The machadian invention and sternian experimentalism as a prologue to the 20th centry: polyphonic poetics and self-conscious multiplicity

Detalhes bibliográficos
Autor(a) principal: Medeiros, Ana Clara Magalhães de
Data de Publicação: 2020
Outros Autores: Silva Junior, Augusto Rodrigues da
Tipo de documento: Artigo
Idioma: por
Título da fonte: Terra Roxa e Outras Terras: Revista de Estudos Literários
Texto Completo: https://ojs.uel.br/revistas/uel/index.php/terraroxa/article/view/39265
Resumo: The poetics of the novel goes through great transformations with authors such as Xavier de Maistre and Laurence Sterne (in the 18th century) and Machado de Assis (in the 19th century). In this proposal, we highlight the works The life and opinions of Tristram Shandy, Gentleman (Sterne 1759) and Memórias póstumas de Brás Cubas (Assis 1880), whose publication in a short story completes 140 year in 2020. Understanding Memórias Póstumas as the first experimental Brazilian novel, we observe the marks of Sterne and Maistre language evoked by the dead author Brás Cubas since the Prologue of his memories, not by chance, posthumous. To address the ways of making self-conscious genre, we resumed unlimited styles with Rabelais and Cervantes. Wandering through Romanesque prologues, we look into “Ao leitor” by Machado. Supported by 20th century literary thinkers, such as Carpeaux, Borges, Bakhtin, and Calvino, we established a relationship between the concepts of polyphony and multiplicity in an understanding of literary without stable and hierarchical models. This way, we reveal the condition of a tanatographic poetics by the created author Brás Cubas, from which emanate desires and move self-conscious novelistic forms in constant biographical decomposition.
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spelling The machadian invention and sternian experimentalism as a prologue to the 20th centry: polyphonic poetics and self-conscious multiplicityA invenção machadiana e o experimentalismo sterniano como prolegômenos ao século XX: poéticas polifônicas e autoconsciência da multiplicidadeMemórias póstumas de Brás CubasProloguesSelf-conscious genre.Memórias póstumas de Brás CubasPrólogosAutoconsciência narrativa.The poetics of the novel goes through great transformations with authors such as Xavier de Maistre and Laurence Sterne (in the 18th century) and Machado de Assis (in the 19th century). In this proposal, we highlight the works The life and opinions of Tristram Shandy, Gentleman (Sterne 1759) and Memórias póstumas de Brás Cubas (Assis 1880), whose publication in a short story completes 140 year in 2020. Understanding Memórias Póstumas as the first experimental Brazilian novel, we observe the marks of Sterne and Maistre language evoked by the dead author Brás Cubas since the Prologue of his memories, not by chance, posthumous. To address the ways of making self-conscious genre, we resumed unlimited styles with Rabelais and Cervantes. Wandering through Romanesque prologues, we look into “Ao leitor” by Machado. Supported by 20th century literary thinkers, such as Carpeaux, Borges, Bakhtin, and Calvino, we established a relationship between the concepts of polyphony and multiplicity in an understanding of literary without stable and hierarchical models. This way, we reveal the condition of a tanatographic poetics by the created author Brás Cubas, from which emanate desires and move self-conscious novelistic forms in constant biographical decomposition.A poética do romance passa por grandes transformações com autores como Xavier de Maistre e Laurence Sterne (no século XVIII) e Machado de Assis (no XIX). Nesta proposta, destacamos as obras A vida e as opiniões do Cavaleiro Tristram Shandy (Sterne 1759) eMemórias póstumas de Brás Cubas (Assis 1880), cuja publicação em folhetim completa 140 anos em 2020. Entendendo Memórias póstumas de Brás Cubas como primeiro romance brasileiro experimental, observamos as marcas da linguagem de Sterne e de Maistre evocadas pelo defunto autor Brás Cubas desde o Prólogo de suas Memórias, não por acaso, póstumas. Para tratar dos modos de fazer a autoconsciência narrativa, retomamos estilos ilimitados com Rabelais e Cervantes. Deambulando por prólogos romanescos, nos debruçamos sobre o “Ao leitor” de autoria machadiana. Amparados por pensadores do literário no século XX, como Carpeaux, Borges, Bakhtin e Calvino, estabelecemos relação entre os conceitos de polifonia e multiplicidade em uma compreensão do literário sem modelos estáveis e hierarquizados. Nesse sentido, descortinamos a condição de uma poética tanatográfica do autor criado Brás Cubas, da qual emanam desejos e movem-se formas romanescas autoconscientes em constante decomposição biográfica.Programa de Pós-graduação em Letras2020-06-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/terraroxa/article/view/3926510.5433/1678-2054.2020v38p78Terra Roxa e Outras Terras: Revista de Estudos Literários; Vol. 38: Experimentalismos na literatura moderna: experimentos e experiências (jun. 2020); 78-89Terra Roxa e Outras Terras: Revista de Estudos Literários; Vol. 38: Experimentalismos na literatura moderna: experimentos e experiências (jun. 2020); 78-89Terra Roxa e Outras Terras: Revista de Estudos Literários; v. 38: Experimentalismos na literatura moderna: experimentos e experiências (jun. 2020); 78-891678-2054reponame:Terra Roxa e Outras Terras: Revista de Estudos Literáriosinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/terraroxa/article/view/39265/pdfCopyright (c) 2020 Terra Roxa e Outras Terras: Revista de Estudos Literáriosinfo:eu-repo/semantics/openAccessMedeiros, Ana Clara Magalhães deSilva Junior, Augusto Rodrigues da2020-10-20T18:19:50Zoai:ojs.pkp.sfu.ca:article/39265Revistahttp://www.uel.br/revistas/uel/index.php/terraroxa/indexPUBhttps://ojs.uel.br/revistas/uel/index.php/terraroxa/oaiterraroxa.uel@gmail.com1678-20541678-2054opendoar:2020-10-20T18:19:50Terra Roxa e Outras Terras: Revista de Estudos Literários - Universidade Estadual de Londrina (UEL)false
dc.title.none.fl_str_mv The machadian invention and sternian experimentalism as a prologue to the 20th centry: polyphonic poetics and self-conscious multiplicity
A invenção machadiana e o experimentalismo sterniano como prolegômenos ao século XX: poéticas polifônicas e autoconsciência da multiplicidade
title The machadian invention and sternian experimentalism as a prologue to the 20th centry: polyphonic poetics and self-conscious multiplicity
spellingShingle The machadian invention and sternian experimentalism as a prologue to the 20th centry: polyphonic poetics and self-conscious multiplicity
Medeiros, Ana Clara Magalhães de
Memórias póstumas de Brás Cubas
Prologues
Self-conscious genre.
Memórias póstumas de Brás Cubas
Prólogos
Autoconsciência narrativa.
title_short The machadian invention and sternian experimentalism as a prologue to the 20th centry: polyphonic poetics and self-conscious multiplicity
title_full The machadian invention and sternian experimentalism as a prologue to the 20th centry: polyphonic poetics and self-conscious multiplicity
title_fullStr The machadian invention and sternian experimentalism as a prologue to the 20th centry: polyphonic poetics and self-conscious multiplicity
title_full_unstemmed The machadian invention and sternian experimentalism as a prologue to the 20th centry: polyphonic poetics and self-conscious multiplicity
title_sort The machadian invention and sternian experimentalism as a prologue to the 20th centry: polyphonic poetics and self-conscious multiplicity
author Medeiros, Ana Clara Magalhães de
author_facet Medeiros, Ana Clara Magalhães de
Silva Junior, Augusto Rodrigues da
author_role author
author2 Silva Junior, Augusto Rodrigues da
author2_role author
dc.contributor.author.fl_str_mv Medeiros, Ana Clara Magalhães de
Silva Junior, Augusto Rodrigues da
dc.subject.por.fl_str_mv Memórias póstumas de Brás Cubas
Prologues
Self-conscious genre.
Memórias póstumas de Brás Cubas
Prólogos
Autoconsciência narrativa.
topic Memórias póstumas de Brás Cubas
Prologues
Self-conscious genre.
Memórias póstumas de Brás Cubas
Prólogos
Autoconsciência narrativa.
description The poetics of the novel goes through great transformations with authors such as Xavier de Maistre and Laurence Sterne (in the 18th century) and Machado de Assis (in the 19th century). In this proposal, we highlight the works The life and opinions of Tristram Shandy, Gentleman (Sterne 1759) and Memórias póstumas de Brás Cubas (Assis 1880), whose publication in a short story completes 140 year in 2020. Understanding Memórias Póstumas as the first experimental Brazilian novel, we observe the marks of Sterne and Maistre language evoked by the dead author Brás Cubas since the Prologue of his memories, not by chance, posthumous. To address the ways of making self-conscious genre, we resumed unlimited styles with Rabelais and Cervantes. Wandering through Romanesque prologues, we look into “Ao leitor” by Machado. Supported by 20th century literary thinkers, such as Carpeaux, Borges, Bakhtin, and Calvino, we established a relationship between the concepts of polyphony and multiplicity in an understanding of literary without stable and hierarchical models. This way, we reveal the condition of a tanatographic poetics by the created author Brás Cubas, from which emanate desires and move self-conscious novelistic forms in constant biographical decomposition.
publishDate 2020
dc.date.none.fl_str_mv 2020-06-22
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/terraroxa/article/view/39265
10.5433/1678-2054.2020v38p78
url https://ojs.uel.br/revistas/uel/index.php/terraroxa/article/view/39265
identifier_str_mv 10.5433/1678-2054.2020v38p78
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/terraroxa/article/view/39265/pdf
dc.rights.driver.fl_str_mv Copyright (c) 2020 Terra Roxa e Outras Terras: Revista de Estudos Literários
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Terra Roxa e Outras Terras: Revista de Estudos Literários
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Programa de Pós-graduação em Letras
publisher.none.fl_str_mv Programa de Pós-graduação em Letras
dc.source.none.fl_str_mv Terra Roxa e Outras Terras: Revista de Estudos Literários; Vol. 38: Experimentalismos na literatura moderna: experimentos e experiências (jun. 2020); 78-89
Terra Roxa e Outras Terras: Revista de Estudos Literários; Vol. 38: Experimentalismos na literatura moderna: experimentos e experiências (jun. 2020); 78-89
Terra Roxa e Outras Terras: Revista de Estudos Literários; v. 38: Experimentalismos na literatura moderna: experimentos e experiências (jun. 2020); 78-89
1678-2054
reponame:Terra Roxa e Outras Terras: Revista de Estudos Literários
instname:Universidade Estadual de Londrina (UEL)
instacron:UEL
instname_str Universidade Estadual de Londrina (UEL)
instacron_str UEL
institution UEL
reponame_str Terra Roxa e Outras Terras: Revista de Estudos Literários
collection Terra Roxa e Outras Terras: Revista de Estudos Literários
repository.name.fl_str_mv Terra Roxa e Outras Terras: Revista de Estudos Literários - Universidade Estadual de Londrina (UEL)
repository.mail.fl_str_mv terraroxa.uel@gmail.com
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