A "telephone system" applied to the theatrical composition: Dramaturgy and theatrical practices in Rio de Janeiro in the second half of the 19th century

Detalhes bibliográficos
Autor(a) principal: Souza, Silvia Cristina Martins de
Data de Publicação: 2017
Tipo de documento: Artigo
Idioma: por
Título da fonte: Antíteses
Texto Completo: https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/27749
Resumo: In the second half of the nineteenth century, Rio de Janeiro witnessed some significant changes in its cultural landscape, in which new practices emerging in terms of leisure and market. In this article we analyze one of these practices: the dialogues established between the titles of plays that were answered or parodyed. Such created a kind of "telephone system" based on a close relationship between word, interpreter, producer and receiver, meeting the expectations and interests of increasingly heterogeneous audiences attending theatrical performances.
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spelling A "telephone system" applied to the theatrical composition: Dramaturgy and theatrical practices in Rio de Janeiro in the second half of the 19th centuryUm “sistema telefônico” aplicado à composição teatral: Dramaturgia e práticas teatrais no Rio de Janeiro da segunda metade do século XIXHistoryTheatrical practicesRio de Janeiro19th centuryHistoryPress and theaterHistóriaPráticas teatraisRio de JaneiroSéculo XIX.HistoriaImprensa e teatroIn the second half of the nineteenth century, Rio de Janeiro witnessed some significant changes in its cultural landscape, in which new practices emerging in terms of leisure and market. In this article we analyze one of these practices: the dialogues established between the titles of plays that were answered or parodyed. Such created a kind of "telephone system" based on a close relationship between word, interpreter, producer and receiver, meeting the expectations and interests of increasingly heterogeneous audiences attending theatrical performances.Na segunda metade do século XIX, o Rio de Janeiro assistiu a mudanças significativas no seu cenário cultural, no qual foram emergindo novas práticas em termos de lazer e de mercado. Neste artigo analisase uma delas: os diálogos estabelecidos entre os títulos de peças teatrais que se respondiam ou se parodiavam. Tais práticas criaram uma espécie de “sistema telefônico” baseado numa relação estreita entre palavra, intérprete, produtor e receptor, indo ao encontro das expectativas e interesses das plateias cada vez mais heterogêneas que assistiam às representações teatrais.Universidade Estadual de Londrina2017-07-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionHistorical researchPesquisa históricaapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/2774910.5433/1984-3356.2017v10n19p41Antíteses; Vol. 10 No. 19 (2017): história e imprensa; 41-63Antíteses; v. 10 n. 19 (2017): história e imprensa; 41-631984-3356reponame:Antítesesinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/27749/21268Copyright (c) 2017 Antítesesinfo:eu-repo/semantics/openAccessSouza, Silvia Cristina Martins de2021-08-31T15:26:21Zoai:ojs.pkp.sfu.ca:article/27749Revistahttps://www.uel.br/revistas/uel/index.php/antitesesPUBhttps://www.uel.br/revistas/uel/index.php/antiteses/oaiantiteses@uel.br||1984-33561984-3356opendoar:2021-08-31T15:26:21Antíteses - Universidade Estadual de Londrina (UEL)false
dc.title.none.fl_str_mv A "telephone system" applied to the theatrical composition: Dramaturgy and theatrical practices in Rio de Janeiro in the second half of the 19th century
Um “sistema telefônico” aplicado à composição teatral: Dramaturgia e práticas teatrais no Rio de Janeiro da segunda metade do século XIX
title A "telephone system" applied to the theatrical composition: Dramaturgy and theatrical practices in Rio de Janeiro in the second half of the 19th century
spellingShingle A "telephone system" applied to the theatrical composition: Dramaturgy and theatrical practices in Rio de Janeiro in the second half of the 19th century
Souza, Silvia Cristina Martins de
History
Theatrical practices
Rio de Janeiro
19th century
History
Press and theater
História
Práticas teatrais
Rio de Janeiro
Século XIX.
Historia
Imprensa e teatro
title_short A "telephone system" applied to the theatrical composition: Dramaturgy and theatrical practices in Rio de Janeiro in the second half of the 19th century
title_full A "telephone system" applied to the theatrical composition: Dramaturgy and theatrical practices in Rio de Janeiro in the second half of the 19th century
title_fullStr A "telephone system" applied to the theatrical composition: Dramaturgy and theatrical practices in Rio de Janeiro in the second half of the 19th century
title_full_unstemmed A "telephone system" applied to the theatrical composition: Dramaturgy and theatrical practices in Rio de Janeiro in the second half of the 19th century
title_sort A "telephone system" applied to the theatrical composition: Dramaturgy and theatrical practices in Rio de Janeiro in the second half of the 19th century
author Souza, Silvia Cristina Martins de
author_facet Souza, Silvia Cristina Martins de
author_role author
dc.contributor.author.fl_str_mv Souza, Silvia Cristina Martins de
dc.subject.por.fl_str_mv History
Theatrical practices
Rio de Janeiro
19th century
History
Press and theater
História
Práticas teatrais
Rio de Janeiro
Século XIX.
Historia
Imprensa e teatro
topic History
Theatrical practices
Rio de Janeiro
19th century
History
Press and theater
História
Práticas teatrais
Rio de Janeiro
Século XIX.
Historia
Imprensa e teatro
description In the second half of the nineteenth century, Rio de Janeiro witnessed some significant changes in its cultural landscape, in which new practices emerging in terms of leisure and market. In this article we analyze one of these practices: the dialogues established between the titles of plays that were answered or parodyed. Such created a kind of "telephone system" based on a close relationship between word, interpreter, producer and receiver, meeting the expectations and interests of increasingly heterogeneous audiences attending theatrical performances.
publishDate 2017
dc.date.none.fl_str_mv 2017-07-28
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Historical research
Pesquisa histórica
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/27749
10.5433/1984-3356.2017v10n19p41
url https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/27749
identifier_str_mv 10.5433/1984-3356.2017v10n19p41
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/27749/21268
dc.rights.driver.fl_str_mv Copyright (c) 2017 Antíteses
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2017 Antíteses
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Estadual de Londrina
publisher.none.fl_str_mv Universidade Estadual de Londrina
dc.source.none.fl_str_mv Antíteses; Vol. 10 No. 19 (2017): história e imprensa; 41-63
Antíteses; v. 10 n. 19 (2017): história e imprensa; 41-63
1984-3356
reponame:Antíteses
instname:Universidade Estadual de Londrina (UEL)
instacron:UEL
instname_str Universidade Estadual de Londrina (UEL)
instacron_str UEL
institution UEL
reponame_str Antíteses
collection Antíteses
repository.name.fl_str_mv Antíteses - Universidade Estadual de Londrina (UEL)
repository.mail.fl_str_mv antiteses@uel.br||
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