Reflections on pictorial thought in the study of colors interaction based on Wassily Kandinsky
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Data de Publicação: | 2023 |
Outros Autores: | , |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Palíndromo (Online) |
Texto Completo: | https://www.revistas.udesc.br/index.php/palindromo/article/view/22771 |
Resumo: | This research investigates the teaching practices for the teaching of color interaction developed by the research project entitled The Painting Studio as a Teaching Laboratory at the State University of Santa Catarina – UDESC. To carry out this research, the general objective was to investigate how proposals for a workshop class on the interaction of colors based on Kandinsky can contribute to the development of pictorial thinking in painting, divided into three specific objectives: (1) analyze the theory of colors in Kandinsky, (2) Present the approach used in conducting taught in the Introduction to Pictorial Language course (3) analysis of data collected from conducting. As a methodology, the qualitative research approach was used, involving the analysis of primary documentary sources of a regency taught to undergraduate students in visual arts and a bibliographic review on the investigated topic. 3 different types of results were obtained considering the pictorial process of the students considering the execution of the exercise that occurred in the following ways: first painting the filter and then the shapes; or the shapes and then a layer of paint to represent the filter; or the interaction of colors in shapes without representing the filter, with this we identified how from the same challenge the students found different ways to solve it, some highlighting the shape, others the interaction of color. |
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Reflections on pictorial thought in the study of colors interaction based on Wassily KandinskyReflexiones sobre el pensamiento pictórico en el estudio de la interacción de colores a partir de Wassily KandinskyReflexões sobre o pensamento pictórico no estudo da interação das cores baseado em Wassily KandinskyEnsino das artes visuaisPensamento pictóricoInteração da corAula AteliêTeaching the Visual ArtsPictorial thoughtColor interactionAtelier classEnseñanza de las artes visualesPensamiento pictóricoInteracción de coloresClase de tallerThis research investigates the teaching practices for the teaching of color interaction developed by the research project entitled The Painting Studio as a Teaching Laboratory at the State University of Santa Catarina – UDESC. To carry out this research, the general objective was to investigate how proposals for a workshop class on the interaction of colors based on Kandinsky can contribute to the development of pictorial thinking in painting, divided into three specific objectives: (1) analyze the theory of colors in Kandinsky, (2) Present the approach used in conducting taught in the Introduction to Pictorial Language course (3) analysis of data collected from conducting. As a methodology, the qualitative research approach was used, involving the analysis of primary documentary sources of a regency taught to undergraduate students in visual arts and a bibliographic review on the investigated topic. 3 different types of results were obtained considering the pictorial process of the students considering the execution of the exercise that occurred in the following ways: first painting the filter and then the shapes; or the shapes and then a layer of paint to represent the filter; or the interaction of colors in shapes without representing the filter, with this we identified how from the same challenge the students found different ways to solve it, some highlighting the shape, others the interaction of color.Esta investigación investiga las prácticas docentes para la enseñanza de la interacción cromática desarrolladas por el proyecto de investigación titulado El Taller de Pintura como Laboratorio de Enseñanza de la Universidad Estadual de Santa Catarina – UDESC. Para llevar a cabo esta investigación, el objetivo general fue indagar cómo las propuestas de una clase taller sobre la interacción de los colores a partir de Kandinsky pueden contribuir al desarrollo del pensamiento pictórico en la pintura, dividido en tres objetivos específicos: (1) Analizar la teoría de colores en Kandinsky, (2) Presentar el enfoque utilizado en la dirección que se enseña en el curso de Introducción al lenguaje pictórico (3) análisis de los datos recopilados de la dirección. Como metodología se utilizó el enfoque de investigación cualitativa, involucrando el análisis de fuentes documentales primarias de una regencia impartida con estudiantes de pregrado en artes visuales y una revisión bibliográfica sobre el tema investigado. Se obtuvieron 3 tipos diferentes de resultados considerando el proceso pictórico de los estudiantes considerando la ejecución del ejercicio que se dio de las siguientes maneras: primero pintando el filtro y luego las formas; o las formas y luego una capa de pintura para representar el filtro; o la interacción de colores en formas sin representar el filtro, con esto identificamos como a partir de un mismo reto los estudiantes encontraron diferentes formas de resolverlo, unos destacando la forma, otros la interacción del color.Esta pesquisa investiga as práticas docentes para o ensino da interação da cor desenvolvida pelo projeto de pesquisa intitulado O Estúdio de Pintura como um Laboratório de Ensino na Universidade do Estado de Santa Catarina – UDESC. Para a realização desta, o objetivo geral foi de investigar como propostas de aula ateliê sobre a interação das cores a partir de Kandinsky podem contribuir para o desenvolvimento do pensamento pictórico na pintura, dividido em três objetivos específicos: (1) Analisar a teoria das cores em Kandinsky, (2) Apresentar a abordagem utilizada na regência ministrada na disciplina de Introdução a Linguagem Pictórica (3) análise dos dados coletados da regência. Como metodologia utilizou-se a abordagem da pesquisa qualitativa envolvendo a análise de fontes documentais primárias de uma regência ministrada com os alunos de graduação em artes visuais e de revisão bibliográfica sobre o tema investigado. Obteve-se 3 tipos de resultados diferentes considerando o processo pictórico dos alunos na execução dos desafios que ocorreram das seguintes maneiras: pintando primeiro o filtro e depois as formas; ou as formas e em seguida uma camada de tinta para representar o filtro; ou a interação das cores nas formas sem representar o filtro, com isto identificamos como a partir de um mesmo desafio os alunos encontraram caminhos diferentes para a solução deste, alguns evidenciando a forma, outros a interação da cor. Universidade do Estado de Santa Catarina2023-02-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/2277110.5965/2175234615352023012Palíndromo; Vol. 15 No. 35 (2023): A prática artística como pesquisa em educação; 12-30Palíndromo; v. 15 n. 35 (2023): A prática artística como pesquisa em educação; 12-302175-23461984-9532reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/22771/15175Copyright (c) 2023 Lisy Li Pires Fuhrmann, Raony Robson Ruiz, Jociele Lamperthttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessFuhrmann, Lisy Li PiresRuiz, Raony RobsonLampert, Jociele2023-02-01T18:03:52Zoai:ojs.revistas.udesc.br:article/22771Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2023-02-01T18:03:52Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false |
dc.title.none.fl_str_mv |
Reflections on pictorial thought in the study of colors interaction based on Wassily Kandinsky Reflexiones sobre el pensamiento pictórico en el estudio de la interacción de colores a partir de Wassily Kandinsky Reflexões sobre o pensamento pictórico no estudo da interação das cores baseado em Wassily Kandinsky |
title |
Reflections on pictorial thought in the study of colors interaction based on Wassily Kandinsky |
spellingShingle |
Reflections on pictorial thought in the study of colors interaction based on Wassily Kandinsky Fuhrmann, Lisy Li Pires Ensino das artes visuais Pensamento pictórico Interação da cor Aula Ateliê Teaching the Visual Arts Pictorial thought Color interaction Atelier class Enseñanza de las artes visuales Pensamiento pictórico Interacción de colores Clase de taller |
title_short |
Reflections on pictorial thought in the study of colors interaction based on Wassily Kandinsky |
title_full |
Reflections on pictorial thought in the study of colors interaction based on Wassily Kandinsky |
title_fullStr |
Reflections on pictorial thought in the study of colors interaction based on Wassily Kandinsky |
title_full_unstemmed |
Reflections on pictorial thought in the study of colors interaction based on Wassily Kandinsky |
title_sort |
Reflections on pictorial thought in the study of colors interaction based on Wassily Kandinsky |
author |
Fuhrmann, Lisy Li Pires |
author_facet |
Fuhrmann, Lisy Li Pires Ruiz, Raony Robson Lampert, Jociele |
author_role |
author |
author2 |
Ruiz, Raony Robson Lampert, Jociele |
author2_role |
author author |
dc.contributor.author.fl_str_mv |
Fuhrmann, Lisy Li Pires Ruiz, Raony Robson Lampert, Jociele |
dc.subject.por.fl_str_mv |
Ensino das artes visuais Pensamento pictórico Interação da cor Aula Ateliê Teaching the Visual Arts Pictorial thought Color interaction Atelier class Enseñanza de las artes visuales Pensamiento pictórico Interacción de colores Clase de taller |
topic |
Ensino das artes visuais Pensamento pictórico Interação da cor Aula Ateliê Teaching the Visual Arts Pictorial thought Color interaction Atelier class Enseñanza de las artes visuales Pensamiento pictórico Interacción de colores Clase de taller |
description |
This research investigates the teaching practices for the teaching of color interaction developed by the research project entitled The Painting Studio as a Teaching Laboratory at the State University of Santa Catarina – UDESC. To carry out this research, the general objective was to investigate how proposals for a workshop class on the interaction of colors based on Kandinsky can contribute to the development of pictorial thinking in painting, divided into three specific objectives: (1) analyze the theory of colors in Kandinsky, (2) Present the approach used in conducting taught in the Introduction to Pictorial Language course (3) analysis of data collected from conducting. As a methodology, the qualitative research approach was used, involving the analysis of primary documentary sources of a regency taught to undergraduate students in visual arts and a bibliographic review on the investigated topic. 3 different types of results were obtained considering the pictorial process of the students considering the execution of the exercise that occurred in the following ways: first painting the filter and then the shapes; or the shapes and then a layer of paint to represent the filter; or the interaction of colors in shapes without representing the filter, with this we identified how from the same challenge the students found different ways to solve it, some highlighting the shape, others the interaction of color. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-02-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/22771 10.5965/2175234615352023012 |
url |
https://www.revistas.udesc.br/index.php/palindromo/article/view/22771 |
identifier_str_mv |
10.5965/2175234615352023012 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/22771/15175 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Lisy Li Pires Fuhrmann, Raony Robson Ruiz, Jociele Lampert http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Lisy Li Pires Fuhrmann, Raony Robson Ruiz, Jociele Lampert http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
dc.source.none.fl_str_mv |
Palíndromo; Vol. 15 No. 35 (2023): A prática artística como pesquisa em educação; 12-30 Palíndromo; v. 15 n. 35 (2023): A prática artística como pesquisa em educação; 12-30 2175-2346 1984-9532 reponame:Palíndromo (Online) instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
instname_str |
Universidade do Estado de Santa Catarina (UDESC) |
instacron_str |
UDESC |
institution |
UDESC |
reponame_str |
Palíndromo (Online) |
collection |
Palíndromo (Online) |
repository.name.fl_str_mv |
Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC) |
repository.mail.fl_str_mv |
palindromorevista@gmail.com || revistapalindromo@udesc.br |
_version_ |
1797041816615256064 |