Literatura e cultura: narrar a identidade religiosa em Viva o povo brasileiro de João Ubaldo Ribeiro

Detalhes bibliográficos
Autor(a) principal: Silva, Rosângela Santos
Data de Publicação: 2015
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações da UEFS
Texto Completo: http://localhost:8080/tede/handle/tede/476
Resumo: This thesis sought to understand and analyze the narratives and representations regarding the ritualistic cult egwugwu nanny in Itaparica / BA Island from the literary Long live the Brazilian people (1984) of itaparicano João Ubaldo Ribeiro. Assuming that the theme of religiosity, this work is related to identity projects based on memory and oral aimed to reflect on the forms of African descent resistance at keeping alive the religious basis of their ancestors and how the feeling of belonging a particular religion becomes a key factor in the construction of cultural identity. The study is based on the reflection of dialogical relations between memory and orality, ritual egwugwu and performance practices carried out in Afro-Brazilian religions. Categories such as ancestry, oral, performance and ritual were triggered as reading operators, in line with the theoretical, critical and historical postulates of Literature scholars of African and Afro-Brazilian cultures. In the particular case of this work, one of the many outstanding contributions is by proposing a model of understanding and analysis of the dynamics of public performances of Candomblé. Thus, the research allowed to present a new look about the religions of African origin and their practices showing how João Ubaldo Ribeiro to transcribe these facts, it highlights something essential that is respect and appreciation for these religions who still suffer prejudice and discrimination.
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spelling Pinho, Adeítalo Manoel96364866549http://lattes.cnpq.br/2797736023549952Silva, Rosângela Santos2017-07-12T22:56:37Z2015-04-06SILVA, Rosângela Santos. Literatura e cultura: narrar a identidade religiosa em Viva o povo brasileiro de João Ubaldo Ribeiro. 2015. 159 f. Dissertação (Mestrado Acadêmico em Estudos Literários)- Universidade Estadual de Feira de Santana, Feira de Santana, 2015.http://localhost:8080/tede/handle/tede/476This thesis sought to understand and analyze the narratives and representations regarding the ritualistic cult egwugwu nanny in Itaparica / BA Island from the literary Long live the Brazilian people (1984) of itaparicano João Ubaldo Ribeiro. Assuming that the theme of religiosity, this work is related to identity projects based on memory and oral aimed to reflect on the forms of African descent resistance at keeping alive the religious basis of their ancestors and how the feeling of belonging a particular religion becomes a key factor in the construction of cultural identity. The study is based on the reflection of dialogical relations between memory and orality, ritual egwugwu and performance practices carried out in Afro-Brazilian religions. Categories such as ancestry, oral, performance and ritual were triggered as reading operators, in line with the theoretical, critical and historical postulates of Literature scholars of African and Afro-Brazilian cultures. In the particular case of this work, one of the many outstanding contributions is by proposing a model of understanding and analysis of the dynamics of public performances of Candomblé. Thus, the research allowed to present a new look about the religions of African origin and their practices showing how João Ubaldo Ribeiro to transcribe these facts, it highlights something essential that is respect and appreciation for these religions who still suffer prejudice and discrimination.A presente dissertação procurou compreender e analisar as narrativas e representações a respeito do culto ritualístico de babá egwugwu na Ilha de Itaparica/BA a partir da obra literária Viva o povo brasileiro (1984) do itaparicano João Ubaldo Ribeiro. Partindo do pressuposto de que a temática da religiosidade, nessa obra, está relacionada com projetos identitários baseados na memória e oralidade objetivou-se refletir sobre as formas de resistência do afrodescendente em manter vivas as bases religiosas de seus antepassados e como o sentimento de pertencimento a determinada religião torna-se fator fundamental na construção da identidade cultural. O estudo se assenta na reflexão das relações dialógicas entre memória e oralidade, ritualística egwugwu e práticas performáticas realizadas nas religiões afrobrasileiras. Categorias como: ancestralidade, oralidade, performance e ritualística foram acionadas como operadores de leitura, em consonância com os postulados teóricos, críticos e históricos de estudiosos da Literatura, das culturas africanas e afrobrasileiras. No caso particular desse trabalho, uma das inúmeras contribuições relevantes se dá pela proposta de um modelo de entendimento e análise da dinâmica das performances públicas do Candomblé. Assim, a pesquisa permitiu apresentar um novo olhar acerca das religiões de matriz africana e suas práticas mostrando como João Ubaldo Ribeiro, ao transcrever tais fatos, coloca em evidência algo essencial que é o respeito e valorização por tais religiões que ainda sofrem preconceito e descriminação.Submitted by Ricardo Cedraz Duque Moliterno (ricardo.moliterno@uefs.br) on 2017-07-12T22:56:37Z No. of bitstreams: 1 PROGEL_DISSERT_2015_ROSANGELA (1) (1).pdf: 3601970 bytes, checksum: aa02813bdb188a025deb27e3303a36e4 (MD5)Made available in DSpace on 2017-07-12T22:56:37Z (GMT). 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dc.title.por.fl_str_mv Literatura e cultura: narrar a identidade religiosa em Viva o povo brasileiro de João Ubaldo Ribeiro
title Literatura e cultura: narrar a identidade religiosa em Viva o povo brasileiro de João Ubaldo Ribeiro
spellingShingle Literatura e cultura: narrar a identidade religiosa em Viva o povo brasileiro de João Ubaldo Ribeiro
Silva, Rosângela Santos
Literatura afrobrasileira
Performance
Memória
Oralidade
Afro-Brazilian Literature
Memory
Orality
LETRAS::TEORIA LITERARIA
title_short Literatura e cultura: narrar a identidade religiosa em Viva o povo brasileiro de João Ubaldo Ribeiro
title_full Literatura e cultura: narrar a identidade religiosa em Viva o povo brasileiro de João Ubaldo Ribeiro
title_fullStr Literatura e cultura: narrar a identidade religiosa em Viva o povo brasileiro de João Ubaldo Ribeiro
title_full_unstemmed Literatura e cultura: narrar a identidade religiosa em Viva o povo brasileiro de João Ubaldo Ribeiro
title_sort Literatura e cultura: narrar a identidade religiosa em Viva o povo brasileiro de João Ubaldo Ribeiro
author Silva, Rosângela Santos
author_facet Silva, Rosângela Santos
author_role author
dc.contributor.advisor1.fl_str_mv Pinho, Adeítalo Manoel
dc.contributor.authorID.fl_str_mv 96364866549
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/2797736023549952
dc.contributor.author.fl_str_mv Silva, Rosângela Santos
contributor_str_mv Pinho, Adeítalo Manoel
dc.subject.por.fl_str_mv Literatura afrobrasileira
Performance
Memória
Oralidade
topic Literatura afrobrasileira
Performance
Memória
Oralidade
Afro-Brazilian Literature
Memory
Orality
LETRAS::TEORIA LITERARIA
dc.subject.eng.fl_str_mv Afro-Brazilian Literature
Memory
Orality
dc.subject.cnpq.fl_str_mv LETRAS::TEORIA LITERARIA
description This thesis sought to understand and analyze the narratives and representations regarding the ritualistic cult egwugwu nanny in Itaparica / BA Island from the literary Long live the Brazilian people (1984) of itaparicano João Ubaldo Ribeiro. Assuming that the theme of religiosity, this work is related to identity projects based on memory and oral aimed to reflect on the forms of African descent resistance at keeping alive the religious basis of their ancestors and how the feeling of belonging a particular religion becomes a key factor in the construction of cultural identity. The study is based on the reflection of dialogical relations between memory and orality, ritual egwugwu and performance practices carried out in Afro-Brazilian religions. Categories such as ancestry, oral, performance and ritual were triggered as reading operators, in line with the theoretical, critical and historical postulates of Literature scholars of African and Afro-Brazilian cultures. In the particular case of this work, one of the many outstanding contributions is by proposing a model of understanding and analysis of the dynamics of public performances of Candomblé. Thus, the research allowed to present a new look about the religions of African origin and their practices showing how João Ubaldo Ribeiro to transcribe these facts, it highlights something essential that is respect and appreciation for these religions who still suffer prejudice and discrimination.
publishDate 2015
dc.date.issued.fl_str_mv 2015-04-06
dc.date.accessioned.fl_str_mv 2017-07-12T22:56:37Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
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dc.identifier.citation.fl_str_mv SILVA, Rosângela Santos. Literatura e cultura: narrar a identidade religiosa em Viva o povo brasileiro de João Ubaldo Ribeiro. 2015. 159 f. Dissertação (Mestrado Acadêmico em Estudos Literários)- Universidade Estadual de Feira de Santana, Feira de Santana, 2015.
dc.identifier.uri.fl_str_mv http://localhost:8080/tede/handle/tede/476
identifier_str_mv SILVA, Rosângela Santos. Literatura e cultura: narrar a identidade religiosa em Viva o povo brasileiro de João Ubaldo Ribeiro. 2015. 159 f. Dissertação (Mestrado Acadêmico em Estudos Literários)- Universidade Estadual de Feira de Santana, Feira de Santana, 2015.
url http://localhost:8080/tede/handle/tede/476
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dc.publisher.program.fl_str_mv Mestrado Acadêmico em Estudos Literários
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dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv DEPARTAMENTO DE LETRAS E ARTES
publisher.none.fl_str_mv Universidade Estadual de Feira de Santana
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