The genius and the new forms of cinematic representation of the subject of knowledge

Detalhes bibliográficos
Autor(a) principal: Zanoni, Fábio de Godoy Del Picchia
Data de Publicação: 2016
Tipo de documento: Artigo
Idioma: por
Título da fonte: Antíteses
Texto Completo: https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/22604
Resumo: Aimed at questioning new forms of cinematic representation of the genius, this article, in the wake of Foucault's theories, seeks to extend the understanding of the effects, operatting in contemporarily, of the social circulation of new figures of the subject of knowledge, emphasizing, thus, the silent assumptions that have come to inform the way in which viewers can and should imagine themselves and others as subjects capable of producing specific modalities of know-how. Therefore, this article relies on an empirical platform consisting of four films: My left foot (1989), Good Will Hunting (1997), Billy Elliot (2000) and Finding Forrester (2000).
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spelling The genius and the new forms of cinematic representation of the subject of knowledgeO gênio e as novas formas de representação cinematográfica do sujeito de conhecimentoCinemaSubject of knowledgeFoucaultHistoryCinemaSujeito de conhecimentoFoucaultAimed at questioning new forms of cinematic representation of the genius, this article, in the wake of Foucault's theories, seeks to extend the understanding of the effects, operatting in contemporarily, of the social circulation of new figures of the subject of knowledge, emphasizing, thus, the silent assumptions that have come to inform the way in which viewers can and should imagine themselves and others as subjects capable of producing specific modalities of know-how. Therefore, this article relies on an empirical platform consisting of four films: My left foot (1989), Good Will Hunting (1997), Billy Elliot (2000) and Finding Forrester (2000).Objetivando problematizar as novas formas de representação cinematográfica do gênio, o presente artigo, amparado no legado teórico-metodóligoco de Michel Foucault, interpela os efeitos, em operação na contemporaneidade, da circulação social de novas figuras do sujeito de conhecimento, salientando, desta feita, os pressupostos silenciosos que tendem a informar o modo pelo qual os espectadores podem e devem imaginar a si e aos outros como sujeitos capazes de produção de modalidades de saber-fazer específicas. Para tanto, o presente artigo apoia-se em uma plataforma empírica que conta com quatro filmes: Meu pé esquerdo (1989), Gênio Indomável (1997), Billy Elliot (2000) e Encontrando Forrester (2000).Universidade Estadual de Londrina2016-09-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/2260410.5433/1984-3356.2016v9n17p157Antíteses; Vol. 9 No. 17 (2016): Dossìe: Imagem na Idade Média; 157-175Antíteses; v. 9 n. 17 (2016): Dossìe: Imagem na Idade Média; 157-1751984-3356reponame:Antítesesinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/22604/19130Copyright (c) 2016 Antítesesinfo:eu-repo/semantics/openAccessZanoni, Fábio de Godoy Del Picchia2021-10-21T12:42:11Zoai:ojs.pkp.sfu.ca:article/22604Revistahttps://www.uel.br/revistas/uel/index.php/antitesesPUBhttps://www.uel.br/revistas/uel/index.php/antiteses/oaiantiteses@uel.br||1984-33561984-3356opendoar:2021-10-21T12:42:11Antíteses - Universidade Estadual de Londrina (UEL)false
dc.title.none.fl_str_mv The genius and the new forms of cinematic representation of the subject of knowledge
O gênio e as novas formas de representação cinematográfica do sujeito de conhecimento
title The genius and the new forms of cinematic representation of the subject of knowledge
spellingShingle The genius and the new forms of cinematic representation of the subject of knowledge
Zanoni, Fábio de Godoy Del Picchia
Cinema
Subject of knowledge
Foucault
History
Cinema
Sujeito de conhecimento
Foucault
title_short The genius and the new forms of cinematic representation of the subject of knowledge
title_full The genius and the new forms of cinematic representation of the subject of knowledge
title_fullStr The genius and the new forms of cinematic representation of the subject of knowledge
title_full_unstemmed The genius and the new forms of cinematic representation of the subject of knowledge
title_sort The genius and the new forms of cinematic representation of the subject of knowledge
author Zanoni, Fábio de Godoy Del Picchia
author_facet Zanoni, Fábio de Godoy Del Picchia
author_role author
dc.contributor.author.fl_str_mv Zanoni, Fábio de Godoy Del Picchia
dc.subject.por.fl_str_mv Cinema
Subject of knowledge
Foucault
History
Cinema
Sujeito de conhecimento
Foucault
topic Cinema
Subject of knowledge
Foucault
History
Cinema
Sujeito de conhecimento
Foucault
description Aimed at questioning new forms of cinematic representation of the genius, this article, in the wake of Foucault's theories, seeks to extend the understanding of the effects, operatting in contemporarily, of the social circulation of new figures of the subject of knowledge, emphasizing, thus, the silent assumptions that have come to inform the way in which viewers can and should imagine themselves and others as subjects capable of producing specific modalities of know-how. Therefore, this article relies on an empirical platform consisting of four films: My left foot (1989), Good Will Hunting (1997), Billy Elliot (2000) and Finding Forrester (2000).
publishDate 2016
dc.date.none.fl_str_mv 2016-09-06
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/22604
10.5433/1984-3356.2016v9n17p157
url https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/22604
identifier_str_mv 10.5433/1984-3356.2016v9n17p157
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/antiteses/article/view/22604/19130
dc.rights.driver.fl_str_mv Copyright (c) 2016 Antíteses
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2016 Antíteses
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Estadual de Londrina
publisher.none.fl_str_mv Universidade Estadual de Londrina
dc.source.none.fl_str_mv Antíteses; Vol. 9 No. 17 (2016): Dossìe: Imagem na Idade Média; 157-175
Antíteses; v. 9 n. 17 (2016): Dossìe: Imagem na Idade Média; 157-175
1984-3356
reponame:Antíteses
instname:Universidade Estadual de Londrina (UEL)
instacron:UEL
instname_str Universidade Estadual de Londrina (UEL)
instacron_str UEL
institution UEL
reponame_str Antíteses
collection Antíteses
repository.name.fl_str_mv Antíteses - Universidade Estadual de Londrina (UEL)
repository.mail.fl_str_mv antiteses@uel.br||
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