Four prognoses about the dream matter in Fernando Lindote

Detalhes bibliográficos
Autor(a) principal: Cherem, Rosangela Miranda
Data de Publicação: 2022
Outros Autores: Knabben, Luciana
Tipo de documento: Artigo
Idioma: por
Título da fonte: Palíndromo (Online)
Texto Completo: https://www.revistas.udesc.br/index.php/palindromo/article/view/22225
Resumo: Fernando Lindote's painting refers to a dreamlike dimension, less because the artist equates his plastic images with figurations of dreams and more because he realizes through his own pictorial visuality a kind of oneiric experience. The notion of prognosis refers to the sense of carrying forward a certain type of knowledge, becoming a way of questioning how this feat happens from the formal and imagery point of view, in addition to problematizing the temporal implications, the references and visual articulations, as well as the decantations poetic and conceptual. The reflection unfolds in four parts. The first highlights the slippery and slippery character as a pictorial feat of this artist, then discusses the flickering effects that make use of certain works by Lygia Clark and Lygia Pape. Then he considers the flow of different temporalities that affect each work and, finally, recognizes his painting as an imaginative machine that both triggers and is triggered by its mnemonic singularity and its metamorphic processes.
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spelling Four prognoses about the dream matter in Fernando LindoteQuatre pronostics sur la matière de rêve chez Fernando LindoteQuatro prognoses sobre a matéria onírica em Fernando LindotePrognoseFernando Lindote Pintura ContemporâneaFiguração oníricaPrognosisFernando LindoteOneiric FigurationContemporary PaintingPronostic Fernando LindotePeinture ContemporaineFiguration oniriqueFernando Lindote's painting refers to a dreamlike dimension, less because the artist equates his plastic images with figurations of dreams and more because he realizes through his own pictorial visuality a kind of oneiric experience. The notion of prognosis refers to the sense of carrying forward a certain type of knowledge, becoming a way of questioning how this feat happens from the formal and imagery point of view, in addition to problematizing the temporal implications, the references and visual articulations, as well as the decantations poetic and conceptual. The reflection unfolds in four parts. The first highlights the slippery and slippery character as a pictorial feat of this artist, then discusses the flickering effects that make use of certain works by Lygia Clark and Lygia Pape. Then he considers the flow of different temporalities that affect each work and, finally, recognizes his painting as an imaginative machine that both triggers and is triggered by its mnemonic singularity and its metamorphic processes.La peinture de Fernando Lindote renvoie à une dimension onirique, moins parce que l'artiste assimile ses images plastiques à des figurations oniriques que parce qu'il réalise à travers sa propre visualité picturale une sorte d'expérience onirique. La notion de pronostic renvoie au sens de faire avancer un certain type de savoir, devenant une manière de questionner comment cet exploit se produit d'un point de vue formel et imagé, en plus de problématiser les implications temporelles, les références et les articulations visuelles, comme ainsi que les décantations poétiques et conceptuelles. La réflexion se déroule en quatre parties. La première met en lumière le caractère glissant et glissant comme une prouesse picturale de cet artiste, puis aborde les effets de scintillement qui font usage de certaines œuvres de Lygia Clark et Lygia Pape. Puis il considère le flux des différentes temporalités qui affectent chaque œuvre et, enfin, reconnaît sa peinture comme une machine imaginative qui à la fois déclenche et est déclenchée par sa singularité mnémonique et ses processus métamorphiques.A pintura de Fernando Lindote se refere a uma dimensão onírica, menos porque o artista equivale suas imagens plásticas a figurações de sonhos e mais porque realiza através da própria visualidade pictórica uma espécie de experiência onírica. A noção de prognose remete ao sentido de levar adiante certo tipo conhecimento, tornando-se um modo de interrogar como este feito acontece do ponto de vista formal e imagético, além de problematizar as implicações temporais, as referências e articulações visuais, bem como as decantações poéticas e conceituais. A reflexão se desdobra em quatro partes. Na primeira destaca o caráter delizante e escorregadio como feito pictórico deste artista, em seguida aborda os efeitos de cintilação que se valem de certas obras de Lygia Clark e Lygia Pape. Depois considera o fluxo das diferentes temporalidades que incide sobre cada trabalho e, por fim, reconhece sua pintura como uma máquina e imaginativa que tanto aciona como é acionada pela sua singularidade mnemônica e seus processos metamórficos.Universidade do Estado de Santa Catarina2022-09-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/2222510.5965/2175234614342022229Palíndromo; Vol. 14 No. 34 (2022): A terra dura: potências do sonho e arte; 229-248Palíndromo; v. 14 n. 34 (2022): A terra dura: potências do sonho e arte; 229-2482175-23461984-9532reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/22225/14706Copyright (c) 2022 Rosangela Miranda Cherem, Luciana Knabbenhttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessCherem, Rosangela MirandaKnabben, Luciana2024-02-29T13:53:15Zoai::article/22225Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2024-02-29T13:53:15Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv Four prognoses about the dream matter in Fernando Lindote
Quatre pronostics sur la matière de rêve chez Fernando Lindote
Quatro prognoses sobre a matéria onírica em Fernando Lindote
title Four prognoses about the dream matter in Fernando Lindote
spellingShingle Four prognoses about the dream matter in Fernando Lindote
Cherem, Rosangela Miranda
Prognose
Fernando Lindote
Pintura Contemporânea
Figuração onírica
Prognosis
Fernando Lindote
Oneiric Figuration
Contemporary Painting
Pronostic
Fernando Lindote
Peinture Contemporaine
Figuration onirique
title_short Four prognoses about the dream matter in Fernando Lindote
title_full Four prognoses about the dream matter in Fernando Lindote
title_fullStr Four prognoses about the dream matter in Fernando Lindote
title_full_unstemmed Four prognoses about the dream matter in Fernando Lindote
title_sort Four prognoses about the dream matter in Fernando Lindote
author Cherem, Rosangela Miranda
author_facet Cherem, Rosangela Miranda
Knabben, Luciana
author_role author
author2 Knabben, Luciana
author2_role author
dc.contributor.author.fl_str_mv Cherem, Rosangela Miranda
Knabben, Luciana
dc.subject.por.fl_str_mv Prognose
Fernando Lindote
Pintura Contemporânea
Figuração onírica
Prognosis
Fernando Lindote
Oneiric Figuration
Contemporary Painting
Pronostic
Fernando Lindote
Peinture Contemporaine
Figuration onirique
topic Prognose
Fernando Lindote
Pintura Contemporânea
Figuração onírica
Prognosis
Fernando Lindote
Oneiric Figuration
Contemporary Painting
Pronostic
Fernando Lindote
Peinture Contemporaine
Figuration onirique
description Fernando Lindote's painting refers to a dreamlike dimension, less because the artist equates his plastic images with figurations of dreams and more because he realizes through his own pictorial visuality a kind of oneiric experience. The notion of prognosis refers to the sense of carrying forward a certain type of knowledge, becoming a way of questioning how this feat happens from the formal and imagery point of view, in addition to problematizing the temporal implications, the references and visual articulations, as well as the decantations poetic and conceptual. The reflection unfolds in four parts. The first highlights the slippery and slippery character as a pictorial feat of this artist, then discusses the flickering effects that make use of certain works by Lygia Clark and Lygia Pape. Then he considers the flow of different temporalities that affect each work and, finally, recognizes his painting as an imaginative machine that both triggers and is triggered by its mnemonic singularity and its metamorphic processes.
publishDate 2022
dc.date.none.fl_str_mv 2022-09-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/22225
10.5965/2175234614342022229
url https://www.revistas.udesc.br/index.php/palindromo/article/view/22225
identifier_str_mv 10.5965/2175234614342022229
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/22225/14706
dc.rights.driver.fl_str_mv Copyright (c) 2022 Rosangela Miranda Cherem, Luciana Knabben
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Rosangela Miranda Cherem, Luciana Knabben
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
dc.source.none.fl_str_mv Palíndromo; Vol. 14 No. 34 (2022): A terra dura: potências do sonho e arte; 229-248
Palíndromo; v. 14 n. 34 (2022): A terra dura: potências do sonho e arte; 229-248
2175-2346
1984-9532
reponame:Palíndromo (Online)
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Palíndromo (Online)
collection Palíndromo (Online)
repository.name.fl_str_mv Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv palindromorevista@gmail.com || revistapalindromo@udesc.br
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