Exiting the map, creating the map: a erring epistemology
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Palíndromo (Online) |
DOI: | 10.5965/2175234612262020051 |
Texto Completo: | https://www.revistas.udesc.br/index.php/palindromo/article/view/14620 |
Resumo: | The article is a convergence of ideas derived from the doctoral thesis The Erring Artist and the Discourse as Cartography in a Spanish-Brazilian context (UCM / CAPES), defended in 2017. It raises questions on the artist in the cartographic world and his sinuous and decentralized discourse, trying to analyze the latter as a movement toward the uncertain, a jump into the abyss. In this way, the erring artist, as we defend, is a typology that helps to practice, on the basis of (in)certainties, new ways of thinking and defending art in our day. This contemporary creator wanders and strengthens himself on the maps that his errant discourse (which goes through error) builds in the world. The text goes through concepts such as indecision, singular rhythm, cartography, as well as translation and self-alteration reports. |
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Palíndromo (Online) |
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Exiting the map, creating the map: a erring epistemologySalir del mapa, crear el mapa: una epistemología erranteSofia Porto BauchwitzSair do mapa, criar o mapa: uma epistemologia erranteabysscartographydiscourseerrantabismocartografiadiscursoerranteabismocartografíadiscursoerranteThe article is a convergence of ideas derived from the doctoral thesis The Erring Artist and the Discourse as Cartography in a Spanish-Brazilian context (UCM / CAPES), defended in 2017. It raises questions on the artist in the cartographic world and his sinuous and decentralized discourse, trying to analyze the latter as a movement toward the uncertain, a jump into the abyss. In this way, the erring artist, as we defend, is a typology that helps to practice, on the basis of (in)certainties, new ways of thinking and defending art in our day. This contemporary creator wanders and strengthens himself on the maps that his errant discourse (which goes through error) builds in the world. The text goes through concepts such as indecision, singular rhythm, cartography, as well as translation and self-alteration reports.Un apañado de ideas provenientes de la tesis doctoral El Artista Errante y El Discurso como Cartografía en un contexto hispano-brasileño (UCM/CAPES), defendida en 2017. Levanta cuestiones sobre el artista en el mundo cartografiable y su discurso sinuoso y descentralizado, intentando analizar ese último como un movimiento rumbo a lo incierto, un salto al abismo en dirección a la pura potencia. De esta forma, el artista errante, como defendemos, es una tipología que ayuda a practicar, a base de (in)certezas, nuevas maneras de pensar y defender el arte en nuestros días. Este creador contemporáneo yerra y se fortalece en los mapas que su discurso de errares (que pasa por el error) construye en el mundo. El texto pasa por conceptos como indecisión, ritmo singular, cartografía, así como traducción y relatos de auto-alteración.O artigo é um cruzamento de ideias decorrentes da tese doutoral El Artista Errante y El Discurso como Cartografía en um contexto hispano-brasileño (UCM/CAPES), defendida em 2017. Levanta questões sobre o artista no mundo cartografiável e seu discurso sinuoso e descentralizado, tentando analisar esse último como um movimento rumo ao incerto, um pulo no abismo em direção à pura potência. Desta forma, o artista errante, como defendemos, é uma tipologia que ajuda a praticar, na base de (in)certezas, novas maneiras de pensar e defender a arte em nossos dias. Este criador contemporâneo perambula e se fortalece nos mapas que seu discurso errante (que passa pelo erro) constrói no mundo. O texto passa por conceitos como indecisão, ritmo singular, cartografia, assim como tradução e relatos de auto-alteração.Universidade do Estado de Santa Catarina2020-01-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/1462010.5965/2175234612262020051Palíndromo; Vol. 12 No. 26 (2020): CORPO PERCURSO PAISAGEM; 051-060Palíndromo; v. 12 n. 26 (2020): CORPO PERCURSO PAISAGEM; 051-0602175-23461984-953210.5965/2175234612262020reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/14620/10911Copyright (c) 2020 Palíndromohttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessBauchwitz, Sofia Porto 2023-04-12T13:16:51Zoai::article/14620Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2023-04-12T13:16:51Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false |
dc.title.none.fl_str_mv |
Exiting the map, creating the map: a erring epistemology Salir del mapa, crear el mapa: una epistemología erranteSofia Porto Bauchwitz Sair do mapa, criar o mapa: uma epistemologia errante |
title |
Exiting the map, creating the map: a erring epistemology |
spellingShingle |
Exiting the map, creating the map: a erring epistemology Exiting the map, creating the map: a erring epistemology Bauchwitz, Sofia Porto abyss cartography discourse errant abismo cartografia discurso errante abismo cartografía discurso errante Bauchwitz, Sofia Porto abyss cartography discourse errant abismo cartografia discurso errante abismo cartografía discurso errante |
title_short |
Exiting the map, creating the map: a erring epistemology |
title_full |
Exiting the map, creating the map: a erring epistemology |
title_fullStr |
Exiting the map, creating the map: a erring epistemology Exiting the map, creating the map: a erring epistemology |
title_full_unstemmed |
Exiting the map, creating the map: a erring epistemology Exiting the map, creating the map: a erring epistemology |
title_sort |
Exiting the map, creating the map: a erring epistemology |
author |
Bauchwitz, Sofia Porto |
author_facet |
Bauchwitz, Sofia Porto Bauchwitz, Sofia Porto |
author_role |
author |
dc.contributor.author.fl_str_mv |
Bauchwitz, Sofia Porto |
dc.subject.por.fl_str_mv |
abyss cartography discourse errant abismo cartografia discurso errante abismo cartografía discurso errante |
topic |
abyss cartography discourse errant abismo cartografia discurso errante abismo cartografía discurso errante |
description |
The article is a convergence of ideas derived from the doctoral thesis The Erring Artist and the Discourse as Cartography in a Spanish-Brazilian context (UCM / CAPES), defended in 2017. It raises questions on the artist in the cartographic world and his sinuous and decentralized discourse, trying to analyze the latter as a movement toward the uncertain, a jump into the abyss. In this way, the erring artist, as we defend, is a typology that helps to practice, on the basis of (in)certainties, new ways of thinking and defending art in our day. This contemporary creator wanders and strengthens himself on the maps that his errant discourse (which goes through error) builds in the world. The text goes through concepts such as indecision, singular rhythm, cartography, as well as translation and self-alteration reports. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-01-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/14620 10.5965/2175234612262020051 |
url |
https://www.revistas.udesc.br/index.php/palindromo/article/view/14620 |
identifier_str_mv |
10.5965/2175234612262020051 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/14620/10911 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Palíndromo http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Palíndromo http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
dc.source.none.fl_str_mv |
Palíndromo; Vol. 12 No. 26 (2020): CORPO PERCURSO PAISAGEM; 051-060 Palíndromo; v. 12 n. 26 (2020): CORPO PERCURSO PAISAGEM; 051-060 2175-2346 1984-9532 10.5965/2175234612262020 reponame:Palíndromo (Online) instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
instname_str |
Universidade do Estado de Santa Catarina (UDESC) |
instacron_str |
UDESC |
institution |
UDESC |
reponame_str |
Palíndromo (Online) |
collection |
Palíndromo (Online) |
repository.name.fl_str_mv |
Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC) |
repository.mail.fl_str_mv |
palindromorevista@gmail.com || revistapalindromo@udesc.br |
_version_ |
1822182035143262208 |
dc.identifier.doi.none.fl_str_mv |
10.5965/2175234612262020051 |