Women filmmakers during the Popular Unity government (Chile, 1970-1973):: reflections on the extra and intra filmic

Detalhes bibliográficos
Autor(a) principal: Tedesco, Marina Cavalcanti
Data de Publicação: 2024
Tipo de documento: Artigo
Idioma: por
Título da fonte: Antíteses
Texto Completo: https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/48976
Resumo: Some films produced during the Popular Unity - UP government (1970-1973) entered the canon not only of Chilean cinema, but of Latin American cinema. Consequently, they have been studied a lot over the years, while another part of the filmography made in Chile in that period had little or no visibility. Examples of this second case are the cinematographic works directed by women in the early 1970s, although, fortunately, some of these filmmakers are increasingly the subject of studies and exhibitions. However, even in the recent bibliography, the productions with women filmmakers made in the days of the UP were not conceived together. It is this contribution to research on women's cinema in Latin America that is the purpose of this article. After carrying out a survey based on several sources, we arrived at a corpus of 15 works, which were analyzed from the following aspects: composition of the direction; Format; narrative genre; form of financing and production structure; if it has an interview; if it has narration; if there is music (if so, what is its role); from which logics are built the relations between image and sound; assembly logic.
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spelling Women filmmakers during the Popular Unity government (Chile, 1970-1973):: reflections on the extra and intra filmicMujeres cineastas durante el gobierno de la Unidad Popular (Chile, 1970-1973):: reflexiones sobre lo extra e intra fílmicoMulheres cineastas durante o governo da Unidade Popular (Chile, 1970-1973):: reflexões sobre o extra e o intra fílmicoCinemaMulheresUnidade PopularAn´álisecinemawomenPopular UnityanalysisCinemaMujeresUnidad PopularSome films produced during the Popular Unity - UP government (1970-1973) entered the canon not only of Chilean cinema, but of Latin American cinema. Consequently, they have been studied a lot over the years, while another part of the filmography made in Chile in that period had little or no visibility. Examples of this second case are the cinematographic works directed by women in the early 1970s, although, fortunately, some of these filmmakers are increasingly the subject of studies and exhibitions. However, even in the recent bibliography, the productions with women filmmakers made in the days of the UP were not conceived together. It is this contribution to research on women's cinema in Latin America that is the purpose of this article. After carrying out a survey based on several sources, we arrived at a corpus of 15 works, which were analyzed from the following aspects: composition of the direction; Format; narrative genre; form of financing and production structure; if it has an interview; if it has narration; if there is music (if so, what is its role); from which logics are built the relations between image and sound; assembly logic.Alguns filmes produzidos durante o governo da Unidade Popular (UP – 1970-1973) entraram para o cânone não apenas do cinema chileno, mas do cinema latino-americano. Por conseguinte, foram muito estudados ao longo dos anos, enquanto outra parte da filmografia realizada no Chile naquele período teve pouca ou nenhuma visibilidade. São exemplos desse segundo caso as obras cinematográficas dirigidas por mulheres nos primeiros anos da década de 1970, embora, felizmente, algumas dessas cineastas sejam cada vez mais tema de estudos e mostras. Não obstante, mesmo na bibliografia recente, as produções com mulheres na direção feitas nos tempos da UP não foram pensadas de forma conjunta. É esta contribuição às pesquisas sobre o cinema de mulheres na América Latina o objetivo do presente artigo. Após realizarmos um levantamento partindo de diversas fontes, chegamos a um corpus de 15 obras, que foram analisadas a partir dos seguintes aspectos: composição da direção; formato; gênero narrativo; forma de financiamento e estrutura de produção; se tem entrevista; se tem narração; se tem música (se sim, qual seu papel); a partir de que lógicas são construídas as relações entre imagem e som; e lógicas de montagem.Universidade Estadual de Londrina2024-04-11info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/4897610.5433/1984-3356.2023v16n32p089-126Antíteses; Vol. 16 No. 32 (2023): The Chilean Unidad Popular: a cultural history; 089-126Antíteses; v. 16 n. 32 (2023): A Unidad Popular chilena: uma história cultural; 089-1261984-3356reponame:Antítesesinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/48976/50268Copyright (c) 2024 Marina Cavalcanti Tedescohttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessTedesco, Marina Cavalcanti2024-04-11T18:07:15Zoai:ojs.pkp.sfu.ca:article/48976Revistahttps://www.uel.br/revistas/uel/index.php/antitesesPUBhttps://www.uel.br/revistas/uel/index.php/antiteses/oaiantiteses@uel.br||1984-33561984-3356opendoar:2024-04-11T18:07:15Antíteses - Universidade Estadual de Londrina (UEL)false
dc.title.none.fl_str_mv Women filmmakers during the Popular Unity government (Chile, 1970-1973):: reflections on the extra and intra filmic
Mujeres cineastas durante el gobierno de la Unidad Popular (Chile, 1970-1973):: reflexiones sobre lo extra e intra fílmico
Mulheres cineastas durante o governo da Unidade Popular (Chile, 1970-1973):: reflexões sobre o extra e o intra fílmico
title Women filmmakers during the Popular Unity government (Chile, 1970-1973):: reflections on the extra and intra filmic
spellingShingle Women filmmakers during the Popular Unity government (Chile, 1970-1973):: reflections on the extra and intra filmic
Tedesco, Marina Cavalcanti
Cinema
Mulheres
Unidade Popular
An´álise
cinema
women
Popular Unity
analysis
Cinema
Mujeres
Unidad Popular
title_short Women filmmakers during the Popular Unity government (Chile, 1970-1973):: reflections on the extra and intra filmic
title_full Women filmmakers during the Popular Unity government (Chile, 1970-1973):: reflections on the extra and intra filmic
title_fullStr Women filmmakers during the Popular Unity government (Chile, 1970-1973):: reflections on the extra and intra filmic
title_full_unstemmed Women filmmakers during the Popular Unity government (Chile, 1970-1973):: reflections on the extra and intra filmic
title_sort Women filmmakers during the Popular Unity government (Chile, 1970-1973):: reflections on the extra and intra filmic
author Tedesco, Marina Cavalcanti
author_facet Tedesco, Marina Cavalcanti
author_role author
dc.contributor.author.fl_str_mv Tedesco, Marina Cavalcanti
dc.subject.por.fl_str_mv Cinema
Mulheres
Unidade Popular
An´álise
cinema
women
Popular Unity
analysis
Cinema
Mujeres
Unidad Popular
topic Cinema
Mulheres
Unidade Popular
An´álise
cinema
women
Popular Unity
analysis
Cinema
Mujeres
Unidad Popular
description Some films produced during the Popular Unity - UP government (1970-1973) entered the canon not only of Chilean cinema, but of Latin American cinema. Consequently, they have been studied a lot over the years, while another part of the filmography made in Chile in that period had little or no visibility. Examples of this second case are the cinematographic works directed by women in the early 1970s, although, fortunately, some of these filmmakers are increasingly the subject of studies and exhibitions. However, even in the recent bibliography, the productions with women filmmakers made in the days of the UP were not conceived together. It is this contribution to research on women's cinema in Latin America that is the purpose of this article. After carrying out a survey based on several sources, we arrived at a corpus of 15 works, which were analyzed from the following aspects: composition of the direction; Format; narrative genre; form of financing and production structure; if it has an interview; if it has narration; if there is music (if so, what is its role); from which logics are built the relations between image and sound; assembly logic.
publishDate 2024
dc.date.none.fl_str_mv 2024-04-11
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/48976
10.5433/1984-3356.2023v16n32p089-126
url https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/48976
identifier_str_mv 10.5433/1984-3356.2023v16n32p089-126
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/48976/50268
dc.rights.driver.fl_str_mv Copyright (c) 2024 Marina Cavalcanti Tedesco
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2024 Marina Cavalcanti Tedesco
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Estadual de Londrina
publisher.none.fl_str_mv Universidade Estadual de Londrina
dc.source.none.fl_str_mv Antíteses; Vol. 16 No. 32 (2023): The Chilean Unidad Popular: a cultural history; 089-126
Antíteses; v. 16 n. 32 (2023): A Unidad Popular chilena: uma história cultural; 089-126
1984-3356
reponame:Antíteses
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instname_str Universidade Estadual de Londrina (UEL)
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reponame_str Antíteses
collection Antíteses
repository.name.fl_str_mv Antíteses - Universidade Estadual de Londrina (UEL)
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