The political column by Adalgisa Nery in the newspaper Última Hora and the pre-1964 crisis in Brazil

Detalhes bibliográficos
Autor(a) principal: Campoi, Isabela Candeloro
Data de Publicação: 2017
Tipo de documento: Artigo
Idioma: por
Título da fonte: Antíteses
Texto Completo: https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/27874
Resumo: Between the end of Vargas’ Era and the civil-military coup of April 1964, the writer Adalgisa Nery published a daily political column in the newspaper Última Hora. With her work in the journalism Adalgisa was elected deputy of Guanabara, a new State created after the change of Brazilian’s federal capital to Brasília, in 1960. Adalgisa Nery was heir to the Vargas political tradition and had a very special style, using metaphors, irony and a certain amount of aggressiveness, sustaining a strongly nationalist position. The purpose of this article is to discuss the political polarization reflected in the Brazilian press on the eve of the military coup of 1964 by analyzing the articles in the column named Retrato sem retoque by Adalgisa Nery.
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spelling The political column by Adalgisa Nery in the newspaper Última Hora and the pre-1964 crisis in BrazilA coluna política de Adalgisa Nery no Jornal Última Hora e a crise pré-1964 no BrasilPressCivil-military coupNationalismCold warPressImprensaJornalismoGolpe civil militarNacionalismoGuerra FriaImprensaBetween the end of Vargas’ Era and the civil-military coup of April 1964, the writer Adalgisa Nery published a daily political column in the newspaper Última Hora. With her work in the journalism Adalgisa was elected deputy of Guanabara, a new State created after the change of Brazilian’s federal capital to Brasília, in 1960. Adalgisa Nery was heir to the Vargas political tradition and had a very special style, using metaphors, irony and a certain amount of aggressiveness, sustaining a strongly nationalist position. The purpose of this article is to discuss the political polarization reflected in the Brazilian press on the eve of the military coup of 1964 by analyzing the articles in the column named Retrato sem retoque by Adalgisa Nery.Entre o fim da Era Vargas e o golpe civil-militar de abril de 1964, a escritora Adalgisa Nery publicou diariamente uma coluna política no jornal “Última Hora.” Seu trabalho no jornalismo lhe rendeu uma cadeira como deputada estadual da Guanabara, estado criado após a transferência da capital federal para Brasília em 1960. Herdeira da tradição política de Getúlio Vargas, Adalgisa Nery tinha um estilo que lhe era característico, valendo-se de metáforas, ironia e certa dose de agressividade, sustentando uma posição fortemente nacionalista. A proposta deste artigo é discutir a polarização política refletida na imprensa brasileira às vésperas do golpe civil-militar de 1964 por meio da análise dos artigos da coluna “Retrato sem retoque” assinada por Adalgisa Nery.Universidade Estadual de Londrina2017-07-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionCapesapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/2787410.5433/1984-3356.2017v10n19p211Antíteses; Vol. 10 No. 19 (2017): história e imprensa; 211-237Antíteses; v. 10 n. 19 (2017): história e imprensa; 211-2371984-3356reponame:Antítesesinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/27874/21279Copyright (c) 2017 Antíteseshttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessCampoi, Isabela Candeloro2022-11-03T14:24:15Zoai:ojs.pkp.sfu.ca:article/27874Revistahttps://www.uel.br/revistas/uel/index.php/antitesesPUBhttps://www.uel.br/revistas/uel/index.php/antiteses/oaiantiteses@uel.br||1984-33561984-3356opendoar:2022-11-03T14:24:15Antíteses - Universidade Estadual de Londrina (UEL)false
dc.title.none.fl_str_mv The political column by Adalgisa Nery in the newspaper Última Hora and the pre-1964 crisis in Brazil
A coluna política de Adalgisa Nery no Jornal Última Hora e a crise pré-1964 no Brasil
title The political column by Adalgisa Nery in the newspaper Última Hora and the pre-1964 crisis in Brazil
spellingShingle The political column by Adalgisa Nery in the newspaper Última Hora and the pre-1964 crisis in Brazil
Campoi, Isabela Candeloro
Press
Civil-military coup
Nationalism
Cold war
Press
Imprensa
Jornalismo
Golpe civil militar
Nacionalismo
Guerra Fria
Imprensa
title_short The political column by Adalgisa Nery in the newspaper Última Hora and the pre-1964 crisis in Brazil
title_full The political column by Adalgisa Nery in the newspaper Última Hora and the pre-1964 crisis in Brazil
title_fullStr The political column by Adalgisa Nery in the newspaper Última Hora and the pre-1964 crisis in Brazil
title_full_unstemmed The political column by Adalgisa Nery in the newspaper Última Hora and the pre-1964 crisis in Brazil
title_sort The political column by Adalgisa Nery in the newspaper Última Hora and the pre-1964 crisis in Brazil
author Campoi, Isabela Candeloro
author_facet Campoi, Isabela Candeloro
author_role author
dc.contributor.author.fl_str_mv Campoi, Isabela Candeloro
dc.subject.por.fl_str_mv Press
Civil-military coup
Nationalism
Cold war
Press
Imprensa
Jornalismo
Golpe civil militar
Nacionalismo
Guerra Fria
Imprensa
topic Press
Civil-military coup
Nationalism
Cold war
Press
Imprensa
Jornalismo
Golpe civil militar
Nacionalismo
Guerra Fria
Imprensa
description Between the end of Vargas’ Era and the civil-military coup of April 1964, the writer Adalgisa Nery published a daily political column in the newspaper Última Hora. With her work in the journalism Adalgisa was elected deputy of Guanabara, a new State created after the change of Brazilian’s federal capital to Brasília, in 1960. Adalgisa Nery was heir to the Vargas political tradition and had a very special style, using metaphors, irony and a certain amount of aggressiveness, sustaining a strongly nationalist position. The purpose of this article is to discuss the political polarization reflected in the Brazilian press on the eve of the military coup of 1964 by analyzing the articles in the column named Retrato sem retoque by Adalgisa Nery.
publishDate 2017
dc.date.none.fl_str_mv 2017-07-28
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Capes
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/27874
10.5433/1984-3356.2017v10n19p211
url https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/27874
identifier_str_mv 10.5433/1984-3356.2017v10n19p211
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/27874/21279
dc.rights.driver.fl_str_mv Copyright (c) 2017 Antíteses
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2017 Antíteses
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Estadual de Londrina
publisher.none.fl_str_mv Universidade Estadual de Londrina
dc.source.none.fl_str_mv Antíteses; Vol. 10 No. 19 (2017): história e imprensa; 211-237
Antíteses; v. 10 n. 19 (2017): história e imprensa; 211-237
1984-3356
reponame:Antíteses
instname:Universidade Estadual de Londrina (UEL)
instacron:UEL
instname_str Universidade Estadual de Londrina (UEL)
instacron_str UEL
institution UEL
reponame_str Antíteses
collection Antíteses
repository.name.fl_str_mv Antíteses - Universidade Estadual de Londrina (UEL)
repository.mail.fl_str_mv antiteses@uel.br||
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