Detail in Miniature painting
Autor(a) principal: | |
---|---|
Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | fra |
Título da fonte: | Palíndromo (Online) |
Texto Completo: | https://www.revistas.udesc.br/index.php/palindromo/article/view/21601 |
Resumo: | Since its birth in the 15th Century, Miniature painting was "intrinsically" the art of playing on details. Coming from the illuminated manuscripts tradition, it became independent from the book industry. Its genesis originated disputes with painters. To avoid fiscal constraints, miniaturists used words and details – their specific use of bodycolor, not oil - at court but without success. Finally enrolled in painters’ guilds, they endeavored to value their works according to various criteria: size and importance of accessories (like the other painters) but also specific ones: the finesse of execution, touches and dots, and the degree of the finishing observable with a magnifier. Attention to details can nowadays contribute to attribution, identification and historical analysis of miniatures and is studied in particular through the van Blarenberghe’s miniatures. |
id |
UDESC-5_3c63a3b7c772b110f0a67f6a3b4a0974 |
---|---|
oai_identifier_str |
oai:ojs.revistas.udesc.br:article/21601 |
network_acronym_str |
UDESC-5 |
network_name_str |
Palíndromo (Online) |
repository_id_str |
|
spelling |
Detail in Miniature paintingO Detalhe na MiniaturaLe détail dans la miniaturePintor de miniaturaVernizPincelGouacheToqueHistoire de l'artMiniature painterBodycolorBrushTouchVeneryPeintre en miniatureToucheVénerieGouachePinceauSince its birth in the 15th Century, Miniature painting was "intrinsically" the art of playing on details. Coming from the illuminated manuscripts tradition, it became independent from the book industry. Its genesis originated disputes with painters. To avoid fiscal constraints, miniaturists used words and details – their specific use of bodycolor, not oil - at court but without success. Finally enrolled in painters’ guilds, they endeavored to value their works according to various criteria: size and importance of accessories (like the other painters) but also specific ones: the finesse of execution, touches and dots, and the degree of the finishing observable with a magnifier. Attention to details can nowadays contribute to attribution, identification and historical analysis of miniatures and is studied in particular through the van Blarenberghe’s miniatures.A miniatura, filha da iluminura, que se tornou independente da indústria do livro, foi, desde o seu nascimento na Flandres no início do século XV, uma arte ambígua cujos praticantes, para passarem pelas malhas da fiscalização e das guildas profissionais, brincou com os detalhes e procurou que sua especificidade fosse reconhecida. Uma vez inseridas nas comunidades de pintores, procuravam valorizar as suas obras de acordo com vários critérios, que incluíam desde o requinte de execução, mas também o grau de acabamento. Assim, desde a sua gênese até à sua prática, a miniatura tem sido “intrinsecamente” a arte de jogar nos detalhes.Depuis sa naissance au XVe siècle, la peinture en miniature fut « intrinsèquement » l’art de jouer sur les détails. Sa pratique vient de l’enluminure mais détachée du livre. Cette genèse fut à l’origine de procès avec les peintres. Les miniaturistes tentèrent en vain de leur opposer un détail de leur pratique : l’utilisation de la gouache et non de la peinture à l’huile. Réunis malgré eux dans les guildes de peintres, ils s’attachèrent à valoriser leurs œuvres selon divers critères : taille et nombre d’accessoires (comme les autres peintres) et, ce qui leur est propre, degré du détail : finesse d’exécution, touches et pointillé, et degré de finition observables à la loupe. L’attention aux détails, utile aujourd’hui pour l’attribution, l’identification et l’analyse des miniatures, est étudiée à travers notamment l’exemple des van Blarenberghe.Universidade do Estado de Santa Catarina2022-05-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/2160110.5965/2175234614332022043Palíndromo; Vol. 14 No. 33 (2022): A questão do detalhe na história da arte; 43 - 63 Palíndromo; v. 14 n. 33 (2022): A questão do detalhe na história da arte; 43 - 63 2175-23461984-9532reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCfrahttps://www.revistas.udesc.br/index.php/palindromo/article/view/21601/14365Copyright (c) 2022 Nathalie Lemoine-Bouchardhttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessLemoine-Bouchard, Nathalie 2022-05-01T19:38:04Zoai:ojs.revistas.udesc.br:article/21601Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2022-05-01T19:38:04Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false |
dc.title.none.fl_str_mv |
Detail in Miniature painting O Detalhe na Miniatura Le détail dans la miniature |
title |
Detail in Miniature painting |
spellingShingle |
Detail in Miniature painting Lemoine-Bouchard, Nathalie Pintor de miniatura Verniz Pincel Gouache Toque Histoire de l'art Miniature painter Bodycolor Brush Touch Venery Peintre en miniature Touche Vénerie Gouache Pinceau |
title_short |
Detail in Miniature painting |
title_full |
Detail in Miniature painting |
title_fullStr |
Detail in Miniature painting |
title_full_unstemmed |
Detail in Miniature painting |
title_sort |
Detail in Miniature painting |
author |
Lemoine-Bouchard, Nathalie |
author_facet |
Lemoine-Bouchard, Nathalie |
author_role |
author |
dc.contributor.author.fl_str_mv |
Lemoine-Bouchard, Nathalie |
dc.subject.por.fl_str_mv |
Pintor de miniatura Verniz Pincel Gouache Toque Histoire de l'art Miniature painter Bodycolor Brush Touch Venery Peintre en miniature Touche Vénerie Gouache Pinceau |
topic |
Pintor de miniatura Verniz Pincel Gouache Toque Histoire de l'art Miniature painter Bodycolor Brush Touch Venery Peintre en miniature Touche Vénerie Gouache Pinceau |
description |
Since its birth in the 15th Century, Miniature painting was "intrinsically" the art of playing on details. Coming from the illuminated manuscripts tradition, it became independent from the book industry. Its genesis originated disputes with painters. To avoid fiscal constraints, miniaturists used words and details – their specific use of bodycolor, not oil - at court but without success. Finally enrolled in painters’ guilds, they endeavored to value their works according to various criteria: size and importance of accessories (like the other painters) but also specific ones: the finesse of execution, touches and dots, and the degree of the finishing observable with a magnifier. Attention to details can nowadays contribute to attribution, identification and historical analysis of miniatures and is studied in particular through the van Blarenberghe’s miniatures. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-05-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/21601 10.5965/2175234614332022043 |
url |
https://www.revistas.udesc.br/index.php/palindromo/article/view/21601 |
identifier_str_mv |
10.5965/2175234614332022043 |
dc.language.iso.fl_str_mv |
fra |
language |
fra |
dc.relation.none.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/21601/14365 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Nathalie Lemoine-Bouchard http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Nathalie Lemoine-Bouchard http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
dc.source.none.fl_str_mv |
Palíndromo; Vol. 14 No. 33 (2022): A questão do detalhe na história da arte; 43 - 63 Palíndromo; v. 14 n. 33 (2022): A questão do detalhe na história da arte; 43 - 63 2175-2346 1984-9532 reponame:Palíndromo (Online) instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
instname_str |
Universidade do Estado de Santa Catarina (UDESC) |
instacron_str |
UDESC |
institution |
UDESC |
reponame_str |
Palíndromo (Online) |
collection |
Palíndromo (Online) |
repository.name.fl_str_mv |
Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC) |
repository.mail.fl_str_mv |
palindromorevista@gmail.com || revistapalindromo@udesc.br |
_version_ |
1797041816532418560 |