CARLOS PASQUETTI, ART AND PHOTOGRAPHY:1960 AND 1970 DECADES AT PORTO ALEGRE
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Palíndromo (Online) |
Texto Completo: | https://www.revistas.udesc.br/index.php/palindromo/article/view/10535 |
Resumo: | This work looks at the entry of photography into the artistic milieu of Porto Alegre, between the 1960s and 1970s, when Carlos Pasquetti (1948) approached conceptualism, shared with other artists who worked outside the United States and Europe. The counterposition performed by the mechanical means of representation in relation to the regional artistic environment occurs in parallel with the confrontation of the political situation in which the country was. His work, from the outset, presents a duality, an apparent dichotomy between “classical” languages such as drawing and painting, and the use of a new understanding of what would be “appropriate” materials in artistic making. The use of photography by Pasquetti is linked in the first instance to works of conceptual bias, but his work incorporated other elements, which were virtually available in a “panorama” formed by the universe of information that reached the sensitivity of the artist. |
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CARLOS PASQUETTI, ART AND PHOTOGRAPHY:1960 AND 1970 DECADES AT PORTO ALEGRECARLOS PASQUETTI, ARTE E FOTOGRAFIA: DÉCADAS DE 1960 E 1970 EM PORTO ALEGRECarlos Pasquettifotografiaconceitualismoarte contemporânea no BrasilCarlos Pasquettiphotographyconceptualismcontemporary art in BrazilThis work looks at the entry of photography into the artistic milieu of Porto Alegre, between the 1960s and 1970s, when Carlos Pasquetti (1948) approached conceptualism, shared with other artists who worked outside the United States and Europe. The counterposition performed by the mechanical means of representation in relation to the regional artistic environment occurs in parallel with the confrontation of the political situation in which the country was. His work, from the outset, presents a duality, an apparent dichotomy between “classical” languages such as drawing and painting, and the use of a new understanding of what would be “appropriate” materials in artistic making. The use of photography by Pasquetti is linked in the first instance to works of conceptual bias, but his work incorporated other elements, which were virtually available in a “panorama” formed by the universe of information that reached the sensitivity of the artist.Este trabalho observa a entrada da fotografia no meio artístico de Porto Alegre, entre as décadas de 1960 e 1970, quando Carlos Pasquetti (1948) se aproximou do conceitualismo, compartilhado com outros artistas que atuavam fora dos Estados Unidos e da Europa. A contraposição desempenhada pelo meio mecânico de representação frente ao ambiente artístico regional se dá em paralelo com o enfrentamento da situação política na qual o país se encontrava. Sua obra, desde o início, apresenta uma dualidade, uma aparente dicotomia entre as linguagens “clássicas”, como o desenho e a pintura, e o emprego de um novo entendimento sobre o que seriam os materiais “adequados” ao fazer artístico. O uso da fotografia por Pasquetti está ligado, nesse primeiro momento, às obras de viés conceitualista, mas seu trabalho incorporou outros elementos, que estavam virtualmente disponíveis em um “panorama” formado pelo universo de informações que chegavam à sensibilidade do artista.Universidade do Estado de Santa Catarina2018-10-25info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/1053510.5965/21752346102202018143Palíndromo; Vol. 10 No. 22 (2018): Palíndromo 22; 143-166Palíndromo; v. 10 n. 22 (2018): Palíndromo 22; 143-1662175-23461984-9532reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/10535/9198Copyright (c) 2018 Palíndromohttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessFerreira, Cláudio Barcellos Jansen2020-09-09T16:59:05Zoai:ojs.revistas.udesc.br:article/10535Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2020-09-09T16:59:05Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false |
dc.title.none.fl_str_mv |
CARLOS PASQUETTI, ART AND PHOTOGRAPHY:1960 AND 1970 DECADES AT PORTO ALEGRE CARLOS PASQUETTI, ARTE E FOTOGRAFIA: DÉCADAS DE 1960 E 1970 EM PORTO ALEGRE |
title |
CARLOS PASQUETTI, ART AND PHOTOGRAPHY:1960 AND 1970 DECADES AT PORTO ALEGRE |
spellingShingle |
CARLOS PASQUETTI, ART AND PHOTOGRAPHY:1960 AND 1970 DECADES AT PORTO ALEGRE Ferreira, Cláudio Barcellos Jansen Carlos Pasquetti fotografia conceitualismo arte contemporânea no Brasil Carlos Pasquetti photography conceptualism contemporary art in Brazil |
title_short |
CARLOS PASQUETTI, ART AND PHOTOGRAPHY:1960 AND 1970 DECADES AT PORTO ALEGRE |
title_full |
CARLOS PASQUETTI, ART AND PHOTOGRAPHY:1960 AND 1970 DECADES AT PORTO ALEGRE |
title_fullStr |
CARLOS PASQUETTI, ART AND PHOTOGRAPHY:1960 AND 1970 DECADES AT PORTO ALEGRE |
title_full_unstemmed |
CARLOS PASQUETTI, ART AND PHOTOGRAPHY:1960 AND 1970 DECADES AT PORTO ALEGRE |
title_sort |
CARLOS PASQUETTI, ART AND PHOTOGRAPHY:1960 AND 1970 DECADES AT PORTO ALEGRE |
author |
Ferreira, Cláudio Barcellos Jansen |
author_facet |
Ferreira, Cláudio Barcellos Jansen |
author_role |
author |
dc.contributor.author.fl_str_mv |
Ferreira, Cláudio Barcellos Jansen |
dc.subject.por.fl_str_mv |
Carlos Pasquetti fotografia conceitualismo arte contemporânea no Brasil Carlos Pasquetti photography conceptualism contemporary art in Brazil |
topic |
Carlos Pasquetti fotografia conceitualismo arte contemporânea no Brasil Carlos Pasquetti photography conceptualism contemporary art in Brazil |
description |
This work looks at the entry of photography into the artistic milieu of Porto Alegre, between the 1960s and 1970s, when Carlos Pasquetti (1948) approached conceptualism, shared with other artists who worked outside the United States and Europe. The counterposition performed by the mechanical means of representation in relation to the regional artistic environment occurs in parallel with the confrontation of the political situation in which the country was. His work, from the outset, presents a duality, an apparent dichotomy between “classical” languages such as drawing and painting, and the use of a new understanding of what would be “appropriate” materials in artistic making. The use of photography by Pasquetti is linked in the first instance to works of conceptual bias, but his work incorporated other elements, which were virtually available in a “panorama” formed by the universe of information that reached the sensitivity of the artist. |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-10-25 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/10535 10.5965/21752346102202018143 |
url |
https://www.revistas.udesc.br/index.php/palindromo/article/view/10535 |
identifier_str_mv |
10.5965/21752346102202018143 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.udesc.br/index.php/palindromo/article/view/10535/9198 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2018 Palíndromo http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2018 Palíndromo http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
dc.source.none.fl_str_mv |
Palíndromo; Vol. 10 No. 22 (2018): Palíndromo 22; 143-166 Palíndromo; v. 10 n. 22 (2018): Palíndromo 22; 143-166 2175-2346 1984-9532 reponame:Palíndromo (Online) instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
instname_str |
Universidade do Estado de Santa Catarina (UDESC) |
instacron_str |
UDESC |
institution |
UDESC |
reponame_str |
Palíndromo (Online) |
collection |
Palíndromo (Online) |
repository.name.fl_str_mv |
Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC) |
repository.mail.fl_str_mv |
palindromorevista@gmail.com || revistapalindromo@udesc.br |
_version_ |
1797041814777102336 |