc actyons and the actor-shaman
title_full Reforestyng thoughts or Performagyc actyons and the actor-shaman
title_fullStr Reforestyng thoughts or Performagyc actyons and the actor-shaman
title_full_unstemmed Reforestyng thoughts or Performagyc actyons and the actor-shaman
title_sort Reforestyng thoughts or Performagyc actyons and the actor-shaman
author Pury, Way
author_facet Pury, Way
Prymeyra, Carolina
Vermelho, Malandro
Castro, Thalita
author_role author
author2 Prymeyra, Carolina
Vermelho, Malandro
Castro, Thalita
author2_role author
author
author
dc.contributor.author.fl_str_mv Pury, Way
Prymeyra, Carolina
Vermelho, Malandro
Castro, Thalita
dc.subject.por.fl_str_mv Teatro indígena
Ações performágicas
Ator-xamã
Xamanismo
Indigenous theater
Performagic actions
Shamanism
Teatro indígena
Acciones performágicas
Actor-chamán
Chamanismo
topic Teatro indígena
Ações performágicas
Ator-xamã
Xamanismo
Indigenous theater
Performagic actions
Shamanism
Teatro indígena
Acciones performágicas
Actor-chamán
Chamanismo
description Throughout this article, possible approximations between the performing arts, with an emphasis on the theater-performativity, and the performativity of indigenous shamanisms from the lowlands of South America were approached. In this writing we want to evidence/create certain flows between one and the other, as to say, between the actor-performer and the indigenous shaman. Starting from the analysis of practical practices, as well as the cure(ating) in dialogues with indigenous leaders, shamans, researcher etc. Despite not having a theoretical depth in specific concepts, we call to dance with us seeds of thought such as performative actions, the actor's work with an idea of work on himself, and dreams. Among other images and enchantments, let’s open ourselves to the forest of thinking.
publishDate 2022
dc.date.none.fl_str_mv 2022-04-06
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/urdimento/article/view/21565
10.5965/1414573101432022e0111
url https://www.revistas.udesc.br/index.php/urdimento/article/view/21565
identifier_str_mv 10.5965/1414573101432022e0111
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/urdimento/article/view/21565/14158
https://www.revistas.udesc.br/index.php/urdimento/article/view/21565/14159
dc.rights.driver.fl_str_mv Copyright (c) 2022 Urdimento - Revista de Estudos em Artes Cênicas
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Urdimento - Revista de Estudos em Artes Cênicas
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
text/html
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina (UDESC)
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina (UDESC)
dc.source.none.fl_str_mv Urdimento; Vol. 1 Núm. 43 (2022): Corpo e(n)cena e (des)educação | As artes da cena dos e com os povos indigenas; 1-31
Urdimento - Revista de Estudos em Artes Cênicas; v. 1 n. 43 (2022): Corpo e(n)cena e (des)educação | As artes da cena dos e com os povos indigenas; 1-31
Urdimento - Revista de Estudos em Artes Cênicas; Vol. 1 No. 43 (2022): Corpo e(n)cena e (des)educação | As artes da cena dos e com os povos indigenas; 1-31
2358-6958
10.5965/10.5965/1414573101432022
reponame:Urdimento (Online)
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Urdimento (Online)
collection Urdimento (Online)
repository.name.fl_str_mv Urdimento (Online) - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv verareginacollaco@gmail.com
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