Drives of the grotesque: the stranger in the film Pan's Labyrinth

Detalhes bibliográficos
Autor(a) principal: Rosa, Yasmin Pol da
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
Título da fonte: Palíndromo (Online)
Texto Completo: https://www.revistas.udesc.br/index.php/palindromo/article/view/23343
Resumo: When conceiving a fertile ground marked by the conflict between reality and fantasy, the Mexican director Guillermo del Toro expands the fantastic universe by producing the feature film Pan's Labyrinth, in 2006. The film, notable for mixing the world of dreams with the real world, is structured in the context of the Francoist dictatorship, in Spain, bringing the story of a dreamy young girl, Ofélia. Throughout the plot, the protagonist's narrative alternates between the drama of a reality marked by violence and a dark fairy tale, full of strangely seductive grotesque creatures that flirt with the notion of unheimlich, proposed by Sigmund Freud. From this, this article intends to articulate the aesthetic conception of estrangement proposed by Freud to the theories of the grotesque, using them as a reading key for Del Toro's work. From the perspective of the Freudian unheimlich, we sought to explore aspects of the film that corroborate the apprehension of the grotesque through restlessness.
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spelling Drives of the grotesque: the stranger in the film Pan's Labyrinth Pulsions del grotesco: lo extraño en la película o el Laberinto del FaunoPulsões do grotesco: o estranhamento no filme o Labirinto do FaunostrangenessgrotesquePan's Labyrinthcontemporary ArtUnheimlichVisual ArtsCinemaHistory of ArtPiscanalysisestranhamentogrotescoO Labirinto do Faunoarte contemporâneaUnheimlichArtes VisuaisCinemaHistória da ArtePiscanáliseextrañamientogrotescoEl Laberinto del Faunoarte contemporáneoUnheimlichArtes visualesCinemaHistoria del ArtePiscanálisisWhen conceiving a fertile ground marked by the conflict between reality and fantasy, the Mexican director Guillermo del Toro expands the fantastic universe by producing the feature film Pan's Labyrinth, in 2006. The film, notable for mixing the world of dreams with the real world, is structured in the context of the Francoist dictatorship, in Spain, bringing the story of a dreamy young girl, Ofélia. Throughout the plot, the protagonist's narrative alternates between the drama of a reality marked by violence and a dark fairy tale, full of strangely seductive grotesque creatures that flirt with the notion of unheimlich, proposed by Sigmund Freud. From this, this article intends to articulate the aesthetic conception of estrangement proposed by Freud to the theories of the grotesque, using them as a reading key for Del Toro's work. From the perspective of the Freudian unheimlich, we sought to explore aspects of the film that corroborate the apprehension of the grotesque through restlessness.Al concebir un terreno fértil marcado por el conflicto entre la realidad y la fantasía, el director mexicano Guillermo del Toro amplía el universo fantástico al producir el largometraje El laberinto del fauno, en 2006. La película, que se destaca por mezclar el mundo de los sueños con el mundo real, se estructura en el contexto de la dictadura franquista, en España, trayendo la historia de una joven soñadora, Ofélia. A lo largo de la trama, la narrativa del protagonista alterna entre el drama de una realidad marcada por la violencia y un oscuro cuento de hadas, lleno de extrañamente seductoras criaturas grotescas que coquetean con la noción de unheimlich, propuesta por Sigmund Freud. A partir de ello, este artículo pretende articular la concepción estética del extrañamiento propuesta por Freud a las teorías de lo grotesco, utilizándolas como clave de lectura para la obra de Del Toro. Desde la perspectiva del unheimlich freudiano, buscamos explorar aspectos de la película que corroboren con la aprehensión de lo grotesco a través de la inquietud.Ao conceber um fértil terreno marcado pelo embaralho entre realidade e fantasia, o diretor mexicano Guillermo del Toro expande o universo fantástico ao produzir o longa-metragem O Labirinto do Fauno, no ano de 2006. O filme, notável por mesclar o mundo dos sonhos com o mundo real, estrutura-se no contexto da ditadura franquista, na Espanha, trazendo a história de uma jovem menina sonhadora, Ofélia. Ao longo da trama, a narrativa da protagonista intercala-se entre o drama de uma realidade marcada pela violência e um sombrio conto de fadas, repleto de criaturas grotescas estranhamente sedutoras que flertam com a noção de unheimlich, proposta por Sigmund Freud. A partir disso, este artigo pretende articular a concepção estética de estranhamento proposta por Freud às teorias do grotesco, utilizando-as como chave de leitura para a obra de Del Toro. Sob a ótica do unheimlich freudiano, procurou-se explorar aspectos do filme que corroboram para a apreensão do grotesco através da inquietação.Universidade do Estado de Santa Catarina2023-06-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/2334310.5965/2175234615362023e0004Palíndromo; Vol. 15 No. 36 (2023): As artimanhas do grotesco no contemporâneo; 1-22Palíndromo; v. 15 n. 36 (2023): As artimanhas do grotesco no contemporâneo; 1-222175-23461984-953210.5965/2175234615362023reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/23343/15594Copyright (c) 2023 Yasmin Pol da Rosahttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessRosa, Yasmin Pol da2024-02-29T13:56:45Zoai::article/23343Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2024-02-29T13:56:45Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv Drives of the grotesque: the stranger in the film Pan's Labyrinth
Pulsions del grotesco: lo extraño en la película o el Laberinto del Fauno
Pulsões do grotesco: o estranhamento no filme o Labirinto do Fauno
title Drives of the grotesque: the stranger in the film Pan's Labyrinth
spellingShingle Drives of the grotesque: the stranger in the film Pan's Labyrinth
Rosa, Yasmin Pol da
strangeness
grotesque
Pan's Labyrinth
contemporary Art
Unheimlich
Visual Arts
Cinema
History of Art
Piscanalysis
estranhamento
grotesco
O Labirinto do Fauno
arte contemporânea
Unheimlich
Artes Visuais
Cinema
História da Arte
Piscanálise
extrañamiento
grotesco
El Laberinto del Fauno
arte contemporáneo
Unheimlich
Artes visuales
Cinema
Historia del Arte
Piscanálisis
title_short Drives of the grotesque: the stranger in the film Pan's Labyrinth
title_full Drives of the grotesque: the stranger in the film Pan's Labyrinth
title_fullStr Drives of the grotesque: the stranger in the film Pan's Labyrinth
title_full_unstemmed Drives of the grotesque: the stranger in the film Pan's Labyrinth
title_sort Drives of the grotesque: the stranger in the film Pan's Labyrinth
author Rosa, Yasmin Pol da
author_facet Rosa, Yasmin Pol da
author_role author
dc.contributor.author.fl_str_mv Rosa, Yasmin Pol da
dc.subject.por.fl_str_mv strangeness
grotesque
Pan's Labyrinth
contemporary Art
Unheimlich
Visual Arts
Cinema
History of Art
Piscanalysis
estranhamento
grotesco
O Labirinto do Fauno
arte contemporânea
Unheimlich
Artes Visuais
Cinema
História da Arte
Piscanálise
extrañamiento
grotesco
El Laberinto del Fauno
arte contemporáneo
Unheimlich
Artes visuales
Cinema
Historia del Arte
Piscanálisis
topic strangeness
grotesque
Pan's Labyrinth
contemporary Art
Unheimlich
Visual Arts
Cinema
History of Art
Piscanalysis
estranhamento
grotesco
O Labirinto do Fauno
arte contemporânea
Unheimlich
Artes Visuais
Cinema
História da Arte
Piscanálise
extrañamiento
grotesco
El Laberinto del Fauno
arte contemporáneo
Unheimlich
Artes visuales
Cinema
Historia del Arte
Piscanálisis
description When conceiving a fertile ground marked by the conflict between reality and fantasy, the Mexican director Guillermo del Toro expands the fantastic universe by producing the feature film Pan's Labyrinth, in 2006. The film, notable for mixing the world of dreams with the real world, is structured in the context of the Francoist dictatorship, in Spain, bringing the story of a dreamy young girl, Ofélia. Throughout the plot, the protagonist's narrative alternates between the drama of a reality marked by violence and a dark fairy tale, full of strangely seductive grotesque creatures that flirt with the notion of unheimlich, proposed by Sigmund Freud. From this, this article intends to articulate the aesthetic conception of estrangement proposed by Freud to the theories of the grotesque, using them as a reading key for Del Toro's work. From the perspective of the Freudian unheimlich, we sought to explore aspects of the film that corroborate the apprehension of the grotesque through restlessness.
publishDate 2023
dc.date.none.fl_str_mv 2023-06-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/23343
10.5965/2175234615362023e0004
url https://www.revistas.udesc.br/index.php/palindromo/article/view/23343
identifier_str_mv 10.5965/2175234615362023e0004
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/23343/15594
dc.rights.driver.fl_str_mv Copyright (c) 2023 Yasmin Pol da Rosa
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Yasmin Pol da Rosa
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
dc.source.none.fl_str_mv Palíndromo; Vol. 15 No. 36 (2023): As artimanhas do grotesco no contemporâneo; 1-22
Palíndromo; v. 15 n. 36 (2023): As artimanhas do grotesco no contemporâneo; 1-22
2175-2346
1984-9532
10.5965/2175234615362023
reponame:Palíndromo (Online)
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Palíndromo (Online)
collection Palíndromo (Online)
repository.name.fl_str_mv Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv palindromorevista@gmail.com || revistapalindromo@udesc.br
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