On the couch with Huizinga: Critical self-portrait assuming the work of art as plot for aesthetical reflection:

Detalhes bibliográficos
Autor(a) principal: Makowiecky, Sandra
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: por
Título da fonte: Palíndromo (Online)
DOI: 10.5965/2175234613302021127
Texto Completo: https://www.revistas.udesc.br/index.php/palindromo/article/view/19751
Resumo: It is intended to reflect on the process of analysis and criticism of works of art, within the real regimes of art history, assumed by the author, who conceives the works as grounds for aesthetic reflection. Starting from questions like “what motivates me / us?”, He aspires to weave a patchwork quilt that forms a critical self-portrait. Developing reflections on concepts such as beauty, enigma, interval, aesthetic enjoyment, transcendent, among others, provides a background on her performance and her values as an art historian, trying to respond minimally to what she thinks of her performance, to finally say that it is the images that call it.
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spelling On the couch with Huizinga: Critical self-portrait assuming the work of art as plot for aesthetical reflection: Sur canapé avec Huizinga: auto-portrait critique assumant l'oeuvre d'art comme un terrain de réflexion esthétique: No sofá com Huizinga: Autorretrato crítico assumindo a obra de arte como terreno da reflexão estética: Autoportrait critiqueHistoire de l'art et régimes de véritéArt et réflexion esthétiqueArt transcendantalTranscendental art.Critical self-portraitArt history and regimes of truthArt and aesthetic reflectionAutorretrato críticoHistória da arte e regimes de verdadeArte e reflexão estéticaArte transcendentalIt is intended to reflect on the process of analysis and criticism of works of art, within the real regimes of art history, assumed by the author, who conceives the works as grounds for aesthetic reflection. Starting from questions like “what motivates me / us?”, He aspires to weave a patchwork quilt that forms a critical self-portrait. Developing reflections on concepts such as beauty, enigma, interval, aesthetic enjoyment, transcendent, among others, provides a background on her performance and her values as an art historian, trying to respond minimally to what she thinks of her performance, to finally say that it is the images that call it.Cet article tente de réfléchir au processus d'analyse et de critique des œuvres d'art tel qu’il fonctionne dans les régimes de vérité de l'histoire de l'art privilégiés par l'auteur, qui conçoit les œuvres comme des terrains de réflexion esthétique. Partant de questions comme « qu'est-ce qui me / nous motive? »,  il aspire à créer un autoportrait critique en forme de patchwork. Développant des réflexions sur des concepts tels que la beauté, l'énigme, l'intervalle, la jouissance esthétique, le transcendant, il fournit un arrière-plan sur la performance et les valeurs de l’historienne d'art en essayant de répondre de manière minimale à ce qu'elle pense de sa recherche, pour affirmer enfin que ce sont les images qui l’appellent.Pretende-se uma reflexão do processo de análise e crítica das obras de arte, dentro dos regimes de verdade da história da arte, assumidos pela autora, que concebe as obras como terrenos da reflexão estética. Partindo de questões como “o que me/nos/vos motiva?”, ambiciona tecer uma colcha de retalhos que forme um autorretrato crítico. Desenvolvendo reflexões sobre conceitos como belo, enigma, intervalo, fruição estética, transcendente, entre outros, fornece um pano de fundo sobre sua atuação e seus valores como historiadora da arte, tentando responder minimamente ao que pensa da própria atuação, para ao final dizer que são as imagens que a chamam.Universidade do Estado de Santa Catarina2021-05-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/1975110.5965/2175234613302021127Palíndromo; Vol. 13 No. 30 (2021): Autorretratos críticos: o que me/nos/vos motiva? ; 127-147Palíndromo; v. 13 n. 30 (2021): Autorretratos críticos: o que me/nos/vos motiva? ; 127-1472175-23461984-953210.5965/10.5965/2175234613302021reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/19751/12906Copyright (c) 2021 sandra Makowieckyhttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMakowiecky, Sandra2024-02-29T12:48:00Zoai::article/19751Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2024-02-29T12:48Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv On the couch with Huizinga: Critical self-portrait assuming the work of art as plot for aesthetical reflection:
Sur canapé avec Huizinga: auto-portrait critique assumant l'oeuvre d'art comme un terrain de réflexion esthétique:
No sofá com Huizinga: Autorretrato crítico assumindo a obra de arte como terreno da reflexão estética:
title On the couch with Huizinga: Critical self-portrait assuming the work of art as plot for aesthetical reflection:
spellingShingle On the couch with Huizinga: Critical self-portrait assuming the work of art as plot for aesthetical reflection:
On the couch with Huizinga: Critical self-portrait assuming the work of art as plot for aesthetical reflection:
Makowiecky, Sandra
Autoportrait critique
Histoire de l'art et régimes de vérité
Art et réflexion esthétique
Art transcendantal
Transcendental art.
Critical self-portrait
Art history and regimes of truth
Art and aesthetic reflection
Autorretrato crítico
História da arte e regimes de verdade
Arte e reflexão estética
Arte transcendental
Makowiecky, Sandra
Autoportrait critique
Histoire de l'art et régimes de vérité
Art et réflexion esthétique
Art transcendantal
Transcendental art.
Critical self-portrait
Art history and regimes of truth
Art and aesthetic reflection
Autorretrato crítico
História da arte e regimes de verdade
Arte e reflexão estética
Arte transcendental
title_short On the couch with Huizinga: Critical self-portrait assuming the work of art as plot for aesthetical reflection:
title_full On the couch with Huizinga: Critical self-portrait assuming the work of art as plot for aesthetical reflection:
title_fullStr On the couch with Huizinga: Critical self-portrait assuming the work of art as plot for aesthetical reflection:
On the couch with Huizinga: Critical self-portrait assuming the work of art as plot for aesthetical reflection:
title_full_unstemmed On the couch with Huizinga: Critical self-portrait assuming the work of art as plot for aesthetical reflection:
On the couch with Huizinga: Critical self-portrait assuming the work of art as plot for aesthetical reflection:
title_sort On the couch with Huizinga: Critical self-portrait assuming the work of art as plot for aesthetical reflection:
author Makowiecky, Sandra
author_facet Makowiecky, Sandra
Makowiecky, Sandra
author_role author
dc.contributor.author.fl_str_mv Makowiecky, Sandra
dc.subject.por.fl_str_mv Autoportrait critique
Histoire de l'art et régimes de vérité
Art et réflexion esthétique
Art transcendantal
Transcendental art.
Critical self-portrait
Art history and regimes of truth
Art and aesthetic reflection
Autorretrato crítico
História da arte e regimes de verdade
Arte e reflexão estética
Arte transcendental
topic Autoportrait critique
Histoire de l'art et régimes de vérité
Art et réflexion esthétique
Art transcendantal
Transcendental art.
Critical self-portrait
Art history and regimes of truth
Art and aesthetic reflection
Autorretrato crítico
História da arte e regimes de verdade
Arte e reflexão estética
Arte transcendental
description It is intended to reflect on the process of analysis and criticism of works of art, within the real regimes of art history, assumed by the author, who conceives the works as grounds for aesthetic reflection. Starting from questions like “what motivates me / us?”, He aspires to weave a patchwork quilt that forms a critical self-portrait. Developing reflections on concepts such as beauty, enigma, interval, aesthetic enjoyment, transcendent, among others, provides a background on her performance and her values as an art historian, trying to respond minimally to what she thinks of her performance, to finally say that it is the images that call it.
publishDate 2021
dc.date.none.fl_str_mv 2021-05-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/19751
10.5965/2175234613302021127
url https://www.revistas.udesc.br/index.php/palindromo/article/view/19751
identifier_str_mv 10.5965/2175234613302021127
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/19751/12906
dc.rights.driver.fl_str_mv Copyright (c) 2021 sandra Makowiecky
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 sandra Makowiecky
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
dc.source.none.fl_str_mv Palíndromo; Vol. 13 No. 30 (2021): Autorretratos críticos: o que me/nos/vos motiva? ; 127-147
Palíndromo; v. 13 n. 30 (2021): Autorretratos críticos: o que me/nos/vos motiva? ; 127-147
2175-2346
1984-9532
10.5965/10.5965/2175234613302021
reponame:Palíndromo (Online)
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Palíndromo (Online)
collection Palíndromo (Online)
repository.name.fl_str_mv Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv palindromorevista@gmail.com || revistapalindromo@udesc.br
_version_ 1822182041293160448
dc.identifier.doi.none.fl_str_mv 10.5965/2175234613302021127

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