In the gaps of the scopic regime

Detalhes bibliográficos
Autor(a) principal: Bahia, Lúcia Helena Fidelis
Data de Publicação: 2017
Tipo de documento: Artigo
Idioma: por
Título da fonte: Palíndromo (Online)
Texto Completo: https://www.revistas.udesc.br/index.php/palindromo/article/view/10437
Resumo: The present article seeks to provoke plausible ruptures in the current of thought proposed by the scopic regime through the study of blindness in the arts, particularly functional blindness and its metaphorical space. Thus, this text puts in evidence authors such as Georges Bataille and Jacques Lacan, and artists such as Luiz Henrique Schwanke – and his works Light Paving Stone (1990) and Light Cube (1991) – and Cildo Meireles with his work Blind Mirror (1970). Finally, the article was basically divided in two parts titled respectively: The Blinding Light: from Bataille to Schwanke and The mirror experience in Lacan and Cildo Meireles. Ultimately, two books were used as a basis for the presented reflection: Downcast eyes: the denigration of vision in twentieth century French thought by Martin Jay and Blindness and Visual Culture: An Eyewitness Account by Georgina Kleege.
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spelling In the gaps of the scopic regimeNAS FENDAS DO REGIME ESCÓPICOcegueira funcionalpensamento antiocularcêntricoLuiz Henrique SchwankeCildo Meirelesfunctional blindnessantiocularcentric thoughtLuiz Henrique SchwankeCildo MeirelesThe present article seeks to provoke plausible ruptures in the current of thought proposed by the scopic regime through the study of blindness in the arts, particularly functional blindness and its metaphorical space. Thus, this text puts in evidence authors such as Georges Bataille and Jacques Lacan, and artists such as Luiz Henrique Schwanke – and his works Light Paving Stone (1990) and Light Cube (1991) – and Cildo Meireles with his work Blind Mirror (1970). Finally, the article was basically divided in two parts titled respectively: The Blinding Light: from Bataille to Schwanke and The mirror experience in Lacan and Cildo Meireles. Ultimately, two books were used as a basis for the presented reflection: Downcast eyes: the denigration of vision in twentieth century French thought by Martin Jay and Blindness and Visual Culture: An Eyewitness Account by Georgina Kleege.O presente artigo busca provocar rupturas plausíveis na corrente de pensamento proposta pelo regime escópico através do estudo das cegueiras no âmbito das artes, particularmente a cegueira funcional e seu espaço metafórico. Dessa forma, o texto evidencia autores como Georges Bataille e Jacques Lacan e artistas como Luiz Henrique Schwanke – e suas obras Paralelepípedo de luz (1990) e Cubo de luz (1991) – e Cildo Meireles com sua obra Espelho Cego (1970). Para isso, ele foi dividido basicamente em duas partes intituladas, respectivamente, de A luz cegadora: de Bataille a Schwanke e A experiência do espelho em Lacan e Cildo Meireles. Por fim, foram utilizados dois livros como base de sustentação da reflexão apresentada: Ojos Abatidos: la denigración de la visión en el pensamiento francés del siglo XX de Martin Jay e Blindness and Visual Culture: An Eyewitness Account de Georgina Kleege.Universidade do Estado de Santa Catarina2017-12-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/1043710.5965/2175234609182017186Palíndromo; Vol. 9 No. 18 (2017): PALÍNDROMO 18; 186-204Palíndromo; v. 9 n. 18 (2017): PALÍNDROMO 18; 186-2042175-23461984-9532reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/10437/7262Copyright (c) 2017 Palíndromohttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessBahia, Lúcia Helena Fidelis2017-12-05T20:00:12Zoai:ojs.revistas.udesc.br:article/10437Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2017-12-05T20:00:12Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv In the gaps of the scopic regime
NAS FENDAS DO REGIME ESCÓPICO
title In the gaps of the scopic regime
spellingShingle In the gaps of the scopic regime
Bahia, Lúcia Helena Fidelis
cegueira funcional
pensamento antiocularcêntrico
Luiz Henrique Schwanke
Cildo Meireles
functional blindness
antiocularcentric thought
Luiz Henrique Schwanke
Cildo Meireles
title_short In the gaps of the scopic regime
title_full In the gaps of the scopic regime
title_fullStr In the gaps of the scopic regime
title_full_unstemmed In the gaps of the scopic regime
title_sort In the gaps of the scopic regime
author Bahia, Lúcia Helena Fidelis
author_facet Bahia, Lúcia Helena Fidelis
author_role author
dc.contributor.author.fl_str_mv Bahia, Lúcia Helena Fidelis
dc.subject.por.fl_str_mv cegueira funcional
pensamento antiocularcêntrico
Luiz Henrique Schwanke
Cildo Meireles
functional blindness
antiocularcentric thought
Luiz Henrique Schwanke
Cildo Meireles
topic cegueira funcional
pensamento antiocularcêntrico
Luiz Henrique Schwanke
Cildo Meireles
functional blindness
antiocularcentric thought
Luiz Henrique Schwanke
Cildo Meireles
description The present article seeks to provoke plausible ruptures in the current of thought proposed by the scopic regime through the study of blindness in the arts, particularly functional blindness and its metaphorical space. Thus, this text puts in evidence authors such as Georges Bataille and Jacques Lacan, and artists such as Luiz Henrique Schwanke – and his works Light Paving Stone (1990) and Light Cube (1991) – and Cildo Meireles with his work Blind Mirror (1970). Finally, the article was basically divided in two parts titled respectively: The Blinding Light: from Bataille to Schwanke and The mirror experience in Lacan and Cildo Meireles. Ultimately, two books were used as a basis for the presented reflection: Downcast eyes: the denigration of vision in twentieth century French thought by Martin Jay and Blindness and Visual Culture: An Eyewitness Account by Georgina Kleege.
publishDate 2017
dc.date.none.fl_str_mv 2017-12-04
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/10437
10.5965/2175234609182017186
url https://www.revistas.udesc.br/index.php/palindromo/article/view/10437
identifier_str_mv 10.5965/2175234609182017186
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/10437/7262
dc.rights.driver.fl_str_mv Copyright (c) 2017 Palíndromo
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2017 Palíndromo
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
dc.source.none.fl_str_mv Palíndromo; Vol. 9 No. 18 (2017): PALÍNDROMO 18; 186-204
Palíndromo; v. 9 n. 18 (2017): PALÍNDROMO 18; 186-204
2175-2346
1984-9532
reponame:Palíndromo (Online)
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Palíndromo (Online)
collection Palíndromo (Online)
repository.name.fl_str_mv Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv palindromorevista@gmail.com || revistapalindromo@udesc.br
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