WEAVING MEMORIES AND ABSENCES: SELF-BIOGRAPHY AS ART’S MATERIAL

Detalhes bibliográficos
Autor(a) principal: Vaz, Rita Isabel
Data de Publicação: 2018
Outros Autores: Panek, Bernadette Maria
Tipo de documento: Artigo
Idioma: por
Título da fonte: Palíndromo (Online)
Texto Completo: https://www.revistas.udesc.br/index.php/palindromo/article/view/12488
Resumo: This article searched for the com-prehension of self-biography as art’s material. The reference artists were Louise Bourgeois, Frida Kahlo and José Leonilson. Bourgeois transforms her memories, loses and traumas in art. Kahlo mislead the pain, expresses her passion for life. Leonilson faces the proximity of death. I’ve found connections with those artists whose lives and works gets mixed. The methodological procedure comes from theoretical investigation and from practical work in relation with the dialectic during the whole process. From Gaston Bachelard, concern the concept of house/body, as place of the dreamlike dimension of memory. Philippe Lejeune discusses self-biography and the writing diary with the function of preser-ving memory. Georges Didi-Huberman talks about the absence as presence, trace, and the skin as place of signs of both aging/memory and of desire/touch. The result of this process were three works that connect with the artists listed and with the concepts brought by the theorists, and show the use of memory, self-biography and the absen-ces as singular expressions.
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spelling WEAVING MEMORIES AND ABSENCES: SELF-BIOGRAPHY AS ART’S MATERIALTecendo memórias e ausências: Autobiografia como matéria da artememóriasausênciasautobiografiaartememoriesabsencesself-biographyartThis article searched for the com-prehension of self-biography as art’s material. The reference artists were Louise Bourgeois, Frida Kahlo and José Leonilson. Bourgeois transforms her memories, loses and traumas in art. Kahlo mislead the pain, expresses her passion for life. Leonilson faces the proximity of death. I’ve found connections with those artists whose lives and works gets mixed. The methodological procedure comes from theoretical investigation and from practical work in relation with the dialectic during the whole process. From Gaston Bachelard, concern the concept of house/body, as place of the dreamlike dimension of memory. Philippe Lejeune discusses self-biography and the writing diary with the function of preser-ving memory. Georges Didi-Huberman talks about the absence as presence, trace, and the skin as place of signs of both aging/memory and of desire/touch. The result of this process were three works that connect with the artists listed and with the concepts brought by the theorists, and show the use of memory, self-biography and the absen-ces as singular expressions.Este artigo buscou compreender a autobiografia como matéria da arte tendo como referência os artistas Louise Bourgeois, Frida Kahlo e José Leonilson. Bourgeois transforma suas memórias, perdas e traumas em arte. Kahlo dribla a dor, expressa sua paixão pela vida. Leonilson enfrenta a proximidade da morte. Encontrei conexão com estes artistas cujas vidas e obras se confundem. O procedimento metodológico parte da investigação teórica e do trabalho prático em relação dialética ao longo de todo o processo. De Gaston Bachelard, interessa o conceito de casa/corpo, como lugar da dimensão onírica da recordação. Philippe Lejeune discute autobiografia e a escrita de diário com a função de conservar a memória. E Georges Didi-Huberman trata a ausência como presença, vestígio, e a pele como lugar dos sinais tanto do envelhecimento/memória quanto do desejo/toque. Resultaram desse processo três obras que se conectam aos artistas elencados e aos conceitos trazidos pelos teóricos, e evidenciam o uso da memória, da autobiografia e das ausências como expressão singular.     Palavras-chave:  Memórias. Ausências. Autobiografia.Universidade do Estado de Santa Catarina2018-07-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/1248810.5965/2175234610212018010Palíndromo; Vol. 10 No. 21 (2018): Palíndromo 21; 10-26Palíndromo; v. 10 n. 21 (2018): Palíndromo 21; 10-262175-23461984-9532reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/12488/8512Copyright (c) 2018 Palíndromohttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessVaz, Rita IsabelPanek, Bernadette Maria2020-09-09T17:37:28Zoai:ojs.revistas.udesc.br:article/12488Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2020-09-09T17:37:28Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv WEAVING MEMORIES AND ABSENCES: SELF-BIOGRAPHY AS ART’S MATERIAL
Tecendo memórias e ausências: Autobiografia como matéria da arte
title WEAVING MEMORIES AND ABSENCES: SELF-BIOGRAPHY AS ART’S MATERIAL
spellingShingle WEAVING MEMORIES AND ABSENCES: SELF-BIOGRAPHY AS ART’S MATERIAL
Vaz, Rita Isabel
memórias
ausências
autobiografia
arte
memories
absences
self-biography
art
title_short WEAVING MEMORIES AND ABSENCES: SELF-BIOGRAPHY AS ART’S MATERIAL
title_full WEAVING MEMORIES AND ABSENCES: SELF-BIOGRAPHY AS ART’S MATERIAL
title_fullStr WEAVING MEMORIES AND ABSENCES: SELF-BIOGRAPHY AS ART’S MATERIAL
title_full_unstemmed WEAVING MEMORIES AND ABSENCES: SELF-BIOGRAPHY AS ART’S MATERIAL
title_sort WEAVING MEMORIES AND ABSENCES: SELF-BIOGRAPHY AS ART’S MATERIAL
author Vaz, Rita Isabel
author_facet Vaz, Rita Isabel
Panek, Bernadette Maria
author_role author
author2 Panek, Bernadette Maria
author2_role author
dc.contributor.author.fl_str_mv Vaz, Rita Isabel
Panek, Bernadette Maria
dc.subject.por.fl_str_mv memórias
ausências
autobiografia
arte
memories
absences
self-biography
art
topic memórias
ausências
autobiografia
arte
memories
absences
self-biography
art
description This article searched for the com-prehension of self-biography as art’s material. The reference artists were Louise Bourgeois, Frida Kahlo and José Leonilson. Bourgeois transforms her memories, loses and traumas in art. Kahlo mislead the pain, expresses her passion for life. Leonilson faces the proximity of death. I’ve found connections with those artists whose lives and works gets mixed. The methodological procedure comes from theoretical investigation and from practical work in relation with the dialectic during the whole process. From Gaston Bachelard, concern the concept of house/body, as place of the dreamlike dimension of memory. Philippe Lejeune discusses self-biography and the writing diary with the function of preser-ving memory. Georges Didi-Huberman talks about the absence as presence, trace, and the skin as place of signs of both aging/memory and of desire/touch. The result of this process were three works that connect with the artists listed and with the concepts brought by the theorists, and show the use of memory, self-biography and the absen-ces as singular expressions.
publishDate 2018
dc.date.none.fl_str_mv 2018-07-31
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/12488
10.5965/2175234610212018010
url https://www.revistas.udesc.br/index.php/palindromo/article/view/12488
identifier_str_mv 10.5965/2175234610212018010
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/12488/8512
dc.rights.driver.fl_str_mv Copyright (c) 2018 Palíndromo
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Palíndromo
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
dc.source.none.fl_str_mv Palíndromo; Vol. 10 No. 21 (2018): Palíndromo 21; 10-26
Palíndromo; v. 10 n. 21 (2018): Palíndromo 21; 10-26
2175-2346
1984-9532
reponame:Palíndromo (Online)
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Palíndromo (Online)
collection Palíndromo (Online)
repository.name.fl_str_mv Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv palindromorevista@gmail.com || revistapalindromo@udesc.br
_version_ 1797041815261544448

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