The poetics of multiple bodies and heteroclites in Oriana Duarte

Detalhes bibliográficos
Autor(a) principal: Salvi, Carolina
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: por
Título da fonte: Palíndromo (Online)
Texto Completo: https://www.revistas.udesc.br/index.php/palindromo/article/view/16461
Resumo: This paper comes from a Masters research that identifies the self-portrait as a political discourse in the oeuvre of Oriana Duarte, in regards to a body-centred work, and its fluidityand deterritorialization. By a self-writing, the artist composes herself in and beyond herself, in a cyborg and hybrid existence that escapes the norms of a passive female body canonized in art. Drawing an artist life, Oriana constructs herself in multiple and heteroclite becomings, in dialogue with elements of nature and extrapolation of human condition, placing the body in theepicentre of the relationship.
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spelling The poetics of multiple bodies and heteroclites in Oriana DuarteLa poétique des corps multiples et heteroclites en Oriana DuarteA poética de corpos múltiplos e heteróclitos de Oriana Duarte.Oriana Duartecorpoheteróclitosarte contemporâneaOriana Duarte.Body.Heteroclites.Contemporary art.This paper comes from a Masters research that identifies the self-portrait as a political discourse in the oeuvre of Oriana Duarte, in regards to a body-centred work, and its fluidityand deterritorialization. By a self-writing, the artist composes herself in and beyond herself, in a cyborg and hybrid existence that escapes the norms of a passive female body canonized in art. Drawing an artist life, Oriana constructs herself in multiple and heteroclite becomings, in dialogue with elements of nature and extrapolation of human condition, placing the body in theepicentre of the relationship.Cet article vient d’une recherche du master qu’identifie l’autoportrait comme un discours politiquedans l’ouvre d’Oriana Duarte, par le travail centré sur le corps et sa fluidité et déterritorialisation. À partird’une écriture de soi, l’artiste se compose elle-même et au-delà d’elle-même, dans une existencecyborg et hybride, qu’échappe aux normes du corps féminin passif canonisée dans l’art. En tissantune vie artiste, Oriana se fait en devenirs multiples et hétéroclites en dialogue avec des éléments de lanature et les technologies d’extrapolation de la condition humaine, en plaçant le corps à l’épicentre de cette relation.O trabalho artístico de Oriana Duarte navega na fluidez e desterritorialização do corpo. Metamorfoseia a pedra sólida em sopa líquida, transformada em alimento pela fisiologia do corpo, acopla-se ao remo, transforma-se em barco, em ponte, altera a estrutura muscular e se imerge em edifícios e cidades. O corpo, para a artista, não possui um significado nem um organismo originário, mas se faz em campo de experimentações e possibilidades. Com uma prática quase inteiramente voltada para o próprio corpo, a artista realiza uma escrita de si que assume a função de compor-se, em si mesma e além-de-si, em uma existência ciborgue e híbrida, escapando às normas de corpo feminino passivo antes canonizados na arte. Assim, Oriana Duarte vem, através da performance, traçando uma vida artista em constante diálogo com elementos da natureza e tecnologias humanas, tendo o corpo no epicentro dessa relação.Universidade do Estado de Santa Catarina2021-01-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/1646110.5965/2175234613292021148Palíndromo; Vol. 13 No. 29 (2021): arts, technoly; 148 - 160Palíndromo; v. 13 n. 29 (2021): Dossiê Artes, tecnologias digitais e o ensino em tempos de isolamento social; 148 - 1602175-23461984-953210.5965/2175234613292021001reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/16461/12598Copyright (c) 2020 Carolina Salvihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessSalvi, Carolina2024-02-29T12:46:58Zoai::article/16461Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2024-02-29T12:46:58Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv The poetics of multiple bodies and heteroclites in Oriana Duarte
La poétique des corps multiples et heteroclites en Oriana Duarte
A poética de corpos múltiplos e heteróclitos de Oriana Duarte.
title The poetics of multiple bodies and heteroclites in Oriana Duarte
spellingShingle The poetics of multiple bodies and heteroclites in Oriana Duarte
Salvi, Carolina
Oriana Duarte
corpo
heteróclitos
arte contemporânea
Oriana Duarte.
Body.
Heteroclites.
Contemporary art.
title_short The poetics of multiple bodies and heteroclites in Oriana Duarte
title_full The poetics of multiple bodies and heteroclites in Oriana Duarte
title_fullStr The poetics of multiple bodies and heteroclites in Oriana Duarte
title_full_unstemmed The poetics of multiple bodies and heteroclites in Oriana Duarte
title_sort The poetics of multiple bodies and heteroclites in Oriana Duarte
author Salvi, Carolina
author_facet Salvi, Carolina
author_role author
dc.contributor.author.fl_str_mv Salvi, Carolina
dc.subject.por.fl_str_mv Oriana Duarte
corpo
heteróclitos
arte contemporânea
Oriana Duarte.
Body.
Heteroclites.
Contemporary art.
topic Oriana Duarte
corpo
heteróclitos
arte contemporânea
Oriana Duarte.
Body.
Heteroclites.
Contemporary art.
description This paper comes from a Masters research that identifies the self-portrait as a political discourse in the oeuvre of Oriana Duarte, in regards to a body-centred work, and its fluidityand deterritorialization. By a self-writing, the artist composes herself in and beyond herself, in a cyborg and hybrid existence that escapes the norms of a passive female body canonized in art. Drawing an artist life, Oriana constructs herself in multiple and heteroclite becomings, in dialogue with elements of nature and extrapolation of human condition, placing the body in theepicentre of the relationship.
publishDate 2021
dc.date.none.fl_str_mv 2021-01-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/16461
10.5965/2175234613292021148
url https://www.revistas.udesc.br/index.php/palindromo/article/view/16461
identifier_str_mv 10.5965/2175234613292021148
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/16461/12598
dc.rights.driver.fl_str_mv Copyright (c) 2020 Carolina Salvi
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Carolina Salvi
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
dc.source.none.fl_str_mv Palíndromo; Vol. 13 No. 29 (2021): arts, technoly; 148 - 160
Palíndromo; v. 13 n. 29 (2021): Dossiê Artes, tecnologias digitais e o ensino em tempos de isolamento social; 148 - 160
2175-2346
1984-9532
10.5965/2175234613292021001
reponame:Palíndromo (Online)
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Palíndromo (Online)
collection Palíndromo (Online)
repository.name.fl_str_mv Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv palindromorevista@gmail.com || revistapalindromo@udesc.br
_version_ 1797041812814168064

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