Women filmmakers during the Popular Unity government (Chile, 1970-1973):: reflections on the extra and intra filmic
Autor(a) principal: | |
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Data de Publicação: | 2024 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Antíteses |
Texto Completo: | https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/48976 |
Resumo: | Some films produced during the Popular Unity - UP government (1970-1973) entered the canon not only of Chilean cinema, but of Latin American cinema. Consequently, they have been studied a lot over the years, while another part of the filmography made in Chile in that period had little or no visibility. Examples of this second case are the cinematographic works directed by women in the early 1970s, although, fortunately, some of these filmmakers are increasingly the subject of studies and exhibitions. However, even in the recent bibliography, the productions with women filmmakers made in the days of the UP were not conceived together. It is this contribution to research on women's cinema in Latin America that is the purpose of this article. After carrying out a survey based on several sources, we arrived at a corpus of 15 works, which were analyzed from the following aspects: composition of the direction; Format; narrative genre; form of financing and production structure; if it has an interview; if it has narration; if there is music (if so, what is its role); from which logics are built the relations between image and sound; assembly logic. |
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Women filmmakers during the Popular Unity government (Chile, 1970-1973):: reflections on the extra and intra filmicMujeres cineastas durante el gobierno de la Unidad Popular (Chile, 1970-1973):: reflexiones sobre lo extra e intra fílmicoMulheres cineastas durante o governo da Unidade Popular (Chile, 1970-1973):: reflexões sobre o extra e o intra fílmicoCinemaMulheresUnidade PopularAn´álisecinemawomenPopular UnityanalysisCinemaMujeresUnidad PopularSome films produced during the Popular Unity - UP government (1970-1973) entered the canon not only of Chilean cinema, but of Latin American cinema. Consequently, they have been studied a lot over the years, while another part of the filmography made in Chile in that period had little or no visibility. Examples of this second case are the cinematographic works directed by women in the early 1970s, although, fortunately, some of these filmmakers are increasingly the subject of studies and exhibitions. However, even in the recent bibliography, the productions with women filmmakers made in the days of the UP were not conceived together. It is this contribution to research on women's cinema in Latin America that is the purpose of this article. After carrying out a survey based on several sources, we arrived at a corpus of 15 works, which were analyzed from the following aspects: composition of the direction; Format; narrative genre; form of financing and production structure; if it has an interview; if it has narration; if there is music (if so, what is its role); from which logics are built the relations between image and sound; assembly logic.Alguns filmes produzidos durante o governo da Unidade Popular (UP – 1970-1973) entraram para o cânone não apenas do cinema chileno, mas do cinema latino-americano. Por conseguinte, foram muito estudados ao longo dos anos, enquanto outra parte da filmografia realizada no Chile naquele período teve pouca ou nenhuma visibilidade. São exemplos desse segundo caso as obras cinematográficas dirigidas por mulheres nos primeiros anos da década de 1970, embora, felizmente, algumas dessas cineastas sejam cada vez mais tema de estudos e mostras. Não obstante, mesmo na bibliografia recente, as produções com mulheres na direção feitas nos tempos da UP não foram pensadas de forma conjunta. É esta contribuição às pesquisas sobre o cinema de mulheres na América Latina o objetivo do presente artigo. Após realizarmos um levantamento partindo de diversas fontes, chegamos a um corpus de 15 obras, que foram analisadas a partir dos seguintes aspectos: composição da direção; formato; gênero narrativo; forma de financiamento e estrutura de produção; se tem entrevista; se tem narração; se tem música (se sim, qual seu papel); a partir de que lógicas são construídas as relações entre imagem e som; e lógicas de montagem.Universidade Estadual de Londrina2024-04-11info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/4897610.5433/1984-3356.2023v16n32p089-126Antíteses; Vol. 16 No. 32 (2023): The Chilean Unidad Popular: a cultural history; 089-126Antíteses; v. 16 n. 32 (2023): A Unidad Popular chilena: uma história cultural; 089-1261984-3356reponame:Antítesesinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/48976/50268Copyright (c) 2024 Marina Cavalcanti Tedescohttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessTedesco, Marina Cavalcanti2024-04-11T18:07:15Zoai:ojs.pkp.sfu.ca:article/48976Revistahttps://www.uel.br/revistas/uel/index.php/antitesesPUBhttps://www.uel.br/revistas/uel/index.php/antiteses/oaiantiteses@uel.br||1984-33561984-3356opendoar:2024-04-11T18:07:15Antíteses - Universidade Estadual de Londrina (UEL)false |
dc.title.none.fl_str_mv |
Women filmmakers during the Popular Unity government (Chile, 1970-1973):: reflections on the extra and intra filmic Mujeres cineastas durante el gobierno de la Unidad Popular (Chile, 1970-1973):: reflexiones sobre lo extra e intra fílmico Mulheres cineastas durante o governo da Unidade Popular (Chile, 1970-1973):: reflexões sobre o extra e o intra fílmico |
title |
Women filmmakers during the Popular Unity government (Chile, 1970-1973):: reflections on the extra and intra filmic |
spellingShingle |
Women filmmakers during the Popular Unity government (Chile, 1970-1973):: reflections on the extra and intra filmic Tedesco, Marina Cavalcanti Cinema Mulheres Unidade Popular An´álise cinema women Popular Unity analysis Cinema Mujeres Unidad Popular |
title_short |
Women filmmakers during the Popular Unity government (Chile, 1970-1973):: reflections on the extra and intra filmic |
title_full |
Women filmmakers during the Popular Unity government (Chile, 1970-1973):: reflections on the extra and intra filmic |
title_fullStr |
Women filmmakers during the Popular Unity government (Chile, 1970-1973):: reflections on the extra and intra filmic |
title_full_unstemmed |
Women filmmakers during the Popular Unity government (Chile, 1970-1973):: reflections on the extra and intra filmic |
title_sort |
Women filmmakers during the Popular Unity government (Chile, 1970-1973):: reflections on the extra and intra filmic |
author |
Tedesco, Marina Cavalcanti |
author_facet |
Tedesco, Marina Cavalcanti |
author_role |
author |
dc.contributor.author.fl_str_mv |
Tedesco, Marina Cavalcanti |
dc.subject.por.fl_str_mv |
Cinema Mulheres Unidade Popular An´álise cinema women Popular Unity analysis Cinema Mujeres Unidad Popular |
topic |
Cinema Mulheres Unidade Popular An´álise cinema women Popular Unity analysis Cinema Mujeres Unidad Popular |
description |
Some films produced during the Popular Unity - UP government (1970-1973) entered the canon not only of Chilean cinema, but of Latin American cinema. Consequently, they have been studied a lot over the years, while another part of the filmography made in Chile in that period had little or no visibility. Examples of this second case are the cinematographic works directed by women in the early 1970s, although, fortunately, some of these filmmakers are increasingly the subject of studies and exhibitions. However, even in the recent bibliography, the productions with women filmmakers made in the days of the UP were not conceived together. It is this contribution to research on women's cinema in Latin America that is the purpose of this article. After carrying out a survey based on several sources, we arrived at a corpus of 15 works, which were analyzed from the following aspects: composition of the direction; Format; narrative genre; form of financing and production structure; if it has an interview; if it has narration; if there is music (if so, what is its role); from which logics are built the relations between image and sound; assembly logic. |
publishDate |
2024 |
dc.date.none.fl_str_mv |
2024-04-11 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/48976 10.5433/1984-3356.2023v16n32p089-126 |
url |
https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/48976 |
identifier_str_mv |
10.5433/1984-3356.2023v16n32p089-126 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/48976/50268 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2024 Marina Cavalcanti Tedesco https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2024 Marina Cavalcanti Tedesco https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
dc.source.none.fl_str_mv |
Antíteses; Vol. 16 No. 32 (2023): The Chilean Unidad Popular: a cultural history; 089-126 Antíteses; v. 16 n. 32 (2023): A Unidad Popular chilena: uma história cultural; 089-126 1984-3356 reponame:Antíteses instname:Universidade Estadual de Londrina (UEL) instacron:UEL |
instname_str |
Universidade Estadual de Londrina (UEL) |
instacron_str |
UEL |
institution |
UEL |
reponame_str |
Antíteses |
collection |
Antíteses |
repository.name.fl_str_mv |
Antíteses - Universidade Estadual de Londrina (UEL) |
repository.mail.fl_str_mv |
antiteses@uel.br|| |
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1797069044278362112 |