Samba had more life: memory of musicians and communities members of the samba in Florianópolis/SC

Detalhes bibliográficos
Autor(a) principal: Pinheiro, Lisandra Barbosa Macedo
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: por
Título da fonte: Antíteses
Texto Completo: https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/32641
Resumo: This paper aims to analyze the discourse about cultural identity through the manifestations of popular music in Florianópolis, Santa Catarina, from interviews with musicians and community participants samba, emphasizing mainly the issue of musical forms and melodic is composed in the mid-twentieth century. Rooted on the valuation of antique instruments, the way they were made, in either of the sets, groups and musical genres, these memories help us and lead us to an historical analysis of musical experiences as ways of pleasure, affirmation and cultural representation to understanding how languages and representantions, as it takes shape in the theoretical assumptions of History of the Present Time. The music in this sense becomes one forming agents discourse around the cultural identity of the people that belong to the outskirts of towns.
id UEL-13_3fb45a7d2955bf2380bcd7693d3e1769
oai_identifier_str oai:ojs.pkp.sfu.ca:article/32641
network_acronym_str UEL-13
network_name_str Antíteses
repository_id_str
spelling Samba had more life: memory of musicians and communities members of the samba in Florianópolis/SCO samba tinha mais vida: memória de músicos e integrantes das comunidades do samba em Florianópolis/SCHistory of the present timeMemoryPopular musicCultural identityHistory of Brazilian popular musicHistória do tempo presenteMemóriaMúsica popularIdentidade culturalHistória da musica popular brasileiraThis paper aims to analyze the discourse about cultural identity through the manifestations of popular music in Florianópolis, Santa Catarina, from interviews with musicians and community participants samba, emphasizing mainly the issue of musical forms and melodic is composed in the mid-twentieth century. Rooted on the valuation of antique instruments, the way they were made, in either of the sets, groups and musical genres, these memories help us and lead us to an historical analysis of musical experiences as ways of pleasure, affirmation and cultural representation to understanding how languages and representantions, as it takes shape in the theoretical assumptions of History of the Present Time. The music in this sense becomes one forming agents discourse around the cultural identity of the people that belong to the outskirts of towns.Este artigo tem como objetivo analisar os discursos em torno da identidade cultural através das manifestações da música popular em Florianópolis, Santa Catarina, a partir de entrevistas com músicos e participantes das comunidades do samba, enfatizando, principalmente, a questão das formas musicais e melódicas que compunham em meados do século XX. Pautadas na valorização dos antigos instrumentos, na forma como eram confeccionados, nos formatos dos conjuntos, grupos e nos gêneros musicais, estas memórias nos conduzem e nos auxiliam para uma reflexão historiográfica sobre experiências musicais enquanto formas de lazer, de afirmação e representação cultural, aqui se entendendo como linguagens e representações de mundo, tal como esta se configura nos pressupostos teóricos da Historia do Tempo Presente. A música, nesse sentido, se torna um dos agentes formadores dos discursos em torno da identidade cultural das populações que compõe as regiões periféricas urbanas.Universidade Estadual de Londrina2018-07-24info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionHistorical researchPesquisa históricaapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/3264110.5433/1984-3356.2018v11n21p413Antíteses; Vol. 11 No. 21 (2018): dossie - As reduções da Companhia de Jesus na América Colonial: diálogos de realidades missionárias e debates intelectuais sobre a ação jesuítica; 413-429Antíteses; v. 11 n. 21 (2018): dossie - As reduções da Companhia de Jesus na América Colonial: diálogos de realidades missionárias e debates intelectuais sobre a ação jesuítica; 413-4291984-3356reponame:Antítesesinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/32641/23889Copyright (c) 2018 Antíteseshttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessPinheiro, Lisandra Barbosa Macedo2022-11-08T16:09:05Zoai:ojs.pkp.sfu.ca:article/32641Revistahttps://www.uel.br/revistas/uel/index.php/antitesesPUBhttps://www.uel.br/revistas/uel/index.php/antiteses/oaiantiteses@uel.br||1984-33561984-3356opendoar:2022-11-08T16:09:05Antíteses - Universidade Estadual de Londrina (UEL)false
dc.title.none.fl_str_mv Samba had more life: memory of musicians and communities members of the samba in Florianópolis/SC
O samba tinha mais vida: memória de músicos e integrantes das comunidades do samba em Florianópolis/SC
title Samba had more life: memory of musicians and communities members of the samba in Florianópolis/SC
spellingShingle Samba had more life: memory of musicians and communities members of the samba in Florianópolis/SC
Pinheiro, Lisandra Barbosa Macedo
History of the present time
Memory
Popular music
Cultural identity
History of Brazilian popular music
História do tempo presente
Memória
Música popular
Identidade cultural
História da musica popular brasileira
title_short Samba had more life: memory of musicians and communities members of the samba in Florianópolis/SC
title_full Samba had more life: memory of musicians and communities members of the samba in Florianópolis/SC
title_fullStr Samba had more life: memory of musicians and communities members of the samba in Florianópolis/SC
title_full_unstemmed Samba had more life: memory of musicians and communities members of the samba in Florianópolis/SC
title_sort Samba had more life: memory of musicians and communities members of the samba in Florianópolis/SC
author Pinheiro, Lisandra Barbosa Macedo
author_facet Pinheiro, Lisandra Barbosa Macedo
author_role author
dc.contributor.author.fl_str_mv Pinheiro, Lisandra Barbosa Macedo
dc.subject.por.fl_str_mv History of the present time
Memory
Popular music
Cultural identity
History of Brazilian popular music
História do tempo presente
Memória
Música popular
Identidade cultural
História da musica popular brasileira
topic History of the present time
Memory
Popular music
Cultural identity
History of Brazilian popular music
História do tempo presente
Memória
Música popular
Identidade cultural
História da musica popular brasileira
description This paper aims to analyze the discourse about cultural identity through the manifestations of popular music in Florianópolis, Santa Catarina, from interviews with musicians and community participants samba, emphasizing mainly the issue of musical forms and melodic is composed in the mid-twentieth century. Rooted on the valuation of antique instruments, the way they were made, in either of the sets, groups and musical genres, these memories help us and lead us to an historical analysis of musical experiences as ways of pleasure, affirmation and cultural representation to understanding how languages and representantions, as it takes shape in the theoretical assumptions of History of the Present Time. The music in this sense becomes one forming agents discourse around the cultural identity of the people that belong to the outskirts of towns.
publishDate 2018
dc.date.none.fl_str_mv 2018-07-24
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Historical research
Pesquisa histórica
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/32641
10.5433/1984-3356.2018v11n21p413
url https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/32641
identifier_str_mv 10.5433/1984-3356.2018v11n21p413
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/32641/23889
dc.rights.driver.fl_str_mv Copyright (c) 2018 Antíteses
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Antíteses
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Estadual de Londrina
publisher.none.fl_str_mv Universidade Estadual de Londrina
dc.source.none.fl_str_mv Antíteses; Vol. 11 No. 21 (2018): dossie - As reduções da Companhia de Jesus na América Colonial: diálogos de realidades missionárias e debates intelectuais sobre a ação jesuítica; 413-429
Antíteses; v. 11 n. 21 (2018): dossie - As reduções da Companhia de Jesus na América Colonial: diálogos de realidades missionárias e debates intelectuais sobre a ação jesuítica; 413-429
1984-3356
reponame:Antíteses
instname:Universidade Estadual de Londrina (UEL)
instacron:UEL
instname_str Universidade Estadual de Londrina (UEL)
instacron_str UEL
institution UEL
reponame_str Antíteses
collection Antíteses
repository.name.fl_str_mv Antíteses - Universidade Estadual de Londrina (UEL)
repository.mail.fl_str_mv antiteses@uel.br||
_version_ 1797069047920066560

Registros relacionados