Frederico Morais: A Crise da Vanguarda Construtiva no Brasil (1960-70)
Autor(a) principal: | |
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Data de Publicação: | 2013 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Palíndromo (Online) |
Texto Completo: | https://www.revistas.udesc.br/index.php/palindromo/article/view/3592 |
Resumo: | When Frederico Morais organized the events in Flamengo t embankment, the proposal was already, like Helio Oiticica, to eliminate the gap between contemporary art, its social meaning and the urban masses. Approaching people of art, the art of life, was one of the goals of the events that marked the demarche of neovanguards the years 1960 and 1970. In the specific case of the arts, the object - as artistic category - had gained importance in the communication of visual languages and became a key element to the exhibition Object and Participation in the Palace of Arts on April 17, 1970. Along with the exhibition, Morais thought performing art forms (art experiential, conceptual or ephemeral and so on.) within the Municipal Park of Belo Horizonte, known as Do corpo à terra, between 17 and 21 April 1970. |
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Frederico Morais: A Crise da Vanguarda Construtiva no Brasil (1960-70)Frederico Moraisfrom body to the earthMilitary coupFrederico Morais Do corpo à terraGolpe MilitarWhen Frederico Morais organized the events in Flamengo t embankment, the proposal was already, like Helio Oiticica, to eliminate the gap between contemporary art, its social meaning and the urban masses. Approaching people of art, the art of life, was one of the goals of the events that marked the demarche of neovanguards the years 1960 and 1970. In the specific case of the arts, the object - as artistic category - had gained importance in the communication of visual languages and became a key element to the exhibition Object and Participation in the Palace of Arts on April 17, 1970. Along with the exhibition, Morais thought performing art forms (art experiential, conceptual or ephemeral and so on.) within the Municipal Park of Belo Horizonte, known as Do corpo à terra, between 17 and 21 April 1970.Quando Frederico Morais organizou os eventos no Aterro do Flamengo a proposta já era, como em Hélio Oiticica, de eliminar a distância entre a arte contemporânea, seu significado social e as massas urbanas. Aproximar as pessoas da arte, aproximar a arte da vida, esse foi um dos objetivos dos eventos que marcaram a démarche das neovanguardas dos anos de 1960 e de 1970. No caso específico das artes, o objeto – como categoria artística – tinha ganhado importância no processo de comunicação das linguagens visuais e tornou-se elemento chave para a realização da exposição Objeto e Participação no Palácio das Artes em 17 de abril de 1970. Juntamente com a exposição, Morais pensou na realização de manifestações artísticas (arte vivencial, conceitual ou efêmera e etc.) no espaço do Parque Municipal de Belo Horizonte, conhecida como Do corpo à terra, entre os dias 17 e 21 de abril de 1970.Universidade do Estado de Santa Catarina2013-07-24info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/359210.5965/2175234604082012083Palíndromo; Vol. 4 No. 8 (2012): Palíndromo nº 8Palíndromo; v. 4 n. 8 (2012): Palíndromo nº 82175-23461984-9532reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/3592/2549Copyright (c) 2013 Marcelo Marihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMari, Marcelo2020-09-08T15:41:57Zoai:ojs.revistas.udesc.br:article/3592Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2020-09-08T15:41:57Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false |
dc.title.none.fl_str_mv |
Frederico Morais: A Crise da Vanguarda Construtiva no Brasil (1960-70) |
title |
Frederico Morais: A Crise da Vanguarda Construtiva no Brasil (1960-70) |
spellingShingle |
Frederico Morais: A Crise da Vanguarda Construtiva no Brasil (1960-70) Mari, Marcelo Frederico Morais from body to the earth Military coup Frederico Morais Do corpo à terra Golpe Militar |
title_short |
Frederico Morais: A Crise da Vanguarda Construtiva no Brasil (1960-70) |
title_full |
Frederico Morais: A Crise da Vanguarda Construtiva no Brasil (1960-70) |
title_fullStr |
Frederico Morais: A Crise da Vanguarda Construtiva no Brasil (1960-70) |
title_full_unstemmed |
Frederico Morais: A Crise da Vanguarda Construtiva no Brasil (1960-70) |
title_sort |
Frederico Morais: A Crise da Vanguarda Construtiva no Brasil (1960-70) |
author |
Mari, Marcelo |
author_facet |
Mari, Marcelo |
author_role |
author |
dc.contributor.author.fl_str_mv |
Mari, Marcelo |
dc.subject.por.fl_str_mv |
Frederico Morais from body to the earth Military coup Frederico Morais Do corpo à terra Golpe Militar |
topic |
Frederico Morais from body to the earth Military coup Frederico Morais Do corpo à terra Golpe Militar |
description |
When Frederico Morais organized the events in Flamengo t embankment, the proposal was already, like Helio Oiticica, to eliminate the gap between contemporary art, its social meaning and the urban masses. Approaching people of art, the art of life, was one of the goals of the events that marked the demarche of neovanguards the years 1960 and 1970. In the specific case of the arts, the object - as artistic category - had gained importance in the communication of visual languages and became a key element to the exhibition Object and Participation in the Palace of Arts on April 17, 1970. Along with the exhibition, Morais thought performing art forms (art experiential, conceptual or ephemeral and so on.) within the Municipal Park of Belo Horizonte, known as Do corpo à terra, between 17 and 21 April 1970. |
publishDate |
2013 |
dc.date.none.fl_str_mv |
2013-07-24 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/3592 10.5965/2175234604082012083 |
url |
https://www.revistas.udesc.br/index.php/palindromo/article/view/3592 |
identifier_str_mv |
10.5965/2175234604082012083 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/3592/2549 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2013 Marcelo Mari http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2013 Marcelo Mari http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
dc.source.none.fl_str_mv |
Palíndromo; Vol. 4 No. 8 (2012): Palíndromo nº 8 Palíndromo; v. 4 n. 8 (2012): Palíndromo nº 8 2175-2346 1984-9532 reponame:Palíndromo (Online) instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
instname_str |
Universidade do Estado de Santa Catarina (UDESC) |
instacron_str |
UDESC |
institution |
UDESC |
reponame_str |
Palíndromo (Online) |
collection |
Palíndromo (Online) |
repository.name.fl_str_mv |
Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC) |
repository.mail.fl_str_mv |
palindromorevista@gmail.com || revistapalindromo@udesc.br |
_version_ |
1797041814142713856 |