A Greimas’ Semiotics in Design and Fashion research in Brazil: separation and mixing between disciplines

Detalhes bibliográficos
Autor(a) principal: Barreto Bogo, Marc
Data de Publicação: 2021
Outros Autores: Braga Clemente, Mariana
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista de Ensino em Artes, Moda e Design
Texto Completo: https://www.revistas.udesc.br/index.php/ensinarmode/article/view/18634
Resumo: The Semiotic Theory developed in France by A. J. Greimas and his collaborators, has among its principles to put itself at the service of other social and human sciences. The goal of this paper is to understand how the conceptual architecture of Greimas’ Semiotic theory is used in Design and Fashion researches in Brazil, by conducting a data survey. Our research corpus are the doctoral theses and master’s dissertations defended until 2019 in 25 graduate programs in these areas, filtered according to the use or mention of authors from the French Semiotics field. The main problem was to understand if and how Greimas’ Semiotics presents itself in interdisciplinarity with the researches developed in the Brazilian graduate programs in Design and Fashion. From a total amount of 2,854 thesis and dissertations available in online databases, we found 90 researches that make use of Greimas’ Semiotics. Starting from the opposition between the modes of doing science by separation or by mixing, we identified a typology of the possible relations between disciplines, which can take place either as segregation or comparison operations (separation logics), or even as combination or undifferentiation operations (mixing logics). At large, we found a greater amount of works belonging to the logic of mixture than to the logic of separation, which highlights the very interdisciplinary nature of Design, Fashion and Semiotic areas.
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spelling A Greimas’ Semiotics in Design and Fashion research in Brazil: separation and mixing between disciplinesLa sémiotique de Greimas dans la recherche brésilienne sur Design et Mode: tri et mélange entre disciplinesA semiótica de Greimas na pesquisa brasileira em Design e Moda: triagem e mistura entre disciplinasSemiótica de GreimasPesquisas em Design e ModaInterdisciplinaridadeGreimas’ SemioticsDesign and Fashion researchInterdisciplinaritySémiotique de GreimasRecherche sur Design et Mode InterdisciplinaritéThe Semiotic Theory developed in France by A. J. Greimas and his collaborators, has among its principles to put itself at the service of other social and human sciences. The goal of this paper is to understand how the conceptual architecture of Greimas’ Semiotic theory is used in Design and Fashion researches in Brazil, by conducting a data survey. Our research corpus are the doctoral theses and master’s dissertations defended until 2019 in 25 graduate programs in these areas, filtered according to the use or mention of authors from the French Semiotics field. The main problem was to understand if and how Greimas’ Semiotics presents itself in interdisciplinarity with the researches developed in the Brazilian graduate programs in Design and Fashion. From a total amount of 2,854 thesis and dissertations available in online databases, we found 90 researches that make use of Greimas’ Semiotics. Starting from the opposition between the modes of doing science by separation or by mixing, we identified a typology of the possible relations between disciplines, which can take place either as segregation or comparison operations (separation logics), or even as combination or undifferentiation operations (mixing logics). At large, we found a greater amount of works belonging to the logic of mixture than to the logic of separation, which highlights the very interdisciplinary nature of Design, Fashion and Semiotic areas.La Sémiotique d’origine française développée par A. J. Greimas et ses collaborateurs a comme un de ses principes le but de se mettre au service des autres sciences sociales et humaines. L’objectif de ce travail est de mener une identification des travaux de recherche, aussi bien que de comprendre comment l’architecture conceptuelle de la théorie de Greimas est utilisée dans les recherches des domaines du Design et de la Mode au Brésil. Notre corpus sont les thèses et les dissertations soutenues jusqu’en 2019 dans 25 programmes d’études supérieures dans ces domaines, filtrées en fonction de l’utilisation ou de la mention d’auteurs du cadre de la théorie sémiotique française. Le problème a été de comprendre si et comment la Sémiotique de Greimas se présente en interdisciplinarité avec les recherches développées dans les programmes d’études supérieures en Design et Mode brésiliens. À partir de la somme totale de 2854 thèses et dissertations disponibles en ligne sur les bases de données, nous avons trouvé 90 ouvrages qui utilisent la Sémiotique de Greimas. Partant de l’opposition entre les mode de faire de la science par tri ou par mélange, nous avons identifié dans les résultats une typologie des relations entre disciplines, qui peuvent se dérouler à la fois sous la forme d’opérations de séparation ou de comparaison (logique du tri), ainsi que sous la forme d’opérations de combinaison ou d’indifférenciation (logique du mélange). En général, nous avons trouvé un plus grand nombre d’œuvres appartenant à la logique du mélange qu’à la logique du tri, ce qui met en évidence le caractère très interdisciplinaire des domaines du Design, de la Mode et de la Sémiotique.A Semiótica de linha francesa desenvolvida por A. J. Greimas e seus colaboradores tem como um de seus princípios colocar-se a serviço das outras ciências sociais e humanas. O objetivo deste trabalho é realizar um levantamento e entender como a arquitetura conceitual da teoria semiótica de Greimas é usada nas pesquisas das áreas de Design e Moda no Brasil. Nosso corpus de pesquisa são as teses e dissertações defendidas até o ano de 2019 em 25 programas de pós-graduação dessas áreas, filtradas segundo o uso ou menção de autores do campo da teoria semiótica francesa. O problema foi compreender se e como a Semiótica de Greimas apresenta-se em interdisciplinaridade com as pesquisas desenvolvidas nos programas de pós-graduação em Design e Moda brasileiros. De um universo total de 2.854 teses e dissertações disponíveis nos bancos de dados online, encontramos 90 trabalhos que fazem uso da Semiótica de Greimas. Partindo da oposição entre os modos do fazer científico por triagem ou por mistura, identificamos nos resultados localizados uma tipologia das relações entre disciplinas, que podem se dar tanto como operações de separação ou de comparação (lógicas de triagem), quanto como operações de combinação ou de indiferenciação (lógicas de mistura). No geral, encontramos uma quantidade maior de trabalhos pertencentes à lógica da mistura do que à lógica da triagem, o que evidencia a própria natureza interdisciplinar das áreas de Design, Moda e Semiótica.Universidade do Estado de Santa Catarina2021-02-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://www.revistas.udesc.br/index.php/ensinarmode/article/view/1863410.5965/25944630512021014Revista de Ensino em Artes, Moda e Design; v. 5 n. 1 (2021): Dossiê 8 Práticas interacionais na construção de práticas docentes: estudos do discurso e o ensino e as pesquisas em arte, moda e design; 14-372594-463010.5965/25944630512021001reponame:Revista de Ensino em Artes, Moda e Designinstname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/ensinarmode/article/view/18634/12693https://www.revistas.udesc.br/index.php/ensinarmode/article/view/18634/12695Copyright (c) 2021 Marc Barreto Bogo, Mariana Braga Clementehttps://creativecommons.org/licenses/by/4.0/deed.ptinfo:eu-repo/semantics/openAccessBarreto Bogo, MarcBraga Clemente, Mariana2021-02-01T13:23:00Zoai:ojs.revistas.udesc.br:article/18634Revistahttps://www.revistas.udesc.br/index.php/ensinarmode/indexPUBhttps://www.revistas.udesc.br/index.php/Ensinarmode/oaireamd.ceart@udesc.br || portal.periodicos@udesc.br2594-46302594-4630opendoar:2021-02-01T13:23Revista de Ensino em Artes, Moda e Design - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv A Greimas’ Semiotics in Design and Fashion research in Brazil: separation and mixing between disciplines
La sémiotique de Greimas dans la recherche brésilienne sur Design et Mode: tri et mélange entre disciplines
A semiótica de Greimas na pesquisa brasileira em Design e Moda: triagem e mistura entre disciplinas
title A Greimas’ Semiotics in Design and Fashion research in Brazil: separation and mixing between disciplines
spellingShingle A Greimas’ Semiotics in Design and Fashion research in Brazil: separation and mixing between disciplines
Barreto Bogo, Marc
Semiótica de Greimas
Pesquisas em Design e Moda
Interdisciplinaridade
Greimas’ Semiotics
Design and Fashion research
Interdisciplinarity
Sémiotique de Greimas
Recherche sur Design et Mode
Interdisciplinarité
title_short A Greimas’ Semiotics in Design and Fashion research in Brazil: separation and mixing between disciplines
title_full A Greimas’ Semiotics in Design and Fashion research in Brazil: separation and mixing between disciplines
title_fullStr A Greimas’ Semiotics in Design and Fashion research in Brazil: separation and mixing between disciplines
title_full_unstemmed A Greimas’ Semiotics in Design and Fashion research in Brazil: separation and mixing between disciplines
title_sort A Greimas’ Semiotics in Design and Fashion research in Brazil: separation and mixing between disciplines
author Barreto Bogo, Marc
author_facet Barreto Bogo, Marc
Braga Clemente, Mariana
author_role author
author2 Braga Clemente, Mariana
author2_role author
dc.contributor.author.fl_str_mv Barreto Bogo, Marc
Braga Clemente, Mariana
dc.subject.por.fl_str_mv Semiótica de Greimas
Pesquisas em Design e Moda
Interdisciplinaridade
Greimas’ Semiotics
Design and Fashion research
Interdisciplinarity
Sémiotique de Greimas
Recherche sur Design et Mode
Interdisciplinarité
topic Semiótica de Greimas
Pesquisas em Design e Moda
Interdisciplinaridade
Greimas’ Semiotics
Design and Fashion research
Interdisciplinarity
Sémiotique de Greimas
Recherche sur Design et Mode
Interdisciplinarité
description The Semiotic Theory developed in France by A. J. Greimas and his collaborators, has among its principles to put itself at the service of other social and human sciences. The goal of this paper is to understand how the conceptual architecture of Greimas’ Semiotic theory is used in Design and Fashion researches in Brazil, by conducting a data survey. Our research corpus are the doctoral theses and master’s dissertations defended until 2019 in 25 graduate programs in these areas, filtered according to the use or mention of authors from the French Semiotics field. The main problem was to understand if and how Greimas’ Semiotics presents itself in interdisciplinarity with the researches developed in the Brazilian graduate programs in Design and Fashion. From a total amount of 2,854 thesis and dissertations available in online databases, we found 90 researches that make use of Greimas’ Semiotics. Starting from the opposition between the modes of doing science by separation or by mixing, we identified a typology of the possible relations between disciplines, which can take place either as segregation or comparison operations (separation logics), or even as combination or undifferentiation operations (mixing logics). At large, we found a greater amount of works belonging to the logic of mixture than to the logic of separation, which highlights the very interdisciplinary nature of Design, Fashion and Semiotic areas.
publishDate 2021
dc.date.none.fl_str_mv 2021-02-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/ensinarmode/article/view/18634
10.5965/25944630512021014
url https://www.revistas.udesc.br/index.php/ensinarmode/article/view/18634
identifier_str_mv 10.5965/25944630512021014
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/ensinarmode/article/view/18634/12693
https://www.revistas.udesc.br/index.php/ensinarmode/article/view/18634/12695
dc.rights.driver.fl_str_mv Copyright (c) 2021 Marc Barreto Bogo, Mariana Braga Clemente
https://creativecommons.org/licenses/by/4.0/deed.pt
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Marc Barreto Bogo, Mariana Braga Clemente
https://creativecommons.org/licenses/by/4.0/deed.pt
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
dc.source.none.fl_str_mv Revista de Ensino em Artes, Moda e Design; v. 5 n. 1 (2021): Dossiê 8 Práticas interacionais na construção de práticas docentes: estudos do discurso e o ensino e as pesquisas em arte, moda e design; 14-37
2594-4630
10.5965/25944630512021001
reponame:Revista de Ensino em Artes, Moda e Design
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Revista de Ensino em Artes, Moda e Design
collection Revista de Ensino em Artes, Moda e Design
repository.name.fl_str_mv Revista de Ensino em Artes, Moda e Design - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv reamd.ceart@udesc.br || portal.periodicos@udesc.br
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