Listening regimes and historical space of Minas (18th-19th centuries)

Detalhes bibliográficos
Autor(a) principal: Buarque, Virgínia Albuquerque de Castro
Data de Publicação: 2022
Outros Autores: Buscacio, Cesar Maia
Tipo de documento: Artigo
Idioma: por
Título da fonte: Antíteses
Texto Completo: https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/43619
Resumo:  This article is the result of research on the echoing sonorities in Minas Gerais between the 18th and 19th centuries, carried out in the context of post-doctoral studies in the Postgraduate Programme in History at the Universidade Federal Fluminense (UFF) and the Postgraduate Programme in Music at the Universidade Federal do Rio de Janeiro (UFRJ). This article talks about the triple listening regime (teological-catholic, rational-illustrated and romantic) that granted meanings to the echoing sonorous plurality in the lands of the State of Minas Gerais between the 18th and 19th centuries, i.e., before the technological turn that allowed the recording and the reproduction of sounds in equipments of industrial production. The sonorities that reverberated in this spatiality (from the ecosystems, from the trades, from the sociability practices, from the religiosity, from the social-political repression, etc.) were defined through political-cultural codes, hereby treated as listening regimes, with their specific criteria of valorization, hierarchy, depreciation and even of silencing of the audible. In theoretical terms, the notion of listening regime, grounded in the Foucaldian reflection, is collated in this text with the musicological conception of sonorous landscape. Of a concomitant form, it is postulated, in interlocution with the reflection formulated by Michel de Certeau, that the listening regimes operating in the colonial and in the imperial Minas   Gerais had an important role in the historic configuration of this territory, seeking out to approximate it to a civilizing project continuously torn  not only by tensions and conflicts with environmental and social-cultural alterities, but also by resistances practices and subversion of the subaltern groups.
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spelling Listening regimes and historical space of Minas (18th-19th centuries)Regimes de escuta e espaço histórico de Minas (séculos XVIII-XIX)sonoritylistening regimesoundscapehistoric spaceMinas Geraissonoridaderegime de escutapaisagem sonoraespaço históricoMinas GeraisHistória This article is the result of research on the echoing sonorities in Minas Gerais between the 18th and 19th centuries, carried out in the context of post-doctoral studies in the Postgraduate Programme in History at the Universidade Federal Fluminense (UFF) and the Postgraduate Programme in Music at the Universidade Federal do Rio de Janeiro (UFRJ). This article talks about the triple listening regime (teological-catholic, rational-illustrated and romantic) that granted meanings to the echoing sonorous plurality in the lands of the State of Minas Gerais between the 18th and 19th centuries, i.e., before the technological turn that allowed the recording and the reproduction of sounds in equipments of industrial production. The sonorities that reverberated in this spatiality (from the ecosystems, from the trades, from the sociability practices, from the religiosity, from the social-political repression, etc.) were defined through political-cultural codes, hereby treated as listening regimes, with their specific criteria of valorization, hierarchy, depreciation and even of silencing of the audible. In theoretical terms, the notion of listening regime, grounded in the Foucaldian reflection, is collated in this text with the musicological conception of sonorous landscape. Of a concomitant form, it is postulated, in interlocution with the reflection formulated by Michel de Certeau, that the listening regimes operating in the colonial and in the imperial Minas   Gerais had an important role in the historic configuration of this territory, seeking out to approximate it to a civilizing project continuously torn  not only by tensions and conflicts with environmental and social-cultural alterities, but also by resistances practices and subversion of the subaltern groups.Este artigo é resultado de pesquisas acerca das sonoridades ecoantes em Minas Gerais entre os séculos XVIII e XIX, desenvolvidas no âmbito dos estágios pós-doutorais realizados junto ao Programa de Pós-graduação em História da Universidade Federal Fluminense (UFF) e ao Programa de Pós-graduação em Música da Universidade Federal do Rio de Janeiro (UFRJ). Discorre sobre o tríplice regime de escuta (teológico-católico, racional-ilustrado e romântico) que conferia sentidos à pluralidade sonora ecoante nas terras mineiras entre os séculos XVIII e XIX, ou seja, antes da virada tecnológica que permitiu a gravação e a reprodução de sons em equipamentos de produção industrial. As sonoridades que então reberveravam nessa espacialidade (dos ecossistemas, dos ofícios, das práticas de sociabilidade, de religiosidade, de controle e repressão sócio-política etc.) eram significadas mediante códigos politicoculturais, aqui conceituados como regimes de escuta, com seus específicos critérios de valoração, hierarquização, depreciação e até de silenciamento do audível. Em termos teóricos, a noção de regime de escuta, fundamentada na reflexão foucaultiana, é cotejada neste texto com a concepção musicológica de paisagem sonora. De forma concomitante, é postulado, em interlocução com a reflexão formulada por Michel de Certeau, que os regimes de escuta operantes em Minas colonial e imperial tiveram importante papel na configuração histórica deste território, buscando aproximá-la de um projeto civilizatório continuamente esgarçado não só por tensões e conflitos com alteridades ambientais e socioculturais, mas também por práticas de resistência e subversão dos grupos subalternizados.Universidade Estadual de Londrina2022-02-02info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionPesquisa Históricaapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/4361910.5433/1984-3356.2021v14n28p223Antíteses; Vol. 14 No. 28 (2021): Revista Antíteses, vol. 14, n. 28, jul-dez, 2021; 223-257Antíteses; v. 14 n. 28 (2021): Revista Antíteses, vol. 14, n. 28, jul-dez, 2021; 223-2571984-3356reponame:Antítesesinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/43619/31139Copyright (c) 2022 Antíteseshttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessBuarque, Virgínia Albuquerque de CastroBuscacio, Cesar Maia2022-10-27T19:33:30Zoai:ojs.pkp.sfu.ca:article/43619Revistahttps://www.uel.br/revistas/uel/index.php/antitesesPUBhttps://www.uel.br/revistas/uel/index.php/antiteses/oaiantiteses@uel.br||1984-33561984-3356opendoar:2022-10-27T19:33:30Antíteses - Universidade Estadual de Londrina (UEL)false
dc.title.none.fl_str_mv Listening regimes and historical space of Minas (18th-19th centuries)
Regimes de escuta e espaço histórico de Minas (séculos XVIII-XIX)
title Listening regimes and historical space of Minas (18th-19th centuries)
spellingShingle Listening regimes and historical space of Minas (18th-19th centuries)
Buarque, Virgínia Albuquerque de Castro
sonority
listening regime
soundscape
historic space
Minas Gerais
sonoridade
regime de escuta
paisagem sonora
espaço histórico
Minas Gerais
História
title_short Listening regimes and historical space of Minas (18th-19th centuries)
title_full Listening regimes and historical space of Minas (18th-19th centuries)
title_fullStr Listening regimes and historical space of Minas (18th-19th centuries)
title_full_unstemmed Listening regimes and historical space of Minas (18th-19th centuries)
title_sort Listening regimes and historical space of Minas (18th-19th centuries)
author Buarque, Virgínia Albuquerque de Castro
author_facet Buarque, Virgínia Albuquerque de Castro
Buscacio, Cesar Maia
author_role author
author2 Buscacio, Cesar Maia
author2_role author
dc.contributor.author.fl_str_mv Buarque, Virgínia Albuquerque de Castro
Buscacio, Cesar Maia
dc.subject.por.fl_str_mv sonority
listening regime
soundscape
historic space
Minas Gerais
sonoridade
regime de escuta
paisagem sonora
espaço histórico
Minas Gerais
História
topic sonority
listening regime
soundscape
historic space
Minas Gerais
sonoridade
regime de escuta
paisagem sonora
espaço histórico
Minas Gerais
História
description  This article is the result of research on the echoing sonorities in Minas Gerais between the 18th and 19th centuries, carried out in the context of post-doctoral studies in the Postgraduate Programme in History at the Universidade Federal Fluminense (UFF) and the Postgraduate Programme in Music at the Universidade Federal do Rio de Janeiro (UFRJ). This article talks about the triple listening regime (teological-catholic, rational-illustrated and romantic) that granted meanings to the echoing sonorous plurality in the lands of the State of Minas Gerais between the 18th and 19th centuries, i.e., before the technological turn that allowed the recording and the reproduction of sounds in equipments of industrial production. The sonorities that reverberated in this spatiality (from the ecosystems, from the trades, from the sociability practices, from the religiosity, from the social-political repression, etc.) were defined through political-cultural codes, hereby treated as listening regimes, with their specific criteria of valorization, hierarchy, depreciation and even of silencing of the audible. In theoretical terms, the notion of listening regime, grounded in the Foucaldian reflection, is collated in this text with the musicological conception of sonorous landscape. Of a concomitant form, it is postulated, in interlocution with the reflection formulated by Michel de Certeau, that the listening regimes operating in the colonial and in the imperial Minas   Gerais had an important role in the historic configuration of this territory, seeking out to approximate it to a civilizing project continuously torn  not only by tensions and conflicts with environmental and social-cultural alterities, but also by resistances practices and subversion of the subaltern groups.
publishDate 2022
dc.date.none.fl_str_mv 2022-02-02
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Pesquisa Histórica
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/43619
10.5433/1984-3356.2021v14n28p223
url https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/43619
identifier_str_mv 10.5433/1984-3356.2021v14n28p223
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/43619/31139
dc.rights.driver.fl_str_mv Copyright (c) 2022 Antíteses
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Antíteses
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Estadual de Londrina
publisher.none.fl_str_mv Universidade Estadual de Londrina
dc.source.none.fl_str_mv Antíteses; Vol. 14 No. 28 (2021): Revista Antíteses, vol. 14, n. 28, jul-dez, 2021; 223-257
Antíteses; v. 14 n. 28 (2021): Revista Antíteses, vol. 14, n. 28, jul-dez, 2021; 223-257
1984-3356
reponame:Antíteses
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instname_str Universidade Estadual de Londrina (UEL)
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