Marcus Vinícius and the build-up path to the infused body: between the object of desire and the artwork
Autor(a) principal: | |
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Data de Publicação: | 2015 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Palíndromo (Online) |
Texto Completo: | https://www.revistas.udesc.br/index.php/palindromo/article/view/6107 |
Resumo: | The artwork of the body artist Mar- cus Vinícius, analyzed in this paper, suggests a comprehension of the artist’s body as a fe- asible support to accumulation. Before the object of desire, the artist manages dialo- gues amongst imminent perceptions of the space inserted and the affections entwined with the object interior. Based on the stu- dies of the french philosopher Georges Ba- taille on the concept of Eroticism, Marcus Vinícius works question the designation In- fused Body (Corpo Injeto) considering it as an accomplishable support to the interla- cing with the work of art through the accu- mulation of formal and conceptual subject about this body that creates. |
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Marcus Vinícius and the build-up path to the infused body: between the object of desire and the artworkMARCUS VINÍCIUS E O PERCURSO DO ACÚMULO AO CORPO INJETO: ENTRE O OBJETO DO DESEJO E A OBRA DE ARTEMarcus Viníciusinfused body accumulation contemporary body art Marcus Vinícius corpo injeto acúmulo arte contemporânea performanceThe artwork of the body artist Mar- cus Vinícius, analyzed in this paper, suggests a comprehension of the artist’s body as a fe- asible support to accumulation. Before the object of desire, the artist manages dialo- gues amongst imminent perceptions of the space inserted and the affections entwined with the object interior. Based on the stu- dies of the french philosopher Georges Ba- taille on the concept of Eroticism, Marcus Vinícius works question the designation In- fused Body (Corpo Injeto) considering it as an accomplishable support to the interla- cing with the work of art through the accu- mulation of formal and conceptual subject about this body that creates.As obras do artista performer Marcus Vinícius, analisadas neste artigo, propõem uma compreensão do corpo do artista enquanto um suporte factível ao acúmulo. Diante do objeto do desejo, o artista agencia interlocuções em meio às percepções iminentes do espaço inserido e dos afetos com esse objeto entrelaçados ao seu interior. Com base nos estudos do filósofo francês Georges Bataille, sobre o conceito de Erotismo, as obras de Marcus Vinicius interpelam a denominação Corpo Injeto, tratando-o como um suporte viável aos entrelaçamentos com a obra de arte, através do acúmulo da matéria formal e conceitual sobre esse corpo que produz.Universidade do Estado de Santa Catarina2015-08-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/610710.5965/2175234607132015101Palíndromo; Vol. 7 No. 13 (2015): Palíndromo; 102-124Palíndromo; v. 7 n. 13 (2015): Palíndromo; 102-1242175-23461984-9532reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/6107/4524Copyright (c) 2015 Danilo Moreira Xavierhttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessXavier, Danilo Moreira2023-04-20T14:03:02Zoai::article/6107Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2023-04-20T14:03:02Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false |
dc.title.none.fl_str_mv |
Marcus Vinícius and the build-up path to the infused body: between the object of desire and the artwork MARCUS VINÍCIUS E O PERCURSO DO ACÚMULO AO CORPO INJETO: ENTRE O OBJETO DO DESEJO E A OBRA DE ARTE |
title |
Marcus Vinícius and the build-up path to the infused body: between the object of desire and the artwork |
spellingShingle |
Marcus Vinícius and the build-up path to the infused body: between the object of desire and the artwork Xavier, Danilo Moreira Marcus Vinícius infused body accumulation contemporary body art Marcus Vinícius corpo injeto acúmulo arte contemporânea performance |
title_short |
Marcus Vinícius and the build-up path to the infused body: between the object of desire and the artwork |
title_full |
Marcus Vinícius and the build-up path to the infused body: between the object of desire and the artwork |
title_fullStr |
Marcus Vinícius and the build-up path to the infused body: between the object of desire and the artwork |
title_full_unstemmed |
Marcus Vinícius and the build-up path to the infused body: between the object of desire and the artwork |
title_sort |
Marcus Vinícius and the build-up path to the infused body: between the object of desire and the artwork |
author |
Xavier, Danilo Moreira |
author_facet |
Xavier, Danilo Moreira |
author_role |
author |
dc.contributor.author.fl_str_mv |
Xavier, Danilo Moreira |
dc.subject.por.fl_str_mv |
Marcus Vinícius infused body accumulation contemporary body art Marcus Vinícius corpo injeto acúmulo arte contemporânea performance |
topic |
Marcus Vinícius infused body accumulation contemporary body art Marcus Vinícius corpo injeto acúmulo arte contemporânea performance |
description |
The artwork of the body artist Mar- cus Vinícius, analyzed in this paper, suggests a comprehension of the artist’s body as a fe- asible support to accumulation. Before the object of desire, the artist manages dialo- gues amongst imminent perceptions of the space inserted and the affections entwined with the object interior. Based on the stu- dies of the french philosopher Georges Ba- taille on the concept of Eroticism, Marcus Vinícius works question the designation In- fused Body (Corpo Injeto) considering it as an accomplishable support to the interla- cing with the work of art through the accu- mulation of formal and conceptual subject about this body that creates. |
publishDate |
2015 |
dc.date.none.fl_str_mv |
2015-08-06 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/6107 10.5965/2175234607132015101 |
url |
https://www.revistas.udesc.br/index.php/palindromo/article/view/6107 |
identifier_str_mv |
10.5965/2175234607132015101 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/6107/4524 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2015 Danilo Moreira Xavier http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2015 Danilo Moreira Xavier http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
dc.source.none.fl_str_mv |
Palíndromo; Vol. 7 No. 13 (2015): Palíndromo; 102-124 Palíndromo; v. 7 n. 13 (2015): Palíndromo; 102-124 2175-2346 1984-9532 reponame:Palíndromo (Online) instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
instname_str |
Universidade do Estado de Santa Catarina (UDESC) |
instacron_str |
UDESC |
institution |
UDESC |
reponame_str |
Palíndromo (Online) |
collection |
Palíndromo (Online) |
repository.name.fl_str_mv |
Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC) |
repository.mail.fl_str_mv |
palindromorevista@gmail.com || revistapalindromo@udesc.br |
_version_ |
1797041812661075968 |