Madalena dos Santos Reinbolt’s tapestries:: identifying art and popular artist

Detalhes bibliográficos
Autor(a) principal: da Silva, Eliane Cristina
Data de Publicação: 2019
Outros Autores: Felipe, Delton Aparecido
Tipo de documento: Artigo
Idioma: por
eng
Título da fonte: Conhecer (Fortaleza)
Texto Completo: https://revistas.uece.br/index.php/revistaconhecer/article/view/1060
Resumo: This study aimed to see how the popular black artist Madalena dos Santos Reinbolt (1919-1977) represents her cultural universe by means of her work in tapestry. Thus, this article: a) discusses conceptions of art and popular artist through the lens of Cultural Studies; b) identifies specificities of the artist and her work, in order to know how her experiences are actualized in her tapestries; and finally, c) analyzes two pieces of tapestry exhibited in the Afro-Brazilian Museum, produced between 1969 and 1975, with a view to identifying elements that demarcate the concepts of popular art and popular artist. It is concluded that the works coming from subaltern classes have a creative potential – therefore, this knowledge has the same importance as any other and studying Madalena’s place of speech as a black-woman-tapestry maker is key to grasp her artistic making, because her creative process is closely linked to being a woman and a black person in Brazil.
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spelling Madalena dos Santos Reinbolt’s tapestries:: identifying art and popular artistTapicerías de Madalena dos Santos Reinbolt:: identificación de arte y artista popularTapisseries de Madalena dos Santos Reinbolt:: identification d’art et d’artiste populaireTapeçarias de Madalena dos Santos Reinbolt:: identificação de arte e artista populararte popularestudos culturaislugar de falatapeçariapopular artcultural studiesplace of speechtapestryestudios culturaleslugar de hablatapiceríaart populaireetudes culturellesieu de paroletapisserieThis study aimed to see how the popular black artist Madalena dos Santos Reinbolt (1919-1977) represents her cultural universe by means of her work in tapestry. Thus, this article: a) discusses conceptions of art and popular artist through the lens of Cultural Studies; b) identifies specificities of the artist and her work, in order to know how her experiences are actualized in her tapestries; and finally, c) analyzes two pieces of tapestry exhibited in the Afro-Brazilian Museum, produced between 1969 and 1975, with a view to identifying elements that demarcate the concepts of popular art and popular artist. It is concluded that the works coming from subaltern classes have a creative potential – therefore, this knowledge has the same importance as any other and studying Madalena’s place of speech as a black-woman-tapestry maker is key to grasp her artistic making, because her creative process is closely linked to being a woman and a black person in Brazil.Este estudio tuvo como objetivo comprender cómo la artista popular negra Madalena dos Santos Reinbolt (1919-1977) representa su universo cultural por medio de su trabajo en tapicería. Así, este artículo: a) discute las concepciones de arte y artista popular a través de la lente de los Estudios Culturales; b) identifica especificidades de la artista y de su obra, de modo a saber cómo sus vivencias se hacen presentes en sus tapicerías; y, finalmente, c) analiza dos tapicerías exhibidas en el Museo Afro Brasil, producidas entre 1969 y 1975, con el objetivo de identificar elementos que demarcan los conceptos de arte popular y artista popular. Se concluye que las producciones oriundas de las capas subalternas tienen un potencial creador – por lo tanto, este saber tiene la misma importancia de cualquier otro y estudiar el lugar de habla de Madalena como mujer-negra-tapicera se muestra clave para comprender su producción artística, pues su proceso creativo está íntimamente ligado al hecho de ser mujer y negra en Brasil.Cette étude visait à comprendre comment l’artiste populaire noire Madalena dos Santos Reinbolt (1919-1977) représente son univers culturel à travers son travail de tapisserie. Ainsi, cet article: a) aborde les conceptions d’art et d’artiste populaire à travers le prisme des Études Culturelles; b) identifie les spécificités de l’artiste et de son travail, afin de savoir comment ses expériences sont présentes dans ses tapisseries; et, enfin, c) analyse deux pièces de tapisserie exposées au Musée Afro Brésil, réalisées entre 1969 et 1975, afin d’identifier les éléments qui délimitent les concepts d’art populaire et d’artiste populaire. Il est conclu que les œuvres provenant des classes subalternes ont un potentiel créatif – par conséquent, cette connaissance a la même importance que toute autre et étudier le lieu de parole de Madalena comme une femme-noire-tapissière est essentiel pour comprendre sa production artistique, car son processus de création est étroitement lié au fait d’être femme et noire au Brésil.Este estudo teve por objetivo compreender como a artista popular negra Madalena dos Santos Reinbolt (1919-1977) representa seu universo cultural por meio de seu trabalho em tapeçaria. Assim, este artigo: a) discute concepções de arte e artista popular a partir da lente dos Estudos Culturais; b) identifica especificidades da artista e de sua obra, de modo a saber como suas vivências se fazem presentes em suas tapeçarias; e, por fim, c) analisa duas tapeçarias expostas no Museu Afro Brasil, produzidas entre 1969 e 1975, com vistas a identificar elementos que demarcam as concepções de arte popular e artista popular. Conclui-se que as produções oriundas das camadas subalternas têm um potencial criador – portanto, esse saber tem a mesma importância de qualquer outro e estudar o lugar de fala de Madalena enquanto mulher-negra-tapeceira se mostra essencial para entender sua produção artística, pois seu processo criativo está intimamente ligado ao fato de ser mulher e negra no Brasil.EdUECE2019-06-24info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://revistas.uece.br/index.php/revistaconhecer/article/view/106010.32335/2238-0426.2019.9.23.1060Conhecer: debate entre o público e o privado; v. 9 n. 23 (2019); 94-1232238-0426reponame:Conhecer (Fortaleza)instname:Universidade Estadual do Ceará (UECE)instacron:UECEporenghttps://revistas.uece.br/index.php/revistaconhecer/article/view/1060/1267https://revistas.uece.br/index.php/revistaconhecer/article/view/1060/1308Copyright (c) 2019 Conhecer: debate entre o público e o privadoinfo:eu-repo/semantics/openAccessda Silva, Eliane CristinaFelipe, Delton Aparecido2019-10-07T12:28:00Zoai:ojs.revistas.uece.br:article/1060Revistahttps://revistas.uece.br/index.php/revistaconhecer/indexPUBhttps://revistas.uece.br/index.php/revistaconhecer/oaifhsfgm@gmail.com||revistaconhecer@uece.br2238-04262238-0426opendoar:2019-10-07T12:28Conhecer (Fortaleza) - Universidade Estadual do Ceará (UECE)false
dc.title.none.fl_str_mv Madalena dos Santos Reinbolt’s tapestries:: identifying art and popular artist
Tapicerías de Madalena dos Santos Reinbolt:: identificación de arte y artista popular
Tapisseries de Madalena dos Santos Reinbolt:: identification d’art et d’artiste populaire
Tapeçarias de Madalena dos Santos Reinbolt:: identificação de arte e artista popular
title Madalena dos Santos Reinbolt’s tapestries:: identifying art and popular artist
spellingShingle Madalena dos Santos Reinbolt’s tapestries:: identifying art and popular artist
da Silva, Eliane Cristina
arte popular
estudos culturais
lugar de fala
tapeçaria
popular art
cultural studies
place of speech
tapestry
estudios culturales
lugar de habla
tapicería
art populaire
etudes culturelles
ieu de parole
tapisserie
title_short Madalena dos Santos Reinbolt’s tapestries:: identifying art and popular artist
title_full Madalena dos Santos Reinbolt’s tapestries:: identifying art and popular artist
title_fullStr Madalena dos Santos Reinbolt’s tapestries:: identifying art and popular artist
title_full_unstemmed Madalena dos Santos Reinbolt’s tapestries:: identifying art and popular artist
title_sort Madalena dos Santos Reinbolt’s tapestries:: identifying art and popular artist
author da Silva, Eliane Cristina
author_facet da Silva, Eliane Cristina
Felipe, Delton Aparecido
author_role author
author2 Felipe, Delton Aparecido
author2_role author
dc.contributor.author.fl_str_mv da Silva, Eliane Cristina
Felipe, Delton Aparecido
dc.subject.por.fl_str_mv arte popular
estudos culturais
lugar de fala
tapeçaria
popular art
cultural studies
place of speech
tapestry
estudios culturales
lugar de habla
tapicería
art populaire
etudes culturelles
ieu de parole
tapisserie
topic arte popular
estudos culturais
lugar de fala
tapeçaria
popular art
cultural studies
place of speech
tapestry
estudios culturales
lugar de habla
tapicería
art populaire
etudes culturelles
ieu de parole
tapisserie
description This study aimed to see how the popular black artist Madalena dos Santos Reinbolt (1919-1977) represents her cultural universe by means of her work in tapestry. Thus, this article: a) discusses conceptions of art and popular artist through the lens of Cultural Studies; b) identifies specificities of the artist and her work, in order to know how her experiences are actualized in her tapestries; and finally, c) analyzes two pieces of tapestry exhibited in the Afro-Brazilian Museum, produced between 1969 and 1975, with a view to identifying elements that demarcate the concepts of popular art and popular artist. It is concluded that the works coming from subaltern classes have a creative potential – therefore, this knowledge has the same importance as any other and studying Madalena’s place of speech as a black-woman-tapestry maker is key to grasp her artistic making, because her creative process is closely linked to being a woman and a black person in Brazil.
publishDate 2019
dc.date.none.fl_str_mv 2019-06-24
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.uece.br/index.php/revistaconhecer/article/view/1060
10.32335/2238-0426.2019.9.23.1060
url https://revistas.uece.br/index.php/revistaconhecer/article/view/1060
identifier_str_mv 10.32335/2238-0426.2019.9.23.1060
dc.language.iso.fl_str_mv por
eng
language por
eng
dc.relation.none.fl_str_mv https://revistas.uece.br/index.php/revistaconhecer/article/view/1060/1267
https://revistas.uece.br/index.php/revistaconhecer/article/view/1060/1308
dc.rights.driver.fl_str_mv Copyright (c) 2019 Conhecer: debate entre o público e o privado
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Conhecer: debate entre o público e o privado
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv EdUECE
publisher.none.fl_str_mv EdUECE
dc.source.none.fl_str_mv Conhecer: debate entre o público e o privado; v. 9 n. 23 (2019); 94-123
2238-0426
reponame:Conhecer (Fortaleza)
instname:Universidade Estadual do Ceará (UECE)
instacron:UECE
instname_str Universidade Estadual do Ceará (UECE)
instacron_str UECE
institution UECE
reponame_str Conhecer (Fortaleza)
collection Conhecer (Fortaleza)
repository.name.fl_str_mv Conhecer (Fortaleza) - Universidade Estadual do Ceará (UECE)
repository.mail.fl_str_mv fhsfgm@gmail.com||revistaconhecer@uece.br
_version_ 1797219787621793792

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