Frederico Morais: A Crise da Vanguarda Construtiva no Brasil (1960-70)

Detalhes bibliográficos
Autor(a) principal: Mari, Marcelo
Data de Publicação: 2013
Tipo de documento: Artigo
Idioma: por
Título da fonte: Palíndromo (Online)
Texto Completo: https://www.revistas.udesc.br/index.php/palindromo/article/view/3592
Resumo: When Frederico Morais organized the events in Flamengo t embankment, the proposal was already, like Helio Oiticica, to eliminate the gap between contemporary art, its social meaning and the urban masses. Approaching people of art, the art of life, was one of the goals of the events that marked the demarche of neovanguards the years 1960 and 1970. In the specific case of the arts, the object - as artistic category - had gained importance in the communication of visual languages and became a key element to the exhibition Object and Participation in the Palace of Arts on April 17, 1970. Along with the exhibition, Morais thought performing art forms (art experiential, conceptual or ephemeral and so on.) within the Municipal Park of Belo Horizonte, known as Do corpo à terra, between 17 and 21 April 1970.
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spelling Frederico Morais: A Crise da Vanguarda Construtiva no Brasil (1960-70)Frederico Moraisfrom body to the earthMilitary coupFrederico Morais Do corpo à terraGolpe MilitarWhen Frederico Morais organized the events in Flamengo t embankment, the proposal was already, like Helio Oiticica, to eliminate the gap between contemporary art, its social meaning and the urban masses. Approaching people of art, the art of life, was one of the goals of the events that marked the demarche of neovanguards the years 1960 and 1970. In the specific case of the arts, the object - as artistic category - had gained importance in the communication of visual languages and became a key element to the exhibition Object and Participation in the Palace of Arts on April 17, 1970. Along with the exhibition, Morais thought performing art forms (art experiential, conceptual or ephemeral and so on.) within the Municipal Park of Belo Horizonte, known as Do corpo à terra, between 17 and 21 April 1970.Quando Frederico Morais organizou os eventos no Aterro do Flamengo a proposta já era, como em Hélio Oiticica, de eliminar a distância entre a arte contemporânea, seu significado social e as massas urbanas. Aproximar as pessoas da arte, aproximar a arte da vida, esse foi um dos objetivos dos eventos que marcaram a démarche das neovanguardas dos anos de 1960 e de 1970. No caso específico das artes, o objeto – como categoria artística – tinha ganhado importância no processo de comunicação das linguagens visuais e tornou-se elemento chave para a realização da exposição Objeto e Participação no Palácio das Artes em 17 de abril de 1970. Juntamente com a exposição, Morais pensou na realização de manifestações artísticas (arte vivencial, conceitual ou efêmera e etc.) no espaço do Parque Municipal de Belo Horizonte, conhecida como Do corpo à terra, entre os dias 17 e 21 de abril de 1970.Universidade do Estado de Santa Catarina2013-07-24info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/359210.5965/2175234604082012083Palíndromo; Vol. 4 No. 8 (2012): Palíndromo nº 8Palíndromo; v. 4 n. 8 (2012): Palíndromo nº 82175-23461984-9532reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/3592/2549Copyright (c) 2013 Marcelo Marihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMari, Marcelo2020-09-08T15:41:57Zoai:ojs.revistas.udesc.br:article/3592Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2020-09-08T15:41:57Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv Frederico Morais: A Crise da Vanguarda Construtiva no Brasil (1960-70)
title Frederico Morais: A Crise da Vanguarda Construtiva no Brasil (1960-70)
spellingShingle Frederico Morais: A Crise da Vanguarda Construtiva no Brasil (1960-70)
Mari, Marcelo
Frederico Morais
from body to the earth
Military coup
Frederico Morais
Do corpo à terra
Golpe Militar
title_short Frederico Morais: A Crise da Vanguarda Construtiva no Brasil (1960-70)
title_full Frederico Morais: A Crise da Vanguarda Construtiva no Brasil (1960-70)
title_fullStr Frederico Morais: A Crise da Vanguarda Construtiva no Brasil (1960-70)
title_full_unstemmed Frederico Morais: A Crise da Vanguarda Construtiva no Brasil (1960-70)
title_sort Frederico Morais: A Crise da Vanguarda Construtiva no Brasil (1960-70)
author Mari, Marcelo
author_facet Mari, Marcelo
author_role author
dc.contributor.author.fl_str_mv Mari, Marcelo
dc.subject.por.fl_str_mv Frederico Morais
from body to the earth
Military coup
Frederico Morais
Do corpo à terra
Golpe Militar
topic Frederico Morais
from body to the earth
Military coup
Frederico Morais
Do corpo à terra
Golpe Militar
description When Frederico Morais organized the events in Flamengo t embankment, the proposal was already, like Helio Oiticica, to eliminate the gap between contemporary art, its social meaning and the urban masses. Approaching people of art, the art of life, was one of the goals of the events that marked the demarche of neovanguards the years 1960 and 1970. In the specific case of the arts, the object - as artistic category - had gained importance in the communication of visual languages and became a key element to the exhibition Object and Participation in the Palace of Arts on April 17, 1970. Along with the exhibition, Morais thought performing art forms (art experiential, conceptual or ephemeral and so on.) within the Municipal Park of Belo Horizonte, known as Do corpo à terra, between 17 and 21 April 1970.
publishDate 2013
dc.date.none.fl_str_mv 2013-07-24
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/3592
10.5965/2175234604082012083
url https://www.revistas.udesc.br/index.php/palindromo/article/view/3592
identifier_str_mv 10.5965/2175234604082012083
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/3592/2549
dc.rights.driver.fl_str_mv Copyright (c) 2013 Marcelo Mari
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2013 Marcelo Mari
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
dc.source.none.fl_str_mv Palíndromo; Vol. 4 No. 8 (2012): Palíndromo nº 8
Palíndromo; v. 4 n. 8 (2012): Palíndromo nº 8
2175-2346
1984-9532
reponame:Palíndromo (Online)
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Palíndromo (Online)
collection Palíndromo (Online)
repository.name.fl_str_mv Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv palindromorevista@gmail.com || revistapalindromo@udesc.br
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