Old age in the work of Ronaldo Fraga
Main Author: | |
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Publication Date: | 2021 |
Format: | Article |
Language: | por |
Source: | ModaPalavra e-periódico |
DOI: | 10.5965/1982615x14322021300 |
Download full: | https://www.revistas.udesc.br/index.php/modapalavra/article/view/17525 |
Summary: | The purpose of the article is to analyze the representation of old age in the work of Brazilian designer Ronaldo Fraga. Methodologically, it consists of a theoretical reflection on old age and fashion from three stylist shows at São Paulo Fashion Week (2009, 2017, 2018), in which the old man appeared as a model. It is clear that Fraga proposes to break the negative representations of old age, such as ugliness, social isolation, inactivity, etc. On the contrary, the parades showed possible subversions of these representations, in which the old people are invited by Fraga to assume his symbols of aging and to find beauty in them. |
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Old age in the work of Ronaldo FragaLa vejez en el trabajo de Ronaldo FragaA velhice na obra de Ronaldo FragaRonaldo Fraga. Velhice. Publicidade de Moda.The purpose of the article is to analyze the representation of old age in the work of Brazilian designer Ronaldo Fraga. Methodologically, it consists of a theoretical reflection on old age and fashion from three stylist shows at São Paulo Fashion Week (2009, 2017, 2018), in which the old man appeared as a model. It is clear that Fraga proposes to break the negative representations of old age, such as ugliness, social isolation, inactivity, etc. On the contrary, the parades showed possible subversions of these representations, in which the old people are invited by Fraga to assume his symbols of aging and to find beauty in them.El propósito del artículo es analizar la representación de la vejez en el trabajo del diseñador brasileño Ronaldo Fraga. Metodológicamente, consiste en una reflexión teórica sobre la vejez y la moda de tres desfiles de estilistas en la São Paulo Fashion Week (2009, 2017, 2018), en la que el anciano apareció como modelo. Está claro que Fraga propone romper las representaciones negativas de la vejez, como la fealdad, el aislamiento social, la inactividad, etc. Por el contrario, los desfiles mostraron posibles subversiones de estas representaciones, en las cuales los viejos son invitados por Fraga a asumir sus símbolos del envejecimiento y encontrar belleza en ellos.O objetivo desse artigo é analisar a representação da velhice na obra do estilista brasileiro Ronaldo Fraga. Metodologicamente, constitui-se de uma reflexão teórica sobre velhice e moda, a partir de três desfiles do estilista no São Paulo Fashion Week (2009, 2017, 2018), nos quais o velho apareceu como modelo. Percebe-se que Fraga propõe a ruptura das representações negativas da velhice, tal como a feiura, o isolamento social, a inatividade etc. E, pelo contrário, os desfiles mostraram possíveis subversões dessas representações, na qual os velhos são convidados por Fraga a assumirem seus símbolos do envelhecimento e a encontrarem beleza neles.Universidade do Estado de Santa Catarina2021-04-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/modapalavra/article/view/1752510.5965/1982615x14322021300ModaPalavra e-periódico; Vol. 14 No. 32 (2021): Variata; 300-324ModaPalavra e-periódico; Vol. 14 Núm. 32 (2021): Variata; 300-324 Modapalavra e-periódico; v. 14 n. 32 (2021): Variata; 300-3241982-615X10.5965/1982615x14322021reponame:ModaPalavra e-periódicoinstname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/modapalavra/article/view/17525/12789Copyright (c) 2021 Débora Pires Teixeirahttp://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessTeixeira, Débora Pires2021-04-20T03:13:30Zoai:ojs.revistas.udesc.br:article/17525Revistahttps://www.revistas.udesc.br/index.php/modapalavraPUBhttps://www.revistas.udesc.br/index.php/modapalavra/oai||modapalavra@gmail.com1982-615X1982-615Xopendoar:2021-04-20T03:13:30ModaPalavra e-periódico - Universidade do Estado de Santa Catarina (UDESC)false |
dc.title.none.fl_str_mv |
Old age in the work of Ronaldo Fraga La vejez en el trabajo de Ronaldo Fraga A velhice na obra de Ronaldo Fraga |
title |
Old age in the work of Ronaldo Fraga |
spellingShingle |
Old age in the work of Ronaldo Fraga Old age in the work of Ronaldo Fraga Teixeira, Débora Pires Ronaldo Fraga. Velhice. Publicidade de Moda. Teixeira, Débora Pires Ronaldo Fraga. Velhice. Publicidade de Moda. |
title_short |
Old age in the work of Ronaldo Fraga |
title_full |
Old age in the work of Ronaldo Fraga |
title_fullStr |
Old age in the work of Ronaldo Fraga Old age in the work of Ronaldo Fraga |
title_full_unstemmed |
Old age in the work of Ronaldo Fraga Old age in the work of Ronaldo Fraga |
title_sort |
Old age in the work of Ronaldo Fraga |
author |
Teixeira, Débora Pires |
author_facet |
Teixeira, Débora Pires Teixeira, Débora Pires |
author_role |
author |
dc.contributor.author.fl_str_mv |
Teixeira, Débora Pires |
dc.subject.por.fl_str_mv |
Ronaldo Fraga. Velhice. Publicidade de Moda. |
topic |
Ronaldo Fraga. Velhice. Publicidade de Moda. |
description |
The purpose of the article is to analyze the representation of old age in the work of Brazilian designer Ronaldo Fraga. Methodologically, it consists of a theoretical reflection on old age and fashion from three stylist shows at São Paulo Fashion Week (2009, 2017, 2018), in which the old man appeared as a model. It is clear that Fraga proposes to break the negative representations of old age, such as ugliness, social isolation, inactivity, etc. On the contrary, the parades showed possible subversions of these representations, in which the old people are invited by Fraga to assume his symbols of aging and to find beauty in them. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-04-19 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.udesc.br/index.php/modapalavra/article/view/17525 10.5965/1982615x14322021300 |
url |
https://www.revistas.udesc.br/index.php/modapalavra/article/view/17525 |
identifier_str_mv |
10.5965/1982615x14322021300 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.udesc.br/index.php/modapalavra/article/view/17525/12789 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 Débora Pires Teixeira http://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 Débora Pires Teixeira http://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
dc.source.none.fl_str_mv |
ModaPalavra e-periódico; Vol. 14 No. 32 (2021): Variata; 300-324 ModaPalavra e-periódico; Vol. 14 Núm. 32 (2021): Variata; 300-324 Modapalavra e-periódico; v. 14 n. 32 (2021): Variata; 300-324 1982-615X 10.5965/1982615x14322021 reponame:ModaPalavra e-periódico instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
instname_str |
Universidade do Estado de Santa Catarina (UDESC) |
instacron_str |
UDESC |
institution |
UDESC |
reponame_str |
ModaPalavra e-periódico |
collection |
ModaPalavra e-periódico |
repository.name.fl_str_mv |
ModaPalavra e-periódico - Universidade do Estado de Santa Catarina (UDESC) |
repository.mail.fl_str_mv |
||modapalavra@gmail.com |
_version_ |
1822180421391089664 |
dc.identifier.doi.none.fl_str_mv |
10.5965/1982615x14322021300 |