Carmen Miranda ́s image as representation of Brazilianness: questions and interpretations from her Good Neighbor films

Detalhes bibliográficos
Autor(a) principal: Macedo, Káritha Bernardo de
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
Título da fonte: ModaPalavra e-periódico
Texto Completo: https://www.revistas.udesc.br/index.php/modapalavra/article/view/14603
Resumo: The paper investigates the origins of the construction of Carmen Miranda ́s image as the allegorical “baiana”, which has become a representative character of Brazil and of Latin America. It is based on the analysis of Carmen Miranda ́s first films in the Uni ted States produced by Twentieth Century Fox in the context of the Good Neighbor Policy, in order to discuss the underlying meanings in the image outlined in that context and that remains. It hopes that the proposed approach allows new questions and consid erations on the appropriations and manipulations of Carmen Miranda ́s image, which are still frequent when one seeks for symbols to represent Brazil.
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spelling Carmen Miranda ́s image as representation of Brazilianness: questions and interpretations from her Good Neighbor filmsA imagem de Carmen Miranda como representação da brasilidade: questionamentos e interpretações a partir de seus filmes na Boa VizinhançaCarmen MirandaPolítica da Boa VizinhançaImagemCarmen MirandaGood Neighbor PolicyimageThe paper investigates the origins of the construction of Carmen Miranda ́s image as the allegorical “baiana”, which has become a representative character of Brazil and of Latin America. It is based on the analysis of Carmen Miranda ́s first films in the Uni ted States produced by Twentieth Century Fox in the context of the Good Neighbor Policy, in order to discuss the underlying meanings in the image outlined in that context and that remains. It hopes that the proposed approach allows new questions and consid erations on the appropriations and manipulations of Carmen Miranda ́s image, which are still frequent when one seeks for symbols to represent Brazil.Resumo: O artigo discorre sobre as origens da construção da imagem de Carmen Miranda como a baiana estilizada, enquanto uma personagem que se tornou representativa do Brasil e também da América Latina. Sustenta-se na análise dos primeiros filmes de Carmen Miranda nos Estados Unidos, produzidos pela Twentieth Century Fox no contexto da Política da Boa Vizinhança, a fim de discutir os sentidos subjacentes à imagem que se delineou naquele contexto e se perpetua na contemporaneidade. Espera-se que a abordagem proposta estimule novas reflexões e questionamentos sobre as apropriações da imagem de Carmen Miranda, as quais continuam sendo frequentes quando se tem a intenção de buscar símbolos para representar o Brasil. Universidade do Estado de Santa Catarina2020-03-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/modapalavra/article/view/1460310.5965/1982615x13272020257ModaPalavra e-periódico; Vol. 13 No. 28 (2020): Variata; 257-296ModaPalavra e-periódico; Vol. 13 Núm. 28 (2020): Variata; 257-296 Modapalavra e-periódico; v. 13 n. 28 (2020): Variata; 257-2961982-615X10.5965/1982615x13282020reponame:ModaPalavra e-periódicoinstname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/modapalavra/article/view/14603/11300Copyright (c) 2020 Káritha Bernardo de Macedohttp://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessMacedo, Káritha Bernardo de2023-03-30T11:46:26Zoai::article/14603Revistahttps://www.revistas.udesc.br/index.php/modapalavraPUBhttps://www.revistas.udesc.br/index.php/modapalavra/oai||modapalavra@gmail.com1982-615X1982-615Xopendoar:2023-03-30T11:46:26ModaPalavra e-periódico - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv Carmen Miranda ́s image as representation of Brazilianness: questions and interpretations from her Good Neighbor films
A imagem de Carmen Miranda como representação da brasilidade: questionamentos e interpretações a partir de seus filmes na Boa Vizinhança
title Carmen Miranda ́s image as representation of Brazilianness: questions and interpretations from her Good Neighbor films
spellingShingle Carmen Miranda ́s image as representation of Brazilianness: questions and interpretations from her Good Neighbor films
Macedo, Káritha Bernardo de
Carmen Miranda
Política da Boa Vizinhança
Imagem
Carmen Miranda
Good Neighbor Policy
image
title_short Carmen Miranda ́s image as representation of Brazilianness: questions and interpretations from her Good Neighbor films
title_full Carmen Miranda ́s image as representation of Brazilianness: questions and interpretations from her Good Neighbor films
title_fullStr Carmen Miranda ́s image as representation of Brazilianness: questions and interpretations from her Good Neighbor films
title_full_unstemmed Carmen Miranda ́s image as representation of Brazilianness: questions and interpretations from her Good Neighbor films
title_sort Carmen Miranda ́s image as representation of Brazilianness: questions and interpretations from her Good Neighbor films
author Macedo, Káritha Bernardo de
author_facet Macedo, Káritha Bernardo de
author_role author
dc.contributor.author.fl_str_mv Macedo, Káritha Bernardo de
dc.subject.por.fl_str_mv Carmen Miranda
Política da Boa Vizinhança
Imagem
Carmen Miranda
Good Neighbor Policy
image
topic Carmen Miranda
Política da Boa Vizinhança
Imagem
Carmen Miranda
Good Neighbor Policy
image
description The paper investigates the origins of the construction of Carmen Miranda ́s image as the allegorical “baiana”, which has become a representative character of Brazil and of Latin America. It is based on the analysis of Carmen Miranda ́s first films in the Uni ted States produced by Twentieth Century Fox in the context of the Good Neighbor Policy, in order to discuss the underlying meanings in the image outlined in that context and that remains. It hopes that the proposed approach allows new questions and consid erations on the appropriations and manipulations of Carmen Miranda ́s image, which are still frequent when one seeks for symbols to represent Brazil.
publishDate 2020
dc.date.none.fl_str_mv 2020-03-31
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/modapalavra/article/view/14603
10.5965/1982615x13272020257
url https://www.revistas.udesc.br/index.php/modapalavra/article/view/14603
identifier_str_mv 10.5965/1982615x13272020257
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/modapalavra/article/view/14603/11300
dc.rights.driver.fl_str_mv Copyright (c) 2020 Káritha Bernardo de Macedo
http://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Káritha Bernardo de Macedo
http://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
dc.source.none.fl_str_mv ModaPalavra e-periódico; Vol. 13 No. 28 (2020): Variata; 257-296
ModaPalavra e-periódico; Vol. 13 Núm. 28 (2020): Variata; 257-296
Modapalavra e-periódico; v. 13 n. 28 (2020): Variata; 257-296
1982-615X
10.5965/1982615x13282020
reponame:ModaPalavra e-periódico
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str ModaPalavra e-periódico
collection ModaPalavra e-periódico
repository.name.fl_str_mv ModaPalavra e-periódico - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv ||modapalavra@gmail.com
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