Passing through borders: binarizing (mis)framing of bisexuals dressed-bodies

Detalhes bibliográficos
Autor(a) principal: Souza, Jamilie Santos
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista de Ensino em Artes, Moda e Design
DOI: 10.5965/25944630722023e3567
Texto Completo: https://www.revistas.udesc.br/index.php/ensinarmode/article/view/23567
Resumo: In this article, narratives of bisexual women about their perceptions and experiences linked to dressing, bisexuality and their identity processes will be analyzed, as well as how the interlocutors' corporal-aesthetic constructions relate to different environments, whether from the LGBTI+ community or heteronormative ones. As theoretical support, concepts from different areas of study were used, such as dressing (ENTWISTLE, 2015), from fashion studies, identity (CIAMPA, 1989) and life story narratives (ALVES, 2017), from social psychology, borders (ANZALDÚA), gender technology (LAURETIS, 1987), heterosexual matrix and performativity (BUTLER, 1990), from feminist and queer theories, and passability (EISNER, 2013) and the epistemic erasure contract of bisexuality (YOSHINO, 2000), from bisexual epistemologies. As a result of the narratives’ analysis, following the methodology of core meanings (AGUIAR;OZELLA, 2006), it was possible to understand that as there isn’t one (or some) specific aesthetic(s) which are socially related to bisexuality, the bisexual women's experience is almost always one of passability—whether lesbian or heterosexual—and misrecognition, which can cause them to feel misunderstood and isolated. However, these same experiences of non-recognition and disengagement from prevailing corporal-aesthetic expectations can be seen as a fertile ground for questioning social norms and structures beyond the scope of dressing and sexuality
id UDESC-4_1267efd400de6d0df377d1556d7aaff0
oai_identifier_str oai::article/23567
network_acronym_str UDESC-4
network_name_str Revista de Ensino em Artes, Moda e Design
spelling Passing through borders: binarizing (mis)framing of bisexuals dressed-bodiesPasando a través de fronteras: (des)encuadramiento de cuerpos-vestidos bisexuales Passando através das fronteiras: (des)enquadramentos binarizantes de corpos-vestidos bissexuais vestirnarrativasbissexualidadebisexualitydressingnarrativesBissexualidadeVestirNarrativasIn this article, narratives of bisexual women about their perceptions and experiences linked to dressing, bisexuality and their identity processes will be analyzed, as well as how the interlocutors' corporal-aesthetic constructions relate to different environments, whether from the LGBTI+ community or heteronormative ones. As theoretical support, concepts from different areas of study were used, such as dressing (ENTWISTLE, 2015), from fashion studies, identity (CIAMPA, 1989) and life story narratives (ALVES, 2017), from social psychology, borders (ANZALDÚA), gender technology (LAURETIS, 1987), heterosexual matrix and performativity (BUTLER, 1990), from feminist and queer theories, and passability (EISNER, 2013) and the epistemic erasure contract of bisexuality (YOSHINO, 2000), from bisexual epistemologies. As a result of the narratives’ analysis, following the methodology of core meanings (AGUIAR;OZELLA, 2006), it was possible to understand that as there isn’t one (or some) specific aesthetic(s) which are socially related to bisexuality, the bisexual women's experience is almost always one of passability—whether lesbian or heterosexual—and misrecognition, which can cause them to feel misunderstood and isolated. However, these same experiences of non-recognition and disengagement from prevailing corporal-aesthetic expectations can be seen as a fertile ground for questioning social norms and structures beyond the scope of dressing and sexualityEn este artículo se analizarán narrativas de mujeres bisexuales sobre sus percepciones y vivencias vinculadas al vestir, la bisexualidad y sus procesos identitarios, así como cómo las construcciones estético-corporales de los interlocutores se relacionan con diferentes entornos, ya sean del colectivo LGBTI+ o heteronormativo. Se utilizaron como soporte teórico conceptos de los estudios de moda, como el vestir (ENTWISTLE, 2015), de la psicología social, como la identidad (CIAMPA, 1989) y las narrativas de historia de vida (ALVES XX), de las teorías feministas y queer, como las fronteras (ANZALDÚA, 1987), la tecnología de género (LAURETIS, 1987), la matriz heterosexual y la performatividad (BUTLER, 1990), y de las epistemologías bisexuales como la pasabilidad (EISNER, 2013) y el contrato de borrado epistémico de la bisexualidad (YOSHINO, 2000). Como resultado del análisis de las narrativas, siguiendo la metodología de núcleos de significados (AGUIAR; OZELLA, 2006), fue posible comprender que por no existir una (o algunas) estéticas específicas que se relacionen socialmente con la bisexualidad, la experiencia de las mujeres bisexuales es casi siempre de pasabilidad —sea lesbiana o heterosexual— y de no reconocimiento, lo que puede hacerlas sentir incomprendidas y aisladas. Sin embargo, estas mismas experiencias de no reconocimiento y desvinculación de las expectativas estético-corporales imperantes pueden configurarse como terreno fértil para cuestionar normas y estructuras sociales más allá del ámbito del vestir y la sexualidad.Neste artigo serão analisadas narrativas de mulheres bissexuais sobre suas percepções e experiências atreladas ao vestir, à bissexualidade e aos seus processos identitários, assim como de que forma as construções estético-corporais das interlocutoras relacionam-se com diferentes ambientes, sejam da comunidade LGBTI+ ou heteronormativos. Como aporte teórico foram utilizados conceitos dos estudos de moda, como o vestir (ENTWISTLE, 2015); da psicologia social, como identidade (CIAMPA, 1989) e narrativas de história de vida (ALVES, 2017); de teorias feministas e queer, como fronteiras (ANZALDÚA) tecnologia de gênero (LAURETIS, 1987), matriz heterossexual e performatividade (BUTLER, 1990); e de epistemologias bissexuais como passabilidade (EISNER, 2013) e o contrato de apagamento epistêmico da bissexualidade (YOSHINO, 2000). Como resultado da análise das narrativas, seguindo a metodologia de núcleos de significação (AGUIAR;OZELLA, 2006), foi possível entender que por não haver uma (ou algumas) estética(s) específica(s) que socialmente sejam relacionadas à bissexualidade, a experiência de mulheres bissexuais é quase sempre de passabilidade — seja lésbica ou heterossexual — e de não reconhecimento, o que pode causar a elas sentimentos de incompreensão e isolamento. No entanto, essas mesmas experiências de não reconhecimento e desencaixe das expectativas estético-corporais vigentes podem configurar-se enquanto terreno fértil para questionamentos de normas e estruturas sociais para além do âmbito do vestir e da sexualidade.Universidade do Estado de Santa Catarina2023-06-21info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtigo de convidadoapplication/pdfhttps://www.revistas.udesc.br/index.php/ensinarmode/article/view/2356710.5965/25944630722023e3567Revista de Ensino em Artes, Moda e Design; v. 7 n. 2 (2023): Edição Especial 2023 - Colóquio de Moda; 1 - 24 2594-463010.5965/10.5965/25944630722023001reponame:Revista de Ensino em Artes, Moda e Designinstname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/ensinarmode/article/view/23567/15663Copyright (c) 2023 Jamilie Santos Souzahttps://creativecommons.org/licenses/by/4.0/deed.ptinfo:eu-repo/semantics/openAccessSouza, Jamilie Santos2024-02-29T12:47:23Zoai::article/23567Revistahttps://www.revistas.udesc.br/index.php/ensinarmode/indexPUBhttps://www.revistas.udesc.br/index.php/Ensinarmode/oaireamd.ceart@udesc.br || portal.periodicos@udesc.br2594-46302594-4630opendoar:2024-02-29T12:47:23Revista de Ensino em Artes, Moda e Design - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv Passing through borders: binarizing (mis)framing of bisexuals dressed-bodies
Pasando a través de fronteras: (des)encuadramiento de cuerpos-vestidos bisexuales
Passando através das fronteiras: (des)enquadramentos binarizantes de corpos-vestidos bissexuais
title Passing through borders: binarizing (mis)framing of bisexuals dressed-bodies
spellingShingle Passing through borders: binarizing (mis)framing of bisexuals dressed-bodies
Passing through borders: binarizing (mis)framing of bisexuals dressed-bodies
Souza, Jamilie Santos
vestir
narrativas
bissexualidade
bisexuality
dressing
narratives
Bissexualidade
Vestir
Narrativas
Souza, Jamilie Santos
vestir
narrativas
bissexualidade
bisexuality
dressing
narratives
Bissexualidade
Vestir
Narrativas
title_short Passing through borders: binarizing (mis)framing of bisexuals dressed-bodies
title_full Passing through borders: binarizing (mis)framing of bisexuals dressed-bodies
title_fullStr Passing through borders: binarizing (mis)framing of bisexuals dressed-bodies
Passing through borders: binarizing (mis)framing of bisexuals dressed-bodies
title_full_unstemmed Passing through borders: binarizing (mis)framing of bisexuals dressed-bodies
Passing through borders: binarizing (mis)framing of bisexuals dressed-bodies
title_sort Passing through borders: binarizing (mis)framing of bisexuals dressed-bodies
author Souza, Jamilie Santos
author_facet Souza, Jamilie Santos
Souza, Jamilie Santos
author_role author
dc.contributor.author.fl_str_mv Souza, Jamilie Santos
dc.subject.por.fl_str_mv vestir
narrativas
bissexualidade
bisexuality
dressing
narratives
Bissexualidade
Vestir
Narrativas
topic vestir
narrativas
bissexualidade
bisexuality
dressing
narratives
Bissexualidade
Vestir
Narrativas
description In this article, narratives of bisexual women about their perceptions and experiences linked to dressing, bisexuality and their identity processes will be analyzed, as well as how the interlocutors' corporal-aesthetic constructions relate to different environments, whether from the LGBTI+ community or heteronormative ones. As theoretical support, concepts from different areas of study were used, such as dressing (ENTWISTLE, 2015), from fashion studies, identity (CIAMPA, 1989) and life story narratives (ALVES, 2017), from social psychology, borders (ANZALDÚA), gender technology (LAURETIS, 1987), heterosexual matrix and performativity (BUTLER, 1990), from feminist and queer theories, and passability (EISNER, 2013) and the epistemic erasure contract of bisexuality (YOSHINO, 2000), from bisexual epistemologies. As a result of the narratives’ analysis, following the methodology of core meanings (AGUIAR;OZELLA, 2006), it was possible to understand that as there isn’t one (or some) specific aesthetic(s) which are socially related to bisexuality, the bisexual women's experience is almost always one of passability—whether lesbian or heterosexual—and misrecognition, which can cause them to feel misunderstood and isolated. However, these same experiences of non-recognition and disengagement from prevailing corporal-aesthetic expectations can be seen as a fertile ground for questioning social norms and structures beyond the scope of dressing and sexuality
publishDate 2023
dc.date.none.fl_str_mv 2023-06-21
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Artigo de convidado
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/ensinarmode/article/view/23567
10.5965/25944630722023e3567
url https://www.revistas.udesc.br/index.php/ensinarmode/article/view/23567
identifier_str_mv 10.5965/25944630722023e3567
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/ensinarmode/article/view/23567/15663
dc.rights.driver.fl_str_mv Copyright (c) 2023 Jamilie Santos Souza
https://creativecommons.org/licenses/by/4.0/deed.pt
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Jamilie Santos Souza
https://creativecommons.org/licenses/by/4.0/deed.pt
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
dc.source.none.fl_str_mv Revista de Ensino em Artes, Moda e Design; v. 7 n. 2 (2023): Edição Especial 2023 - Colóquio de Moda; 1 - 24
2594-4630
10.5965/10.5965/25944630722023001
reponame:Revista de Ensino em Artes, Moda e Design
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Revista de Ensino em Artes, Moda e Design
collection Revista de Ensino em Artes, Moda e Design
repository.name.fl_str_mv Revista de Ensino em Artes, Moda e Design - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv reamd.ceart@udesc.br || portal.periodicos@udesc.br
_version_ 1822182191401009152
dc.identifier.doi.none.fl_str_mv 10.5965/25944630722023e3567