Cultural dissonance? the work in Brasília
Autor(a) principal: | |
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Data de Publicação: | 2011 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Antíteses |
Texto Completo: | https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/5212 |
Resumo: | We used the image of the orchestra to consider the meaning of dissonance and its variations in the complex understanding of the informal Brasilia, in the investigation of the work and its manifestations in a cultural bias. We consider that, in the daily work, insight and sensitivity are aligned to resize the dissonance as an arrangement of the diversity of doing and thinking in society. It is this dissonance that permits the merging of different types of work that, although stratified on a scale of values well defined by hegemonic sectors, gives us the social dynamics, embedded in history and in the ways which sociality prints its mark on what is popular. Dionysian is the life experienced in the universe of informal work, also uneasiness, a sonorous arrangement that vibrates at a different scale. It is the place of selfhood, narrative that takes other speech place and gives rise to strategies of interaction, freedom and action for the players. It's the identity of oneself. Thus, the term informality carries with it a discomfort, but also reveals that the spaces of the city of Brasilia are practiced places, where experiences and solidarity are reactivated every day. To do this we chose to emphasize the words and images that emerge from informal workers who occupy different spaces in the city. This work is a results of a research, supported by CNPq, that begun in 2007, with more than 40 workers interviews and a file with almost 2 thousand pictures. |
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Cultural dissonance? the work in BrasíliaDissonância cultural? o trabalho em BrasíliaInformal workBrasíliaCultural dissonanceIdentityResearchTrabalho informalBrasíliaDissonância culturalIdentidadePesquisaWe used the image of the orchestra to consider the meaning of dissonance and its variations in the complex understanding of the informal Brasilia, in the investigation of the work and its manifestations in a cultural bias. We consider that, in the daily work, insight and sensitivity are aligned to resize the dissonance as an arrangement of the diversity of doing and thinking in society. It is this dissonance that permits the merging of different types of work that, although stratified on a scale of values well defined by hegemonic sectors, gives us the social dynamics, embedded in history and in the ways which sociality prints its mark on what is popular. Dionysian is the life experienced in the universe of informal work, also uneasiness, a sonorous arrangement that vibrates at a different scale. It is the place of selfhood, narrative that takes other speech place and gives rise to strategies of interaction, freedom and action for the players. It's the identity of oneself. Thus, the term informality carries with it a discomfort, but also reveals that the spaces of the city of Brasilia are practiced places, where experiences and solidarity are reactivated every day. To do this we chose to emphasize the words and images that emerge from informal workers who occupy different spaces in the city. This work is a results of a research, supported by CNPq, that begun in 2007, with more than 40 workers interviews and a file with almost 2 thousand pictures.Utilizamos a imagem da orquestra para considerar o sentido de dissonância e suas variações na complexidade do entendimento da Brasília informal, ao investigarmos o trabalho e suas manifestações a partir do viés cultural. Consideramos que no cotidiano do trabalho, percepção e sensibilidade se alinham para redimensionar a dissonância como um arranjo da diversidade do fazer e pensar em sociedade. É essa dissonância que permite mesclar diferentes tipos de trabalho que, embora estratificados e numa escala de valores bem demarcada pelos setores hegemônicos, nos oferece a dinâmica social, incrustada na história e nas formas como a socialidade imprime sua marca no que é popular. Dionisíaca é a vida experimentada no universo do trabalho informal, também um desconcerto, um arranjo sonoro que vibra em outra escala. É o lugar da ipseidade, da narrativa que toma outro lugar de fala e dá margem a estratégias de interação, de liberdade e de ação dos atores jogadores. É a identidade de si. Assim, o termo informalidade traz em si um desconforto, mas também revela que os espaços da cidade de Brasília são lugares praticados, onde experiências e solidariedade são reativadas diuturnamente. Para tanto, escolhemos enfatizar as falas e as imagens que emergem dos trabalhadores informais que ocupam diferentes espaços da cidade. Resultado de pesquisa com o apoio do CNPq, iniciada em 2007, na qual foram entrevistados mais de 40 trabalhadores e organizado um arquivo com quase 2 mil fotos.Universidade Estadual de Londrina2011-10-11info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/521210.5433/1984-3356.2011v4n7p341Antíteses; Vol. 4, n. 7, jan./jun. 2011 - Dossiê : Diálogo Europa América. Passado e Presente; 341-361Antíteses; Vol. 4, n. 7, jan./jun. 2011 - Dossiê : Diálogo Europa América. Passado e Presente; 341-3611984-3356reponame:Antítesesinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/5212/8853Copyright (c) 2011 Antítesesinfo:eu-repo/semantics/openAccessKuyumjian, Marcia de Melo Martins2022-05-17T11:36:42Zoai:ojs.pkp.sfu.ca:article/5212Revistahttps://www.uel.br/revistas/uel/index.php/antitesesPUBhttps://www.uel.br/revistas/uel/index.php/antiteses/oaiantiteses@uel.br||1984-33561984-3356opendoar:2022-05-17T11:36:42Antíteses - Universidade Estadual de Londrina (UEL)false |
dc.title.none.fl_str_mv |
Cultural dissonance? the work in Brasília Dissonância cultural? o trabalho em Brasília |
title |
Cultural dissonance? the work in Brasília |
spellingShingle |
Cultural dissonance? the work in Brasília Kuyumjian, Marcia de Melo Martins Informal work Brasília Cultural dissonance Identity Research Trabalho informal Brasília Dissonância cultural Identidade Pesquisa |
title_short |
Cultural dissonance? the work in Brasília |
title_full |
Cultural dissonance? the work in Brasília |
title_fullStr |
Cultural dissonance? the work in Brasília |
title_full_unstemmed |
Cultural dissonance? the work in Brasília |
title_sort |
Cultural dissonance? the work in Brasília |
author |
Kuyumjian, Marcia de Melo Martins |
author_facet |
Kuyumjian, Marcia de Melo Martins |
author_role |
author |
dc.contributor.author.fl_str_mv |
Kuyumjian, Marcia de Melo Martins |
dc.subject.por.fl_str_mv |
Informal work Brasília Cultural dissonance Identity Research Trabalho informal Brasília Dissonância cultural Identidade Pesquisa |
topic |
Informal work Brasília Cultural dissonance Identity Research Trabalho informal Brasília Dissonância cultural Identidade Pesquisa |
description |
We used the image of the orchestra to consider the meaning of dissonance and its variations in the complex understanding of the informal Brasilia, in the investigation of the work and its manifestations in a cultural bias. We consider that, in the daily work, insight and sensitivity are aligned to resize the dissonance as an arrangement of the diversity of doing and thinking in society. It is this dissonance that permits the merging of different types of work that, although stratified on a scale of values well defined by hegemonic sectors, gives us the social dynamics, embedded in history and in the ways which sociality prints its mark on what is popular. Dionysian is the life experienced in the universe of informal work, also uneasiness, a sonorous arrangement that vibrates at a different scale. It is the place of selfhood, narrative that takes other speech place and gives rise to strategies of interaction, freedom and action for the players. It's the identity of oneself. Thus, the term informality carries with it a discomfort, but also reveals that the spaces of the city of Brasilia are practiced places, where experiences and solidarity are reactivated every day. To do this we chose to emphasize the words and images that emerge from informal workers who occupy different spaces in the city. This work is a results of a research, supported by CNPq, that begun in 2007, with more than 40 workers interviews and a file with almost 2 thousand pictures. |
publishDate |
2011 |
dc.date.none.fl_str_mv |
2011-10-11 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/5212 10.5433/1984-3356.2011v4n7p341 |
url |
https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/5212 |
identifier_str_mv |
10.5433/1984-3356.2011v4n7p341 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/5212/8853 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2011 Antíteses info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2011 Antíteses |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
dc.source.none.fl_str_mv |
Antíteses; Vol. 4, n. 7, jan./jun. 2011 - Dossiê : Diálogo Europa América. Passado e Presente; 341-361 Antíteses; Vol. 4, n. 7, jan./jun. 2011 - Dossiê : Diálogo Europa América. Passado e Presente; 341-361 1984-3356 reponame:Antíteses instname:Universidade Estadual de Londrina (UEL) instacron:UEL |
instname_str |
Universidade Estadual de Londrina (UEL) |
instacron_str |
UEL |
institution |
UEL |
reponame_str |
Antíteses |
collection |
Antíteses |
repository.name.fl_str_mv |
Antíteses - Universidade Estadual de Londrina (UEL) |
repository.mail.fl_str_mv |
antiteses@uel.br|| |
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1797069045258780672 |