The artist and the city: Eugênio de Proença Sigaud in Jacarezinho-PR (1954-1957)
Autor(a) principal: | |
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Data de Publicação: | 2013 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Antíteses |
Texto Completo: | https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/14515 |
Resumo: | Think historically the urban through the art of the Diocesan Cathedral from Jacarezinho – PR, it is what this dissertation is based on, after all, we realize the art can say by itself, but also about the cultures, sociabilities and customs from the period that it was produced. In this sense, the architectural grandeur of this temple is the material manifestation of religious power (catholic) and economical (coffee crops sector) at the town, and the wall pictures of Eugênio de Proença Sigaud authorship, are a valuable register about the artist view to this city in the 1950s, Since his work keeps the particularity to bring townspeople to represent biblical characters, for example, we identified altar boys, mayor, bricklayers, nuns and other hundreds represented on it, herein the polemic and famous personalities like Marx, Lênin and the Pope Pius XII. For this purpose, we face visuals sources with journals, and memories – handwriting, oral, and official sources and, that way, we built a historical narrative about the intriguing process of the Diocesan Cathedral embellishment from Jacarezinho by this modern, communist, and atheist painter that received an invitation from his brother, the bishop Dom Geraldo de Proença Sigaud, nationally renowned for his ultra-conservative and anticommunist posture. |
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The artist and the city: Eugênio de Proença Sigaud in Jacarezinho-PR (1954-1957)O artista e a cidade: Eugênio de Proença Sigaud em Jacarezinho-PR (1954-1957)Eugênio de Proença SigaudCathedral from JacarezinhoUrban historyWall picturesEugênio de Proença SigaudCatedral JacarezinhenseHistória urbanaPinturas muraisThink historically the urban through the art of the Diocesan Cathedral from Jacarezinho – PR, it is what this dissertation is based on, after all, we realize the art can say by itself, but also about the cultures, sociabilities and customs from the period that it was produced. In this sense, the architectural grandeur of this temple is the material manifestation of religious power (catholic) and economical (coffee crops sector) at the town, and the wall pictures of Eugênio de Proença Sigaud authorship, are a valuable register about the artist view to this city in the 1950s, Since his work keeps the particularity to bring townspeople to represent biblical characters, for example, we identified altar boys, mayor, bricklayers, nuns and other hundreds represented on it, herein the polemic and famous personalities like Marx, Lênin and the Pope Pius XII. For this purpose, we face visuals sources with journals, and memories – handwriting, oral, and official sources and, that way, we built a historical narrative about the intriguing process of the Diocesan Cathedral embellishment from Jacarezinho by this modern, communist, and atheist painter that received an invitation from his brother, the bishop Dom Geraldo de Proença Sigaud, nationally renowned for his ultra-conservative and anticommunist posture.Pensar historicamente o urbano através da arte na Catedral Diocesana de Jacarezinho-PR é em que consiste esta dissertação, afinal, entendemos que a arte pode dizer sobre si, mas também sobre as culturas, sociabilidades e costumes do período no qual foi produzida. Nesse sentido, a grandiosidade arquitetônica desse templo é a manifestação material do poder religioso (católico) e econômico (cafeicultura) na localidade, e as pinturas murais de autoria de Eugênio de Proença Sigaud, são um valioso registro sobre o olhar do artista para essa cidade nos anos de 1950, pois seu trabalho guarda a particularidade de trazer os próprios citadinos para representar as personagens bíblicas, por exemplo, identificamos coroinhas, prefeito, pedreiros, freiras e centenas de outros nelas representados junto a famosas e polêmicas personalidades como Marx, Lênin e o Papa Pio XII.Para isso, confrontamos fontes visuais com periódicos, e memórias – escrita, oral –, e fontes oficiais e, dessa maneira, construímos uma narrativa histórica sobre o intrigante processo de embelezamento da Catedral Diocesana de Jacarezinho por esse pintor moderno, comunista e ateu a convite de seu irmão o bispo, Dom Geraldo de Proença Sigaud, nacionalmente conhecido por suas posturas ultraconservadoras e anticomunistas.Universidade Estadual de Londrina2013-03-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/1451510.5433/1984-3356.2012v5n10p913Antíteses; Vol. 5, n. 10, jul./dez. 2012 - Dossiê: Educação Histórica, Teoria da História e Historiografia; 913-914Antíteses; Vol. 5, n. 10, jul./dez. 2012 - Dossiê: Educação Histórica, Teoria da História e Historiografia; 913-9141984-3356reponame:Antítesesinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/14515/12156Copyright (c) 2012 Antítesesinfo:eu-repo/semantics/openAccessEvangelista, Luciana de Fátima Marinho2022-04-08T13:39:21Zoai:ojs.pkp.sfu.ca:article/14515Revistahttps://www.uel.br/revistas/uel/index.php/antitesesPUBhttps://www.uel.br/revistas/uel/index.php/antiteses/oaiantiteses@uel.br||1984-33561984-3356opendoar:2022-04-08T13:39:21Antíteses - Universidade Estadual de Londrina (UEL)false |
dc.title.none.fl_str_mv |
The artist and the city: Eugênio de Proença Sigaud in Jacarezinho-PR (1954-1957) O artista e a cidade: Eugênio de Proença Sigaud em Jacarezinho-PR (1954-1957) |
title |
The artist and the city: Eugênio de Proença Sigaud in Jacarezinho-PR (1954-1957) |
spellingShingle |
The artist and the city: Eugênio de Proença Sigaud in Jacarezinho-PR (1954-1957) Evangelista, Luciana de Fátima Marinho Eugênio de Proença Sigaud Cathedral from Jacarezinho Urban history Wall pictures Eugênio de Proença Sigaud Catedral Jacarezinhense História urbana Pinturas murais |
title_short |
The artist and the city: Eugênio de Proença Sigaud in Jacarezinho-PR (1954-1957) |
title_full |
The artist and the city: Eugênio de Proença Sigaud in Jacarezinho-PR (1954-1957) |
title_fullStr |
The artist and the city: Eugênio de Proença Sigaud in Jacarezinho-PR (1954-1957) |
title_full_unstemmed |
The artist and the city: Eugênio de Proença Sigaud in Jacarezinho-PR (1954-1957) |
title_sort |
The artist and the city: Eugênio de Proença Sigaud in Jacarezinho-PR (1954-1957) |
author |
Evangelista, Luciana de Fátima Marinho |
author_facet |
Evangelista, Luciana de Fátima Marinho |
author_role |
author |
dc.contributor.author.fl_str_mv |
Evangelista, Luciana de Fátima Marinho |
dc.subject.por.fl_str_mv |
Eugênio de Proença Sigaud Cathedral from Jacarezinho Urban history Wall pictures Eugênio de Proença Sigaud Catedral Jacarezinhense História urbana Pinturas murais |
topic |
Eugênio de Proença Sigaud Cathedral from Jacarezinho Urban history Wall pictures Eugênio de Proença Sigaud Catedral Jacarezinhense História urbana Pinturas murais |
description |
Think historically the urban through the art of the Diocesan Cathedral from Jacarezinho – PR, it is what this dissertation is based on, after all, we realize the art can say by itself, but also about the cultures, sociabilities and customs from the period that it was produced. In this sense, the architectural grandeur of this temple is the material manifestation of religious power (catholic) and economical (coffee crops sector) at the town, and the wall pictures of Eugênio de Proença Sigaud authorship, are a valuable register about the artist view to this city in the 1950s, Since his work keeps the particularity to bring townspeople to represent biblical characters, for example, we identified altar boys, mayor, bricklayers, nuns and other hundreds represented on it, herein the polemic and famous personalities like Marx, Lênin and the Pope Pius XII. For this purpose, we face visuals sources with journals, and memories – handwriting, oral, and official sources and, that way, we built a historical narrative about the intriguing process of the Diocesan Cathedral embellishment from Jacarezinho by this modern, communist, and atheist painter that received an invitation from his brother, the bishop Dom Geraldo de Proença Sigaud, nationally renowned for his ultra-conservative and anticommunist posture. |
publishDate |
2013 |
dc.date.none.fl_str_mv |
2013-03-16 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/14515 10.5433/1984-3356.2012v5n10p913 |
url |
https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/14515 |
identifier_str_mv |
10.5433/1984-3356.2012v5n10p913 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/14515/12156 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2012 Antíteses info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2012 Antíteses |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
dc.source.none.fl_str_mv |
Antíteses; Vol. 5, n. 10, jul./dez. 2012 - Dossiê: Educação Histórica, Teoria da História e Historiografia; 913-914 Antíteses; Vol. 5, n. 10, jul./dez. 2012 - Dossiê: Educação Histórica, Teoria da História e Historiografia; 913-914 1984-3356 reponame:Antíteses instname:Universidade Estadual de Londrina (UEL) instacron:UEL |
instname_str |
Universidade Estadual de Londrina (UEL) |
instacron_str |
UEL |
institution |
UEL |
reponame_str |
Antíteses |
collection |
Antíteses |
repository.name.fl_str_mv |
Antíteses - Universidade Estadual de Londrina (UEL) |
repository.mail.fl_str_mv |
antiteses@uel.br|| |
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1797069045971812352 |