Crochet memory: affective Culture in biographical objects

Detalhes bibliográficos
Autor(a) principal: Mourão, Nadja Maria
Data de Publicação: 2021
Outros Autores: Oliveira, Ana Célia Carneiro
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista de Ensino em Artes, Moda e Design
Texto Completo: https://www.revistas.udesc.br/index.php/ensinarmode/article/view/19746
Resumo: Any object can become a biographical object from the construction of the facts, the time andthe environment where it was inserted, in relation to human life. To understand the importanceof the affective relationships between human beings and their biographical objects is themain objective for the development of this work. Including, it seeks to identify the relevanceof affective relationships between people, by means of crocheting and its positive reflectionsfor the collective memory. This bibliographical, qualitative research, which, in an expositoryway, recreates a theoretical context. By social design methodological approaches, it usesstudies of articles and other scientific products. The affective relationships that are installedbetween human beings and these objects can also define the time, the place, the life historyof an individual or social group, in short, situate the territory. Crochet handicraft can beexecuted in a group and, consequently, by group dedication, it becomes a tradition. It wasobserved that crochet can be applied to any object, as long as the creative potential andthe research of materials are used. To meet the collective work, raw materials are soughtin the region. It drives the movement of revaluing the “handmade”. In this way, it becomespossible to insert the affective relationships with the objects, the places, and the entire lifehistory of an individual or social group.
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spelling Crochet memory: affective Culture in biographical objects Memoria Crochet: cultura afectiva en objetos biográficosMemória do crochê: cultura afetiva em objetos biográficos Affective memoryBiographical objectCrochet craftsMemória afetivaObjetos biográficosArtesanato de crochê.Memoria afectivaObjetos biográficosArtesanías de crochetAny object can become a biographical object from the construction of the facts, the time andthe environment where it was inserted, in relation to human life. To understand the importanceof the affective relationships between human beings and their biographical objects is themain objective for the development of this work. Including, it seeks to identify the relevanceof affective relationships between people, by means of crocheting and its positive reflectionsfor the collective memory. This bibliographical, qualitative research, which, in an expositoryway, recreates a theoretical context. By social design methodological approaches, it usesstudies of articles and other scientific products. The affective relationships that are installedbetween human beings and these objects can also define the time, the place, the life historyof an individual or social group, in short, situate the territory. Crochet handicraft can beexecuted in a group and, consequently, by group dedication, it becomes a tradition. It wasobserved that crochet can be applied to any object, as long as the creative potential andthe research of materials are used. To meet the collective work, raw materials are soughtin the region. It drives the movement of revaluing the “handmade”. In this way, it becomespossible to insert the affective relationships with the objects, the places, and the entire lifehistory of an individual or social group.Cualquier objeto puede convertirse en objeto biográfico a partir de la construcción de loshechos, el tiempo y el entorno donde fue insertado, en relación a la vida humana. Comprenderla importancia de las relaciones afectivas entre el ser humano y sus objetos biográficoscotidianos es el principal objetivo para el desarrollo de este trabajo. También busca identificarla relevancia de las relaciones afectivas entre las personas, a través del crochet y susreflejos positivos para la memoria colectiva. Esta investigación bibliográfica, cualitativa,que, de manera expositiva, recrea un contexto teórico. Utilizando enfoques metodológicosMOURÃO; OLIVEIRA, Memória, 2021, v. 5 n. 2, ISSN 2594-4630, pp. 31 - 50 33del diseño social, utiliza estudios de artículos y otros productos científicos. Las relacionesafectivas que se instalan entre el ser humano y estos objetos, también pueden definir eltiempo, el lugar, la historia de vida de un individuo o grupo social, en definitiva, situar elterritorio. La artesanía en crochet se puede hacer en grupo y, en consecuencia, debido ala dedicación del grupo, se convierte en una tradición. Se observó que el crochet se puedeaplicar a cualquier objeto, siempre y cuando se utilice el potencial creativo y la búsqueda demateriales. Para servir al trabajo colectivo, se buscan materias primas en la región. Impulsael movimiento de revalorización del “hecho a mano”. De esta forma, se hace posible insertarrelaciones afectivas con objetos, lugares y toda la historia de vida de un individuo o gruposocial.Um objeto qualquer pode se tornar um objeto biográfico a partir da construção dos fatos, do tempo e do ambiente onde o mesmo foi inserido, em relação à vida humana. Compreender a importância das relações afetivas entre os seres humanos e os seus objetos biográficos do cotidiano, constitui-se o objetivo principal para o desenvolvimento deste trabalho. Inclusive, busca-se identificar a relevância das relações afetivas entre pessoas, por meio do fazer crochê e seus reflexos positivos para a memória coletiva. Esta pesquisa bibliográfica, qualitativa, de forma expositiva recria um contexto teórico. Por abordagens metodológicas do design social, utiliza estudos de artigos e demais produtos científicos. As relações afetivas que se instalam ente o ser humano e estes objetos também podem definir o tempo, o lugar, a história de vida de um indivíduo ou grupo social, enfim situar o território. O artesanato do crochê pode ser executado em grupo e, consequentemente, por dedicação do grupo, torna-se uma tradição. Observou-se que o crochê pode ser aplicado em qualquer objeto, desde que se utilize o potencial criativo e a pesquisa de materiais. Para atender ao trabalho coletivo, busca-se matéria-prima na região. Ele impulsiona o movimento de revalorização do “feito à mão”. Dessa forma, torna-se possível inserir as relações afetivas com os objetos, com os lugares e toda a história de vida de um indivíduo ou grupo social.Universidade do Estado de Santa Catarina2021-06-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://www.revistas.udesc.br/index.php/ensinarmode/article/view/1974610.5965/25944630522021069Revista de Ensino em Artes, Moda e Design; v. 5 n. 2 (2021): Dossiê 9 - Arte, Design e Artesanato – Ressignificações e Relacionamentos em Rede; 69-882594-463010.5965/25944630522021001reponame:Revista de Ensino em Artes, Moda e Designinstname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/ensinarmode/article/view/19746/12999https://www.revistas.udesc.br/index.php/ensinarmode/article/view/19746/13004Copyright (c) 2021 Nadja Maria Mourão, Ana Célia Carneiro Oliveirahttps://creativecommons.org/licenses/by/4.0/deed.ptinfo:eu-repo/semantics/openAccessMourão, Nadja MariaOliveira, Ana Célia Carneiro2024-02-29T12:41:41Zoai::article/19746Revistahttps://www.revistas.udesc.br/index.php/ensinarmode/indexPUBhttps://www.revistas.udesc.br/index.php/Ensinarmode/oaireamd.ceart@udesc.br || portal.periodicos@udesc.br2594-46302594-4630opendoar:2024-02-29T12:41:41Revista de Ensino em Artes, Moda e Design - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv Crochet memory: affective Culture in biographical objects
Memoria Crochet: cultura afectiva en objetos biográficos
Memória do crochê: cultura afetiva em objetos biográficos
title Crochet memory: affective Culture in biographical objects
spellingShingle Crochet memory: affective Culture in biographical objects
Mourão, Nadja Maria
Affective memory
Biographical object
Crochet crafts
Memória afetiva
Objetos biográficos
Artesanato de crochê.
Memoria afectiva
Objetos biográficos
Artesanías de crochet
title_short Crochet memory: affective Culture in biographical objects
title_full Crochet memory: affective Culture in biographical objects
title_fullStr Crochet memory: affective Culture in biographical objects
title_full_unstemmed Crochet memory: affective Culture in biographical objects
title_sort Crochet memory: affective Culture in biographical objects
author Mourão, Nadja Maria
author_facet Mourão, Nadja Maria
Oliveira, Ana Célia Carneiro
author_role author
author2 Oliveira, Ana Célia Carneiro
author2_role author
dc.contributor.author.fl_str_mv Mourão, Nadja Maria
Oliveira, Ana Célia Carneiro
dc.subject.por.fl_str_mv Affective memory
Biographical object
Crochet crafts
Memória afetiva
Objetos biográficos
Artesanato de crochê.
Memoria afectiva
Objetos biográficos
Artesanías de crochet
topic Affective memory
Biographical object
Crochet crafts
Memória afetiva
Objetos biográficos
Artesanato de crochê.
Memoria afectiva
Objetos biográficos
Artesanías de crochet
description Any object can become a biographical object from the construction of the facts, the time andthe environment where it was inserted, in relation to human life. To understand the importanceof the affective relationships between human beings and their biographical objects is themain objective for the development of this work. Including, it seeks to identify the relevanceof affective relationships between people, by means of crocheting and its positive reflectionsfor the collective memory. This bibliographical, qualitative research, which, in an expositoryway, recreates a theoretical context. By social design methodological approaches, it usesstudies of articles and other scientific products. The affective relationships that are installedbetween human beings and these objects can also define the time, the place, the life historyof an individual or social group, in short, situate the territory. Crochet handicraft can beexecuted in a group and, consequently, by group dedication, it becomes a tradition. It wasobserved that crochet can be applied to any object, as long as the creative potential andthe research of materials are used. To meet the collective work, raw materials are soughtin the region. It drives the movement of revaluing the “handmade”. In this way, it becomespossible to insert the affective relationships with the objects, the places, and the entire lifehistory of an individual or social group.
publishDate 2021
dc.date.none.fl_str_mv 2021-06-01
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dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/ensinarmode/article/view/19746
10.5965/25944630522021069
url https://www.revistas.udesc.br/index.php/ensinarmode/article/view/19746
identifier_str_mv 10.5965/25944630522021069
dc.language.iso.fl_str_mv por
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dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/ensinarmode/article/view/19746/12999
https://www.revistas.udesc.br/index.php/ensinarmode/article/view/19746/13004
dc.rights.driver.fl_str_mv Copyright (c) 2021 Nadja Maria Mourão, Ana Célia Carneiro Oliveira
https://creativecommons.org/licenses/by/4.0/deed.pt
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Nadja Maria Mourão, Ana Célia Carneiro Oliveira
https://creativecommons.org/licenses/by/4.0/deed.pt
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
dc.source.none.fl_str_mv Revista de Ensino em Artes, Moda e Design; v. 5 n. 2 (2021): Dossiê 9 - Arte, Design e Artesanato – Ressignificações e Relacionamentos em Rede; 69-88
2594-4630
10.5965/25944630522021001
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reponame_str Revista de Ensino em Artes, Moda e Design
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repository.name.fl_str_mv Revista de Ensino em Artes, Moda e Design - Universidade do Estado de Santa Catarina (UDESC)
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