The beauty stranger:: the grotesque poetics and their aesthetic reconfiguration in rock’n’roll musical genre
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Data de Publicação: | 2021 |
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Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Palíndromo (Online) |
Texto Completo: | https://www.revistas.udesc.br/index.php/palindromo/article/view/16142 |
Resumo: | The Article Through detail the grotesque concept around Fine Arts that pass by the cultural renaissance, we will analyse how the grotesque of renaissance reshapes itself in the rockmusical genre, not only in the musical speech, but verbal and visual through case studies. The research objective is to understand why the grotesque, a aesthetic genre that comes from the visual poetic, lies present and constantly in a reconfiguration process on the daily contemporary art, with emphasis on rock musical genre. Our methodology will be based oncase studies and our theoretical foundation will be integrated by the authors CARROL (1999); KAYZER (2013); SODRÉ and PAIVA (2003); Victor Hugo (2014), authors who will stablishtheories, foundations and concepts against or study grotesque aesthetics and also horror. |
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The beauty stranger:: the grotesque poetics and their aesthetic reconfiguration in rock’n’roll musical genreLa belleza del extraño:: poesía grotesque y su reconfiguración estética en rockA beleza do estranho: : a poética grotesca e sua reconfiguração estética no rockgrotescoArterockRenascimentoestéticaGrotesque.Art. Rock.Renaissance.Aesthetics.Grotesco.Arte. Rock.Renacimiento.Estético.The Article Through detail the grotesque concept around Fine Arts that pass by the cultural renaissance, we will analyse how the grotesque of renaissance reshapes itself in the rockmusical genre, not only in the musical speech, but verbal and visual through case studies. The research objective is to understand why the grotesque, a aesthetic genre that comes from the visual poetic, lies present and constantly in a reconfiguration process on the daily contemporary art, with emphasis on rock musical genre. Our methodology will be based oncase studies and our theoretical foundation will be integrated by the authors CARROL (1999); KAYZER (2013); SODRÉ and PAIVA (2003); Victor Hugo (2014), authors who will stablishtheories, foundations and concepts against or study grotesque aesthetics and also horror.El presente artículo desglosa el concepto de lo grotesco en torno a las bellas artes que atraviesael renacimiento cultural, y analiza cómo la reconfiguración en el género musical rock, tanto en el discurso musical, verbal y visual, a través de estudios de casos contemporáneos. Elobjetivo de la investigación es comprender por qué el grotesco, un género estético desde los inicios de la poética visual, está presente y en un proceso constante de reconfiguraciónen la vida cotidiana del arte contemporáneo, con énfasis en el género musical rock. Nuestrametodología se basará en estudios de casos y nuestra base teórica estará integrada por los autores CARROL (1999); KAYZER (2013); SODRÉ y PAIVA (2003); Victor Hugo (2014), autoresque establecerán teorías, fundamentos y conceptos contra o estudiarán la estética grotesca y también el horror.Por meio da cartografia histórica que esmiúça o conceito do grotesco em torno das belas artes que perpassa pelo renascimento cultural, iremos analisar como o grotesco da renascença se reconfigura no gênero musical rock, tanto no discurso musical, verbal e visual por meio de estudos de caso. O objetivo da pesquisa é entender por qual razão o grotesco, um gênero estético oriundo dos primórdios da poética visual, encontra-se presente e em constante processo de reconfiguração no cotidiano da arte contemporânea, com ênfase no gênero musical rock. Universidade do Estado de Santa Catarina2021-01-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/1614210.5965/2175234613292021173Palíndromo; Vol. 13 No. 29 (2021): arts, technoly; 173 - 187Palíndromo; v. 13 n. 29 (2021): Dossiê Artes, tecnologias digitais e o ensino em tempos de isolamento social; 173 - 1872175-23461984-953210.5965/2175234613292021001reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/16142/12600Copyright (c) 2020 Palíndromohttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessCosta, Giovanni LucenaPessoa, Alberto Ricardo2021-04-07T22:19:32Zoai:ojs.revistas.udesc.br:article/16142Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2021-04-07T22:19:32Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false |
dc.title.none.fl_str_mv |
The beauty stranger:: the grotesque poetics and their aesthetic reconfiguration in rock’n’roll musical genre La belleza del extraño:: poesía grotesque y su reconfiguración estética en rock A beleza do estranho: : a poética grotesca e sua reconfiguração estética no rock |
title |
The beauty stranger:: the grotesque poetics and their aesthetic reconfiguration in rock’n’roll musical genre |
spellingShingle |
The beauty stranger:: the grotesque poetics and their aesthetic reconfiguration in rock’n’roll musical genre Costa, Giovanni Lucena grotesco Arte rock Renascimento estética Grotesque. Art. Rock. Renaissance. Aesthetics. Grotesco. Arte. Rock. Renacimiento. Estético. |
title_short |
The beauty stranger:: the grotesque poetics and their aesthetic reconfiguration in rock’n’roll musical genre |
title_full |
The beauty stranger:: the grotesque poetics and their aesthetic reconfiguration in rock’n’roll musical genre |
title_fullStr |
The beauty stranger:: the grotesque poetics and their aesthetic reconfiguration in rock’n’roll musical genre |
title_full_unstemmed |
The beauty stranger:: the grotesque poetics and their aesthetic reconfiguration in rock’n’roll musical genre |
title_sort |
The beauty stranger:: the grotesque poetics and their aesthetic reconfiguration in rock’n’roll musical genre |
author |
Costa, Giovanni Lucena |
author_facet |
Costa, Giovanni Lucena Pessoa, Alberto Ricardo |
author_role |
author |
author2 |
Pessoa, Alberto Ricardo |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Costa, Giovanni Lucena Pessoa, Alberto Ricardo |
dc.subject.por.fl_str_mv |
grotesco Arte rock Renascimento estética Grotesque. Art. Rock. Renaissance. Aesthetics. Grotesco. Arte. Rock. Renacimiento. Estético. |
topic |
grotesco Arte rock Renascimento estética Grotesque. Art. Rock. Renaissance. Aesthetics. Grotesco. Arte. Rock. Renacimiento. Estético. |
description |
The Article Through detail the grotesque concept around Fine Arts that pass by the cultural renaissance, we will analyse how the grotesque of renaissance reshapes itself in the rockmusical genre, not only in the musical speech, but verbal and visual through case studies. The research objective is to understand why the grotesque, a aesthetic genre that comes from the visual poetic, lies present and constantly in a reconfiguration process on the daily contemporary art, with emphasis on rock musical genre. Our methodology will be based oncase studies and our theoretical foundation will be integrated by the authors CARROL (1999); KAYZER (2013); SODRÉ and PAIVA (2003); Victor Hugo (2014), authors who will stablishtheories, foundations and concepts against or study grotesque aesthetics and also horror. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-01-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/16142 10.5965/2175234613292021173 |
url |
https://www.revistas.udesc.br/index.php/palindromo/article/view/16142 |
identifier_str_mv |
10.5965/2175234613292021173 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/16142/12600 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Palíndromo http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Palíndromo http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
dc.source.none.fl_str_mv |
Palíndromo; Vol. 13 No. 29 (2021): arts, technoly; 173 - 187 Palíndromo; v. 13 n. 29 (2021): Dossiê Artes, tecnologias digitais e o ensino em tempos de isolamento social; 173 - 187 2175-2346 1984-9532 10.5965/2175234613292021001 reponame:Palíndromo (Online) instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
instname_str |
Universidade do Estado de Santa Catarina (UDESC) |
instacron_str |
UDESC |
institution |
UDESC |
reponame_str |
Palíndromo (Online) |
collection |
Palíndromo (Online) |
repository.name.fl_str_mv |
Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC) |
repository.mail.fl_str_mv |
palindromorevista@gmail.com || revistapalindromo@udesc.br |
_version_ |
1797041815936827392 |