Clothes and memory: the reconstruction of Marie Antoinette and the representation of the double in the dresses of Sofia Coppola’s film

Detalhes bibliográficos
Autor(a) principal: Almeida, Caroline Meira Nunes de
Data de Publicação: 2020
Outros Autores: Held, Sílvia Barros de
Tipo de documento: Artigo
Idioma: por
Título da fonte: Projética Revista Científica de Design
Texto Completo: https://ojs.uel.br/revistas/uel/index.php/projetica/article/view/35956
Resumo: This research aims to investigate the relationship between memory and clothing, in order to explore how the remembrance through images may create the doubles – permeating concepts such as the memorabilia, the museums themselves and fashion exhibitions. The exhibition of the costumes produced for Sofia Coppola’s “Marie Antoinette” (2006), “Marie Antoinette: I Costume de una Regina da Oscar” is taken as object of study for the understanding of the past and the present, memory and remembrance.
id UEL-10_27a44b9f06f97f0e7700e919877490da
oai_identifier_str oai:ojs.pkp.sfu.ca:article/35956
network_acronym_str UEL-10
network_name_str Projética Revista Científica de Design
repository_id_str
spelling Clothes and memory: the reconstruction of Marie Antoinette and the representation of the double in the dresses of Sofia Coppola’s filmRoupa e memória: a reconstrução de Maria Antonieta e a representação do duplo nos vestidos para o filme de Sofia CoppolaClothingMarie AntoinetteMemorabilia ArtifactsCostumeRoupaMaria AntonietaArtefatos MemoriaisFigurinoThis research aims to investigate the relationship between memory and clothing, in order to explore how the remembrance through images may create the doubles – permeating concepts such as the memorabilia, the museums themselves and fashion exhibitions. The exhibition of the costumes produced for Sofia Coppola’s “Marie Antoinette” (2006), “Marie Antoinette: I Costume de una Regina da Oscar” is taken as object of study for the understanding of the past and the present, memory and remembrance.A pesquisa tem a intenção de investigar a relação memória-roupa, a fim de explorar a forma como a relembrança através das imagens cria duplos – que permeiam conceitos como o dos artefatos memoriais, os próprios museus e exposições de moda: a exposição do figurino produzido para o filme “Maria Antonieta” de Sofia Coppola (2006), “Marie Antoinette: I Costume de una Regina da Oscar” é tida como objeto do estudo para a compreensão das relações de passado e presente, memória e lembrança.Universidade Estadual de Londrina2020-06-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado por Paresapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/projetica/article/view/3595610.5433/2236-2207.2020v11n1suplp165Projetica; v. 11 n. 1supl (2020): Design de Moda; 165-1942236-2207reponame:Projética Revista Científica de Designinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/projetica/article/view/35956/27443Copyright (c) 2020 Projeticainfo:eu-repo/semantics/openAccessAlmeida, Caroline Meira Nunes deHeld, Sílvia Barros de2021-09-18T16:45:56Zoai:ojs.pkp.sfu.ca:article/35956Revistahttps://www.uel.br/revistas/uel/index.php/projetica/PUBhttps://www.uel.br/revistas/uel/index.php/projetica/oai||projetica@uel.br2236-22072236-2207opendoar:2021-09-18T16:45:56Projética Revista Científica de Design - Universidade Estadual de Londrina (UEL)false
dc.title.none.fl_str_mv Clothes and memory: the reconstruction of Marie Antoinette and the representation of the double in the dresses of Sofia Coppola’s film
Roupa e memória: a reconstrução de Maria Antonieta e a representação do duplo nos vestidos para o filme de Sofia Coppola
title Clothes and memory: the reconstruction of Marie Antoinette and the representation of the double in the dresses of Sofia Coppola’s film
spellingShingle Clothes and memory: the reconstruction of Marie Antoinette and the representation of the double in the dresses of Sofia Coppola’s film
Almeida, Caroline Meira Nunes de
Clothing
Marie Antoinette
Memorabilia Artifacts
Costume
Roupa
Maria Antonieta
Artefatos Memoriais
Figurino
title_short Clothes and memory: the reconstruction of Marie Antoinette and the representation of the double in the dresses of Sofia Coppola’s film
title_full Clothes and memory: the reconstruction of Marie Antoinette and the representation of the double in the dresses of Sofia Coppola’s film
title_fullStr Clothes and memory: the reconstruction of Marie Antoinette and the representation of the double in the dresses of Sofia Coppola’s film
title_full_unstemmed Clothes and memory: the reconstruction of Marie Antoinette and the representation of the double in the dresses of Sofia Coppola’s film
title_sort Clothes and memory: the reconstruction of Marie Antoinette and the representation of the double in the dresses of Sofia Coppola’s film
author Almeida, Caroline Meira Nunes de
author_facet Almeida, Caroline Meira Nunes de
Held, Sílvia Barros de
author_role author
author2 Held, Sílvia Barros de
author2_role author
dc.contributor.author.fl_str_mv Almeida, Caroline Meira Nunes de
Held, Sílvia Barros de
dc.subject.por.fl_str_mv Clothing
Marie Antoinette
Memorabilia Artifacts
Costume
Roupa
Maria Antonieta
Artefatos Memoriais
Figurino
topic Clothing
Marie Antoinette
Memorabilia Artifacts
Costume
Roupa
Maria Antonieta
Artefatos Memoriais
Figurino
description This research aims to investigate the relationship between memory and clothing, in order to explore how the remembrance through images may create the doubles – permeating concepts such as the memorabilia, the museums themselves and fashion exhibitions. The exhibition of the costumes produced for Sofia Coppola’s “Marie Antoinette” (2006), “Marie Antoinette: I Costume de una Regina da Oscar” is taken as object of study for the understanding of the past and the present, memory and remembrance.
publishDate 2020
dc.date.none.fl_str_mv 2020-06-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado por Pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/projetica/article/view/35956
10.5433/2236-2207.2020v11n1suplp165
url https://ojs.uel.br/revistas/uel/index.php/projetica/article/view/35956
identifier_str_mv 10.5433/2236-2207.2020v11n1suplp165
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/projetica/article/view/35956/27443
dc.rights.driver.fl_str_mv Copyright (c) 2020 Projetica
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Projetica
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Estadual de Londrina
publisher.none.fl_str_mv Universidade Estadual de Londrina
dc.source.none.fl_str_mv Projetica; v. 11 n. 1supl (2020): Design de Moda; 165-194
2236-2207
reponame:Projética Revista Científica de Design
instname:Universidade Estadual de Londrina (UEL)
instacron:UEL
instname_str Universidade Estadual de Londrina (UEL)
instacron_str UEL
institution UEL
reponame_str Projética Revista Científica de Design
collection Projética Revista Científica de Design
repository.name.fl_str_mv Projética Revista Científica de Design - Universidade Estadual de Londrina (UEL)
repository.mail.fl_str_mv ||projetica@uel.br
_version_ 1799315451538309120

Registros relacionados