De Amélia à piriguete: a construção discursiva sobre a mulher nas músicas de MPB e pagode baiano

Detalhes bibliográficos
Autor(a) principal: Paixão, Mislene Carvalho da
Data de Publicação: 2018
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações da UEFS
Texto Completo: http://tede2.uefs.br:8080/handle/tede/692
Resumo: This work aims to analyze how music spreads ideologies about being a woman. In order to do it we will identify the discursive formations about woman in Brazilian Popular Music (MPB) and Pagode from Bahia state. This subject is relevant because it is necessary to problematize the construction of stereotypes about women through discourses reproduced/silenced nowadays about women and their role in the society. For this, two musical genres were analyzed: pagode and MPB, aiming to discuss the way the discourses about femininity circulate in these songs as well as the discursive and ideological formations which permeate the construction of senses. The research also aims to identify the already-said about women materialized in the songs which were analyzed and discuss the notion of music and woman under French Discourse Analysis, especially Pêcheux’s perspective. According to DA, the subject of the discourse is social, historically determined and, therefore, ideologically subjected and also affected by the unconscious, so, subject and sense are constituted in the discourse as the subject takes on in his/her saying/writing the subject-positions from the discourse he/she articulates, which carries marks of the social, historic and ideological. Although, the sense of the word or the image enunciated seems to be evident e, because of this, the necessity of the subject’s interpretation gestures is erased/inconsiderate. So, it is necessary to comprehend the text’s conditions of production (the subjects, the ideology, the memory and the situations). Thus, the music becomes interaction, meaning, a relation between subjects who share a common point of view which defines an object from a similar perspective, in the case of the analyzed song letters, being a woman constitutes a necessary point to a critical reading concerning the image of woman in some musical genres. So, the results of the analysis show that, although women have obtained many achievements in the society, they are still discursed in some song letters as submissive, they are seen as housewives, mothers, who have to take care about the children, husband and chores or even are seen as an object, which serves only for male delight and pleasure.
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spelling Alvarez, Palmira Virgínia Bahia Heine03404905512http://lattes.cnpq.br/7253131527829993Paixão, Mislene Carvalho da2018-07-30T22:40:49Z2018-03-15PAIXÃO, Mislene Carvalho da. De Amélia à piriguete: a construção discursiva sobre a mulher nas músicas de MPB e pagode baiano. 2018. 115 f. Dissertação (Mestrado Acadêmico em Estudos Linguísticos)- Universidade Estadual de Feira de Santana, Feira de Santana, 2018.http://tede2.uefs.br:8080/handle/tede/692This work aims to analyze how music spreads ideologies about being a woman. In order to do it we will identify the discursive formations about woman in Brazilian Popular Music (MPB) and Pagode from Bahia state. This subject is relevant because it is necessary to problematize the construction of stereotypes about women through discourses reproduced/silenced nowadays about women and their role in the society. For this, two musical genres were analyzed: pagode and MPB, aiming to discuss the way the discourses about femininity circulate in these songs as well as the discursive and ideological formations which permeate the construction of senses. The research also aims to identify the already-said about women materialized in the songs which were analyzed and discuss the notion of music and woman under French Discourse Analysis, especially Pêcheux’s perspective. According to DA, the subject of the discourse is social, historically determined and, therefore, ideologically subjected and also affected by the unconscious, so, subject and sense are constituted in the discourse as the subject takes on in his/her saying/writing the subject-positions from the discourse he/she articulates, which carries marks of the social, historic and ideological. Although, the sense of the word or the image enunciated seems to be evident e, because of this, the necessity of the subject’s interpretation gestures is erased/inconsiderate. So, it is necessary to comprehend the text’s conditions of production (the subjects, the ideology, the memory and the situations). Thus, the music becomes interaction, meaning, a relation between subjects who share a common point of view which defines an object from a similar perspective, in the case of the analyzed song letters, being a woman constitutes a necessary point to a critical reading concerning the image of woman in some musical genres. So, the results of the analysis show that, although women have obtained many achievements in the society, they are still discursed in some song letters as submissive, they are seen as housewives, mothers, who have to take care about the children, husband and chores or even are seen as an object, which serves only for male delight and pleasure.Neste trabalho pretende-se analisar o modo como a música difunde ideologias sobre o ser mulher. Identificaremos para isso as formações discursivas sobre a mulher nas músicas de MPB e Pagode baiano. A relevância do tema se dá pela necessidade de problematizar o modo como a imagem da mulher construída, através de discursos reproduzidos/silenciados, atualmente, bem como o seu papel na sociedade. Para isso, foi feita a análise de dois gêneros musicais: o pagode e a MPB, e buscou-se discutir os modos como os discursos sobre a feminilidade circulam nessas canções e as formações discursivas e ideológicas, que permeiam a construção de sentidos. Também é pretendido identificar os já-ditos sobre a mulher materializados nas músicas analisadas à luz da Análise de Discurso (AD) de Linha Francesa, mais precisamente, de orientação pecheutiana. Na AD, o sujeito do discurso é social, determinado, historicamente e, por conseguinte, assujeitado ideologicamente e afetado pelo inconsciente, assim sujeito e sentido são/estão constituídos no discurso à medida que o sujeito assume em seu dizer/escrever as posições-sujeito próprias do discurso que articula, as quais carregam marcas do social, do ideológico e do histórico. Mas o sentido da palavra ou da imagem enunciada se apresenta como evidente e, por isso, apaga-se/desconsidera-se a necessidade do gesto de interpretação do sujeito. Logo, é preciso compreender as condições de produção (os sujeitos, a ideologia, a memória e as situações) desse texto. Desse modo música se transforma em interação, isto é, uma relação entre sujeitos que partilhem de um ponto de vista em comum que define um objeto a partir de uma perceptiva semelhante, no caso das letras analisadas, o ser feminino, constituindo um ponto necessário à leitura crítica com relação a imagem da mulher, em alguns gêneros musicais. Assim, os resultados obtidos no trabalho mostram que, embora a mulher tenha obtido várias conquistas na sociedade, esta é, ainda, discursivizada em muitas letras de músicas como submissa, vista como dona de casa, mãe de família, aquela deve ter seus cuidados voltados aos filhos, marido e com os afazeres domésticos ou ainda como objeto, que serve apenas para deleite e prazer do sexo masculino.Submitted by Ricardo Cedraz Duque Moliterno (ricardo.moliterno@uefs.br) on 2018-07-30T22:40:48Z No. of bitstreams: 1 DISSERTAÇÃO.pdf: 1316583 bytes, checksum: 0582c31a991b144308075bbdd8afab25 (MD5)Made available in DSpace on 2018-07-30T22:40:49Z (GMT). No. of bitstreams: 1 DISSERTAÇÃO.pdf: 1316583 bytes, checksum: 0582c31a991b144308075bbdd8afab25 (MD5) Previous issue date: 2018-03-15application/pdfporUniversidade Estadual de Feira de SantanaMestrado Acadêmico em Estudos LinguísticosUEFSBrasilDEPARTAMENTO DE LETRAS E ARTESAnálise do DiscursoAméliaPirigueteDiscourse AnalysisLINGUISTICA, LETRAS E ARTES::LINGUISTICADe Amélia à piriguete: a construção discursiva sobre a mulher nas músicas de MPB e pagode baianoinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis105448495076148088160060060064512934844738769867955259954785510783info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da UEFSinstname:Universidade Estadual de Feira de Santana (UEFS)instacron:UEFSORIGINALDISSERTAÇÃO.pdfDISSERTAÇÃO.pdfapplication/pdf1316583http://tede2.uefs.br:8080/bitstream/tede/692/2/DISSERTA%C3%87%C3%83O.pdf0582c31a991b144308075bbdd8afab25MD52LICENSElicense.txtlicense.txttext/plain; charset=utf-82165http://tede2.uefs.br:8080/bitstream/tede/692/1/license.txtbd3efa91386c1718a7f26a329fdcb468MD51tede/6922018-07-30 19:40:49.022oai:tede2.uefs.br:8080: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Biblioteca Digital de Teses e Dissertaçõeshttp://tede2.uefs.br:8080/PUBhttp://tede2.uefs.br:8080/oai/requestbcuefs@uefs.br|| bcref@uefs.br||bcuefs@uefs.bropendoar:2018-07-30T22:40:49Biblioteca Digital de Teses e Dissertações da UEFS - Universidade Estadual de Feira de Santana (UEFS)false
dc.title.por.fl_str_mv De Amélia à piriguete: a construção discursiva sobre a mulher nas músicas de MPB e pagode baiano
title De Amélia à piriguete: a construção discursiva sobre a mulher nas músicas de MPB e pagode baiano
spellingShingle De Amélia à piriguete: a construção discursiva sobre a mulher nas músicas de MPB e pagode baiano
Paixão, Mislene Carvalho da
Análise do Discurso
Amélia
Piriguete
Discourse Analysis
LINGUISTICA, LETRAS E ARTES::LINGUISTICA
title_short De Amélia à piriguete: a construção discursiva sobre a mulher nas músicas de MPB e pagode baiano
title_full De Amélia à piriguete: a construção discursiva sobre a mulher nas músicas de MPB e pagode baiano
title_fullStr De Amélia à piriguete: a construção discursiva sobre a mulher nas músicas de MPB e pagode baiano
title_full_unstemmed De Amélia à piriguete: a construção discursiva sobre a mulher nas músicas de MPB e pagode baiano
title_sort De Amélia à piriguete: a construção discursiva sobre a mulher nas músicas de MPB e pagode baiano
author Paixão, Mislene Carvalho da
author_facet Paixão, Mislene Carvalho da
author_role author
dc.contributor.advisor1.fl_str_mv Alvarez, Palmira Virgínia Bahia Heine
dc.contributor.authorID.fl_str_mv 03404905512
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/7253131527829993
dc.contributor.author.fl_str_mv Paixão, Mislene Carvalho da
contributor_str_mv Alvarez, Palmira Virgínia Bahia Heine
dc.subject.por.fl_str_mv Análise do Discurso
Amélia
Piriguete
topic Análise do Discurso
Amélia
Piriguete
Discourse Analysis
LINGUISTICA, LETRAS E ARTES::LINGUISTICA
dc.subject.eng.fl_str_mv Discourse Analysis
dc.subject.cnpq.fl_str_mv LINGUISTICA, LETRAS E ARTES::LINGUISTICA
description This work aims to analyze how music spreads ideologies about being a woman. In order to do it we will identify the discursive formations about woman in Brazilian Popular Music (MPB) and Pagode from Bahia state. This subject is relevant because it is necessary to problematize the construction of stereotypes about women through discourses reproduced/silenced nowadays about women and their role in the society. For this, two musical genres were analyzed: pagode and MPB, aiming to discuss the way the discourses about femininity circulate in these songs as well as the discursive and ideological formations which permeate the construction of senses. The research also aims to identify the already-said about women materialized in the songs which were analyzed and discuss the notion of music and woman under French Discourse Analysis, especially Pêcheux’s perspective. According to DA, the subject of the discourse is social, historically determined and, therefore, ideologically subjected and also affected by the unconscious, so, subject and sense are constituted in the discourse as the subject takes on in his/her saying/writing the subject-positions from the discourse he/she articulates, which carries marks of the social, historic and ideological. Although, the sense of the word or the image enunciated seems to be evident e, because of this, the necessity of the subject’s interpretation gestures is erased/inconsiderate. So, it is necessary to comprehend the text’s conditions of production (the subjects, the ideology, the memory and the situations). Thus, the music becomes interaction, meaning, a relation between subjects who share a common point of view which defines an object from a similar perspective, in the case of the analyzed song letters, being a woman constitutes a necessary point to a critical reading concerning the image of woman in some musical genres. So, the results of the analysis show that, although women have obtained many achievements in the society, they are still discursed in some song letters as submissive, they are seen as housewives, mothers, who have to take care about the children, husband and chores or even are seen as an object, which serves only for male delight and pleasure.
publishDate 2018
dc.date.accessioned.fl_str_mv 2018-07-30T22:40:49Z
dc.date.issued.fl_str_mv 2018-03-15
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
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dc.identifier.citation.fl_str_mv PAIXÃO, Mislene Carvalho da. De Amélia à piriguete: a construção discursiva sobre a mulher nas músicas de MPB e pagode baiano. 2018. 115 f. Dissertação (Mestrado Acadêmico em Estudos Linguísticos)- Universidade Estadual de Feira de Santana, Feira de Santana, 2018.
dc.identifier.uri.fl_str_mv http://tede2.uefs.br:8080/handle/tede/692
identifier_str_mv PAIXÃO, Mislene Carvalho da. De Amélia à piriguete: a construção discursiva sobre a mulher nas músicas de MPB e pagode baiano. 2018. 115 f. Dissertação (Mestrado Acadêmico em Estudos Linguísticos)- Universidade Estadual de Feira de Santana, Feira de Santana, 2018.
url http://tede2.uefs.br:8080/handle/tede/692
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language por
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dc.publisher.none.fl_str_mv Universidade Estadual de Feira de Santana
dc.publisher.program.fl_str_mv Mestrado Acadêmico em Estudos Linguísticos
dc.publisher.initials.fl_str_mv UEFS
dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv DEPARTAMENTO DE LETRAS E ARTES
publisher.none.fl_str_mv Universidade Estadual de Feira de Santana
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