THE VIDEO-BODY AND NARRATIVES OF THE SAME AND THE OTHER: VIDEOBODY

Detalhes bibliográficos
Autor(a) principal: Sarzi-Ribeiro, Regilene Aparecida
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: por
Título da fonte: Palíndromo (Online)
Texto Completo: https://www.revistas.udesc.br/index.php/palindromo/article/view/12632
Resumo: We present this article on the narratives of oneself and the other through the study of the video Entre de Nina Galanternick. Starting from the argument that the body that performs for the camera acts as a sense operator of the videographic device and that syncretism body-machine acts as the protagonist of the construction of identity between the subjects, we seek to bring the video of the ideas of programming and device, to defend it as a performance element, as well as a means of registration or documentation. For theoretical reasons we chose the authors Gilles Deleuze, Giorgio Agamben and Vilém Flusser and their studies on devices and techno-images, Hans Belting and the relationship between body and image and Arlindo Machado and the art of Brazilian video. Knowing the relationships between visibility and interaction, body and video, performance art and videographic language allowed us to understand how to construct the meaning of life, relationships between bodies and the narratives of oneself and the other.
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spelling THE VIDEO-BODY AND NARRATIVES OF THE SAME AND THE OTHER: VIDEOBODYO dispositivo videográfico e as narrativas de si mesmo e do outro: Videocorpocorpovideoperformancedispositivo videográficoNina Galanternickbodyvideoperformancevideographic deviceNina GalanternickWe present this article on the narratives of oneself and the other through the study of the video Entre de Nina Galanternick. Starting from the argument that the body that performs for the camera acts as a sense operator of the videographic device and that syncretism body-machine acts as the protagonist of the construction of identity between the subjects, we seek to bring the video of the ideas of programming and device, to defend it as a performance element, as well as a means of registration or documentation. For theoretical reasons we chose the authors Gilles Deleuze, Giorgio Agamben and Vilém Flusser and their studies on devices and techno-images, Hans Belting and the relationship between body and image and Arlindo Machado and the art of Brazilian video. Knowing the relationships between visibility and interaction, body and video, performance art and videographic language allowed us to understand how to construct the meaning of life, relationships between bodies and the narratives of oneself and the other.Apresentamos este artigo sobre as narrativas de si mesmo e do outro por meio do estudo do vídeo Entre de Nina Galanternick. Partindo do argumento de que o corpo que performa para a câmera atua como um operador de sentido do dispositivo videográfico e que o sincretismo corpo-máquina age como protagonista da construção de identidade entre os sujeitos, buscamos aproximar o vídeo das ideias de programação e dispositivo, para defendê-lo como elemento performático, para além de um meio de registro ou documentação. Para fundamentação teórica optamos pelos autores Gilles Deleuze, Giorgio Agamben e Vilém Flusser e seus estudos sobre dispositivos e técno-imagens, Hans Belting e a relação entre corpo e imagem e Arlindo Machado e a arte do vídeo brasileiro. Conhecer as relações entre visibilidade e interação, corpo e vídeo, arte performática e linguagem videográfica nos permitiu compreender como se constroem o sentido da vida, das relações entre os corpos e as narrativas de si mesmo e do outro.Universidade do Estado de Santa Catarina2018-07-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/1263210.5965/2175234610212018101Palíndromo; Vol. 10 No. 21 (2018): Palíndromo 21; 101-115Palíndromo; v. 10 n. 21 (2018): Palíndromo 21; 101-1152175-23461984-9532reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/12632/8541Copyright (c) 2018 Palíndromohttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessSarzi-Ribeiro, Regilene Aparecida2020-09-09T17:37:28Zoai:ojs.revistas.udesc.br:article/12632Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2020-09-09T17:37:28Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv THE VIDEO-BODY AND NARRATIVES OF THE SAME AND THE OTHER: VIDEOBODY
O dispositivo videográfico e as narrativas de si mesmo e do outro: Videocorpo
title THE VIDEO-BODY AND NARRATIVES OF THE SAME AND THE OTHER: VIDEOBODY
spellingShingle THE VIDEO-BODY AND NARRATIVES OF THE SAME AND THE OTHER: VIDEOBODY
Sarzi-Ribeiro, Regilene Aparecida
corpo
videoperformance
dispositivo videográfico
Nina Galanternick
body
videoperformance
videographic device
Nina Galanternick
title_short THE VIDEO-BODY AND NARRATIVES OF THE SAME AND THE OTHER: VIDEOBODY
title_full THE VIDEO-BODY AND NARRATIVES OF THE SAME AND THE OTHER: VIDEOBODY
title_fullStr THE VIDEO-BODY AND NARRATIVES OF THE SAME AND THE OTHER: VIDEOBODY
title_full_unstemmed THE VIDEO-BODY AND NARRATIVES OF THE SAME AND THE OTHER: VIDEOBODY
title_sort THE VIDEO-BODY AND NARRATIVES OF THE SAME AND THE OTHER: VIDEOBODY
author Sarzi-Ribeiro, Regilene Aparecida
author_facet Sarzi-Ribeiro, Regilene Aparecida
author_role author
dc.contributor.author.fl_str_mv Sarzi-Ribeiro, Regilene Aparecida
dc.subject.por.fl_str_mv corpo
videoperformance
dispositivo videográfico
Nina Galanternick
body
videoperformance
videographic device
Nina Galanternick
topic corpo
videoperformance
dispositivo videográfico
Nina Galanternick
body
videoperformance
videographic device
Nina Galanternick
description We present this article on the narratives of oneself and the other through the study of the video Entre de Nina Galanternick. Starting from the argument that the body that performs for the camera acts as a sense operator of the videographic device and that syncretism body-machine acts as the protagonist of the construction of identity between the subjects, we seek to bring the video of the ideas of programming and device, to defend it as a performance element, as well as a means of registration or documentation. For theoretical reasons we chose the authors Gilles Deleuze, Giorgio Agamben and Vilém Flusser and their studies on devices and techno-images, Hans Belting and the relationship between body and image and Arlindo Machado and the art of Brazilian video. Knowing the relationships between visibility and interaction, body and video, performance art and videographic language allowed us to understand how to construct the meaning of life, relationships between bodies and the narratives of oneself and the other.
publishDate 2018
dc.date.none.fl_str_mv 2018-07-31
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/12632
10.5965/2175234610212018101
url https://www.revistas.udesc.br/index.php/palindromo/article/view/12632
identifier_str_mv 10.5965/2175234610212018101
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/12632/8541
dc.rights.driver.fl_str_mv Copyright (c) 2018 Palíndromo
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Palíndromo
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
dc.source.none.fl_str_mv Palíndromo; Vol. 10 No. 21 (2018): Palíndromo 21; 101-115
Palíndromo; v. 10 n. 21 (2018): Palíndromo 21; 101-115
2175-2346
1984-9532
reponame:Palíndromo (Online)
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Palíndromo (Online)
collection Palíndromo (Online)
repository.name.fl_str_mv Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv palindromorevista@gmail.com || revistapalindromo@udesc.br
_version_ 1797041815285661696

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