The Tenuous Visibility and Delusion in the Image of pine trees in Painting from the State of Paraná

Detalhes bibliográficos
Autor(a) principal: Lourenço, Clediane
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Palíndromo (Online)
Texto Completo: https://www.revistas.udesc.br/index.php/palindromo/article/view/21634
Resumo: This article intends to investigate images of pine trees in paintings from State of Paraná. It starts with works by several artists from the State, from different periods and contexts, in which the relationships of the detail in the work and the work in detail are observed, as well as the approach of the “patch” and the singularities of this figure. Georges Didi-Huberman's reflections about “the Aporia of Detail” and “Patch” give support for thinking about the intermittent image of the pine tree; in its minimal, ghostly, tenuous, diluted and illusional appearances. Also, the pine tree is presented as a process of accumulating space, time and memory, that implies the difference and the repetition, the symptom and the opening of the image in its relationship with history, in the summons of a past and/or future, which interrupts the linear time.
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spelling The Tenuous Visibility and Delusion in the Image of pine trees in Painting from the State of ParanáLa tenue visibilidad y el delirio en la imagen del Pino en la pintura del estado do ParanáA Visibilidade Tênue e a Delusão na Imagem do Pinheiro na Pintura ParanaenseDetalheTrechoPinheiro na artePintura paranaensePatchDetailPine tree in artDetalleTrechoPino en la arteThis article intends to investigate images of pine trees in paintings from State of Paraná. It starts with works by several artists from the State, from different periods and contexts, in which the relationships of the detail in the work and the work in detail are observed, as well as the approach of the “patch” and the singularities of this figure. Georges Didi-Huberman's reflections about “the Aporia of Detail” and “Patch” give support for thinking about the intermittent image of the pine tree; in its minimal, ghostly, tenuous, diluted and illusional appearances. Also, the pine tree is presented as a process of accumulating space, time and memory, that implies the difference and the repetition, the symptom and the opening of the image in its relationship with history, in the summons of a past and/or future, which interrupts the linear time.Este artículo tiene como objetivo investigar imágenes de pinos en la pintura en Paraná. Se parte de obras de varios artistas del Estado de distintas épocas y contextos, en las que se observan las relaciones del detalle en la obra y la obra en detalle, pero también el enfoque del trecho y las singularidades de esta figura. Reflexiones de Georges Didi-Hubermann sobre la Aporía del Detalle y el Trecho, apoyan pensar en la imagen intermitente del pino; en sus apariencias mínimas, fantasmales, tenues, diluidas y delirantes. Aún así, el pino se presenta como un proceso de acumulación de espacio, tiempo y memoria, lo que implica la diferencia y la repetición, el síntoma y la apertura de la imagen en su relación con la historia, en la convocatoria de un pasado y/o un futuro. que interrumpe el tiempo lineal.Este artigo pretende investigar imagens de pinheiros na pintura paranaense. Parte-se de obras de diversos artistas do Estado de diferentes períodos e contextos, nos quais se observam as relações do detalhe na obra e a obra em detalhe, mas também a abordagem de trecho e as singularidades dessa figura. As reflexões de Georges Didi-Hubermann acerca da Aporia do Detalhe e do Trecho dão suporte para pensar a imagem intermitente do pinheiro; nas suas aparições mínimas, fantasmáticas, tênues, diluídas e delusórias. Ainda, apresenta-se o pinheiro como um processo de acumulação de espaço, tempo e memória, que implica a diferença e a repetição, o sintoma e a abertura da imagem na sua relação com a história, na convocação de um passado e/ou futuro, que interrompe o tempo linear.Universidade do Estado de Santa Catarina2022-05-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/2163410.5965/2175234614332022146Palíndromo; Vol. 14 No. 33 (2022): A questão do detalhe na história da arte; 146 - 161Palíndromo; v. 14 n. 33 (2022): A questão do detalhe na história da arte; 146 - 1612175-23461984-9532reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/21634/14357Copyright (c) 2022 Clediane Lourençohttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessLourenço, Clediane2022-05-01T19:38:04Zoai:ojs.revistas.udesc.br:article/21634Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2022-05-01T19:38:04Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv The Tenuous Visibility and Delusion in the Image of pine trees in Painting from the State of Paraná
La tenue visibilidad y el delirio en la imagen del Pino en la pintura del estado do Paraná
A Visibilidade Tênue e a Delusão na Imagem do Pinheiro na Pintura Paranaense
title The Tenuous Visibility and Delusion in the Image of pine trees in Painting from the State of Paraná
spellingShingle The Tenuous Visibility and Delusion in the Image of pine trees in Painting from the State of Paraná
Lourenço, Clediane
Detalhe
Trecho
Pinheiro na arte
Pintura paranaense
Patch
Detail
Pine tree in art
Detalle
Trecho
Pino en la arte
title_short The Tenuous Visibility and Delusion in the Image of pine trees in Painting from the State of Paraná
title_full The Tenuous Visibility and Delusion in the Image of pine trees in Painting from the State of Paraná
title_fullStr The Tenuous Visibility and Delusion in the Image of pine trees in Painting from the State of Paraná
title_full_unstemmed The Tenuous Visibility and Delusion in the Image of pine trees in Painting from the State of Paraná
title_sort The Tenuous Visibility and Delusion in the Image of pine trees in Painting from the State of Paraná
author Lourenço, Clediane
author_facet Lourenço, Clediane
author_role author
dc.contributor.author.fl_str_mv Lourenço, Clediane
dc.subject.por.fl_str_mv Detalhe
Trecho
Pinheiro na arte
Pintura paranaense
Patch
Detail
Pine tree in art
Detalle
Trecho
Pino en la arte
topic Detalhe
Trecho
Pinheiro na arte
Pintura paranaense
Patch
Detail
Pine tree in art
Detalle
Trecho
Pino en la arte
description This article intends to investigate images of pine trees in paintings from State of Paraná. It starts with works by several artists from the State, from different periods and contexts, in which the relationships of the detail in the work and the work in detail are observed, as well as the approach of the “patch” and the singularities of this figure. Georges Didi-Huberman's reflections about “the Aporia of Detail” and “Patch” give support for thinking about the intermittent image of the pine tree; in its minimal, ghostly, tenuous, diluted and illusional appearances. Also, the pine tree is presented as a process of accumulating space, time and memory, that implies the difference and the repetition, the symptom and the opening of the image in its relationship with history, in the summons of a past and/or future, which interrupts the linear time.
publishDate 2022
dc.date.none.fl_str_mv 2022-05-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/21634
10.5965/2175234614332022146
url https://www.revistas.udesc.br/index.php/palindromo/article/view/21634
identifier_str_mv 10.5965/2175234614332022146
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/21634/14357
dc.rights.driver.fl_str_mv Copyright (c) 2022 Clediane Lourenço
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Clediane Lourenço
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
dc.source.none.fl_str_mv Palíndromo; Vol. 14 No. 33 (2022): A questão do detalhe na história da arte; 146 - 161
Palíndromo; v. 14 n. 33 (2022): A questão do detalhe na história da arte; 146 - 161
2175-2346
1984-9532
reponame:Palíndromo (Online)
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Palíndromo (Online)
collection Palíndromo (Online)
repository.name.fl_str_mv Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv palindromorevista@gmail.com || revistapalindromo@udesc.br
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