Crochet memory: affective Culture in biographical objects
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Data de Publicação: | 2021 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista de Ensino em Artes, Moda e Design |
Texto Completo: | https://www.revistas.udesc.br/index.php/ensinarmode/article/view/19746 |
Resumo: | Any object can become a biographical object from the construction of the facts, the time andthe environment where it was inserted, in relation to human life. To understand the importanceof the affective relationships between human beings and their biographical objects is themain objective for the development of this work. Including, it seeks to identify the relevanceof affective relationships between people, by means of crocheting and its positive reflectionsfor the collective memory. This bibliographical, qualitative research, which, in an expositoryway, recreates a theoretical context. By social design methodological approaches, it usesstudies of articles and other scientific products. The affective relationships that are installedbetween human beings and these objects can also define the time, the place, the life historyof an individual or social group, in short, situate the territory. Crochet handicraft can beexecuted in a group and, consequently, by group dedication, it becomes a tradition. It wasobserved that crochet can be applied to any object, as long as the creative potential andthe research of materials are used. To meet the collective work, raw materials are soughtin the region. It drives the movement of revaluing the “handmade”. In this way, it becomespossible to insert the affective relationships with the objects, the places, and the entire lifehistory of an individual or social group. |
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Crochet memory: affective Culture in biographical objects Memoria Crochet: cultura afectiva en objetos biográficosMemória do crochê: cultura afetiva em objetos biográficos Affective memoryBiographical objectCrochet craftsMemória afetivaObjetos biográficosArtesanato de crochê.Memoria afectivaObjetos biográficosArtesanías de crochetAny object can become a biographical object from the construction of the facts, the time andthe environment where it was inserted, in relation to human life. To understand the importanceof the affective relationships between human beings and their biographical objects is themain objective for the development of this work. Including, it seeks to identify the relevanceof affective relationships between people, by means of crocheting and its positive reflectionsfor the collective memory. This bibliographical, qualitative research, which, in an expositoryway, recreates a theoretical context. By social design methodological approaches, it usesstudies of articles and other scientific products. The affective relationships that are installedbetween human beings and these objects can also define the time, the place, the life historyof an individual or social group, in short, situate the territory. Crochet handicraft can beexecuted in a group and, consequently, by group dedication, it becomes a tradition. It wasobserved that crochet can be applied to any object, as long as the creative potential andthe research of materials are used. To meet the collective work, raw materials are soughtin the region. It drives the movement of revaluing the “handmade”. In this way, it becomespossible to insert the affective relationships with the objects, the places, and the entire lifehistory of an individual or social group.Cualquier objeto puede convertirse en objeto biográfico a partir de la construcción de loshechos, el tiempo y el entorno donde fue insertado, en relación a la vida humana. Comprenderla importancia de las relaciones afectivas entre el ser humano y sus objetos biográficoscotidianos es el principal objetivo para el desarrollo de este trabajo. También busca identificarla relevancia de las relaciones afectivas entre las personas, a través del crochet y susreflejos positivos para la memoria colectiva. Esta investigación bibliográfica, cualitativa,que, de manera expositiva, recrea un contexto teórico. Utilizando enfoques metodológicosMOURÃO; OLIVEIRA, Memória, 2021, v. 5 n. 2, ISSN 2594-4630, pp. 31 - 50 33del diseño social, utiliza estudios de artículos y otros productos científicos. Las relacionesafectivas que se instalan entre el ser humano y estos objetos, también pueden definir eltiempo, el lugar, la historia de vida de un individuo o grupo social, en definitiva, situar elterritorio. La artesanía en crochet se puede hacer en grupo y, en consecuencia, debido ala dedicación del grupo, se convierte en una tradición. Se observó que el crochet se puedeaplicar a cualquier objeto, siempre y cuando se utilice el potencial creativo y la búsqueda demateriales. Para servir al trabajo colectivo, se buscan materias primas en la región. Impulsael movimiento de revalorización del “hecho a mano”. De esta forma, se hace posible insertarrelaciones afectivas con objetos, lugares y toda la historia de vida de un individuo o gruposocial.Um objeto qualquer pode se tornar um objeto biográfico a partir da construção dos fatos, do tempo e do ambiente onde o mesmo foi inserido, em relação à vida humana. Compreender a importância das relações afetivas entre os seres humanos e os seus objetos biográficos do cotidiano, constitui-se o objetivo principal para o desenvolvimento deste trabalho. Inclusive, busca-se identificar a relevância das relações afetivas entre pessoas, por meio do fazer crochê e seus reflexos positivos para a memória coletiva. Esta pesquisa bibliográfica, qualitativa, de forma expositiva recria um contexto teórico. Por abordagens metodológicas do design social, utiliza estudos de artigos e demais produtos científicos. As relações afetivas que se instalam ente o ser humano e estes objetos também podem definir o tempo, o lugar, a história de vida de um indivíduo ou grupo social, enfim situar o território. O artesanato do crochê pode ser executado em grupo e, consequentemente, por dedicação do grupo, torna-se uma tradição. Observou-se que o crochê pode ser aplicado em qualquer objeto, desde que se utilize o potencial criativo e a pesquisa de materiais. Para atender ao trabalho coletivo, busca-se matéria-prima na região. Ele impulsiona o movimento de revalorização do “feito à mão”. Dessa forma, torna-se possível inserir as relações afetivas com os objetos, com os lugares e toda a história de vida de um indivíduo ou grupo social.Universidade do Estado de Santa Catarina2021-06-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://www.revistas.udesc.br/index.php/ensinarmode/article/view/1974610.5965/25944630522021069Revista de Ensino em Artes, Moda e Design; v. 5 n. 2 (2021): Dossiê 9 - Arte, Design e Artesanato – Ressignificações e Relacionamentos em Rede; 69-882594-463010.5965/25944630522021001reponame:Revista de Ensino em Artes, Moda e Designinstname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/ensinarmode/article/view/19746/12999https://www.revistas.udesc.br/index.php/ensinarmode/article/view/19746/13004Copyright (c) 2021 Nadja Maria Mourão, Ana Célia Carneiro Oliveirahttps://creativecommons.org/licenses/by/4.0/deed.ptinfo:eu-repo/semantics/openAccessMourão, Nadja MariaOliveira, Ana Célia Carneiro2024-02-29T12:41:41Zoai::article/19746Revistahttps://www.revistas.udesc.br/index.php/ensinarmode/indexPUBhttps://www.revistas.udesc.br/index.php/Ensinarmode/oaireamd.ceart@udesc.br || portal.periodicos@udesc.br2594-46302594-4630opendoar:2024-02-29T12:41:41Revista de Ensino em Artes, Moda e Design - Universidade do Estado de Santa Catarina (UDESC)false |
dc.title.none.fl_str_mv |
Crochet memory: affective Culture in biographical objects Memoria Crochet: cultura afectiva en objetos biográficos Memória do crochê: cultura afetiva em objetos biográficos |
title |
Crochet memory: affective Culture in biographical objects |
spellingShingle |
Crochet memory: affective Culture in biographical objects Mourão, Nadja Maria Affective memory Biographical object Crochet crafts Memória afetiva Objetos biográficos Artesanato de crochê. Memoria afectiva Objetos biográficos Artesanías de crochet |
title_short |
Crochet memory: affective Culture in biographical objects |
title_full |
Crochet memory: affective Culture in biographical objects |
title_fullStr |
Crochet memory: affective Culture in biographical objects |
title_full_unstemmed |
Crochet memory: affective Culture in biographical objects |
title_sort |
Crochet memory: affective Culture in biographical objects |
author |
Mourão, Nadja Maria |
author_facet |
Mourão, Nadja Maria Oliveira, Ana Célia Carneiro |
author_role |
author |
author2 |
Oliveira, Ana Célia Carneiro |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Mourão, Nadja Maria Oliveira, Ana Célia Carneiro |
dc.subject.por.fl_str_mv |
Affective memory Biographical object Crochet crafts Memória afetiva Objetos biográficos Artesanato de crochê. Memoria afectiva Objetos biográficos Artesanías de crochet |
topic |
Affective memory Biographical object Crochet crafts Memória afetiva Objetos biográficos Artesanato de crochê. Memoria afectiva Objetos biográficos Artesanías de crochet |
description |
Any object can become a biographical object from the construction of the facts, the time andthe environment where it was inserted, in relation to human life. To understand the importanceof the affective relationships between human beings and their biographical objects is themain objective for the development of this work. Including, it seeks to identify the relevanceof affective relationships between people, by means of crocheting and its positive reflectionsfor the collective memory. This bibliographical, qualitative research, which, in an expositoryway, recreates a theoretical context. By social design methodological approaches, it usesstudies of articles and other scientific products. The affective relationships that are installedbetween human beings and these objects can also define the time, the place, the life historyof an individual or social group, in short, situate the territory. Crochet handicraft can beexecuted in a group and, consequently, by group dedication, it becomes a tradition. It wasobserved that crochet can be applied to any object, as long as the creative potential andthe research of materials are used. To meet the collective work, raw materials are soughtin the region. It drives the movement of revaluing the “handmade”. In this way, it becomespossible to insert the affective relationships with the objects, the places, and the entire lifehistory of an individual or social group. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-06-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.udesc.br/index.php/ensinarmode/article/view/19746 10.5965/25944630522021069 |
url |
https://www.revistas.udesc.br/index.php/ensinarmode/article/view/19746 |
identifier_str_mv |
10.5965/25944630522021069 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.udesc.br/index.php/ensinarmode/article/view/19746/12999 https://www.revistas.udesc.br/index.php/ensinarmode/article/view/19746/13004 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 Nadja Maria Mourão, Ana Célia Carneiro Oliveira https://creativecommons.org/licenses/by/4.0/deed.pt info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 Nadja Maria Mourão, Ana Célia Carneiro Oliveira https://creativecommons.org/licenses/by/4.0/deed.pt |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
dc.source.none.fl_str_mv |
Revista de Ensino em Artes, Moda e Design; v. 5 n. 2 (2021): Dossiê 9 - Arte, Design e Artesanato – Ressignificações e Relacionamentos em Rede; 69-88 2594-4630 10.5965/25944630522021001 reponame:Revista de Ensino em Artes, Moda e Design instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
instname_str |
Universidade do Estado de Santa Catarina (UDESC) |
instacron_str |
UDESC |
institution |
UDESC |
reponame_str |
Revista de Ensino em Artes, Moda e Design |
collection |
Revista de Ensino em Artes, Moda e Design |
repository.name.fl_str_mv |
Revista de Ensino em Artes, Moda e Design - Universidade do Estado de Santa Catarina (UDESC) |
repository.mail.fl_str_mv |
reamd.ceart@udesc.br || portal.periodicos@udesc.br |
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1797049142211510272 |