De Amélia à piriguete: a construção discursiva sobre a mulher nas músicas de MPB e pagode baiano
Autor(a) principal: | |
---|---|
Data de Publicação: | 2018 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da UEFS |
Texto Completo: | http://tede2.uefs.br:8080/handle/tede/692 |
Resumo: | This work aims to analyze how music spreads ideologies about being a woman. In order to do it we will identify the discursive formations about woman in Brazilian Popular Music (MPB) and Pagode from Bahia state. This subject is relevant because it is necessary to problematize the construction of stereotypes about women through discourses reproduced/silenced nowadays about women and their role in the society. For this, two musical genres were analyzed: pagode and MPB, aiming to discuss the way the discourses about femininity circulate in these songs as well as the discursive and ideological formations which permeate the construction of senses. The research also aims to identify the already-said about women materialized in the songs which were analyzed and discuss the notion of music and woman under French Discourse Analysis, especially Pêcheux’s perspective. According to DA, the subject of the discourse is social, historically determined and, therefore, ideologically subjected and also affected by the unconscious, so, subject and sense are constituted in the discourse as the subject takes on in his/her saying/writing the subject-positions from the discourse he/she articulates, which carries marks of the social, historic and ideological. Although, the sense of the word or the image enunciated seems to be evident e, because of this, the necessity of the subject’s interpretation gestures is erased/inconsiderate. So, it is necessary to comprehend the text’s conditions of production (the subjects, the ideology, the memory and the situations). Thus, the music becomes interaction, meaning, a relation between subjects who share a common point of view which defines an object from a similar perspective, in the case of the analyzed song letters, being a woman constitutes a necessary point to a critical reading concerning the image of woman in some musical genres. So, the results of the analysis show that, although women have obtained many achievements in the society, they are still discursed in some song letters as submissive, they are seen as housewives, mothers, who have to take care about the children, husband and chores or even are seen as an object, which serves only for male delight and pleasure. |
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Alvarez, Palmira Virgínia Bahia Heine03404905512http://lattes.cnpq.br/7253131527829993Paixão, Mislene Carvalho da2018-07-30T22:40:49Z2018-03-15PAIXÃO, Mislene Carvalho da. De Amélia à piriguete: a construção discursiva sobre a mulher nas músicas de MPB e pagode baiano. 2018. 115 f. Dissertação (Mestrado Acadêmico em Estudos Linguísticos)- Universidade Estadual de Feira de Santana, Feira de Santana, 2018.http://tede2.uefs.br:8080/handle/tede/692This work aims to analyze how music spreads ideologies about being a woman. In order to do it we will identify the discursive formations about woman in Brazilian Popular Music (MPB) and Pagode from Bahia state. This subject is relevant because it is necessary to problematize the construction of stereotypes about women through discourses reproduced/silenced nowadays about women and their role in the society. For this, two musical genres were analyzed: pagode and MPB, aiming to discuss the way the discourses about femininity circulate in these songs as well as the discursive and ideological formations which permeate the construction of senses. The research also aims to identify the already-said about women materialized in the songs which were analyzed and discuss the notion of music and woman under French Discourse Analysis, especially Pêcheux’s perspective. According to DA, the subject of the discourse is social, historically determined and, therefore, ideologically subjected and also affected by the unconscious, so, subject and sense are constituted in the discourse as the subject takes on in his/her saying/writing the subject-positions from the discourse he/she articulates, which carries marks of the social, historic and ideological. Although, the sense of the word or the image enunciated seems to be evident e, because of this, the necessity of the subject’s interpretation gestures is erased/inconsiderate. So, it is necessary to comprehend the text’s conditions of production (the subjects, the ideology, the memory and the situations). Thus, the music becomes interaction, meaning, a relation between subjects who share a common point of view which defines an object from a similar perspective, in the case of the analyzed song letters, being a woman constitutes a necessary point to a critical reading concerning the image of woman in some musical genres. So, the results of the analysis show that, although women have obtained many achievements in the society, they are still discursed in some song letters as submissive, they are seen as housewives, mothers, who have to take care about the children, husband and chores or even are seen as an object, which serves only for male delight and pleasure.Neste trabalho pretende-se analisar o modo como a música difunde ideologias sobre o ser mulher. Identificaremos para isso as formações discursivas sobre a mulher nas músicas de MPB e Pagode baiano. A relevância do tema se dá pela necessidade de problematizar o modo como a imagem da mulher construída, através de discursos reproduzidos/silenciados, atualmente, bem como o seu papel na sociedade. Para isso, foi feita a análise de dois gêneros musicais: o pagode e a MPB, e buscou-se discutir os modos como os discursos sobre a feminilidade circulam nessas canções e as formações discursivas e ideológicas, que permeiam a construção de sentidos. Também é pretendido identificar os já-ditos sobre a mulher materializados nas músicas analisadas à luz da Análise de Discurso (AD) de Linha Francesa, mais precisamente, de orientação pecheutiana. Na AD, o sujeito do discurso é social, determinado, historicamente e, por conseguinte, assujeitado ideologicamente e afetado pelo inconsciente, assim sujeito e sentido são/estão constituídos no discurso à medida que o sujeito assume em seu dizer/escrever as posições-sujeito próprias do discurso que articula, as quais carregam marcas do social, do ideológico e do histórico. Mas o sentido da palavra ou da imagem enunciada se apresenta como evidente e, por isso, apaga-se/desconsidera-se a necessidade do gesto de interpretação do sujeito. Logo, é preciso compreender as condições de produção (os sujeitos, a ideologia, a memória e as situações) desse texto. Desse modo música se transforma em interação, isto é, uma relação entre sujeitos que partilhem de um ponto de vista em comum que define um objeto a partir de uma perceptiva semelhante, no caso das letras analisadas, o ser feminino, constituindo um ponto necessário à leitura crítica com relação a imagem da mulher, em alguns gêneros musicais. Assim, os resultados obtidos no trabalho mostram que, embora a mulher tenha obtido várias conquistas na sociedade, esta é, ainda, discursivizada em muitas letras de músicas como submissa, vista como dona de casa, mãe de família, aquela deve ter seus cuidados voltados aos filhos, marido e com os afazeres domésticos ou ainda como objeto, que serve apenas para deleite e prazer do sexo masculino.Submitted by Ricardo Cedraz Duque Moliterno (ricardo.moliterno@uefs.br) on 2018-07-30T22:40:48Z No. of bitstreams: 1 DISSERTAÇÃO.pdf: 1316583 bytes, checksum: 0582c31a991b144308075bbdd8afab25 (MD5)Made available in DSpace on 2018-07-30T22:40:49Z (GMT). No. of bitstreams: 1 DISSERTAÇÃO.pdf: 1316583 bytes, checksum: 0582c31a991b144308075bbdd8afab25 (MD5) Previous issue date: 2018-03-15application/pdfporUniversidade Estadual de Feira de SantanaMestrado Acadêmico em Estudos LinguísticosUEFSBrasilDEPARTAMENTO DE LETRAS E ARTESAnálise do DiscursoAméliaPirigueteDiscourse AnalysisLINGUISTICA, LETRAS E ARTES::LINGUISTICADe Amélia à piriguete: a construção discursiva sobre a mulher nas músicas de MPB e pagode baianoinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis105448495076148088160060060064512934844738769867955259954785510783info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da UEFSinstname:Universidade Estadual de Feira de Santana (UEFS)instacron:UEFSORIGINALDISSERTAÇÃO.pdfDISSERTAÇÃO.pdfapplication/pdf1316583http://tede2.uefs.br:8080/bitstream/tede/692/2/DISSERTA%C3%87%C3%83O.pdf0582c31a991b144308075bbdd8afab25MD52LICENSElicense.txtlicense.txttext/plain; charset=utf-82165http://tede2.uefs.br:8080/bitstream/tede/692/1/license.txtbd3efa91386c1718a7f26a329fdcb468MD51tede/6922018-07-30 19:40:49.022oai:tede2.uefs.br:8080:tede/692Tk9UQTogQ09MT1FVRSBBUVVJIEEgU1VBIFBSw5NQUklBIExJQ0VOw4dBCkVzdGEgbGljZW7Dp2EgZGUgZXhlbXBsbyDDqSBmb3JuZWNpZGEgYXBlbmFzIHBhcmEgZmlucyBpbmZvcm1hdGl2b3MuCgpMSUNFTsOHQSBERSBESVNUUklCVUnDh8ODTyBOw4NPLUVYQ0xVU0lWQQoKQ29tIGEgYXByZXNlbnRhw6fDo28gZGVzdGEgbGljZW7Dp2EsIHZvY8OqIChvIGF1dG9yIChlcykgb3UgbyB0aXR1bGFyIGRvcyBkaXJlaXRvcyBkZSBhdXRvcikgY29uY2VkZSDDoCBVbml2ZXJzaWRhZGUgClhYWCAoU2lnbGEgZGEgVW5pdmVyc2lkYWRlKSBvIGRpcmVpdG8gbsOjby1leGNsdXNpdm8gZGUgcmVwcm9kdXppciwgIHRyYWR1emlyIChjb25mb3JtZSBkZWZpbmlkbyBhYmFpeG8pLCBlL291IApkaXN0cmlidWlyIGEgc3VhIHRlc2Ugb3UgZGlzc2VydGHDp8OjbyAoaW5jbHVpbmRvIG8gcmVzdW1vKSBwb3IgdG9kbyBvIG11bmRvIG5vIGZvcm1hdG8gaW1wcmVzc28gZSBlbGV0csO0bmljbyBlIAplbSBxdWFscXVlciBtZWlvLCBpbmNsdWluZG8gb3MgZm9ybWF0b3Mgw6F1ZGlvIG91IHbDrWRlby4KClZvY8OqIGNvbmNvcmRhIHF1ZSBhIFNpZ2xhIGRlIFVuaXZlcnNpZGFkZSBwb2RlLCBzZW0gYWx0ZXJhciBvIGNvbnRlw7pkbywgdHJhbnNwb3IgYSBzdWEgdGVzZSBvdSBkaXNzZXJ0YcOnw6NvIApwYXJhIHF1YWxxdWVyIG1laW8gb3UgZm9ybWF0byBwYXJhIGZpbnMgZGUgcHJlc2VydmHDp8Ojby4KClZvY8OqIHRhbWLDqW0gY29uY29yZGEgcXVlIGEgU2lnbGEgZGUgVW5pdmVyc2lkYWRlIHBvZGUgbWFudGVyIG1haXMgZGUgdW1hIGPDs3BpYSBhIHN1YSB0ZXNlIG91IApkaXNzZXJ0YcOnw6NvIHBhcmEgZmlucyBkZSBzZWd1cmFuw6dhLCBiYWNrLXVwIGUgcHJlc2VydmHDp8Ojby4KClZvY8OqIGRlY2xhcmEgcXVlIGEgc3VhIHRlc2Ugb3UgZGlzc2VydGHDp8OjbyDDqSBvcmlnaW5hbCBlIHF1ZSB2b2PDqiB0ZW0gbyBwb2RlciBkZSBjb25jZWRlciBvcyBkaXJlaXRvcyBjb250aWRvcyAKbmVzdGEgbGljZW7Dp2EuIFZvY8OqIHRhbWLDqW0gZGVjbGFyYSBxdWUgbyBkZXDDs3NpdG8gZGEgc3VhIHRlc2Ugb3UgZGlzc2VydGHDp8OjbyBuw6NvLCBxdWUgc2VqYSBkZSBzZXUgCmNvbmhlY2ltZW50bywgaW5mcmluZ2UgZGlyZWl0b3MgYXV0b3JhaXMgZGUgbmluZ3XDqW0uCgpDYXNvIGEgc3VhIHRlc2Ugb3UgZGlzc2VydGHDp8OjbyBjb250ZW5oYSBtYXRlcmlhbCBxdWUgdm9jw6ogbsOjbyBwb3NzdWkgYSB0aXR1bGFyaWRhZGUgZG9zIGRpcmVpdG9zIGF1dG9yYWlzLCB2b2PDqiAKZGVjbGFyYSBxdWUgb2J0ZXZlIGEgcGVybWlzc8OjbyBpcnJlc3RyaXRhIGRvIGRldGVudG9yIGRvcyBkaXJlaXRvcyBhdXRvcmFpcyBwYXJhIGNvbmNlZGVyIMOgIFNpZ2xhIGRlIFVuaXZlcnNpZGFkZSAKb3MgZGlyZWl0b3MgYXByZXNlbnRhZG9zIG5lc3RhIGxpY2Vuw6dhLCBlIHF1ZSBlc3NlIG1hdGVyaWFsIGRlIHByb3ByaWVkYWRlIGRlIHRlcmNlaXJvcyBlc3TDoSBjbGFyYW1lbnRlIAppZGVudGlmaWNhZG8gZSByZWNvbmhlY2lkbyBubyB0ZXh0byBvdSBubyBjb250ZcO6ZG8gZGEgdGVzZSBvdSBkaXNzZXJ0YcOnw6NvIG9yYSBkZXBvc2l0YWRhLgoKQ0FTTyBBIFRFU0UgT1UgRElTU0VSVEHDh8ODTyBPUkEgREVQT1NJVEFEQSBURU5IQSBTSURPIFJFU1VMVEFETyBERSBVTSBQQVRST0PDjU5JTyBPVSAKQVBPSU8gREUgVU1BIEFHw4pOQ0lBIERFIEZPTUVOVE8gT1UgT1VUUk8gT1JHQU5JU01PIFFVRSBOw4NPIFNFSkEgQSBTSUdMQSBERSAKVU5JVkVSU0lEQURFLCBWT0PDiiBERUNMQVJBIFFVRSBSRVNQRUlUT1UgVE9ET1MgRSBRVUFJU1FVRVIgRElSRUlUT1MgREUgUkVWSVPDg08gQ09NTyAKVEFNQsOJTSBBUyBERU1BSVMgT0JSSUdBw4fDlUVTIEVYSUdJREFTIFBPUiBDT05UUkFUTyBPVSBBQ09SRE8uCgpBIFNpZ2xhIGRlIFVuaXZlcnNpZGFkZSBzZSBjb21wcm9tZXRlIGEgaWRlbnRpZmljYXIgY2xhcmFtZW50ZSBvIHNldSBub21lIChzKSBvdSBvKHMpIG5vbWUocykgZG8ocykgCmRldGVudG9yKGVzKSBkb3MgZGlyZWl0b3MgYXV0b3JhaXMgZGEgdGVzZSBvdSBkaXNzZXJ0YcOnw6NvLCBlIG7Do28gZmFyw6EgcXVhbHF1ZXIgYWx0ZXJhw6fDo28sIGFsw6ltIGRhcXVlbGFzIApjb25jZWRpZGFzIHBvciBlc3RhIGxpY2Vuw6dhLgo=Biblioteca Digital de Teses e Dissertaçõeshttp://tede2.uefs.br:8080/PUBhttp://tede2.uefs.br:8080/oai/requestbcuefs@uefs.br|| bcref@uefs.br||bcuefs@uefs.bropendoar:2018-07-30T22:40:49Biblioteca Digital de Teses e Dissertações da UEFS - Universidade Estadual de Feira de Santana (UEFS)false |
dc.title.por.fl_str_mv |
De Amélia à piriguete: a construção discursiva sobre a mulher nas músicas de MPB e pagode baiano |
title |
De Amélia à piriguete: a construção discursiva sobre a mulher nas músicas de MPB e pagode baiano |
spellingShingle |
De Amélia à piriguete: a construção discursiva sobre a mulher nas músicas de MPB e pagode baiano Paixão, Mislene Carvalho da Análise do Discurso Amélia Piriguete Discourse Analysis LINGUISTICA, LETRAS E ARTES::LINGUISTICA |
title_short |
De Amélia à piriguete: a construção discursiva sobre a mulher nas músicas de MPB e pagode baiano |
title_full |
De Amélia à piriguete: a construção discursiva sobre a mulher nas músicas de MPB e pagode baiano |
title_fullStr |
De Amélia à piriguete: a construção discursiva sobre a mulher nas músicas de MPB e pagode baiano |
title_full_unstemmed |
De Amélia à piriguete: a construção discursiva sobre a mulher nas músicas de MPB e pagode baiano |
title_sort |
De Amélia à piriguete: a construção discursiva sobre a mulher nas músicas de MPB e pagode baiano |
author |
Paixão, Mislene Carvalho da |
author_facet |
Paixão, Mislene Carvalho da |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Alvarez, Palmira Virgínia Bahia Heine |
dc.contributor.authorID.fl_str_mv |
03404905512 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/7253131527829993 |
dc.contributor.author.fl_str_mv |
Paixão, Mislene Carvalho da |
contributor_str_mv |
Alvarez, Palmira Virgínia Bahia Heine |
dc.subject.por.fl_str_mv |
Análise do Discurso Amélia Piriguete |
topic |
Análise do Discurso Amélia Piriguete Discourse Analysis LINGUISTICA, LETRAS E ARTES::LINGUISTICA |
dc.subject.eng.fl_str_mv |
Discourse Analysis |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES::LINGUISTICA |
description |
This work aims to analyze how music spreads ideologies about being a woman. In order to do it we will identify the discursive formations about woman in Brazilian Popular Music (MPB) and Pagode from Bahia state. This subject is relevant because it is necessary to problematize the construction of stereotypes about women through discourses reproduced/silenced nowadays about women and their role in the society. For this, two musical genres were analyzed: pagode and MPB, aiming to discuss the way the discourses about femininity circulate in these songs as well as the discursive and ideological formations which permeate the construction of senses. The research also aims to identify the already-said about women materialized in the songs which were analyzed and discuss the notion of music and woman under French Discourse Analysis, especially Pêcheux’s perspective. According to DA, the subject of the discourse is social, historically determined and, therefore, ideologically subjected and also affected by the unconscious, so, subject and sense are constituted in the discourse as the subject takes on in his/her saying/writing the subject-positions from the discourse he/she articulates, which carries marks of the social, historic and ideological. Although, the sense of the word or the image enunciated seems to be evident e, because of this, the necessity of the subject’s interpretation gestures is erased/inconsiderate. So, it is necessary to comprehend the text’s conditions of production (the subjects, the ideology, the memory and the situations). Thus, the music becomes interaction, meaning, a relation between subjects who share a common point of view which defines an object from a similar perspective, in the case of the analyzed song letters, being a woman constitutes a necessary point to a critical reading concerning the image of woman in some musical genres. So, the results of the analysis show that, although women have obtained many achievements in the society, they are still discursed in some song letters as submissive, they are seen as housewives, mothers, who have to take care about the children, husband and chores or even are seen as an object, which serves only for male delight and pleasure. |
publishDate |
2018 |
dc.date.accessioned.fl_str_mv |
2018-07-30T22:40:49Z |
dc.date.issued.fl_str_mv |
2018-03-15 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
PAIXÃO, Mislene Carvalho da. De Amélia à piriguete: a construção discursiva sobre a mulher nas músicas de MPB e pagode baiano. 2018. 115 f. Dissertação (Mestrado Acadêmico em Estudos Linguísticos)- Universidade Estadual de Feira de Santana, Feira de Santana, 2018. |
dc.identifier.uri.fl_str_mv |
http://tede2.uefs.br:8080/handle/tede/692 |
identifier_str_mv |
PAIXÃO, Mislene Carvalho da. De Amélia à piriguete: a construção discursiva sobre a mulher nas músicas de MPB e pagode baiano. 2018. 115 f. Dissertação (Mestrado Acadêmico em Estudos Linguísticos)- Universidade Estadual de Feira de Santana, Feira de Santana, 2018. |
url |
http://tede2.uefs.br:8080/handle/tede/692 |
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por |
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por |
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600 600 600 |
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openAccess |
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Universidade Estadual de Feira de Santana |
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UEFS |
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Universidade Estadual de Feira de Santana |
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