Nós, as mulheres/nós femininas: rupturas e multiplicidades em as doze cores do vermelho, de Helena Parente Cunha
Autor(a) principal: | |
---|---|
Data de Publicação: | 2019 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da UEFS |
Texto Completo: | http://tede2.uefs.br:8080/handle/tede/916 |
Resumo: | The complex literary representation constructed by Helena Parente Cunha in The Twelve Colors of the Red (1989) provoked the search for an analysis and provided a rereading on the sexist values reproduced in our society. The reader, as he dwells upon the reading of his novel, has his critical sense sharpened, with a questioning view of these still extant standards. In view of this, this research constitutes a theoretical study, having as an analytical object the persons created by the Bahian writer. The purpose of this choice is to understand how the characters demystify the female subject represented in the historical-socio-political-literary process by the male imaginary, instituted through mechanisms of power; and how these representations interfere in the identity construction of this subject. In this context, the discussion assumes the need not only to discuss the process of constructing the feminine identity, through representations in literary writing, but also to problematize how these cultural practices were responsible for reserving to women a static social mold. To carry out this work, a bibliographic corpus study was done in the context of the studies that discuss the condition, the feminine identities and representations. Initially, the peculiarities of the author’s production were identified, in order to point out their prominence and their importance in the scope of Brazilian literature. Next, theories about culture, identities and representations in literary studies are discussed and, from this point on, an analysis of this feminine subject of multiple identity present in the novel was made, trying to understand the feminine identity as a becoming. The research contributes to widen the existing debates about the work of the writer and proposes a questioning dialogue around the established truths that reserved to women pre-determined places in society. |
id |
UEFS_f7b608012125991061b3a3f9789737a3 |
---|---|
oai_identifier_str |
oai:tede2.uefs.br:8080:tede/916 |
network_acronym_str |
UEFS |
network_name_str |
Biblioteca Digital de Teses e Dissertações da UEFS |
repository_id_str |
|
spelling |
Ribeiro Patrício, Rosana Maria2615245252001525277537http://lattes.cnpq.br/0343329997785090Martiniano, Graziela Sousa Lima2019-10-18T21:24:21Z2019-04-23MARTINIANO, Graziela Sousa Lima. Nós, as mulheres/nós femininas: rupturas e multiplicidades em as doze cores do vermelho, de Helena Parente Cunha. 2019. 102 f. Dissertação (Mestrado Acadêmico em Estudos Literários)- Universidade Estadual de Feira de Santana, Feira de Santana, 2019.http://tede2.uefs.br:8080/handle/tede/916The complex literary representation constructed by Helena Parente Cunha in The Twelve Colors of the Red (1989) provoked the search for an analysis and provided a rereading on the sexist values reproduced in our society. The reader, as he dwells upon the reading of his novel, has his critical sense sharpened, with a questioning view of these still extant standards. In view of this, this research constitutes a theoretical study, having as an analytical object the persons created by the Bahian writer. The purpose of this choice is to understand how the characters demystify the female subject represented in the historical-socio-political-literary process by the male imaginary, instituted through mechanisms of power; and how these representations interfere in the identity construction of this subject. In this context, the discussion assumes the need not only to discuss the process of constructing the feminine identity, through representations in literary writing, but also to problematize how these cultural practices were responsible for reserving to women a static social mold. To carry out this work, a bibliographic corpus study was done in the context of the studies that discuss the condition, the feminine identities and representations. Initially, the peculiarities of the author’s production were identified, in order to point out their prominence and their importance in the scope of Brazilian literature. Next, theories about culture, identities and representations in literary studies are discussed and, from this point on, an analysis of this feminine subject of multiple identity present in the novel was made, trying to understand the feminine identity as a becoming. The research contributes to widen the existing debates about the work of the writer and proposes a questioning dialogue around the established truths that reserved to women pre-determined places in society.A complexa representação literária construída por Helena Parente Cunha na obra As Doze Cores do Vermelho(1998) provocou a busca de uma análise e proporcionou uma releitura sobre os valores sexistas reproduzidos em nossa sociedade. O leitor, ao se debruçar sobre a leitura de seu romance, tem seu senso crítico aguçado, comum a visão questionadora acerca desses padrões ainda vigentes. Diante disso, esta pesquisa constitui um estudo teórico, tendo como objeto analítico as personas criadas pela escritora baiana. O intuito desta escolha é perceber como as personagens desmistificam o sujeito feminino representado no processo histórico-sócio-político-literário pelo imaginário masculino, instituído através de mecanismos de poder; e como estas representações interferem na construção identitária desse sujeito. Neste contexto, a discussão assume a necessidade de não somente discorrer sobre o processo de construção da identidade feminina através das representações na escrita literária, mas também problematizar como estas práticas culturais foram responsáveis por reservar para a mulher um molde social estático. Para dar andamento a este trabalho foi feito um estudo de corpus bibliográfico no âmbito dos estudos que discorrem sobre a condição, as identidades e representações femininas. Inicialmente, foram identificadas as peculiaridades da produção da autora, a fim de apontar o seu destaque e a sua importância no escopo da literatura brasileira. Em seguida, são discutidas teorias sobre cultura, identidades e representações nos estudos literários e, a partir daí, fez-se uma análise desse sujeito feminino de identidade múltipla presente no romance,procurando compreender a identidade feminina como um devir. A pesquisa contribui para ampliar os debates já existentes sobre a obra da escritora e se propõe a um diálogo questionador em torno das verdades instituídas que reservaram à mulher lugares pré-determinados na sociedade.Submitted by Ricardo Cedraz Duque Moliterno (ricardo.moliterno@uefs.br) on 2019-10-18T21:24:21Z No. of bitstreams: 1 Graziela dissertação Versão Final- FINALIZADA 06.05.2019 WORD-convertido.pdf: 719346 bytes, checksum: 6e98ce8569223591df2830b8df8ed07c (MD5)Made available in DSpace on 2019-10-18T21:24:21Z (GMT). No. of bitstreams: 1 Graziela dissertação Versão Final- FINALIZADA 06.05.2019 WORD-convertido.pdf: 719346 bytes, checksum: 6e98ce8569223591df2830b8df8ed07c (MD5) Previous issue date: 2019-04-23application/pdfporUniversidade Estadual de Feira de SantanaMestrado Acadêmico em Estudos LiteráriosUEFSBrasilDEPARTAMENTO DE LETRAS E ARTESSujeitoMultiplicidadeRepresentação e identidade femininaSubjectMultiplicityRepresentation and feminine identityLETRAS::LITERATURA BRASILEIRALINGUISTICA, LETRAS E ARTESNós, as mulheres/nós femininas: rupturas e multiplicidades em as doze cores do vermelho, de Helena Parente Cunhainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis-37718410113631992476006006006006451293484473876986-3247043155988735114828026023044017992info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da UEFSinstname:Universidade Estadual de Feira de Santana (UEFS)instacron:UEFSORIGINALGraziela dissertação Versão Final- FINALIZADA 06.05.2019 WORD-convertido.pdfGraziela dissertação Versão Final- FINALIZADA 06.05.2019 WORD-convertido.pdfapplication/pdf719346http://tede2.uefs.br:8080/bitstream/tede/916/2/Graziela+disserta%C3%A7%C3%A3o+Vers%C3%A3o+Final-+FINALIZADA+06.05.2019+WORD-convertido.pdf6e98ce8569223591df2830b8df8ed07cMD52LICENSElicense.txtlicense.txttext/plain; charset=utf-82089http://tede2.uefs.br:8080/bitstream/tede/916/1/license.txt7b5ba3d2445355f386edab96125d42b7MD51tede/9162019-10-18 18:24:21.837oai:tede2.uefs.br:8080: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Biblioteca Digital de Teses e Dissertaçõeshttp://tede2.uefs.br:8080/PUBhttp://tede2.uefs.br:8080/oai/requestbcuefs@uefs.br|| bcref@uefs.br||bcuefs@uefs.bropendoar:2019-10-18T21:24:21Biblioteca Digital de Teses e Dissertações da UEFS - Universidade Estadual de Feira de Santana (UEFS)false |
dc.title.por.fl_str_mv |
Nós, as mulheres/nós femininas: rupturas e multiplicidades em as doze cores do vermelho, de Helena Parente Cunha |
title |
Nós, as mulheres/nós femininas: rupturas e multiplicidades em as doze cores do vermelho, de Helena Parente Cunha |
spellingShingle |
Nós, as mulheres/nós femininas: rupturas e multiplicidades em as doze cores do vermelho, de Helena Parente Cunha Martiniano, Graziela Sousa Lima Sujeito Multiplicidade Representação e identidade feminina Subject Multiplicity Representation and feminine identity LETRAS::LITERATURA BRASILEIRA LINGUISTICA, LETRAS E ARTES |
title_short |
Nós, as mulheres/nós femininas: rupturas e multiplicidades em as doze cores do vermelho, de Helena Parente Cunha |
title_full |
Nós, as mulheres/nós femininas: rupturas e multiplicidades em as doze cores do vermelho, de Helena Parente Cunha |
title_fullStr |
Nós, as mulheres/nós femininas: rupturas e multiplicidades em as doze cores do vermelho, de Helena Parente Cunha |
title_full_unstemmed |
Nós, as mulheres/nós femininas: rupturas e multiplicidades em as doze cores do vermelho, de Helena Parente Cunha |
title_sort |
Nós, as mulheres/nós femininas: rupturas e multiplicidades em as doze cores do vermelho, de Helena Parente Cunha |
author |
Martiniano, Graziela Sousa Lima |
author_facet |
Martiniano, Graziela Sousa Lima |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Ribeiro Patrício, Rosana Maria |
dc.contributor.advisor1ID.fl_str_mv |
26152452520 |
dc.contributor.authorID.fl_str_mv |
01525277537 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/0343329997785090 |
dc.contributor.author.fl_str_mv |
Martiniano, Graziela Sousa Lima |
contributor_str_mv |
Ribeiro Patrício, Rosana Maria |
dc.subject.por.fl_str_mv |
Sujeito Multiplicidade Representação e identidade feminina |
topic |
Sujeito Multiplicidade Representação e identidade feminina Subject Multiplicity Representation and feminine identity LETRAS::LITERATURA BRASILEIRA LINGUISTICA, LETRAS E ARTES |
dc.subject.eng.fl_str_mv |
Subject Multiplicity Representation and feminine identity |
dc.subject.cnpq.fl_str_mv |
LETRAS::LITERATURA BRASILEIRA LINGUISTICA, LETRAS E ARTES |
description |
The complex literary representation constructed by Helena Parente Cunha in The Twelve Colors of the Red (1989) provoked the search for an analysis and provided a rereading on the sexist values reproduced in our society. The reader, as he dwells upon the reading of his novel, has his critical sense sharpened, with a questioning view of these still extant standards. In view of this, this research constitutes a theoretical study, having as an analytical object the persons created by the Bahian writer. The purpose of this choice is to understand how the characters demystify the female subject represented in the historical-socio-political-literary process by the male imaginary, instituted through mechanisms of power; and how these representations interfere in the identity construction of this subject. In this context, the discussion assumes the need not only to discuss the process of constructing the feminine identity, through representations in literary writing, but also to problematize how these cultural practices were responsible for reserving to women a static social mold. To carry out this work, a bibliographic corpus study was done in the context of the studies that discuss the condition, the feminine identities and representations. Initially, the peculiarities of the author’s production were identified, in order to point out their prominence and their importance in the scope of Brazilian literature. Next, theories about culture, identities and representations in literary studies are discussed and, from this point on, an analysis of this feminine subject of multiple identity present in the novel was made, trying to understand the feminine identity as a becoming. The research contributes to widen the existing debates about the work of the writer and proposes a questioning dialogue around the established truths that reserved to women pre-determined places in society. |
publishDate |
2019 |
dc.date.accessioned.fl_str_mv |
2019-10-18T21:24:21Z |
dc.date.issued.fl_str_mv |
2019-04-23 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
MARTINIANO, Graziela Sousa Lima. Nós, as mulheres/nós femininas: rupturas e multiplicidades em as doze cores do vermelho, de Helena Parente Cunha. 2019. 102 f. Dissertação (Mestrado Acadêmico em Estudos Literários)- Universidade Estadual de Feira de Santana, Feira de Santana, 2019. |
dc.identifier.uri.fl_str_mv |
http://tede2.uefs.br:8080/handle/tede/916 |
identifier_str_mv |
MARTINIANO, Graziela Sousa Lima. Nós, as mulheres/nós femininas: rupturas e multiplicidades em as doze cores do vermelho, de Helena Parente Cunha. 2019. 102 f. Dissertação (Mestrado Acadêmico em Estudos Literários)- Universidade Estadual de Feira de Santana, Feira de Santana, 2019. |
url |
http://tede2.uefs.br:8080/handle/tede/916 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.program.fl_str_mv |
-3771841011363199247 |
dc.relation.confidence.fl_str_mv |
600 600 600 600 |
dc.relation.department.fl_str_mv |
6451293484473876986 |
dc.relation.cnpq.fl_str_mv |
-324704315598873511 4828026023044017992 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Estadual de Feira de Santana |
dc.publisher.program.fl_str_mv |
Mestrado Acadêmico em Estudos Literários |
dc.publisher.initials.fl_str_mv |
UEFS |
dc.publisher.country.fl_str_mv |
Brasil |
dc.publisher.department.fl_str_mv |
DEPARTAMENTO DE LETRAS E ARTES |
publisher.none.fl_str_mv |
Universidade Estadual de Feira de Santana |
dc.source.none.fl_str_mv |
reponame:Biblioteca Digital de Teses e Dissertações da UEFS instname:Universidade Estadual de Feira de Santana (UEFS) instacron:UEFS |
instname_str |
Universidade Estadual de Feira de Santana (UEFS) |
instacron_str |
UEFS |
institution |
UEFS |
reponame_str |
Biblioteca Digital de Teses e Dissertações da UEFS |
collection |
Biblioteca Digital de Teses e Dissertações da UEFS |
bitstream.url.fl_str_mv |
http://tede2.uefs.br:8080/bitstream/tede/916/2/Graziela+disserta%C3%A7%C3%A3o+Vers%C3%A3o+Final-+FINALIZADA+06.05.2019+WORD-convertido.pdf http://tede2.uefs.br:8080/bitstream/tede/916/1/license.txt |
bitstream.checksum.fl_str_mv |
6e98ce8569223591df2830b8df8ed07c 7b5ba3d2445355f386edab96125d42b7 |
bitstream.checksumAlgorithm.fl_str_mv |
MD5 MD5 |
repository.name.fl_str_mv |
Biblioteca Digital de Teses e Dissertações da UEFS - Universidade Estadual de Feira de Santana (UEFS) |
repository.mail.fl_str_mv |
bcuefs@uefs.br|| bcref@uefs.br||bcuefs@uefs.br |
_version_ |
1800214582266953728 |