Creation and teaching practice at the carnival of Samuel Abrantes atelier
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Data de Publicação: | 2021 |
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Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista de Ensino em Artes, Moda e Design |
Texto Completo: | https://www.revistas.udesc.br/index.php/ensinarmode/article/view/20130 |
Resumo: | This article reports on the process of creating costumes, associated with the teaching practice, of Professor Samuel Abrantes in his Carnival studio, as well as coauthorship in their costumes, with students and carnival makers. Two case studies are listed by theauthors for the analysis of construction processes, methodology and problem solutions, over the more than 15 years in which researchers have followed their experience and work in the production of Rio carnival. In addition to the methodology and the creative process, the article describes the importance of exchanging experiences, learning horizontally within the workspace and the importance of the role of the costume designer and the trans disciplinarity that the profession requires, regardless of the media for which the costume is created. It also reinforces the importance of Praxis for the construction of a reflective theory of carnival costumes and the formation of the artist, inside and outside the academy. |
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Creation and teaching practice at the carnival of Samuel Abrantes atelierPráctica creadora y docente en el atelier de carnaval de Samuel AbrantesCriação e prática docente no atelier de carnaval de Samuel AbrantesFigurinosCarnavalCoautoriaCostumesCarnivalCo-authorshipDisfracesCarnavalCoautoríaThis article reports on the process of creating costumes, associated with the teaching practice, of Professor Samuel Abrantes in his Carnival studio, as well as coauthorship in their costumes, with students and carnival makers. Two case studies are listed by theauthors for the analysis of construction processes, methodology and problem solutions, over the more than 15 years in which researchers have followed their experience and work in the production of Rio carnival. In addition to the methodology and the creative process, the article describes the importance of exchanging experiences, learning horizontally within the workspace and the importance of the role of the costume designer and the trans disciplinarity that the profession requires, regardless of the media for which the costume is created. It also reinforces the importance of Praxis for the construction of a reflective theory of carnival costumes and the formation of the artist, inside and outside the academy.Este artículo informa sobre el proceso de creación del vestuario, asociado a la práctica docente, del profesor Samuel Abrantes en su taller de Carnaval; así como la coautoría en sus disfraces, con estudiantes y carnavalescos. Los autores enumeran dos casos de estudio para el análisis de procesos de construcción, metodología y solución de problemas, a lo largo de los más de 15 años en los que los investigadores hanseguido su experiencia y trabajo en la producción del carnaval de Río. Además de la metodología y el proceso creativo, el artículo describe la importancia del intercambio de experiencias, el aprendizaje horizontal dentro del espacio de trabajo y la importância del rol del diseñador de vestuario y la transdisciplinariedad que requiere la profesión, independientemente del medio para el cual el vestuario es creado. También refuerza la importancia de la Práctica para la construcción de una teoría reflexiva de los trajes de carnaval y de la formación del artista, dentro y fuera de la academia.O presente artigo relata o processo de criação de figurino, associada a prática docente, do professor Samuel Abrantes em seu atelier de Carnaval; bem como a Coautoria em seus figurinos, com alunos e carnavalescos. Dois estudos de caso são elencados pelos autores para análise dos processos de construção, metodologia, escolha de materiais e soluções de problemas, ao longo dos mais de 15 anos em que os pesquisadores acompanham Samuel em sua produção de figurinos carnavalescos para o carnaval carioca. Além da metodologia e do processo de criação, o artigo descreve a importância da troca de experiencias, o aprendizado de forma e a importância do papel do figurinista - e a transdisciplinaridade que a profissão exige - independente da mídia para a qual o figurino seja criado. Reforça, também, a importância da Práxis para a construção de uma teoria reflexiva do figurino carnavalesco e da formação do artista, dentro e fora da academia.Universidade do Estado de Santa Catarina2021-09-08info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtigo de convidadoapplication/pdfhttps://www.revistas.udesc.br/index.php/ensinarmode/article/view/2013010.5965/25944630532021185Revista de Ensino em Artes, Moda e Design; v. 5 n. 3 (2021): Edição Especial - 1o Encontro de Gt's do Colóquio de Moda; 185 - 1982594-463010.5965/10.5965/25944630532021001reponame:Revista de Ensino em Artes, Moda e Designinstname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/ensinarmode/article/view/20130/13336Copyright (c) 2021 Danielle Joia, André Diashttps://creativecommons.org/licenses/by/4.0/deed.ptinfo:eu-repo/semantics/openAccessDias, AndréJoia, Danielle2024-02-29T12:40:42Zoai::article/20130Revistahttps://www.revistas.udesc.br/index.php/ensinarmode/indexPUBhttps://www.revistas.udesc.br/index.php/Ensinarmode/oaireamd.ceart@udesc.br || portal.periodicos@udesc.br2594-46302594-4630opendoar:2024-02-29T12:40:42Revista de Ensino em Artes, Moda e Design - Universidade do Estado de Santa Catarina (UDESC)false |
dc.title.none.fl_str_mv |
Creation and teaching practice at the carnival of Samuel Abrantes atelier Práctica creadora y docente en el atelier de carnaval de Samuel Abrantes Criação e prática docente no atelier de carnaval de Samuel Abrantes |
title |
Creation and teaching practice at the carnival of Samuel Abrantes atelier |
spellingShingle |
Creation and teaching practice at the carnival of Samuel Abrantes atelier Dias, André Figurinos Carnaval Coautoria Costumes Carnival Co-authorship Disfraces Carnaval Coautoría |
title_short |
Creation and teaching practice at the carnival of Samuel Abrantes atelier |
title_full |
Creation and teaching practice at the carnival of Samuel Abrantes atelier |
title_fullStr |
Creation and teaching practice at the carnival of Samuel Abrantes atelier |
title_full_unstemmed |
Creation and teaching practice at the carnival of Samuel Abrantes atelier |
title_sort |
Creation and teaching practice at the carnival of Samuel Abrantes atelier |
author |
Dias, André |
author_facet |
Dias, André Joia, Danielle |
author_role |
author |
author2 |
Joia, Danielle |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Dias, André Joia, Danielle |
dc.subject.por.fl_str_mv |
Figurinos Carnaval Coautoria Costumes Carnival Co-authorship Disfraces Carnaval Coautoría |
topic |
Figurinos Carnaval Coautoria Costumes Carnival Co-authorship Disfraces Carnaval Coautoría |
description |
This article reports on the process of creating costumes, associated with the teaching practice, of Professor Samuel Abrantes in his Carnival studio, as well as coauthorship in their costumes, with students and carnival makers. Two case studies are listed by theauthors for the analysis of construction processes, methodology and problem solutions, over the more than 15 years in which researchers have followed their experience and work in the production of Rio carnival. In addition to the methodology and the creative process, the article describes the importance of exchanging experiences, learning horizontally within the workspace and the importance of the role of the costume designer and the trans disciplinarity that the profession requires, regardless of the media for which the costume is created. It also reinforces the importance of Praxis for the construction of a reflective theory of carnival costumes and the formation of the artist, inside and outside the academy. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-09-08 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artigo de convidado |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.udesc.br/index.php/ensinarmode/article/view/20130 10.5965/25944630532021185 |
url |
https://www.revistas.udesc.br/index.php/ensinarmode/article/view/20130 |
identifier_str_mv |
10.5965/25944630532021185 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.udesc.br/index.php/ensinarmode/article/view/20130/13336 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 Danielle Joia, André Dias https://creativecommons.org/licenses/by/4.0/deed.pt info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 Danielle Joia, André Dias https://creativecommons.org/licenses/by/4.0/deed.pt |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
dc.source.none.fl_str_mv |
Revista de Ensino em Artes, Moda e Design; v. 5 n. 3 (2021): Edição Especial - 1o Encontro de Gt's do Colóquio de Moda; 185 - 198 2594-4630 10.5965/10.5965/25944630532021001 reponame:Revista de Ensino em Artes, Moda e Design instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
instname_str |
Universidade do Estado de Santa Catarina (UDESC) |
instacron_str |
UDESC |
institution |
UDESC |
reponame_str |
Revista de Ensino em Artes, Moda e Design |
collection |
Revista de Ensino em Artes, Moda e Design |
repository.name.fl_str_mv |
Revista de Ensino em Artes, Moda e Design - Universidade do Estado de Santa Catarina (UDESC) |
repository.mail.fl_str_mv |
reamd.ceart@udesc.br || portal.periodicos@udesc.br |
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1797049142261841920 |