Images of an asterisk: ways to use

Detalhes bibliográficos
Autor(a) principal: Costa, Rachel Falcão
Data de Publicação: 2021
Outros Autores: Gonçalves, Bárbara Mól
Tipo de documento: Artigo
Idioma: por
Título da fonte: Palíndromo (Online)
Texto Completo: https://www.revistas.udesc.br/index.php/palindromo/article/view/19649
Resumo: This article is about the experiences that found the look, posture and gestures of two artist-researchers who take the book Água Viva, by Clarice Lispector, as a common poetic reference. With the attempt to reflect on certain provocations of this edition in relation to the artist's critical self-portrait, the goal is to establish a dialogue between the different investigations on the figure of the artist today, which includes references, practices and plural artistic-theoretical discourses. The intention, here, is to give flux to thoughts that sometimes flow through academic-intellectual paths, sometimes through experiences and empiricisms, making themselves exist not only through the venous lines of the real region, but, as much or more, through the intricacies of the imaginary and imagination. By the mutual exercise of thought, passages by authors such as Bauman, Mondzain, Nancy, Blanchot and Arendt are articulated, in addition to mentions of Saramago, García Márquez, Mia Couto and Lispector herself, whose company motivates us to write in pair. After all, it is in the domains of reflection and inclusion that we work on sharing differences in the depth of the interlines.
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spelling Images of an asterisk: ways to useImágenes de un asterisco: formas de usarImagens de um asterisco: modos de usarautorretrato críticodiscursividadefigura do artistapesquisa-açãoprotocolo estéticoCritical self-portraitDiscursivenessThe figure of the artistAction-researchAesthetic protocolAutorretrato críticoDiscursividadFigura del artistaInvestigación-acciónProtocolo estéticoThis article is about the experiences that found the look, posture and gestures of two artist-researchers who take the book Água Viva, by Clarice Lispector, as a common poetic reference. With the attempt to reflect on certain provocations of this edition in relation to the artist's critical self-portrait, the goal is to establish a dialogue between the different investigations on the figure of the artist today, which includes references, practices and plural artistic-theoretical discourses. The intention, here, is to give flux to thoughts that sometimes flow through academic-intellectual paths, sometimes through experiences and empiricisms, making themselves exist not only through the venous lines of the real region, but, as much or more, through the intricacies of the imaginary and imagination. By the mutual exercise of thought, passages by authors such as Bauman, Mondzain, Nancy, Blanchot and Arendt are articulated, in addition to mentions of Saramago, García Márquez, Mia Couto and Lispector herself, whose company motivates us to write in pair. After all, it is in the domains of reflection and inclusion that we work on sharing differences in the depth of the interlines.Este texto trata de las vivencias que encontraron la mirada, la postura y los gestos de dos artistas-investigadores que toman como referencia poética común el libro Água Viva, de Clarice Lispector. Con el intento de reflexionar sobre ciertas provocaciones de esta edición en relación al autorretrato crítico del artista, el objetivo es establecer un diálogo entre las diferentes investigaciones sobre la figura del artista hoy, que incluye referencias, prácticas y discursos artístico-teóricos plurales. La intención, aquí, es dar flujo a pensamientos que a veces fluyen por caminos académico-intelectuales, a veces a través de experiencias y empirismos, haciéndose existir no sólo a través de las líneas venosas de la región real, sino a través de los entresijos del imaginario y la imaginación. Por el mutuo ejercicio del pensamiento se articulan pasajes de autores como Bauman, Mondzain, Nancy, Blanchot y Arendt, además de menciones a Saramago, García Márquez, Mia Couto y la propia Lispector, cuya compañía nos motiva a escribir por parejas. Al final, es en los dominios de la reflexión y la inclusión donde trabajamos para compartir las diferencias en la profundidad de los interlineados.  Este texto trata das experiências que fundam o olhar, a postura e os gestos de duas artistas-pesquisadoras que tomam por referência poética em comum o livro Água Viva, de Clarice Lispector. Com a tentativa de refletir sobre certas provocações dessa edição em relação ao autorretrato crítico do artista, objetiva-se estabelecer um diálogo entre as diferentes investigações sobre a figura do artista na atualidade, o que inclui referências, práticas e discursos artístico-teóricos plurais. A intenção, aqui, é dar fluxo aos pensamentos que afluem ora por vias acadêmico-intelectuais, ora por vivências e empirismos, fazendo-se existir não apenas pelas linhas venosas da região do real, mas, tanto quanto ou mais, pelos meandros do imaginário e da imaginação. Articulam-se, pelo mútuo exercício do pensamento, passagens de autores como Bauman, Mondzain, Nancy, Blanchot e Arendt, além de menções a Saramago, García Márquez, Mia Couto e à própria Lispector, cuja companhia nos motiva a essa escrita em dupla. Afinal, é nos domínios da reflexão e da inclusão que trabalhamos o compartir das diferenças na profundidade das entrelinhas.Universidade do Estado de Santa Catarina2021-05-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/1964910.5965/2175234613302021202Palíndromo; Vol. 13 No. 30 (2021): Autorretratos críticos: o que me/nos/vos motiva? ; 202-216Palíndromo; v. 13 n. 30 (2021): Autorretratos críticos: o que me/nos/vos motiva? ; 202-2162175-23461984-953210.5965/10.5965/2175234613302021reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/19649/12910Copyright (c) 2021 Rachel Falcão Costa, Bárbara Mólhttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessCosta, Rachel FalcãoGonçalves, Bárbara Mól2024-02-29T12:48:08Zoai::article/19649Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2024-02-29T12:48:08Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv Images of an asterisk: ways to use
Imágenes de un asterisco: formas de usar
Imagens de um asterisco: modos de usar
title Images of an asterisk: ways to use
spellingShingle Images of an asterisk: ways to use
Costa, Rachel Falcão
autorretrato crítico
discursividade
figura do artista
pesquisa-ação
protocolo estético
Critical self-portrait
Discursiveness
The figure of the artist
Action-research
Aesthetic protocol
Autorretrato crítico
Discursividad
Figura del artista
Investigación-acción
Protocolo estético
title_short Images of an asterisk: ways to use
title_full Images of an asterisk: ways to use
title_fullStr Images of an asterisk: ways to use
title_full_unstemmed Images of an asterisk: ways to use
title_sort Images of an asterisk: ways to use
author Costa, Rachel Falcão
author_facet Costa, Rachel Falcão
Gonçalves, Bárbara Mól
author_role author
author2 Gonçalves, Bárbara Mól
author2_role author
dc.contributor.author.fl_str_mv Costa, Rachel Falcão
Gonçalves, Bárbara Mól
dc.subject.por.fl_str_mv autorretrato crítico
discursividade
figura do artista
pesquisa-ação
protocolo estético
Critical self-portrait
Discursiveness
The figure of the artist
Action-research
Aesthetic protocol
Autorretrato crítico
Discursividad
Figura del artista
Investigación-acción
Protocolo estético
topic autorretrato crítico
discursividade
figura do artista
pesquisa-ação
protocolo estético
Critical self-portrait
Discursiveness
The figure of the artist
Action-research
Aesthetic protocol
Autorretrato crítico
Discursividad
Figura del artista
Investigación-acción
Protocolo estético
description This article is about the experiences that found the look, posture and gestures of two artist-researchers who take the book Água Viva, by Clarice Lispector, as a common poetic reference. With the attempt to reflect on certain provocations of this edition in relation to the artist's critical self-portrait, the goal is to establish a dialogue between the different investigations on the figure of the artist today, which includes references, practices and plural artistic-theoretical discourses. The intention, here, is to give flux to thoughts that sometimes flow through academic-intellectual paths, sometimes through experiences and empiricisms, making themselves exist not only through the venous lines of the real region, but, as much or more, through the intricacies of the imaginary and imagination. By the mutual exercise of thought, passages by authors such as Bauman, Mondzain, Nancy, Blanchot and Arendt are articulated, in addition to mentions of Saramago, García Márquez, Mia Couto and Lispector herself, whose company motivates us to write in pair. After all, it is in the domains of reflection and inclusion that we work on sharing differences in the depth of the interlines.
publishDate 2021
dc.date.none.fl_str_mv 2021-05-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/19649
10.5965/2175234613302021202
url https://www.revistas.udesc.br/index.php/palindromo/article/view/19649
identifier_str_mv 10.5965/2175234613302021202
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/19649/12910
dc.rights.driver.fl_str_mv Copyright (c) 2021 Rachel Falcão Costa, Bárbara Mól
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Rachel Falcão Costa, Bárbara Mól
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
dc.source.none.fl_str_mv Palíndromo; Vol. 13 No. 30 (2021): Autorretratos críticos: o que me/nos/vos motiva? ; 202-216
Palíndromo; v. 13 n. 30 (2021): Autorretratos críticos: o que me/nos/vos motiva? ; 202-216
2175-2346
1984-9532
10.5965/10.5965/2175234613302021
reponame:Palíndromo (Online)
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Palíndromo (Online)
collection Palíndromo (Online)
repository.name.fl_str_mv Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv palindromorevista@gmail.com || revistapalindromo@udesc.br
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