Listening regimes and historical space of Minas (18th-19th centuries)
Autor(a) principal: | |
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Data de Publicação: | 2022 |
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Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Antíteses |
Texto Completo: | https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/43619 |
Resumo: | This article is the result of research on the echoing sonorities in Minas Gerais between the 18th and 19th centuries, carried out in the context of post-doctoral studies in the Postgraduate Programme in History at the Universidade Federal Fluminense (UFF) and the Postgraduate Programme in Music at the Universidade Federal do Rio de Janeiro (UFRJ). This article talks about the triple listening regime (teological-catholic, rational-illustrated and romantic) that granted meanings to the echoing sonorous plurality in the lands of the State of Minas Gerais between the 18th and 19th centuries, i.e., before the technological turn that allowed the recording and the reproduction of sounds in equipments of industrial production. The sonorities that reverberated in this spatiality (from the ecosystems, from the trades, from the sociability practices, from the religiosity, from the social-political repression, etc.) were defined through political-cultural codes, hereby treated as listening regimes, with their specific criteria of valorization, hierarchy, depreciation and even of silencing of the audible. In theoretical terms, the notion of listening regime, grounded in the Foucaldian reflection, is collated in this text with the musicological conception of sonorous landscape. Of a concomitant form, it is postulated, in interlocution with the reflection formulated by Michel de Certeau, that the listening regimes operating in the colonial and in the imperial Minas Gerais had an important role in the historic configuration of this territory, seeking out to approximate it to a civilizing project continuously torn not only by tensions and conflicts with environmental and social-cultural alterities, but also by resistances practices and subversion of the subaltern groups. |
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Listening regimes and historical space of Minas (18th-19th centuries)Regimes de escuta e espaço histórico de Minas (séculos XVIII-XIX)sonoritylistening regimesoundscapehistoric spaceMinas Geraissonoridaderegime de escutapaisagem sonoraespaço históricoMinas GeraisHistória This article is the result of research on the echoing sonorities in Minas Gerais between the 18th and 19th centuries, carried out in the context of post-doctoral studies in the Postgraduate Programme in History at the Universidade Federal Fluminense (UFF) and the Postgraduate Programme in Music at the Universidade Federal do Rio de Janeiro (UFRJ). This article talks about the triple listening regime (teological-catholic, rational-illustrated and romantic) that granted meanings to the echoing sonorous plurality in the lands of the State of Minas Gerais between the 18th and 19th centuries, i.e., before the technological turn that allowed the recording and the reproduction of sounds in equipments of industrial production. The sonorities that reverberated in this spatiality (from the ecosystems, from the trades, from the sociability practices, from the religiosity, from the social-political repression, etc.) were defined through political-cultural codes, hereby treated as listening regimes, with their specific criteria of valorization, hierarchy, depreciation and even of silencing of the audible. In theoretical terms, the notion of listening regime, grounded in the Foucaldian reflection, is collated in this text with the musicological conception of sonorous landscape. Of a concomitant form, it is postulated, in interlocution with the reflection formulated by Michel de Certeau, that the listening regimes operating in the colonial and in the imperial Minas Gerais had an important role in the historic configuration of this territory, seeking out to approximate it to a civilizing project continuously torn not only by tensions and conflicts with environmental and social-cultural alterities, but also by resistances practices and subversion of the subaltern groups.Este artigo é resultado de pesquisas acerca das sonoridades ecoantes em Minas Gerais entre os séculos XVIII e XIX, desenvolvidas no âmbito dos estágios pós-doutorais realizados junto ao Programa de Pós-graduação em História da Universidade Federal Fluminense (UFF) e ao Programa de Pós-graduação em Música da Universidade Federal do Rio de Janeiro (UFRJ). Discorre sobre o tríplice regime de escuta (teológico-católico, racional-ilustrado e romântico) que conferia sentidos à pluralidade sonora ecoante nas terras mineiras entre os séculos XVIII e XIX, ou seja, antes da virada tecnológica que permitiu a gravação e a reprodução de sons em equipamentos de produção industrial. As sonoridades que então reberveravam nessa espacialidade (dos ecossistemas, dos ofícios, das práticas de sociabilidade, de religiosidade, de controle e repressão sócio-política etc.) eram significadas mediante códigos politicoculturais, aqui conceituados como regimes de escuta, com seus específicos critérios de valoração, hierarquização, depreciação e até de silenciamento do audível. Em termos teóricos, a noção de regime de escuta, fundamentada na reflexão foucaultiana, é cotejada neste texto com a concepção musicológica de paisagem sonora. De forma concomitante, é postulado, em interlocução com a reflexão formulada por Michel de Certeau, que os regimes de escuta operantes em Minas colonial e imperial tiveram importante papel na configuração histórica deste território, buscando aproximá-la de um projeto civilizatório continuamente esgarçado não só por tensões e conflitos com alteridades ambientais e socioculturais, mas também por práticas de resistência e subversão dos grupos subalternizados.Universidade Estadual de Londrina2022-02-02info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionPesquisa Históricaapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/4361910.5433/1984-3356.2021v14n28p223Antíteses; Vol. 14 No. 28 (2021): Revista Antíteses, vol. 14, n. 28, jul-dez, 2021; 223-257Antíteses; v. 14 n. 28 (2021): Revista Antíteses, vol. 14, n. 28, jul-dez, 2021; 223-2571984-3356reponame:Antítesesinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/43619/31139Copyright (c) 2022 Antíteseshttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessBuarque, Virgínia Albuquerque de CastroBuscacio, Cesar Maia2022-10-27T19:33:30Zoai:ojs.pkp.sfu.ca:article/43619Revistahttps://www.uel.br/revistas/uel/index.php/antitesesPUBhttps://www.uel.br/revistas/uel/index.php/antiteses/oaiantiteses@uel.br||1984-33561984-3356opendoar:2022-10-27T19:33:30Antíteses - Universidade Estadual de Londrina (UEL)false |
dc.title.none.fl_str_mv |
Listening regimes and historical space of Minas (18th-19th centuries) Regimes de escuta e espaço histórico de Minas (séculos XVIII-XIX) |
title |
Listening regimes and historical space of Minas (18th-19th centuries) |
spellingShingle |
Listening regimes and historical space of Minas (18th-19th centuries) Buarque, Virgínia Albuquerque de Castro sonority listening regime soundscape historic space Minas Gerais sonoridade regime de escuta paisagem sonora espaço histórico Minas Gerais História |
title_short |
Listening regimes and historical space of Minas (18th-19th centuries) |
title_full |
Listening regimes and historical space of Minas (18th-19th centuries) |
title_fullStr |
Listening regimes and historical space of Minas (18th-19th centuries) |
title_full_unstemmed |
Listening regimes and historical space of Minas (18th-19th centuries) |
title_sort |
Listening regimes and historical space of Minas (18th-19th centuries) |
author |
Buarque, Virgínia Albuquerque de Castro |
author_facet |
Buarque, Virgínia Albuquerque de Castro Buscacio, Cesar Maia |
author_role |
author |
author2 |
Buscacio, Cesar Maia |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Buarque, Virgínia Albuquerque de Castro Buscacio, Cesar Maia |
dc.subject.por.fl_str_mv |
sonority listening regime soundscape historic space Minas Gerais sonoridade regime de escuta paisagem sonora espaço histórico Minas Gerais História |
topic |
sonority listening regime soundscape historic space Minas Gerais sonoridade regime de escuta paisagem sonora espaço histórico Minas Gerais História |
description |
This article is the result of research on the echoing sonorities in Minas Gerais between the 18th and 19th centuries, carried out in the context of post-doctoral studies in the Postgraduate Programme in History at the Universidade Federal Fluminense (UFF) and the Postgraduate Programme in Music at the Universidade Federal do Rio de Janeiro (UFRJ). This article talks about the triple listening regime (teological-catholic, rational-illustrated and romantic) that granted meanings to the echoing sonorous plurality in the lands of the State of Minas Gerais between the 18th and 19th centuries, i.e., before the technological turn that allowed the recording and the reproduction of sounds in equipments of industrial production. The sonorities that reverberated in this spatiality (from the ecosystems, from the trades, from the sociability practices, from the religiosity, from the social-political repression, etc.) were defined through political-cultural codes, hereby treated as listening regimes, with their specific criteria of valorization, hierarchy, depreciation and even of silencing of the audible. In theoretical terms, the notion of listening regime, grounded in the Foucaldian reflection, is collated in this text with the musicological conception of sonorous landscape. Of a concomitant form, it is postulated, in interlocution with the reflection formulated by Michel de Certeau, that the listening regimes operating in the colonial and in the imperial Minas Gerais had an important role in the historic configuration of this territory, seeking out to approximate it to a civilizing project continuously torn not only by tensions and conflicts with environmental and social-cultural alterities, but also by resistances practices and subversion of the subaltern groups. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-02-02 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Pesquisa Histórica |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/43619 10.5433/1984-3356.2021v14n28p223 |
url |
https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/43619 |
identifier_str_mv |
10.5433/1984-3356.2021v14n28p223 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/43619/31139 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Antíteses http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Antíteses http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
dc.source.none.fl_str_mv |
Antíteses; Vol. 14 No. 28 (2021): Revista Antíteses, vol. 14, n. 28, jul-dez, 2021; 223-257 Antíteses; v. 14 n. 28 (2021): Revista Antíteses, vol. 14, n. 28, jul-dez, 2021; 223-257 1984-3356 reponame:Antíteses instname:Universidade Estadual de Londrina (UEL) instacron:UEL |
instname_str |
Universidade Estadual de Londrina (UEL) |
instacron_str |
UEL |
institution |
UEL |
reponame_str |
Antíteses |
collection |
Antíteses |
repository.name.fl_str_mv |
Antíteses - Universidade Estadual de Londrina (UEL) |
repository.mail.fl_str_mv |
antiteses@uel.br|| |
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1797069049090277376 |