Why do we love zombie movies? An examination of the grotesque images of a mass culture product, as compared to postmodern consummerist culture
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Data de Publicação: | 2015 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Palíndromo (Online) |
Texto Completo: | https://www.revistas.udesc.br/index.php/palindromo/article/view/6848 |
Resumo: | This article seeks to analyze com- mercial horror movies, specifically those themed on zombies and the undead, proposing approximations between the images produced by filmmakers and art- ists and the consumer culture produced under capitalism. If the filmmaker, as proposed by Jameson (1995), is not iso- lated from its social and political con- text, could these films be understood as possible images of what Lukács (1920) understands as the bankruptcy of cap- italist social organization? In a culture where death, exhaustion of resources, chaos and decay of organizations are recurring situations, how could these commonplace themed films be reinter- preted as image of capitalism itself? |
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Why do we love zombie movies? An examination of the grotesque images of a mass culture product, as compared to postmodern consummerist culturePOR QUE ADORAMOS FILMES DE ZUMBIS? UMA ANÁLISE DA IMAGEM GROTESCA DE UM PRODUTO DA CULTURA DE MASSA EM COMPARAÇÃO COM A CULTURA CONSUMISTA PÓS-MODERNAfilm analysispost-modern culturecapitalist cultureconsumerismzombies movieanálise de filmesculturacapitalismoconsumo filmes de zumbieThis article seeks to analyze com- mercial horror movies, specifically those themed on zombies and the undead, proposing approximations between the images produced by filmmakers and art- ists and the consumer culture produced under capitalism. If the filmmaker, as proposed by Jameson (1995), is not iso- lated from its social and political con- text, could these films be understood as possible images of what Lukács (1920) understands as the bankruptcy of cap- italist social organization? In a culture where death, exhaustion of resources, chaos and decay of organizations are recurring situations, how could these commonplace themed films be reinter- preted as image of capitalism itself?Este artigo busca fazer uma análise do fenômeno contido nos filmes comerciais de terror, especificamente os filmes de temática de mortos-vivos propondo articulações entre a imagem provocada pelos cineastas e artistas e a cultura de consumo decorrente do capitalismo. Se o cineasta, conforme propõe Jameson (1995) não é isolado de seu contexto político/social, poderiam estes filmes ser entendidos como possíveis imagens do que Lukács (1920) entende como a bancarrota da organização social capitalista? Em uma cultura aonde a morte e o esgotamento dos recursos, o caos e o lapso de sistemas são situações recorrentes, insistentemente "empurradas para debaixo dos panos" como poderiam estes filmes de temática tão banal serem reinterpretados como a própria imagem do capitalismo?Universidade do Estado de Santa Catarina2015-12-18info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/684810.5965/2175234607142015064Palíndromo; Vol. 7 No. 14 (2015): Palíndromo; 064-080Palíndromo; v. 7 n. 14 (2015): Palíndromo; 064-0802175-23461984-9532reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/6848/4873Copyright (c) 2015 Rodrigo Montandon Bornhttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessBorn, Rodrigo Montandon2023-03-24T14:37:40Zoai:ojs.revistas.udesc.br:article/6848Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2023-03-24T14:37:40Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false |
dc.title.none.fl_str_mv |
Why do we love zombie movies? An examination of the grotesque images of a mass culture product, as compared to postmodern consummerist culture POR QUE ADORAMOS FILMES DE ZUMBIS? UMA ANÁLISE DA IMAGEM GROTESCA DE UM PRODUTO DA CULTURA DE MASSA EM COMPARAÇÃO COM A CULTURA CONSUMISTA PÓS-MODERNA |
title |
Why do we love zombie movies? An examination of the grotesque images of a mass culture product, as compared to postmodern consummerist culture |
spellingShingle |
Why do we love zombie movies? An examination of the grotesque images of a mass culture product, as compared to postmodern consummerist culture Born, Rodrigo Montandon film analysis post-modern culture capitalist culture consumerism zombies movie análise de filmes cultura capitalismo consumo filmes de zumbie |
title_short |
Why do we love zombie movies? An examination of the grotesque images of a mass culture product, as compared to postmodern consummerist culture |
title_full |
Why do we love zombie movies? An examination of the grotesque images of a mass culture product, as compared to postmodern consummerist culture |
title_fullStr |
Why do we love zombie movies? An examination of the grotesque images of a mass culture product, as compared to postmodern consummerist culture |
title_full_unstemmed |
Why do we love zombie movies? An examination of the grotesque images of a mass culture product, as compared to postmodern consummerist culture |
title_sort |
Why do we love zombie movies? An examination of the grotesque images of a mass culture product, as compared to postmodern consummerist culture |
author |
Born, Rodrigo Montandon |
author_facet |
Born, Rodrigo Montandon |
author_role |
author |
dc.contributor.author.fl_str_mv |
Born, Rodrigo Montandon |
dc.subject.por.fl_str_mv |
film analysis post-modern culture capitalist culture consumerism zombies movie análise de filmes cultura capitalismo consumo filmes de zumbie |
topic |
film analysis post-modern culture capitalist culture consumerism zombies movie análise de filmes cultura capitalismo consumo filmes de zumbie |
description |
This article seeks to analyze com- mercial horror movies, specifically those themed on zombies and the undead, proposing approximations between the images produced by filmmakers and art- ists and the consumer culture produced under capitalism. If the filmmaker, as proposed by Jameson (1995), is not iso- lated from its social and political con- text, could these films be understood as possible images of what Lukács (1920) understands as the bankruptcy of cap- italist social organization? In a culture where death, exhaustion of resources, chaos and decay of organizations are recurring situations, how could these commonplace themed films be reinter- preted as image of capitalism itself? |
publishDate |
2015 |
dc.date.none.fl_str_mv |
2015-12-18 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/6848 10.5965/2175234607142015064 |
url |
https://www.revistas.udesc.br/index.php/palindromo/article/view/6848 |
identifier_str_mv |
10.5965/2175234607142015064 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/6848/4873 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2015 Rodrigo Montandon Born http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2015 Rodrigo Montandon Born http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
dc.source.none.fl_str_mv |
Palíndromo; Vol. 7 No. 14 (2015): Palíndromo; 064-080 Palíndromo; v. 7 n. 14 (2015): Palíndromo; 064-080 2175-2346 1984-9532 reponame:Palíndromo (Online) instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
instname_str |
Universidade do Estado de Santa Catarina (UDESC) |
instacron_str |
UDESC |
institution |
UDESC |
reponame_str |
Palíndromo (Online) |
collection |
Palíndromo (Online) |
repository.name.fl_str_mv |
Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC) |
repository.mail.fl_str_mv |
palindromorevista@gmail.com || revistapalindromo@udesc.br |
_version_ |
1797041814682730496 |