Espetáculo ‘’Agô’’: relatos e reflexões sobre um processo criativo em dança

• Autor(a) principal: Monteiro, Carlos Miguel de Souza
• Data de Publicação: 2021
• Tipo de documento: Trabalho de conclusão de curso
• Idioma: por
• Título da fonte: Repositório Institucional da Universidade do Estado do Amazonas (UEA)
• Texto Completo: https://ri.uea.edu.br/handle/riuea/2802
• topic: Dança; Espetáculo Agô; Processo de criação; Dance; Agô show; Creation process; Ciências Humanas

The themes and organization of creations can be the most diverse and usually start from elements that provoke the creator. The show Agô, for example, addresses important topics for the present day, issues that should be emphasized such as racism, prejudice and intolerance are some of the discussions held as the basis of the work, issues that have lasted for generations, as a "cultural heritage ''. The objective of this work is to discuss and reflect on the theme of the show, correlating it with theoretical studies, dialoguing about strengths and weaknesses observed during and after presentations. Debate its theme and way of organization, describing the construction of the process from the point of view of the creator and also of the interpreters. The study of the process allows us to know what we want to understand. It is from these studies that a show is created, developed and complemented. This work was a basic and descriptive research, using a qualitative approach, as it carried out a description of the observation and understanding perspective inside and outside a show formed by 7 professional dancers, between 20 and 30 years old. The field diary and semi-structured questionnaires were used as an instrument for data collection and the method called content analysis was used for the discussion. This work is divided into three moments. In the first, I bring the history of the creation process and later the collaborative process, where I describe the concept of these processes, their importance, and their application in the show Agô, the object of study of this research. In the second chapter, I approach the methodological aspects of the research. In the last one are the results of the interviews and observations carried out in this work. The dialogues carried out through the interviews made it possible to identify in a broader way the deficiencies that occur within a process and how this reflects both on those who are directly involved and on those who only prestige the final result of the show.