Photography and painting: mutual relation in the distancing from mimesis

Detalhes bibliográficos
Autor(a) principal: do Prado, Ana Karina Tamoto
Data de Publicação: 2015
Tipo de documento: Artigo
Idioma: por
Título da fonte: Palíndromo (Online)
Texto Completo: https://www.revistas.udesc.br/index.php/palindromo/article/view/6851
Resumo: Through a brief critical historical study, this article aims to show the trans- formation of occidental thought  about the mimetic character of representation in painting and how photography per- formed an important role in this change, when it transferred for her the compro- mise with the copy of reality. The investi- gation considers the concept of mimesis pondered by Plato and Aristotle about the art, which had as one of its consequen- ces the appreciation for similarity to re- ality in an artistic work, reflection which permeated the occidental esthetics for a long time. By showing initial attempts to unlink pictorial and photographic pro- duction from the imposition of seeking the verisimilitude, modernist movements reveal trends and attempts to replace the problem of representation.
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spelling Photography and painting: mutual relation in the distancing from mimesisFOTOGRAFIA E PINTURA: RELAÇÃO MÚTUA NO DISTANCIAMENTO DA MIMESEmimesisphotographypaintingrepresentation mimesefotografiapinturarepresentçãoThrough a brief critical historical study, this article aims to show the trans- formation of occidental thought  about the mimetic character of representation in painting and how photography per- formed an important role in this change, when it transferred for her the compro- mise with the copy of reality. The investi- gation considers the concept of mimesis pondered by Plato and Aristotle about the art, which had as one of its consequen- ces the appreciation for similarity to re- ality in an artistic work, reflection which permeated the occidental esthetics for a long time. By showing initial attempts to unlink pictorial and photographic pro- duction from the imposition of seeking the verisimilitude, modernist movements reveal trends and attempts to replace the problem of representation.Por meio de um breve levantamento histórico crítico, este artigo tem por objetivo mostrar a transformação do pensamento ocidental acerca do caráter mimético da representação na pintura e como a fotografia desempenhou papel importante nessa mudança, em que se deslocou para ela o compromisso com a cópia da realidade. A investigação considera o conceito de mimese ponderado por Platão e Aristóteles acerca da arte, que teve como uma de suas consequências a valorização da semelhança com a realidade numa obra artística, reflexão que permeou a estética ocidental durante muito tempo. Ao evidenciar as tentativas iniciais de desvincular a produção pictórica e fotográfica da imposição de buscar a verossimilhança, os movimentos modernistas explicitam tendências e tentativas de recolocar o problema da representação.Universidade do Estado de Santa Catarina2015-12-18info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/685110.5965/2175234607132015124Palíndromo; Vol. 7 No. 14 (2015): Palíndromo; 124-146Palíndromo; v. 7 n. 14 (2015): Palíndromo; 124-1462175-23461984-9532reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/6851/4876Copyright (c) 2015 Ana Karina Tamoto do Pradohttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessdo Prado, Ana Karina Tamoto2023-03-24T14:37:40Zoai:ojs.revistas.udesc.br:article/6851Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2023-03-24T14:37:40Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv Photography and painting: mutual relation in the distancing from mimesis
FOTOGRAFIA E PINTURA: RELAÇÃO MÚTUA NO DISTANCIAMENTO DA MIMESE
title Photography and painting: mutual relation in the distancing from mimesis
spellingShingle Photography and painting: mutual relation in the distancing from mimesis
do Prado, Ana Karina Tamoto
mimesis
photography
painting
representation
mimese
fotografia
pintura
representção
title_short Photography and painting: mutual relation in the distancing from mimesis
title_full Photography and painting: mutual relation in the distancing from mimesis
title_fullStr Photography and painting: mutual relation in the distancing from mimesis
title_full_unstemmed Photography and painting: mutual relation in the distancing from mimesis
title_sort Photography and painting: mutual relation in the distancing from mimesis
author do Prado, Ana Karina Tamoto
author_facet do Prado, Ana Karina Tamoto
author_role author
dc.contributor.author.fl_str_mv do Prado, Ana Karina Tamoto
dc.subject.por.fl_str_mv mimesis
photography
painting
representation
mimese
fotografia
pintura
representção
topic mimesis
photography
painting
representation
mimese
fotografia
pintura
representção
description Through a brief critical historical study, this article aims to show the trans- formation of occidental thought  about the mimetic character of representation in painting and how photography per- formed an important role in this change, when it transferred for her the compro- mise with the copy of reality. The investi- gation considers the concept of mimesis pondered by Plato and Aristotle about the art, which had as one of its consequen- ces the appreciation for similarity to re- ality in an artistic work, reflection which permeated the occidental esthetics for a long time. By showing initial attempts to unlink pictorial and photographic pro- duction from the imposition of seeking the verisimilitude, modernist movements reveal trends and attempts to replace the problem of representation.
publishDate 2015
dc.date.none.fl_str_mv 2015-12-18
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/6851
10.5965/2175234607132015124
url https://www.revistas.udesc.br/index.php/palindromo/article/view/6851
identifier_str_mv 10.5965/2175234607132015124
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/6851/4876
dc.rights.driver.fl_str_mv Copyright (c) 2015 Ana Karina Tamoto do Prado
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2015 Ana Karina Tamoto do Prado
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
dc.source.none.fl_str_mv Palíndromo; Vol. 7 No. 14 (2015): Palíndromo; 124-146
Palíndromo; v. 7 n. 14 (2015): Palíndromo; 124-146
2175-2346
1984-9532
reponame:Palíndromo (Online)
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Palíndromo (Online)
collection Palíndromo (Online)
repository.name.fl_str_mv Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv palindromorevista@gmail.com || revistapalindromo@udesc.br
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