Insult to renew, destroy to build: rectifying the disasters of war by Francisco Goya

Detalhes bibliográficos
Autor(a) principal: Anjos, Marlon José Alves dos
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
Título da fonte: Palíndromo (Online)
Texto Completo: https://www.revistas.udesc.br/index.php/palindromo/article/view/23371
Resumo: In 2003, the Chapman brothers purchased 80 originals by Goya with the aim of using them in their work. This act polemicized the commitment expected of the owner, as well the artistic limits, since authentic images were rectified. From the contextualization of the set of engravings known as the Disasters of War to the interpretation of the work Insult to Injury, in this paper we propose to analyze the meaning of the attack that victimized one of the greatest examples of art. It found that there was sense in the act named as cultural vandalism, capable of enhancing and re-signifying the rectified works.
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spelling Insult to renew, destroy to build: rectifying the disasters of war by Francisco GoyaInsulto para renovar, destruir para construir: rectificando los desastre de la guerra de Francisco GoyaInsulte para renovar, destrua para construir: retificando os desastres da guerra de Francisco GoyaFrancisco Goyadesastres da guerraJake & Dinos Chapmanterrorismo culturalArtes visuaisFrancisco Goyadisaster of warJake & Dinos Chapmancultural vandalismVisual artsFrancisco Goyadesastres de la guerraJake & Dinos Chapmanterrorismo culturalArtes visualesIn 2003, the Chapman brothers purchased 80 originals by Goya with the aim of using them in their work. This act polemicized the commitment expected of the owner, as well the artistic limits, since authentic images were rectified. From the contextualization of the set of engravings known as the Disasters of War to the interpretation of the work Insult to Injury, in this paper we propose to analyze the meaning of the attack that victimized one of the greatest examples of art. It found that there was sense in the act named as cultural vandalism, capable of enhancing and re-signifying the rectified works.En 2003, los hermanos Chapman compraron 80 originales de Goya con el objetivo de utilizarlos en su obra. Este acto puso en controversia el compromiso esperado por parte del propietario, así como los límites artísticos, dado que se rectificaron las imágenes auténticas. Desde la contextualización del conjunto de grabados conocido como Los Desastres de la Guerra hasta la interpretación de la obra Insult to Injury, en este artículo nos proponemos analizar el significado del atentado que hay victimizado uno de los máximos exponentes del arte. Encontró que había un sentido en el acto de-nominado como vandalismo cultural, capaz de realzar y resignificar las obras rectificadas.Em 2003, os irmãos Chapman compraram 80 originais de Goya com objetivo de usá-los em sua obra. Este ato polemizou o compromisso que se espera do proprietário, bem como os limites artísticos, em vista que imagens autênticas foram retificadas. Da contextualização do conjunto de gravuras conhecido como os Desastres da Guerra à interpretação da obra Insult to Injury, neste artigo propomos analisar o sentido do ataque que vitimou um dos maiores exemplares da arte. Cumpre informar que foi constatado que subiste sentido no ato nomeado como vandalismo cultural, capaz de potencializar e ressignificar as obras retificadas.Universidade do Estado de Santa Catarina2023-06-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/2337110.5965/2175234615362023e0002Palíndromo; Vol. 15 No. 36 (2023): As artimanhas do grotesco no contemporâneo; 01-25Palíndromo; v. 15 n. 36 (2023): As artimanhas do grotesco no contemporâneo; 01-252175-23461984-953210.5965/2175234615362023reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/23371/15593Copyright (c) 2023 Marlon José Alves dos Anjoshttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessAnjos, Marlon José Alves dos2024-02-29T13:56:43Zoai::article/23371Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2024-02-29T13:56:43Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv Insult to renew, destroy to build: rectifying the disasters of war by Francisco Goya
Insulto para renovar, destruir para construir: rectificando los desastre de la guerra de Francisco Goya
Insulte para renovar, destrua para construir: retificando os desastres da guerra de Francisco Goya
title Insult to renew, destroy to build: rectifying the disasters of war by Francisco Goya
spellingShingle Insult to renew, destroy to build: rectifying the disasters of war by Francisco Goya
Anjos, Marlon José Alves dos
Francisco Goya
desastres da guerra
Jake & Dinos Chapman
terrorismo cultural
Artes visuais
Francisco Goya
disaster of war
Jake & Dinos Chapman
cultural vandalism
Visual arts
Francisco Goya
desastres de la guerra
Jake & Dinos Chapman
terrorismo cultural
Artes visuales
title_short Insult to renew, destroy to build: rectifying the disasters of war by Francisco Goya
title_full Insult to renew, destroy to build: rectifying the disasters of war by Francisco Goya
title_fullStr Insult to renew, destroy to build: rectifying the disasters of war by Francisco Goya
title_full_unstemmed Insult to renew, destroy to build: rectifying the disasters of war by Francisco Goya
title_sort Insult to renew, destroy to build: rectifying the disasters of war by Francisco Goya
author Anjos, Marlon José Alves dos
author_facet Anjos, Marlon José Alves dos
author_role author
dc.contributor.author.fl_str_mv Anjos, Marlon José Alves dos
dc.subject.por.fl_str_mv Francisco Goya
desastres da guerra
Jake & Dinos Chapman
terrorismo cultural
Artes visuais
Francisco Goya
disaster of war
Jake & Dinos Chapman
cultural vandalism
Visual arts
Francisco Goya
desastres de la guerra
Jake & Dinos Chapman
terrorismo cultural
Artes visuales
topic Francisco Goya
desastres da guerra
Jake & Dinos Chapman
terrorismo cultural
Artes visuais
Francisco Goya
disaster of war
Jake & Dinos Chapman
cultural vandalism
Visual arts
Francisco Goya
desastres de la guerra
Jake & Dinos Chapman
terrorismo cultural
Artes visuales
description In 2003, the Chapman brothers purchased 80 originals by Goya with the aim of using them in their work. This act polemicized the commitment expected of the owner, as well the artistic limits, since authentic images were rectified. From the contextualization of the set of engravings known as the Disasters of War to the interpretation of the work Insult to Injury, in this paper we propose to analyze the meaning of the attack that victimized one of the greatest examples of art. It found that there was sense in the act named as cultural vandalism, capable of enhancing and re-signifying the rectified works.
publishDate 2023
dc.date.none.fl_str_mv 2023-06-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/23371
10.5965/2175234615362023e0002
url https://www.revistas.udesc.br/index.php/palindromo/article/view/23371
identifier_str_mv 10.5965/2175234615362023e0002
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/23371/15593
dc.rights.driver.fl_str_mv Copyright (c) 2023 Marlon José Alves dos Anjos
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Marlon José Alves dos Anjos
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
dc.source.none.fl_str_mv Palíndromo; Vol. 15 No. 36 (2023): As artimanhas do grotesco no contemporâneo; 01-25
Palíndromo; v. 15 n. 36 (2023): As artimanhas do grotesco no contemporâneo; 01-25
2175-2346
1984-9532
10.5965/2175234615362023
reponame:Palíndromo (Online)
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Palíndromo (Online)
collection Palíndromo (Online)
repository.name.fl_str_mv Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv palindromorevista@gmail.com || revistapalindromo@udesc.br
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