Body-landscape:: identity and nomadism in Ana Mendieta’s performance records

Detalhes bibliográficos
Autor(a) principal: Lacerda, Laís Miguel
Data de Publicação: 2021
Outros Autores: Ribeiro, Regilene Aparecida Sarzi
Tipo de documento: Artigo
Idioma: por
Título da fonte: Palíndromo (Online)
Texto Completo: https://www.revistas.udesc.br/index.php/palindromo/article/view/16460
Resumo: This is a study about the female body and identity in contemporary Latin American art based on performance records. Exile, territories, displacements and body are keywords for understanding the work Silueta Series (1974), composed of 200 photographs taken in a period of approximately seven years, by the cuban artist Ana Mendieta (1948-1985). Thus, this qualitative study throughbibliographical survey, iconographic data collection and interpretative analysis of the collecteddata, taking as its starting point a historical iconographic panorama of the representation of the female body, to reflect the multiple intrinsic concepts in the artist’s work that has the female body as a central element integrated into the landscape, in addition to issues of gender, politics, identity that are subjectively established in a timeless manner. The results reveal that the poetic action of the feminine in media art can deconstruct the concepts rooted in the woman, having her own body as a support through technologies.
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spelling Body-landscape:: identity and nomadism in Ana Mendieta’s performance recordsCuerpo – paisaje:: identidad y nomadismo en los registros de performance de Ana MendietaCorpo - paisagem:: identidade e nomadismo nos registros de performance de Ana Mendietacorpo femininopaisagemterritórioAna MendietaFemale body.LandscapeNomadismAna Mendieta.Cuerpo feminino. PaisajeNomadismoAna Mendieta.This is a study about the female body and identity in contemporary Latin American art based on performance records. Exile, territories, displacements and body are keywords for understanding the work Silueta Series (1974), composed of 200 photographs taken in a period of approximately seven years, by the cuban artist Ana Mendieta (1948-1985). Thus, this qualitative study throughbibliographical survey, iconographic data collection and interpretative analysis of the collecteddata, taking as its starting point a historical iconographic panorama of the representation of the female body, to reflect the multiple intrinsic concepts in the artist’s work that has the female body as a central element integrated into the landscape, in addition to issues of gender, politics, identity that are subjectively established in a timeless manner. The results reveal that the poetic action of the feminine in media art can deconstruct the concepts rooted in the woman, having her own body as a support through technologies.El artículo es un estudio sobre el cuerpo femenino y la identidad en el arte latinoamericano contemporáneo basado en registros de performance. El exilio, los territorios, los desplazamientos y el cuerpo son palabras clave para comprender la obra Silueta Series (1974), compuesta por 200 fotografías efectuadas en un período de aproximadamente siete años, por la artista cubana Ana Mend-ieta (1948-1985). Así, este estúdio cualitativo mediante levantamento bibliográfico, recolección de datos iconográficos y analisis interpretativo de los datos colectados, tomando como punto de partida un panorama histórico iconográfico de la representación del cuerpo femenino, reflejar los múltiples conceptos intrínsecos en el trabajo de la artista que tiene el cuerpo femenino como un elemento central integrado en el paisaje, además de cuestiones de género, política e identidad que se establecen subjetivamente de una manera intemporal. Los resultados revelan que la acción poética de lo femenino en el media art puede deconstruir los conceptos arraigados en la mujer, teniendo como soporte su propio cuerpo a través de las tecnologías.Trata-se de um estudo sobre identidade e nomadismo na arte contemporânea latino-americana a partir dos registros de performance. Exílio, territórios, deslocamentos e corpo são palavras chave para compreensão da obra Silueta Series (1974), composta por 200 fotografias realizadas em um período de aproximadamente sete anos, pela artista cubana Ana Mendieta (1948-1985). O artigo busca refletir os múltiplos conceitos intrínsecos na obra dessa artista pioneira que traz o corpo feminino como elemento central integrado a paisagem e ao nomadismo, além de questões de gênero, política, identidade e nomadismo que são subjetivamente estabelecidas de maneira atemporal. Universidade do Estado de Santa Catarina2021-01-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/1646010.5965/2175234613292021134Palíndromo; Vol. 13 No. 29 (2021): arts, technoly; 134 - 147Palíndromo; v. 13 n. 29 (2021): Dossiê Artes, tecnologias digitais e o ensino em tempos de isolamento social; 134 - 1472175-23461984-953210.5965/2175234613292021001reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/16460/12597Copyright (c) 2020 Laís Miguel Lacerda, Regilene Aparecida Sarzi Ribeirohttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessLacerda, Laís MiguelRibeiro, Regilene Aparecida Sarzi 2021-04-07T22:19:32Zoai:ojs.revistas.udesc.br:article/16460Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2021-04-07T22:19:32Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv Body-landscape:: identity and nomadism in Ana Mendieta’s performance records
Cuerpo – paisaje:: identidad y nomadismo en los registros de performance de Ana Mendieta
Corpo - paisagem:: identidade e nomadismo nos registros de performance de Ana Mendieta
title Body-landscape:: identity and nomadism in Ana Mendieta’s performance records
spellingShingle Body-landscape:: identity and nomadism in Ana Mendieta’s performance records
Lacerda, Laís Miguel
corpo feminino
paisagem
território
Ana Mendieta
Female body.
Landscape
Nomadism
Ana Mendieta.
Cuerpo feminino.
Paisaje
Nomadismo
Ana Mendieta.
title_short Body-landscape:: identity and nomadism in Ana Mendieta’s performance records
title_full Body-landscape:: identity and nomadism in Ana Mendieta’s performance records
title_fullStr Body-landscape:: identity and nomadism in Ana Mendieta’s performance records
title_full_unstemmed Body-landscape:: identity and nomadism in Ana Mendieta’s performance records
title_sort Body-landscape:: identity and nomadism in Ana Mendieta’s performance records
author Lacerda, Laís Miguel
author_facet Lacerda, Laís Miguel
Ribeiro, Regilene Aparecida Sarzi
author_role author
author2 Ribeiro, Regilene Aparecida Sarzi
author2_role author
dc.contributor.author.fl_str_mv Lacerda, Laís Miguel
Ribeiro, Regilene Aparecida Sarzi
dc.subject.por.fl_str_mv corpo feminino
paisagem
território
Ana Mendieta
Female body.
Landscape
Nomadism
Ana Mendieta.
Cuerpo feminino.
Paisaje
Nomadismo
Ana Mendieta.
topic corpo feminino
paisagem
território
Ana Mendieta
Female body.
Landscape
Nomadism
Ana Mendieta.
Cuerpo feminino.
Paisaje
Nomadismo
Ana Mendieta.
description This is a study about the female body and identity in contemporary Latin American art based on performance records. Exile, territories, displacements and body are keywords for understanding the work Silueta Series (1974), composed of 200 photographs taken in a period of approximately seven years, by the cuban artist Ana Mendieta (1948-1985). Thus, this qualitative study throughbibliographical survey, iconographic data collection and interpretative analysis of the collecteddata, taking as its starting point a historical iconographic panorama of the representation of the female body, to reflect the multiple intrinsic concepts in the artist’s work that has the female body as a central element integrated into the landscape, in addition to issues of gender, politics, identity that are subjectively established in a timeless manner. The results reveal that the poetic action of the feminine in media art can deconstruct the concepts rooted in the woman, having her own body as a support through technologies.
publishDate 2021
dc.date.none.fl_str_mv 2021-01-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/16460
10.5965/2175234613292021134
url https://www.revistas.udesc.br/index.php/palindromo/article/view/16460
identifier_str_mv 10.5965/2175234613292021134
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/16460/12597
dc.rights.driver.fl_str_mv Copyright (c) 2020 Laís Miguel Lacerda, Regilene Aparecida Sarzi Ribeiro
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Laís Miguel Lacerda, Regilene Aparecida Sarzi Ribeiro
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
dc.source.none.fl_str_mv Palíndromo; Vol. 13 No. 29 (2021): arts, technoly; 134 - 147
Palíndromo; v. 13 n. 29 (2021): Dossiê Artes, tecnologias digitais e o ensino em tempos de isolamento social; 134 - 147
2175-2346
1984-9532
10.5965/2175234613292021001
reponame:Palíndromo (Online)
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Palíndromo (Online)
collection Palíndromo (Online)
repository.name.fl_str_mv Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv palindromorevista@gmail.com || revistapalindromo@udesc.br
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