Images of an asterisk: ways to use
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Data de Publicação: | 2021 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Palíndromo (Online) |
Texto Completo: | https://www.revistas.udesc.br/index.php/palindromo/article/view/19649 |
Resumo: | This article is about the experiences that found the look, posture and gestures of two artist-researchers who take the book Água Viva, by Clarice Lispector, as a common poetic reference. With the attempt to reflect on certain provocations of this edition in relation to the artist's critical self-portrait, the goal is to establish a dialogue between the different investigations on the figure of the artist today, which includes references, practices and plural artistic-theoretical discourses. The intention, here, is to give flux to thoughts that sometimes flow through academic-intellectual paths, sometimes through experiences and empiricisms, making themselves exist not only through the venous lines of the real region, but, as much or more, through the intricacies of the imaginary and imagination. By the mutual exercise of thought, passages by authors such as Bauman, Mondzain, Nancy, Blanchot and Arendt are articulated, in addition to mentions of Saramago, García Márquez, Mia Couto and Lispector herself, whose company motivates us to write in pair. After all, it is in the domains of reflection and inclusion that we work on sharing differences in the depth of the interlines. |
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Images of an asterisk: ways to useImágenes de un asterisco: formas de usarImagens de um asterisco: modos de usarautorretrato críticodiscursividadefigura do artistapesquisa-açãoprotocolo estéticoCritical self-portraitDiscursivenessThe figure of the artistAction-researchAesthetic protocolAutorretrato críticoDiscursividadFigura del artistaInvestigación-acciónProtocolo estéticoThis article is about the experiences that found the look, posture and gestures of two artist-researchers who take the book Água Viva, by Clarice Lispector, as a common poetic reference. With the attempt to reflect on certain provocations of this edition in relation to the artist's critical self-portrait, the goal is to establish a dialogue between the different investigations on the figure of the artist today, which includes references, practices and plural artistic-theoretical discourses. The intention, here, is to give flux to thoughts that sometimes flow through academic-intellectual paths, sometimes through experiences and empiricisms, making themselves exist not only through the venous lines of the real region, but, as much or more, through the intricacies of the imaginary and imagination. By the mutual exercise of thought, passages by authors such as Bauman, Mondzain, Nancy, Blanchot and Arendt are articulated, in addition to mentions of Saramago, García Márquez, Mia Couto and Lispector herself, whose company motivates us to write in pair. After all, it is in the domains of reflection and inclusion that we work on sharing differences in the depth of the interlines.Este texto trata de las vivencias que encontraron la mirada, la postura y los gestos de dos artistas-investigadores que toman como referencia poética común el libro Água Viva, de Clarice Lispector. Con el intento de reflexionar sobre ciertas provocaciones de esta edición en relación al autorretrato crítico del artista, el objetivo es establecer un diálogo entre las diferentes investigaciones sobre la figura del artista hoy, que incluye referencias, prácticas y discursos artístico-teóricos plurales. La intención, aquí, es dar flujo a pensamientos que a veces fluyen por caminos académico-intelectuales, a veces a través de experiencias y empirismos, haciéndose existir no sólo a través de las líneas venosas de la región real, sino a través de los entresijos del imaginario y la imaginación. Por el mutuo ejercicio del pensamiento se articulan pasajes de autores como Bauman, Mondzain, Nancy, Blanchot y Arendt, además de menciones a Saramago, García Márquez, Mia Couto y la propia Lispector, cuya compañía nos motiva a escribir por parejas. Al final, es en los dominios de la reflexión y la inclusión donde trabajamos para compartir las diferencias en la profundidad de los interlineados. Este texto trata das experiências que fundam o olhar, a postura e os gestos de duas artistas-pesquisadoras que tomam por referência poética em comum o livro Água Viva, de Clarice Lispector. Com a tentativa de refletir sobre certas provocações dessa edição em relação ao autorretrato crítico do artista, objetiva-se estabelecer um diálogo entre as diferentes investigações sobre a figura do artista na atualidade, o que inclui referências, práticas e discursos artístico-teóricos plurais. A intenção, aqui, é dar fluxo aos pensamentos que afluem ora por vias acadêmico-intelectuais, ora por vivências e empirismos, fazendo-se existir não apenas pelas linhas venosas da região do real, mas, tanto quanto ou mais, pelos meandros do imaginário e da imaginação. Articulam-se, pelo mútuo exercício do pensamento, passagens de autores como Bauman, Mondzain, Nancy, Blanchot e Arendt, além de menções a Saramago, García Márquez, Mia Couto e à própria Lispector, cuja companhia nos motiva a essa escrita em dupla. Afinal, é nos domínios da reflexão e da inclusão que trabalhamos o compartir das diferenças na profundidade das entrelinhas.Universidade do Estado de Santa Catarina2021-05-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/1964910.5965/2175234613302021202Palíndromo; Vol. 13 No. 30 (2021): Autorretratos críticos: o que me/nos/vos motiva? ; 202-216Palíndromo; v. 13 n. 30 (2021): Autorretratos críticos: o que me/nos/vos motiva? ; 202-2162175-23461984-953210.5965/10.5965/2175234613302021reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/19649/12910Copyright (c) 2021 Rachel Falcão Costa, Bárbara Mólhttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessCosta, Rachel FalcãoGonçalves, Bárbara Mól2024-02-29T12:48:08Zoai::article/19649Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2024-02-29T12:48:08Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false |
dc.title.none.fl_str_mv |
Images of an asterisk: ways to use Imágenes de un asterisco: formas de usar Imagens de um asterisco: modos de usar |
title |
Images of an asterisk: ways to use |
spellingShingle |
Images of an asterisk: ways to use Costa, Rachel Falcão autorretrato crítico discursividade figura do artista pesquisa-ação protocolo estético Critical self-portrait Discursiveness The figure of the artist Action-research Aesthetic protocol Autorretrato crítico Discursividad Figura del artista Investigación-acción Protocolo estético |
title_short |
Images of an asterisk: ways to use |
title_full |
Images of an asterisk: ways to use |
title_fullStr |
Images of an asterisk: ways to use |
title_full_unstemmed |
Images of an asterisk: ways to use |
title_sort |
Images of an asterisk: ways to use |
author |
Costa, Rachel Falcão |
author_facet |
Costa, Rachel Falcão Gonçalves, Bárbara Mól |
author_role |
author |
author2 |
Gonçalves, Bárbara Mól |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Costa, Rachel Falcão Gonçalves, Bárbara Mól |
dc.subject.por.fl_str_mv |
autorretrato crítico discursividade figura do artista pesquisa-ação protocolo estético Critical self-portrait Discursiveness The figure of the artist Action-research Aesthetic protocol Autorretrato crítico Discursividad Figura del artista Investigación-acción Protocolo estético |
topic |
autorretrato crítico discursividade figura do artista pesquisa-ação protocolo estético Critical self-portrait Discursiveness The figure of the artist Action-research Aesthetic protocol Autorretrato crítico Discursividad Figura del artista Investigación-acción Protocolo estético |
description |
This article is about the experiences that found the look, posture and gestures of two artist-researchers who take the book Água Viva, by Clarice Lispector, as a common poetic reference. With the attempt to reflect on certain provocations of this edition in relation to the artist's critical self-portrait, the goal is to establish a dialogue between the different investigations on the figure of the artist today, which includes references, practices and plural artistic-theoretical discourses. The intention, here, is to give flux to thoughts that sometimes flow through academic-intellectual paths, sometimes through experiences and empiricisms, making themselves exist not only through the venous lines of the real region, but, as much or more, through the intricacies of the imaginary and imagination. By the mutual exercise of thought, passages by authors such as Bauman, Mondzain, Nancy, Blanchot and Arendt are articulated, in addition to mentions of Saramago, García Márquez, Mia Couto and Lispector herself, whose company motivates us to write in pair. After all, it is in the domains of reflection and inclusion that we work on sharing differences in the depth of the interlines. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-05-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/19649 10.5965/2175234613302021202 |
url |
https://www.revistas.udesc.br/index.php/palindromo/article/view/19649 |
identifier_str_mv |
10.5965/2175234613302021202 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/19649/12910 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 Rachel Falcão Costa, Bárbara Mól http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 Rachel Falcão Costa, Bárbara Mól http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
dc.source.none.fl_str_mv |
Palíndromo; Vol. 13 No. 30 (2021): Autorretratos críticos: o que me/nos/vos motiva? ; 202-216 Palíndromo; v. 13 n. 30 (2021): Autorretratos críticos: o que me/nos/vos motiva? ; 202-216 2175-2346 1984-9532 10.5965/10.5965/2175234613302021 reponame:Palíndromo (Online) instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
instname_str |
Universidade do Estado de Santa Catarina (UDESC) |
instacron_str |
UDESC |
institution |
UDESC |
reponame_str |
Palíndromo (Online) |
collection |
Palíndromo (Online) |
repository.name.fl_str_mv |
Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC) |
repository.mail.fl_str_mv |
palindromorevista@gmail.com || revistapalindromo@udesc.br |
_version_ |
1797041813267152896 |