The machadian invention and sternian experimentalism as a prologue to the 20th centry: polyphonic poetics and self-conscious multiplicity
Autor(a) principal: | |
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Data de Publicação: | 2020 |
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Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Terra Roxa e Outras Terras: Revista de Estudos Literários |
Texto Completo: | https://ojs.uel.br/revistas/uel/index.php/terraroxa/article/view/39265 |
Resumo: | The poetics of the novel goes through great transformations with authors such as Xavier de Maistre and Laurence Sterne (in the 18th century) and Machado de Assis (in the 19th century). In this proposal, we highlight the works The life and opinions of Tristram Shandy, Gentleman (Sterne 1759) and Memórias póstumas de Brás Cubas (Assis 1880), whose publication in a short story completes 140 year in 2020. Understanding Memórias Póstumas as the first experimental Brazilian novel, we observe the marks of Sterne and Maistre language evoked by the dead author Brás Cubas since the Prologue of his memories, not by chance, posthumous. To address the ways of making self-conscious genre, we resumed unlimited styles with Rabelais and Cervantes. Wandering through Romanesque prologues, we look into “Ao leitor” by Machado. Supported by 20th century literary thinkers, such as Carpeaux, Borges, Bakhtin, and Calvino, we established a relationship between the concepts of polyphony and multiplicity in an understanding of literary without stable and hierarchical models. This way, we reveal the condition of a tanatographic poetics by the created author Brás Cubas, from which emanate desires and move self-conscious novelistic forms in constant biographical decomposition. |
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The machadian invention and sternian experimentalism as a prologue to the 20th centry: polyphonic poetics and self-conscious multiplicityA invenção machadiana e o experimentalismo sterniano como prolegômenos ao século XX: poéticas polifônicas e autoconsciência da multiplicidadeMemórias póstumas de Brás CubasProloguesSelf-conscious genre.Memórias póstumas de Brás CubasPrólogosAutoconsciência narrativa.The poetics of the novel goes through great transformations with authors such as Xavier de Maistre and Laurence Sterne (in the 18th century) and Machado de Assis (in the 19th century). In this proposal, we highlight the works The life and opinions of Tristram Shandy, Gentleman (Sterne 1759) and Memórias póstumas de Brás Cubas (Assis 1880), whose publication in a short story completes 140 year in 2020. Understanding Memórias Póstumas as the first experimental Brazilian novel, we observe the marks of Sterne and Maistre language evoked by the dead author Brás Cubas since the Prologue of his memories, not by chance, posthumous. To address the ways of making self-conscious genre, we resumed unlimited styles with Rabelais and Cervantes. Wandering through Romanesque prologues, we look into “Ao leitor” by Machado. Supported by 20th century literary thinkers, such as Carpeaux, Borges, Bakhtin, and Calvino, we established a relationship between the concepts of polyphony and multiplicity in an understanding of literary without stable and hierarchical models. This way, we reveal the condition of a tanatographic poetics by the created author Brás Cubas, from which emanate desires and move self-conscious novelistic forms in constant biographical decomposition.A poética do romance passa por grandes transformações com autores como Xavier de Maistre e Laurence Sterne (no século XVIII) e Machado de Assis (no XIX). Nesta proposta, destacamos as obras A vida e as opiniões do Cavaleiro Tristram Shandy (Sterne 1759) eMemórias póstumas de Brás Cubas (Assis 1880), cuja publicação em folhetim completa 140 anos em 2020. Entendendo Memórias póstumas de Brás Cubas como primeiro romance brasileiro experimental, observamos as marcas da linguagem de Sterne e de Maistre evocadas pelo defunto autor Brás Cubas desde o Prólogo de suas Memórias, não por acaso, póstumas. Para tratar dos modos de fazer a autoconsciência narrativa, retomamos estilos ilimitados com Rabelais e Cervantes. Deambulando por prólogos romanescos, nos debruçamos sobre o “Ao leitor” de autoria machadiana. Amparados por pensadores do literário no século XX, como Carpeaux, Borges, Bakhtin e Calvino, estabelecemos relação entre os conceitos de polifonia e multiplicidade em uma compreensão do literário sem modelos estáveis e hierarquizados. Nesse sentido, descortinamos a condição de uma poética tanatográfica do autor criado Brás Cubas, da qual emanam desejos e movem-se formas romanescas autoconscientes em constante decomposição biográfica.Programa de Pós-graduação em Letras2020-06-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/terraroxa/article/view/3926510.5433/1678-2054.2020v38p78Terra Roxa e Outras Terras: Revista de Estudos Literários; Vol. 38: Experimentalismos na literatura moderna: experimentos e experiências (jun. 2020); 78-89Terra Roxa e Outras Terras: Revista de Estudos Literários; Vol. 38: Experimentalismos na literatura moderna: experimentos e experiências (jun. 2020); 78-89Terra Roxa e Outras Terras: Revista de Estudos Literários; v. 38: Experimentalismos na literatura moderna: experimentos e experiências (jun. 2020); 78-891678-2054reponame:Terra Roxa e Outras Terras: Revista de Estudos Literáriosinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/terraroxa/article/view/39265/pdfCopyright (c) 2020 Terra Roxa e Outras Terras: Revista de Estudos Literáriosinfo:eu-repo/semantics/openAccessMedeiros, Ana Clara Magalhães deSilva Junior, Augusto Rodrigues da2020-10-20T18:19:50Zoai:ojs.pkp.sfu.ca:article/39265Revistahttp://www.uel.br/revistas/uel/index.php/terraroxa/indexPUBhttps://ojs.uel.br/revistas/uel/index.php/terraroxa/oaiterraroxa.uel@gmail.com1678-20541678-2054opendoar:2020-10-20T18:19:50Terra Roxa e Outras Terras: Revista de Estudos Literários - Universidade Estadual de Londrina (UEL)false |
dc.title.none.fl_str_mv |
The machadian invention and sternian experimentalism as a prologue to the 20th centry: polyphonic poetics and self-conscious multiplicity A invenção machadiana e o experimentalismo sterniano como prolegômenos ao século XX: poéticas polifônicas e autoconsciência da multiplicidade |
title |
The machadian invention and sternian experimentalism as a prologue to the 20th centry: polyphonic poetics and self-conscious multiplicity |
spellingShingle |
The machadian invention and sternian experimentalism as a prologue to the 20th centry: polyphonic poetics and self-conscious multiplicity Medeiros, Ana Clara Magalhães de Memórias póstumas de Brás Cubas Prologues Self-conscious genre. Memórias póstumas de Brás Cubas Prólogos Autoconsciência narrativa. |
title_short |
The machadian invention and sternian experimentalism as a prologue to the 20th centry: polyphonic poetics and self-conscious multiplicity |
title_full |
The machadian invention and sternian experimentalism as a prologue to the 20th centry: polyphonic poetics and self-conscious multiplicity |
title_fullStr |
The machadian invention and sternian experimentalism as a prologue to the 20th centry: polyphonic poetics and self-conscious multiplicity |
title_full_unstemmed |
The machadian invention and sternian experimentalism as a prologue to the 20th centry: polyphonic poetics and self-conscious multiplicity |
title_sort |
The machadian invention and sternian experimentalism as a prologue to the 20th centry: polyphonic poetics and self-conscious multiplicity |
author |
Medeiros, Ana Clara Magalhães de |
author_facet |
Medeiros, Ana Clara Magalhães de Silva Junior, Augusto Rodrigues da |
author_role |
author |
author2 |
Silva Junior, Augusto Rodrigues da |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Medeiros, Ana Clara Magalhães de Silva Junior, Augusto Rodrigues da |
dc.subject.por.fl_str_mv |
Memórias póstumas de Brás Cubas Prologues Self-conscious genre. Memórias póstumas de Brás Cubas Prólogos Autoconsciência narrativa. |
topic |
Memórias póstumas de Brás Cubas Prologues Self-conscious genre. Memórias póstumas de Brás Cubas Prólogos Autoconsciência narrativa. |
description |
The poetics of the novel goes through great transformations with authors such as Xavier de Maistre and Laurence Sterne (in the 18th century) and Machado de Assis (in the 19th century). In this proposal, we highlight the works The life and opinions of Tristram Shandy, Gentleman (Sterne 1759) and Memórias póstumas de Brás Cubas (Assis 1880), whose publication in a short story completes 140 year in 2020. Understanding Memórias Póstumas as the first experimental Brazilian novel, we observe the marks of Sterne and Maistre language evoked by the dead author Brás Cubas since the Prologue of his memories, not by chance, posthumous. To address the ways of making self-conscious genre, we resumed unlimited styles with Rabelais and Cervantes. Wandering through Romanesque prologues, we look into “Ao leitor” by Machado. Supported by 20th century literary thinkers, such as Carpeaux, Borges, Bakhtin, and Calvino, we established a relationship between the concepts of polyphony and multiplicity in an understanding of literary without stable and hierarchical models. This way, we reveal the condition of a tanatographic poetics by the created author Brás Cubas, from which emanate desires and move self-conscious novelistic forms in constant biographical decomposition. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-06-22 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/terraroxa/article/view/39265 10.5433/1678-2054.2020v38p78 |
url |
https://ojs.uel.br/revistas/uel/index.php/terraroxa/article/view/39265 |
identifier_str_mv |
10.5433/1678-2054.2020v38p78 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/terraroxa/article/view/39265/pdf |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Terra Roxa e Outras Terras: Revista de Estudos Literários info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Terra Roxa e Outras Terras: Revista de Estudos Literários |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Programa de Pós-graduação em Letras |
publisher.none.fl_str_mv |
Programa de Pós-graduação em Letras |
dc.source.none.fl_str_mv |
Terra Roxa e Outras Terras: Revista de Estudos Literários; Vol. 38: Experimentalismos na literatura moderna: experimentos e experiências (jun. 2020); 78-89 Terra Roxa e Outras Terras: Revista de Estudos Literários; Vol. 38: Experimentalismos na literatura moderna: experimentos e experiências (jun. 2020); 78-89 Terra Roxa e Outras Terras: Revista de Estudos Literários; v. 38: Experimentalismos na literatura moderna: experimentos e experiências (jun. 2020); 78-89 1678-2054 reponame:Terra Roxa e Outras Terras: Revista de Estudos Literários instname:Universidade Estadual de Londrina (UEL) instacron:UEL |
instname_str |
Universidade Estadual de Londrina (UEL) |
instacron_str |
UEL |
institution |
UEL |
reponame_str |
Terra Roxa e Outras Terras: Revista de Estudos Literários |
collection |
Terra Roxa e Outras Terras: Revista de Estudos Literários |
repository.name.fl_str_mv |
Terra Roxa e Outras Terras: Revista de Estudos Literários - Universidade Estadual de Londrina (UEL) |
repository.mail.fl_str_mv |
terraroxa.uel@gmail.com |
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1776751414715875328 |