"I am, I am nothing, I am a story ever told": Performing personas - erotic expression in audiovisual performances Ney Matogrosso the authorization context of a dictatorship

Detalhes bibliográficos
Autor(a) principal: Silva, Robson Pereira da
Data de Publicação: 2016
Tipo de documento: Artigo
Idioma: por
Título da fonte: Antíteses
Texto Completo: https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/21078
Resumo: There is, in this article, the research into the performing transgressions of Ney Matogrosso in the context of the Brazilian dictatorship civil military. Thus, we understand the marginal personas (types / archetypes) displayed procedurally in performative procedures artist Ney Matogrosso (phonogram, cover, brochure, spectacles), meaning his work over the years 1970 and 1980. The artist, in his works, reverses the concepts governed by affluent culture, this practice, consisting of audiovisual materials, widespread in the cultural industry, which ensures historically the performer of the production of the materiality of Music Popular Brazilian (MPB) - recording performance. This study highlights the historicity of aesthetic subversion in Ney Matogrosso, as a front political attitude to the producer authoritarian regime prohibitions the erotic potential.
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spelling "I am, I am nothing, I am a story ever told": Performing personas - erotic expression in audiovisual performances Ney Matogrosso the authorization context of a dictatorship´Sou quem sou, e não sou nada, sou uma história já contada´: Sujeitos cênicos - expressão erótica na obra audiovisual de Ney Matogrosso no contexto de autoritarismo (1975-1982)PerformanceNey MatogrossoAuthoritarianismMPBDictatorshipHistoryPerformanceNey MatogrossoAutoritarismoMPBDitaduraHistóriaThere is, in this article, the research into the performing transgressions of Ney Matogrosso in the context of the Brazilian dictatorship civil military. Thus, we understand the marginal personas (types / archetypes) displayed procedurally in performative procedures artist Ney Matogrosso (phonogram, cover, brochure, spectacles), meaning his work over the years 1970 and 1980. The artist, in his works, reverses the concepts governed by affluent culture, this practice, consisting of audiovisual materials, widespread in the cultural industry, which ensures historically the performer of the production of the materiality of Music Popular Brazilian (MPB) - recording performance. This study highlights the historicity of aesthetic subversion in Ney Matogrosso, as a front political attitude to the producer authoritarian regime prohibitions the erotic potential.Verifica-se no presente artigo as investigações acerca das transgressões performáticas de Ney Matogrosso, no contexto da ditadura civil militar brasileira. Desta feita, percebe-se a exibição de sujeitos (tipos/arquétipos) marginais, nos procedimentos performáticos (fonograma, capa, encarte, espetáculo) que configuraram o sentido das obras do artista, durante as décadas 1970 e 1980. Em suas obras, Ney Matogrosso, inverteu a ideia regida pela cultura afluente, em procedimentos compostos por materiais audiovisuais dispostos e difundidos em uma indústria cultural, o que garantiu historicamente a materialidade da produção do intérprete na Música Popular Brasileira. Em consequência disso, temos o acesso ao registro da performance. Neste estudo, preconiza-se a historicidade da estética da subversão posta nas obras de Ney Matogrosso, como uma atitude política frente ao regime de autoritarismo produtor de interdições do potencial erótico.Universidade Estadual de Londrina2016-01-18info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionHistorical researchPesquisa históricaapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/2107810.5433/1984-3356.2015v8n16p303Antíteses; Vol. 8 No. 16 (2015): Dossiê: Identidades cristãs no mundo romano; 303-326Antíteses; v. 8 n. 16 (2015): Dossiê: Identidades cristãs no mundo romano; 303-3261984-3356reponame:Antítesesinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/21078/17814Copyright (c) 2015 Antítesesinfo:eu-repo/semantics/openAccessSilva, Robson Pereira da2021-10-28T18:30:03Zoai:ojs.pkp.sfu.ca:article/21078Revistahttps://www.uel.br/revistas/uel/index.php/antitesesPUBhttps://www.uel.br/revistas/uel/index.php/antiteses/oaiantiteses@uel.br||1984-33561984-3356opendoar:2021-10-28T18:30:03Antíteses - Universidade Estadual de Londrina (UEL)false
dc.title.none.fl_str_mv "I am, I am nothing, I am a story ever told": Performing personas - erotic expression in audiovisual performances Ney Matogrosso the authorization context of a dictatorship
´Sou quem sou, e não sou nada, sou uma história já contada´: Sujeitos cênicos - expressão erótica na obra audiovisual de Ney Matogrosso no contexto de autoritarismo (1975-1982)
title "I am, I am nothing, I am a story ever told": Performing personas - erotic expression in audiovisual performances Ney Matogrosso the authorization context of a dictatorship
spellingShingle "I am, I am nothing, I am a story ever told": Performing personas - erotic expression in audiovisual performances Ney Matogrosso the authorization context of a dictatorship
Silva, Robson Pereira da
Performance
Ney Matogrosso
Authoritarianism
MPB
Dictatorship
History
Performance
Ney Matogrosso
Autoritarismo
MPB
Ditadura
História
title_short "I am, I am nothing, I am a story ever told": Performing personas - erotic expression in audiovisual performances Ney Matogrosso the authorization context of a dictatorship
title_full "I am, I am nothing, I am a story ever told": Performing personas - erotic expression in audiovisual performances Ney Matogrosso the authorization context of a dictatorship
title_fullStr "I am, I am nothing, I am a story ever told": Performing personas - erotic expression in audiovisual performances Ney Matogrosso the authorization context of a dictatorship
title_full_unstemmed "I am, I am nothing, I am a story ever told": Performing personas - erotic expression in audiovisual performances Ney Matogrosso the authorization context of a dictatorship
title_sort "I am, I am nothing, I am a story ever told": Performing personas - erotic expression in audiovisual performances Ney Matogrosso the authorization context of a dictatorship
author Silva, Robson Pereira da
author_facet Silva, Robson Pereira da
author_role author
dc.contributor.author.fl_str_mv Silva, Robson Pereira da
dc.subject.por.fl_str_mv Performance
Ney Matogrosso
Authoritarianism
MPB
Dictatorship
History
Performance
Ney Matogrosso
Autoritarismo
MPB
Ditadura
História
topic Performance
Ney Matogrosso
Authoritarianism
MPB
Dictatorship
History
Performance
Ney Matogrosso
Autoritarismo
MPB
Ditadura
História
description There is, in this article, the research into the performing transgressions of Ney Matogrosso in the context of the Brazilian dictatorship civil military. Thus, we understand the marginal personas (types / archetypes) displayed procedurally in performative procedures artist Ney Matogrosso (phonogram, cover, brochure, spectacles), meaning his work over the years 1970 and 1980. The artist, in his works, reverses the concepts governed by affluent culture, this practice, consisting of audiovisual materials, widespread in the cultural industry, which ensures historically the performer of the production of the materiality of Music Popular Brazilian (MPB) - recording performance. This study highlights the historicity of aesthetic subversion in Ney Matogrosso, as a front political attitude to the producer authoritarian regime prohibitions the erotic potential.
publishDate 2016
dc.date.none.fl_str_mv 2016-01-18
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Historical research
Pesquisa histórica
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/21078
10.5433/1984-3356.2015v8n16p303
url https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/21078
identifier_str_mv 10.5433/1984-3356.2015v8n16p303
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/21078/17814
dc.rights.driver.fl_str_mv Copyright (c) 2015 Antíteses
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2015 Antíteses
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Estadual de Londrina
publisher.none.fl_str_mv Universidade Estadual de Londrina
dc.source.none.fl_str_mv Antíteses; Vol. 8 No. 16 (2015): Dossiê: Identidades cristãs no mundo romano; 303-326
Antíteses; v. 8 n. 16 (2015): Dossiê: Identidades cristãs no mundo romano; 303-326
1984-3356
reponame:Antíteses
instname:Universidade Estadual de Londrina (UEL)
instacron:UEL
instname_str Universidade Estadual de Londrina (UEL)
instacron_str UEL
institution UEL
reponame_str Antíteses
collection Antíteses
repository.name.fl_str_mv Antíteses - Universidade Estadual de Londrina (UEL)
repository.mail.fl_str_mv antiteses@uel.br||
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