Iconology as an aesthetic experience.Essay on an image with no sources found on Warburg Institute Photographic Collection.

Detalhes bibliográficos
Autor(a) principal: Tonin, Thays
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: por
Título da fonte: Palíndromo (Online)
Texto Completo: https://www.revistas.udesc.br/index.php/palindromo/article/view/19749
Resumo: In this essay, one narrates an iconological research experience on Warburg Institute Photographic Collection revolving around a photograph with no sources from the London collection, herein referred as “picture with no source”. The narrative revolves around questions relating to the historiographical process and the research experience in digital and physical collections, inquiring about the condition of the image and the text as processes influenced by the relationship between body and memory, logos and pathos. This paper starts on the case study of an image, and the referential search for narrative elements of the personifications of the goddesses Fortuna and Venus – and of the visual relations established between them, especially after the 15th century. One raises questions about the methodology of the art historian in face of the image, and of the epistemology of an iconological research, arguing that it can be seen as a process of narrative creation and of tensions between body, word, and image – hence, as an aesthetic experience. The essay also dialogues with Aby Warburg, Edgar Wind, and Monica Centanni.
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spelling Iconology as an aesthetic experience.Essay on an image with no sources found on Warburg Institute Photographic Collection. L’Iconologia come esperienza estetica. Saggio a proposito di un’immagine senza fonte ritrovata al Warburg Institute Photographic Collection.A iconologia como experiência estética. Ensaio sobre uma imagem sem fonte encontrada no Warburg Institute Photographic Collection.Aby WarburgIconologiaArquivoVênusFortunaAby Warburg.Iconology.Archive.Venus.Fortune.Aby WarburgIconologiaArchivioVenusFortunaIn this essay, one narrates an iconological research experience on Warburg Institute Photographic Collection revolving around a photograph with no sources from the London collection, herein referred as “picture with no source”. The narrative revolves around questions relating to the historiographical process and the research experience in digital and physical collections, inquiring about the condition of the image and the text as processes influenced by the relationship between body and memory, logos and pathos. This paper starts on the case study of an image, and the referential search for narrative elements of the personifications of the goddesses Fortuna and Venus – and of the visual relations established between them, especially after the 15th century. One raises questions about the methodology of the art historian in face of the image, and of the epistemology of an iconological research, arguing that it can be seen as a process of narrative creation and of tensions between body, word, and image – hence, as an aesthetic experience. The essay also dialogues with Aby Warburg, Edgar Wind, and Monica Centanni.Questo saggio racconta l'esperienza della ricerca iconologica presso al Warburg Institute Photographic Collection, attorno a una fotografia senza riferimenti della collezione londinese, intitolata nel saggio come “immagine senza fonte”. Il testo si sviluppa intorno alle domande che coinvolgono l'operazione storiografica e l'esperienza di ricerca nelle collezioni fisiche e digitali, interrogandosi sulla condizione dell'immagine e del testo come processi attraversati dal rapporto tra corpo e memoria, logos e pathos. La narrativa inizia dallo studio di un'immagine e dal processo di ricerca referenziale degli elementi narrativi delle personificazioni delle dee Fortuna e Venere, e delle relazioni visive che si manifestano tra di loro, soprattutto dopo il XV secolo. Nell’articolo vengono sollevate domande sulla metodologia dello storico dell'arte riguardo all'immagine, e sull'epistemologia della ricerca di matrice iconologica, intesa come processo di creazione narrativa e tensioni tra corpo, parola e immagine, e quindi, come esperienza estetica. Il saggio sviluppa dialoghi principalmente con Aby Warburg, Edgar Wind e Monica Centanni.Este artigo narra a experiência de pesquisa iconológica possibilitada pelo Warburg Institute Photographic Collection, em busca das fontes e referências de uma fotografia do acervo londrino. O ensaio desenvolve-se ao redor do tema clássico das personificações das deusas Fortuna e Vênus, e as relações visuais que se apresentam entre ambas, principalmente depois do século XV. Levantam-se questões acerca do processo metodológico do historiador da arte frente à pesquisa em arquivos e acervos, e também frente às problemáticas linguísticas. Compreende-se a pesquisa de matriz iconológica como um processo de criação narrativa e de tensões entre corpo, palavra e imagem, e portanto, como uma experiência estética. O ensaio desenvolve diálogos com Aby Warburg, Edgar Wind, Fritz Saxl, Monica Centanni e Raul Antelo.Universidade do Estado de Santa Catarina2021-05-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/1974910.5965/2175234613302021247Palíndromo; Vol. 13 No. 30 (2021): Autorretratos críticos: o que me/nos/vos motiva? ; 247-271Palíndromo; v. 13 n. 30 (2021): Autorretratos críticos: o que me/nos/vos motiva? ; 247-2712175-23461984-953210.5965/10.5965/2175234613302021reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/19749/12914Copyright (c) 2021 Thays Toninhttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessTonin, Thays2021-05-01T10:37:02Zoai:ojs.revistas.udesc.br:article/19749Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2021-05-01T10:37:02Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv Iconology as an aesthetic experience.Essay on an image with no sources found on Warburg Institute Photographic Collection.
L’Iconologia come esperienza estetica. Saggio a proposito di un’immagine senza fonte ritrovata al Warburg Institute Photographic Collection.
A iconologia como experiência estética. Ensaio sobre uma imagem sem fonte encontrada no Warburg Institute Photographic Collection.
title Iconology as an aesthetic experience.Essay on an image with no sources found on Warburg Institute Photographic Collection.
spellingShingle Iconology as an aesthetic experience.Essay on an image with no sources found on Warburg Institute Photographic Collection.
Tonin, Thays
Aby Warburg
Iconologia
Arquivo
Vênus
Fortuna
Aby Warburg.
Iconology.
Archive.
Venus.
Fortune.
Aby Warburg
Iconologia
Archivio
Venus
Fortuna
title_short Iconology as an aesthetic experience.Essay on an image with no sources found on Warburg Institute Photographic Collection.
title_full Iconology as an aesthetic experience.Essay on an image with no sources found on Warburg Institute Photographic Collection.
title_fullStr Iconology as an aesthetic experience.Essay on an image with no sources found on Warburg Institute Photographic Collection.
title_full_unstemmed Iconology as an aesthetic experience.Essay on an image with no sources found on Warburg Institute Photographic Collection.
title_sort Iconology as an aesthetic experience.Essay on an image with no sources found on Warburg Institute Photographic Collection.
author Tonin, Thays
author_facet Tonin, Thays
author_role author
dc.contributor.author.fl_str_mv Tonin, Thays
dc.subject.por.fl_str_mv Aby Warburg
Iconologia
Arquivo
Vênus
Fortuna
Aby Warburg.
Iconology.
Archive.
Venus.
Fortune.
Aby Warburg
Iconologia
Archivio
Venus
Fortuna
topic Aby Warburg
Iconologia
Arquivo
Vênus
Fortuna
Aby Warburg.
Iconology.
Archive.
Venus.
Fortune.
Aby Warburg
Iconologia
Archivio
Venus
Fortuna
description In this essay, one narrates an iconological research experience on Warburg Institute Photographic Collection revolving around a photograph with no sources from the London collection, herein referred as “picture with no source”. The narrative revolves around questions relating to the historiographical process and the research experience in digital and physical collections, inquiring about the condition of the image and the text as processes influenced by the relationship between body and memory, logos and pathos. This paper starts on the case study of an image, and the referential search for narrative elements of the personifications of the goddesses Fortuna and Venus – and of the visual relations established between them, especially after the 15th century. One raises questions about the methodology of the art historian in face of the image, and of the epistemology of an iconological research, arguing that it can be seen as a process of narrative creation and of tensions between body, word, and image – hence, as an aesthetic experience. The essay also dialogues with Aby Warburg, Edgar Wind, and Monica Centanni.
publishDate 2021
dc.date.none.fl_str_mv 2021-05-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/19749
10.5965/2175234613302021247
url https://www.revistas.udesc.br/index.php/palindromo/article/view/19749
identifier_str_mv 10.5965/2175234613302021247
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/19749/12914
dc.rights.driver.fl_str_mv Copyright (c) 2021 Thays Tonin
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Thays Tonin
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
dc.source.none.fl_str_mv Palíndromo; Vol. 13 No. 30 (2021): Autorretratos críticos: o que me/nos/vos motiva? ; 247-271
Palíndromo; v. 13 n. 30 (2021): Autorretratos críticos: o que me/nos/vos motiva? ; 247-271
2175-2346
1984-9532
10.5965/10.5965/2175234613302021
reponame:Palíndromo (Online)
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Palíndromo (Online)
collection Palíndromo (Online)
repository.name.fl_str_mv Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv palindromorevista@gmail.com || revistapalindromo@udesc.br
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