THE ARTISTIC AND SCIENTIFIC EVOLUTION OF THE ORIGAMI: A theoretical and practical study on the practice and techniques of folds

Detalhes bibliográficos
Autor(a) principal: Teixeira, Samanta Aline
Data de Publicação: 2017
Outros Autores: Nakata, Milton Koji
Tipo de documento: Artigo
Idioma: por
Título da fonte: Palíndromo (Online)
Texto Completo: https://www.revistas.udesc.br/index.php/palindromo/article/view/8597
Resumo: This article aims to understand how origami was inserted in classrooms and art galleries and then become a major paradigm of technological innovation, especially within sustainability. For such study, a historical review is made based on the trajectory of three artists: Josef Albers, Ronald Resch and Lygia Clark. Investigating the professional evolution of each one, it is noticed that many professional works and multidisciplinary investigations are inspired in these modern figures. Studying aspects initially pointed out by the three artists directly or indirectly, the origami components are analyzed such as valley folds, mountain folds, crease pattern and adapted origami design. To complement the study, an experimental application of a bag prototype is done reusing used materials; the objective is the practical proof of origami techniques indicated by the study, joining the principle of folds with sustainability.
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spelling THE ARTISTIC AND SCIENTIFIC EVOLUTION OF THE ORIGAMI: A theoretical and practical study on the practice and techniques of foldsA EVOLUÇÃO ARTÍSTICA E CIENTÍFICA DO ORIGAMI: Um estudo teórico e prático sobre a prática e técnicas das dobradurasorigamiinovaçãoartesustentabilidadecrease patternorigamiinnovationartsustainabilitycrease patternThis article aims to understand how origami was inserted in classrooms and art galleries and then become a major paradigm of technological innovation, especially within sustainability. For such study, a historical review is made based on the trajectory of three artists: Josef Albers, Ronald Resch and Lygia Clark. Investigating the professional evolution of each one, it is noticed that many professional works and multidisciplinary investigations are inspired in these modern figures. Studying aspects initially pointed out by the three artists directly or indirectly, the origami components are analyzed such as valley folds, mountain folds, crease pattern and adapted origami design. To complement the study, an experimental application of a bag prototype is done reusing used materials; the objective is the practical proof of origami techniques indicated by the study, joining the principle of folds with sustainability.O presente artigo busca entender melhor como o origami foi inserido nas salas de aula e nas galerias de arte para depois se tornar um importante paradigma de inovação tecnológica, especialmente dentro da sustentabilidade. Para tal é feito uma revisão histórica baseada na trajetória de três artistas: Josef Albers, Ronald Resch e Lygia Clark. Investigando a evolução profissional de cada um, nota-se que muitos trabalhos profissionais e pesquisas multidisciplinares são inspirados nessas figuras modernas. Estudando aspectos apontados inicialmente pelos três artistas direta ou indiretamente, são analisados os componentes do origami como dobras-vale, dobras-montanha, crease pattern e o design do origami adaptado. Para complementação do estudo, é feito uma aplicação experimental de um protótipo de bolsa reaproveitando materiais usados; o objetivo é a comprovação prática das técnicas do origami levantadas no estudo, unindo o princípio das dobras com sustentabilidade.Universidade do Estado de Santa Catarina2017-12-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/859710.5965/2175234609182017142Palíndromo; Vol. 9 No. 18 (2017): PALÍNDROMO 18; 142-163Palíndromo; v. 9 n. 18 (2017): PALÍNDROMO 18; 142-1632175-23461984-9532reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/8597/7260http://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessTeixeira, Samanta AlineNakata, Milton Koji2017-12-05T20:00:12Zoai:ojs.revistas.udesc.br:article/8597Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2017-12-05T20:00:12Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv THE ARTISTIC AND SCIENTIFIC EVOLUTION OF THE ORIGAMI: A theoretical and practical study on the practice and techniques of folds
A EVOLUÇÃO ARTÍSTICA E CIENTÍFICA DO ORIGAMI: Um estudo teórico e prático sobre a prática e técnicas das dobraduras
title THE ARTISTIC AND SCIENTIFIC EVOLUTION OF THE ORIGAMI: A theoretical and practical study on the practice and techniques of folds
spellingShingle THE ARTISTIC AND SCIENTIFIC EVOLUTION OF THE ORIGAMI: A theoretical and practical study on the practice and techniques of folds
Teixeira, Samanta Aline
origami
inovação
arte
sustentabilidade
crease pattern
origami
innovation
art
sustainability
crease pattern
title_short THE ARTISTIC AND SCIENTIFIC EVOLUTION OF THE ORIGAMI: A theoretical and practical study on the practice and techniques of folds
title_full THE ARTISTIC AND SCIENTIFIC EVOLUTION OF THE ORIGAMI: A theoretical and practical study on the practice and techniques of folds
title_fullStr THE ARTISTIC AND SCIENTIFIC EVOLUTION OF THE ORIGAMI: A theoretical and practical study on the practice and techniques of folds
title_full_unstemmed THE ARTISTIC AND SCIENTIFIC EVOLUTION OF THE ORIGAMI: A theoretical and practical study on the practice and techniques of folds
title_sort THE ARTISTIC AND SCIENTIFIC EVOLUTION OF THE ORIGAMI: A theoretical and practical study on the practice and techniques of folds
author Teixeira, Samanta Aline
author_facet Teixeira, Samanta Aline
Nakata, Milton Koji
author_role author
author2 Nakata, Milton Koji
author2_role author
dc.contributor.author.fl_str_mv Teixeira, Samanta Aline
Nakata, Milton Koji
dc.subject.por.fl_str_mv origami
inovação
arte
sustentabilidade
crease pattern
origami
innovation
art
sustainability
crease pattern
topic origami
inovação
arte
sustentabilidade
crease pattern
origami
innovation
art
sustainability
crease pattern
description This article aims to understand how origami was inserted in classrooms and art galleries and then become a major paradigm of technological innovation, especially within sustainability. For such study, a historical review is made based on the trajectory of three artists: Josef Albers, Ronald Resch and Lygia Clark. Investigating the professional evolution of each one, it is noticed that many professional works and multidisciplinary investigations are inspired in these modern figures. Studying aspects initially pointed out by the three artists directly or indirectly, the origami components are analyzed such as valley folds, mountain folds, crease pattern and adapted origami design. To complement the study, an experimental application of a bag prototype is done reusing used materials; the objective is the practical proof of origami techniques indicated by the study, joining the principle of folds with sustainability.
publishDate 2017
dc.date.none.fl_str_mv 2017-12-04
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/8597
10.5965/2175234609182017142
url https://www.revistas.udesc.br/index.php/palindromo/article/view/8597
identifier_str_mv 10.5965/2175234609182017142
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/8597/7260
dc.rights.driver.fl_str_mv http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
dc.source.none.fl_str_mv Palíndromo; Vol. 9 No. 18 (2017): PALÍNDROMO 18; 142-163
Palíndromo; v. 9 n. 18 (2017): PALÍNDROMO 18; 142-163
2175-2346
1984-9532
reponame:Palíndromo (Online)
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Palíndromo (Online)
collection Palíndromo (Online)
repository.name.fl_str_mv Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv palindromorevista@gmail.com || revistapalindromo@udesc.br
_version_ 1797041814746693632

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