Cinema as a Trendsetter and Source of Historical Research in Fashion
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Data de Publicação: | 2019 |
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Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | ModaPalavra e-periódico |
Texto Completo: | https://www.revistas.udesc.br/index.php/modapalavra/article/view/13222 |
Resumo: | Although it emerged in Europe in the late nineteenth century, it was in the United States that cinema had its greatest development and consolidated as a multidisciplinary production activity and its multiple styles and genres became the subject of several studies. The correct interpretation of the symbolic contents of the film project enables an understanding of the socioeconomic conditions of an era and then becomes an important source of historical research. This article proposes a classification of cinema costumes, bringing a new look to the understanding of films that reconstitute other epochs, thus broadening the classification created by Betton (1987). For this article, three films of the musical genre were analyzed, considering a line of research on the influence exerted by the cinema in the construction of tendencies of the young culture wherethe music constitutes a central vector. The films analyzed are: Amor, Sublime Amor (1961), The Saturday Night Fever (1977) and Hair (1978), classified in the categories of period reconstruction, contemporary costumes and free interpretation of the time, allowing a more objective identification of ties between the socioeconomic reality of each era and the cinema, interfering in the constitution of habits and customs of a social group. |
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Cinema as a Trendsetter and Source of Historical Research in FashionO Cinema Como Criador de Tendências e Fonte de Pesquisa Histórica na ModamodacinemafigurinofashioncinemahistoryAlthough it emerged in Europe in the late nineteenth century, it was in the United States that cinema had its greatest development and consolidated as a multidisciplinary production activity and its multiple styles and genres became the subject of several studies. The correct interpretation of the symbolic contents of the film project enables an understanding of the socioeconomic conditions of an era and then becomes an important source of historical research. This article proposes a classification of cinema costumes, bringing a new look to the understanding of films that reconstitute other epochs, thus broadening the classification created by Betton (1987). For this article, three films of the musical genre were analyzed, considering a line of research on the influence exerted by the cinema in the construction of tendencies of the young culture wherethe music constitutes a central vector. The films analyzed are: Amor, Sublime Amor (1961), The Saturday Night Fever (1977) and Hair (1978), classified in the categories of period reconstruction, contemporary costumes and free interpretation of the time, allowing a more objective identification of ties between the socioeconomic reality of each era and the cinema, interfering in the constitution of habits and customs of a social group.Apesar de ter surgido na Europa em fins do século XIX, foi nos Estados Unidos que o cinema teve seu maior desenvolvimento e consolidou-se como uma atividade de produção multidisciplinar e seus múltiplos estilos e gêneros tornaram-se objeto de vários estudos. Entre este podemos considerar a influência dos figurinos na constituição de identidades e de gêneros e, ainda, perceber a importância histórica dos figurinos para pesquisa e reconstituição de épocas. Assim, Este artigo propõe a interpretação dos figurinos de filmes musicais, ampliando a classificação proposta por Betton (1987) criando 03 novas categorias: reconstituição de época, figurino contemporâneo e livre interpretação de época a partir dos filmes Amor, Sublime Amor (1961), Hair (1978) e Os Embalos de Sábado à noite (1977), considerando também que o cinema pode ser fonte de pesquisa histórica dos figurinos como de outros aspectos característicos de uma época, como cenografia, hábitos e costumes de um grupo social.Universidade do Estado de Santa Catarina2019-07-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://www.revistas.udesc.br/index.php/modapalavra/article/view/1322210.5965/1982615x12252019010ModaPalavra e-periódico; Vol. 12 No. 25 (2019): Dossiê Moda e Cinema Ibero-Latino-Americano; 10-60ModaPalavra e-periódico; Vol. 12 Núm. 25 (2019): Dossiê Moda e Cinema Ibero-Latino-Americano; 10-60 Modapalavra e-periódico; v. 12 n. 25 (2019): Dossiê Moda e Cinema Ibero-Latino-Americano; 10-601982-615X10.5965/1982615x12252019reponame:ModaPalavra e-periódicoinstname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/modapalavra/article/view/13222/10174https://www.revistas.udesc.br/index.php/modapalavra/article/view/13222/10175Copyright (c) 2019 maria paula guimaraes, Rita Aparecida da Conceição Ribeirohttp://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessGuimarães, Maria PaulaRibeiro, Rita Aparecida da Conceição2023-03-20T11:58:51Zoai::article/13222Revistahttps://www.revistas.udesc.br/index.php/modapalavraPUBhttps://www.revistas.udesc.br/index.php/modapalavra/oai||modapalavra@gmail.com1982-615X1982-615Xopendoar:2023-03-20T11:58:51ModaPalavra e-periódico - Universidade do Estado de Santa Catarina (UDESC)false |
dc.title.none.fl_str_mv |
Cinema as a Trendsetter and Source of Historical Research in Fashion O Cinema Como Criador de Tendências e Fonte de Pesquisa Histórica na Moda |
title |
Cinema as a Trendsetter and Source of Historical Research in Fashion |
spellingShingle |
Cinema as a Trendsetter and Source of Historical Research in Fashion Guimarães, Maria Paula moda cinema figurino fashion cinema history |
title_short |
Cinema as a Trendsetter and Source of Historical Research in Fashion |
title_full |
Cinema as a Trendsetter and Source of Historical Research in Fashion |
title_fullStr |
Cinema as a Trendsetter and Source of Historical Research in Fashion |
title_full_unstemmed |
Cinema as a Trendsetter and Source of Historical Research in Fashion |
title_sort |
Cinema as a Trendsetter and Source of Historical Research in Fashion |
author |
Guimarães, Maria Paula |
author_facet |
Guimarães, Maria Paula Ribeiro, Rita Aparecida da Conceição |
author_role |
author |
author2 |
Ribeiro, Rita Aparecida da Conceição |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Guimarães, Maria Paula Ribeiro, Rita Aparecida da Conceição |
dc.subject.por.fl_str_mv |
moda cinema figurino fashion cinema history |
topic |
moda cinema figurino fashion cinema history |
description |
Although it emerged in Europe in the late nineteenth century, it was in the United States that cinema had its greatest development and consolidated as a multidisciplinary production activity and its multiple styles and genres became the subject of several studies. The correct interpretation of the symbolic contents of the film project enables an understanding of the socioeconomic conditions of an era and then becomes an important source of historical research. This article proposes a classification of cinema costumes, bringing a new look to the understanding of films that reconstitute other epochs, thus broadening the classification created by Betton (1987). For this article, three films of the musical genre were analyzed, considering a line of research on the influence exerted by the cinema in the construction of tendencies of the young culture wherethe music constitutes a central vector. The films analyzed are: Amor, Sublime Amor (1961), The Saturday Night Fever (1977) and Hair (1978), classified in the categories of period reconstruction, contemporary costumes and free interpretation of the time, allowing a more objective identification of ties between the socioeconomic reality of each era and the cinema, interfering in the constitution of habits and customs of a social group. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-07-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.udesc.br/index.php/modapalavra/article/view/13222 10.5965/1982615x12252019010 |
url |
https://www.revistas.udesc.br/index.php/modapalavra/article/view/13222 |
identifier_str_mv |
10.5965/1982615x12252019010 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.udesc.br/index.php/modapalavra/article/view/13222/10174 https://www.revistas.udesc.br/index.php/modapalavra/article/view/13222/10175 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 maria paula guimaraes, Rita Aparecida da Conceição Ribeiro http://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 maria paula guimaraes, Rita Aparecida da Conceição Ribeiro http://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
dc.source.none.fl_str_mv |
ModaPalavra e-periódico; Vol. 12 No. 25 (2019): Dossiê Moda e Cinema Ibero-Latino-Americano; 10-60 ModaPalavra e-periódico; Vol. 12 Núm. 25 (2019): Dossiê Moda e Cinema Ibero-Latino-Americano; 10-60 Modapalavra e-periódico; v. 12 n. 25 (2019): Dossiê Moda e Cinema Ibero-Latino-Americano; 10-60 1982-615X 10.5965/1982615x12252019 reponame:ModaPalavra e-periódico instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
instname_str |
Universidade do Estado de Santa Catarina (UDESC) |
instacron_str |
UDESC |
institution |
UDESC |
reponame_str |
ModaPalavra e-periódico |
collection |
ModaPalavra e-periódico |
repository.name.fl_str_mv |
ModaPalavra e-periódico - Universidade do Estado de Santa Catarina (UDESC) |
repository.mail.fl_str_mv |
||modapalavra@gmail.com |
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1798321055638487040 |